LILLI LEHMANN
CONTENTS
MY PURPOSE
SECTION I PRELIMINARY PRACTICE
SECTION II OF THE BREATH
SECTION III OF THE BREATH AND WHIRLING CURRENTS (SINGING FORWARD)
SECTION IV THE SINGER'S PHYSIOLOGICAL STUDIES
SECTION V EQUALIZING THE VOICE; BREATH; FORM
SECTION VI THE ATTACK
SECTION VII NASAL. NASAL SINGING
SECTION VIII SINGING TOWARD THE NOSE. HEAD VOICE
SECTION IX THE HEAD VOICE
SECTION X SENSATION AND POSITION OF THE TONGUE
SECTION XI THE SENSATIONS OF THE PALATE
SECTION XII THE SENSATION OF THE RESONANCE OF THE HEAD CAVITIES
SECTION XIII SINGING COVERED
SECTION XIV ON VOCAL REGISTERS
SECTION XV DEVELOPMENT AND EQUALIZATION
SECTION XVI WHITE VOICES
SECTION XVII THEODOR WACHTEL
SECTION XVIII THE HIGHEST HEAD TONES
SECTION XIX EXTENSION OF THE COMPASS AND EQUALIZATION OF REGISTERS
SECTION XX THE TREMOLO
SECTION XXI THE CURE
SECTION XXII THE TONGUE
SECTION XXIII PREPARATION FOR SINGING
SECTION XXIV THE POSITION OF THE MOUTH (CONTRACTION OF THE MUSCLES OF SPEECH)
SECTION XXV CONNECTION OF VOWELS
SECTION XXVI THE LIPS
SECTION XXVII THE VOWEL-SOUND AH
SECTION XXVIII ITALIAN AND GERMAN
SECTION XXIX AUXILIARY VOWELS
SECTION XXX RESONANT CONSONANTS
SECTION XXXI PRACTICAL EXERCISES
SECTION XXXII THE GREAT SCALE
SECTION XXXIII VELOCITY
SECTION XXXIV TRILL
SECTION XXXV HOW TO HOLD ONE'S SELF WHEN PRACTISING
SECTION XXXVI CONCERNING EXPRESSION
SECTION XXXVII BEFORE THE PUBLIC
SECTION XXXVIII INTERPRETATION
SECTION XXXIX IN CONCLUSION
