The Life of David Belasco; Vol. 1

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CONTENTS The Life of David Belasco Volume One

ILLUSTRATIONS. Volume One.

PREFACE

ANCESTRY AND BIRTH.

BOYHOOD IN BRITISH COLUMBIA.

EARLY PROCLIVITY FOR THE THEATRE.

MEMORIES OF JULIA DEAN.

REMOVAL TO SAN FRANCISCO.

GLIMPSES OF BOYHOOD.

SCHOOL DAYS IN SAN FRANCISCO.

HARD TIMES IN EARLY DAYS.

THE SENTIMENTAL STOWAWAY.

A BOHEMIAN INTERLUDE.

BELASCO'S EARLIEST ASSOCIATIONS WITH THE THEATRE IN SAN FRANCISCO

AN EARLY FRIEND. W. H. SEDLEY-SMITH.

ADOPTION OF THE STAGE.

BELASCO'S THEATRICAL NOVITIATE.

A THEATRICAL VAGABOND.

EMULATION OF WALTER MONTGOMERY.

A ROMANTIC COURTSHIP. MARRIAGE.

THEATRICAL LIFE IN VIRGINIA CITY.

DION BOUCICAULT AND KATHARINE RODGERS.

CONFLICTIVE TESTIMONY.

VARIEGATED EXPERIENCES.

RANDOM RECOLLECTIONS. 1875.

BALDWIN'S ACADEMY AND BARRY SULLIVAN.

WITH BOOTH AT THE CALIFORNIA.

BELASCO AND "THE EGYPTIAN MYSTERY."

A REMINISCENCE OF HELENA MODJESKA.

STROLLING AD INTERIM . BELASCO AS "THE FIRST OLD WOMAN."

A SUBSTANTIAL TRIBUTE.

"OLIVIA" AND "PROOF POSITIVE."

BELASCO'S VERSION OF "NOT GUILTY."

WITHDRAWAL FROM THE BALDWIN. "THE LONE PINE" AND DENMAN THOMPSON.

"WITHIN AN INCH OF HIS LIFE."

SALMI MORSE'S "PASSION PLAY."

NOT THE OBERAMMERGAU DRAMA.

CONSTITUENTS OF MORSE'S PLAY.

AS TO PROPRIETY.

"THE PASSION PLAY" IN NEW YORK.

"THE MILLIONAIRE'S DAUGHTER."

DETRACTION OF BELASCO. EARLY CALIFORNIA INFLUENCES.

BELASCO'S REPERTORY AS AN ACTOR.

BELASCO'S "THE STORY OF MY LIFE."

A LEADING LADY IN A PET.

ROSE COGHLAN AND "THE MOONLIGHT MARRIAGE."

"L'ASSOMMOIR" AND A DOUBLE-BARRELLED BENEFIT.

A HOT WATER REHEARSAL.

THE PLAY OF "CHUMS."

FROM SAN FRANCISCO TO CHICAGO.

"HEARTS OF OAK."

FIRST VENTURE IN NEW YORK.

JAMES ALFRED HERNE.

ANALYSIS OF "HEARTS OF OAK."

FAILURE AND ITS CONSEQUENCES.

SAN FRANCISCO AGAIN.

BELASCO'S RECOLLECTIONS OF ADELAIDE NEILSON.

"PAUL ARNIFF."

WANING FORTUNES AT THE BALDWIN.

AN OLD ACQUAINTANCE, JOHN T. MALONE.

"TRUE TO THE CORE."

A STERLING ACTOR AND AN INTERESTING ESTIMATE: WILLIAM E. SHERIDAN.

LAURA DON. AN UNFULFILLED AMBITION.

"LA BELLE RUSSE."

"THE STRANGLERS OF PARIS."

NEW YORK AGAIN. "LA BELLE RUSSE" AT WALLACK'S.

AN OPINION BY BRONSON HOWARD. WALLACK IN THE THIRTIETH STREET HOUSE.

BELASCO AND HIS "THE CURSE OF CAIN."

THE PASSING OF MAGUIRE.

BELASCO AND GUSTAVE FROHMAN. THEY REVIVE "THE OCTOROON."

"AMERICAN BORN."

FIRST MEETING WITH CHARLES FROHMAN.

EASTWARD, HO!

A RETROSPECT.

A SECOND VENTURE IN CHICAGO. THE LAST OF "AMERICAN BORN."

THE MADISON SQUARE THEATRE.

BELASCO AT THE MADISON SQUARE.

"MAY BLOSSOM."

FIRST VISIT TO ENGLAND. "CALLED BACK."

CHANGES AT THE MADISON SQUARE.

A LABORIOUS INTERLUDE. LYCEUM THEATRE.

"VALERIE" AT WALLACK'S.

MORE ERRORS CORRECTED.

AN EXTRAORDINARY COMPANY AND A SUMMER SEASON IN SAN FRANCISCO.

AFFAIRS OF THE LYCEUM.

"THE HIGHEST BIDDER."

"PAWN TICKET 210."

"BARON RUDOLPH" AND GEORGE S. KNIGHT.

"THE WIFE."

"A COMMON-SENSE HUSBAND."

REVISION OF "SHE."

"LORD CHUMLEY" AND E. H. SOTHERN.

"THE KAFFIR DIAMOND."

THE SCHOOL OF ACTING.

A REVIVAL OF "ELECTRA."

