CHARACTERS.

ACT I.- SCENE 1.

ACT I.- SCENE 2.

ACT I.- SCENE 3.

ACT I.- SCENE 4.

ACT I.- SCENE 5.

ACT II.- SCENE 1.

ACT II.- SCENE 2.

ACT II.- SCENE 3.

ACT II.- SCENE 4.

ACT II.- SCENE 5.

ACT III.- SCENE 1.

ACT III.- SCENE 2.

ACT III.- SCENE 3.

ACT IV.- SCENE II.

ACT IV.- SCENE 2.

ACT IV.- SCENE 3.

ACT V.- SCENE 1.

ACT V.- SCENE 2.

ACT V.- SCENE 3.

ACT V.- SCENE 4.

ACT V.- SCENE 5.

Footnotes

A

TRAGEDY.

LONDON:

PRINTED FOR JOHN MURRAY, FLEET STREET,
By James Moyes, Greville Street, Hatton Garden.

1812.

The daughter of Count Julian is usually called Florinda—a fictitious appellation, unsuitable to the person and to the period.  Never was one devised more incompatible with the appearance of truth, or more fatal to the illusions of sympathy.  The city of Covilla, it is reported, was named after her.  Here is no improbability: there would be a gross one in deriving the word, as is also pretended, from La Cava.  Cities, in adopting a name, bear it usually as a testimony of victories or as an augury of virtues.  Small and obscure places, occasionally, receive what their neighbours throw against them; as Puerto de la mala muger in Murcia.  A generous and enthusiastic people, beyond all others in existence or on record, would affix no stigma to innocence and misfortune.

It is remarkable that the most important era in Spanish history should be the most obscure.  This is propitious to the poet, and above all to the tragedian.  Few characters of such an era can be glaringly misrepresented, few facts offensively perverted.