CONTENTS
THE CAPTIVI
DRAMATIS PERSONAE.
THE ACROSTIC ARGUMENT {1}.
THE PROLOGUE.
ACT I.—SCENE I.
SCENE II.—Enter, from his house, HEGIO and a SLAVE.
ACT II.—SCENE I.
SCENE II.—Enter HEGIO, from his house, speaking to those within.
SCENE III.—Enter PHILOCRATES, from the house.
ACT III.—SCENE I.
SCENE II.—Enter HEGIO and ARISTOPHONTES.
SCENE III.—Enter TYNDARUS, from the house.
SCENE IV.—Enter HEGIO, ARISTOPHONTES, and SLAVES, from the house.
SCENE V.—HEGIO, TYNDARUS, ARISTOPHONTES, and SLAVES.
SCENE VI.—HEGIO and ARISTOPHONTUS.
ACT IV.—SCENE I.
SCENE II.—Enter HEGIO, at a distance.
SCENE III.—ERGASILUS, alone.
ACT V.—SCENE I.
SCENE II.—Enter HEGIO, PHILOPOLEMUS, PHILOCRATES, and behind them,
SCENE III.—HEGIO and STALAGMUS.
SCENE IV.—Enter PHILOCRATES, from the house.
SCENE V.—Enter TYNDARUS, in chains, led in by the SERVANTS.
MOSTELLARIA OR, THE HAUNTED HOUSE.
THE ACROSTIC ARGUMENT.
ACT I.—SCENE I. Enter, from the house of THEUROPIDES, GRUMIO,
SCENE II.—Enter PHILOLACHES, from the house of THEUROPIDES.
SCENE III.—Enter PHILEMATIUM and SCAPHA, with all the requisites
SCENE IV.—Enter CALLIDAMATES, at a distance, drunk, and DELPHIUM,
SCENE V.—Enter TRANIO, at a distance.
SCENE II.—Enter SIMO, from his house.
SCENE II.—Enter TRANIO and THEUROPIDES, from the house of SIMO.
SCENE III.—THEUROPIDES, PHANISCUS, and another SERVANT.
SCENE IV.—Enter SIMO.
SCENE II.—Enter CALLIDAMATES, at a distance.