MANY NEW TASKS.

"THE CHARITY BALL."

MRS. LESLIE CARTER.

EPISODE OF "THE PRINCE AND THE PAUPER."

RETIREMENT FROM THE LYCEUM THEATRE.

A LONG, LONG ROAD.

CONFEDERATION WITH CHARLES FROHMAN.

PROCTOR'S TWENTY-THIRD STREET THEATRE.

THE PLAY OF "MEN AND WOMEN."

HATCHING "THE UGLY DUCKLING."

"THE UGLY DUCKLING." MRS. CARTER'S DEBUT.

MORE FAILURE, AND A LAWSUIT.

A POVERTY-STRICKEN STRUGGLE.

"MISS HELYETT" AND MRS. CARTER.

ORIGIN OF THE EMPIRE THEATRE.

"THE GIRL I LEFT BEHIND ME."

BELASCO AND CHARLES FROHMAN.

A CHARLES FROHMAN LETTER.

A BAFFLED ENTERPRISE IN CHICAGO.

"THE YOUNGER SON."

FIGHTING FOR A CHANCE.

STORY AND PRODUCTION OF "THE HEART OF MARYLAND." ITS GREAT SUCCESS.

"THE FIRST BORN." A SUCCESS AND A FAILURE.

BELASCO'S SECOND ENGLISH VENTURE. "THE HEART OF MARYLAND" IN LONDON.

"ZAZA," AND THE ETHICAL QUESTION.

PRODUCTION, AND CONTENTS, OF "ZAZA."

DEATH OF BELASCO'S MOTHER. "CAN THE DEAD COME BACK?" A STRANGE EXPERIENCE.

BLANCHE BATES AND "NAUGHTY ANTHONY."

"MADAME BUTTERFLY."

"ZAZA" ABROAD.

VIEWS OF THE FRENCH DRAMATISTS.

"WITH SPEED FOR ENGLAND." ANOTHER SUCCESS IN LONDON.

PUCCINI AND BELASCO.

"MADAME BUTTERFLY" AS AN OPERA. A PROPOSAL BY LADY VALERIE MEUX.

INDEX TO VOLUME ONE

Contents.
Index To Volume One

List of Illustrations

(etext transcriber's note)

THE LIFE OF
DAVID BELASCO

VOLUME ONE

THE RECENT

WORKS OF WILLIAM WINTER


Other Days., Being Chronicles and Memories of The Stage (1908).

Old Friends., Being Literary Recollections of Other Days (1909).

Poems (Definitive Edition—1909).

Life and Art of Richard Mansfield (Two Volumes—1910).

Shakespeare’s England (Revised and Augmented—1910).

Gray Days and Gold (Revised and Augmented—1911).

Over the Border (Scotch Companion to Above—1911).

Shakespeare on the Stage,—First Series: 1911. I. “Shakespeare Spells Ruin.” II. King Richard III. III. The Merchant of Venice. IV. Othello. V. Hamlet. VI. Macbeth. VII. King Henry VIII.

Shakespeare on the Stage,—Second Series: 1915. I. Twelfth Night. II. Romeo and Juliet. III. As You Like It. IV. King Lear. V. The Taming of the Shrew. VI. Julius CÆsar.

Shakespeare on the Stage,—Third Series: 1916. I. Cymbeline. II. Love’s Labor’s Lost. III. Coriolanus. IV. A Midsummer Night’s Dream. V. King Henry IV.,—First and Second Parts. VI. The Merry Wives of Windsor. VII. Antony and Cleopatra. VIII. King John.

Lives of the Players:—I. Tyrone Power (1912).

The Wallet of Time, Containing Personal, Biographical, and Critical Reminiscence of the American Theatre (Two Volumes—1913).

Vagrant Memories, Being Further Recollections of Other Days (1915).

The Life of David Belasco (Two Volumes—1918).

 

 

THE LIFE

OF

DAVID BELASCO

BY

WILLIAM WINTER

(1836-1917)

“He, being dead, yet speaketh.”


VOLUME ONE


New York
MOFFAT, YARD AND COMPANY
1918


Copyright, 1918, by
JEFFERSON WINTER

All Rights Reserved




TO

THE MEMORY OF
REINA MARTIN BELASCO

This Memoir of Her Son

DAVID BELASCO

Actor, Dramatist, and Manager,
Whom She Dearly Loved
And by Whom She Was Idolized,
Is Reverently Dedicated
By the Stranger Who Has Written It,
Hoping Thereby to Honor and Commemorate
Genius, Courage, Industry, Enterprise, and Energy,
Exemplified in a Useful and Beneficent Life,
In the Service of
The Theatre


If Heaven to souls that dwell in bliss can show
The fate of those they love and leave behind,
She, in that Heaven, may be glad to know
Her son was honored with his human kind.

 

 

Each petty hand
Can steer a ship becalm’d, but he that will
Govern and carry her to her ends must know
His tides, his currents, how to shift his sails,
What she will bear in foul, what in fair, weathers,
What her springs are, her leaks and how to stop ’em,
What strands, what shelves, what rocks, do threaten her,
The forces and the nature of all winds,
Gusts, storms, and tempests, when her keel ploughs hell
And deck knocks heaven, THEN to manage her
Becomes the name and office of a Pilot!
—BEN JONSON, IN “CATILINE.”

 

 

                                                                                                                                                                                                                                                                                                           

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