  We sing covered as soon as the soft palate is lowered toward the nose (that is, in the middle register), and the resonance and attack are transferred thither so that the breath can flow over the soft palate through the nose. This special function of the palate, too, should be carefully prepared for in the tones that precede it, and mingled with them, in order not to be heard so markedly as it often is. In men's voices this is much more plainly audible than in women's; but both turn it to account equally on different tones. This often produces a new register that should not be produced. This belongs to the chapter on registers. music The tone is concentrated on the front of the palate instead of being spread over all of it—but this must not be done too suddenly. [See illustrations on pages 127, 129, 131, 133.] covered tones covered tones change of attack change of attack |
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