By Henry Thomas Riley, B. A.
DRAMATIS PERSONAE.
THE ACROSTIC ARGUMENT {1}.
THE PROLOGUE.
ACT I. SCENE I. Enter ERGASILUS.
SCENE II. Enter, from his house, HEGIO and a SLAVE.
ACT II. SCENE I.
SCENE II. Enter HEGIO, from his house, speaking to those within.
SCENE III. Enter PHILOCRATES, from the house.
ACT III. SCENE I. Enter ERGASILUS.
SCENE II. Enter HEGIO and ARISTOPHONTES.
SCENE III. Enter TYNDARUS, from the house .
SCENE IV. Enter HEGIO, ARISTOPHONTES, and SLAVES, from the house.
SCENE V. HEGIO, TYNDARUS, ARISTOPHONTES, and SLAVES. HEG. ( to
SCENE VI. HEGIO and ARISTOPHONTUS.
ACT IV. SCENE I. Enter ERGASILUS. {1}
SCENE II. Enter HEGIO, at a distance.
SCENE III. ERGASILUS, alone.
ACT V. SCENE I. Enter a LAD, a servant of HEGIO.
SCENE II. Enter HEGIO, PHILOPOLEMUS, PHILOCRATES, and behind them , STALAGMUS.
SCENE III. HEGIO and STALAGMUS. HEG. Come you, step this way, you worthy fellow, my fine slave.
SCENE IV. Enter PHILOCRATES, from the house. PHIL. Hegio,
SCENE V. Enter TYNDARUS, in chains, led in by the SERVANTS.
MOSTELLARIA OR, THE HAUNTED HOUSE.
DRAMATIS PERSONAE. (2)
THE ACROSTIC ARGUMENT. {Supposed to have been written by Priscian the Grammarian.}
ACT I. SCENE I. Enter, from the house of THEUROPIDES, GRUMIO,
SCENE II. Enter PHILOLACHES, from the house of THEUROPIDES.
SCENE III. Enter PHILEMATIUM and SCAPHA, with all the requisites
SCENE IV. Enter CALLIDAMATES, at a distance, drunk, and DELPHIUM,
SCENE V. Enter TRANIO, at a distance.
ACT II. SCENE I. Enter THEUROPIDES, followed by ATTENDANTS.
ACT III. SCENE I. Enter a BANKER, at the end of the stage.
SCENE II. Enter SIMO, from his house .
ACT IV. SCENE I. Enter PHANISCUS.
SCENE II. Enter TRANIO and THEUROPIDES, from the house of
SCENE III. THEUROPIDES, PHANISCUS, and another SERVANT.
SCENE IV. Enter SIMO. THEU. What are you about?
ACT V. SCENE I. Enter TRANIO.
SCENE II. Enter CALLIDAMATES, at a distance.
