CONTENTS

Previous

My Purpose 1
My Title to write on the Art of Song 5
SECTION I

Preliminary Practice 11
SECTION II

Of the Breath 19
SECTION III

Of the Breath and Whirling Currents 27
SECTION IV

The Singer's Physiological Studies 35
SECTION V

Equalizing the Voice; Breath; Form 45
SECTION VI

The Attack 69
SECTION VII

Nasal. Nasal Singing 73
SECTION VIII

Singing toward the Nose. Head Voice 78
SECTION IX

The Head Voice 86
SECTION X

Sensation and Position of the Tongue 99
SECTION XI

The Sensations of the Palate 102
SECTION XII

The Sensation of the Resonance of the Head Cavities 108
SECTION XIII

Singing Covered 123
SECTION XIV

On Vocal Registers 133
SECTION XV

Development and Equalization 142
SECTION XVI

White Voices 154
SECTION XVII

Theodor Wachtel 158
SECTION XVIII

The Highest Head Tones 162
SECTION XIX

Extension of the Compass and Equalization of Registers 169
SECTION XX

The Tremolo 170
>SECTION XXI

The Cure 176
SECTION XXII

The Tongue 181
SECTION XXIII

Preparation for Singing 189
SECTION XXIV

The Position of the Mouth (Contraction of the Muscles of Speech) 192
SECTION XXV

Connection of Vowels 196
SECTION XXVI

The Lips 212
SECTION XXVII

The Vowel Sound AH 214
SECTION XXVIII

Italian and German 219
SECTION XXIX

Auxiliary Vowels 226
SECTION XXX

Resonant Consonants 229
SECTION XXXI

Practical Exercises 232
SECTION XXXII

The Great Scale 239
SECTION XXXIII

Velocity 245
SECTION XXXIV

Trill 251
SECTION XXXV

How to hold One's Self when Practising 256
SECTION XXXVI

Concerning Expression 263
SECTION XXXVII

Before the Public 265
SECTION XXXVIII

Interpretation 270
SECTION XXXIX

In Conclusion 279
Note.—A Good Remedy for Catarrh and Hoarseness 281


                                                                                                                                                                                                                                                                                                           

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