by William Dean Howells
BIBLIOGRAPHICAL
THE MAN OF LETTERS AS A MAN OF BUSINESS
I.
II.
III.
IV.
V.
VI.
VII.
VIII
IX.
X.
XI.
CONFESSIONS OF A SUMMER COLONIST
I. (2)
II. (2)
III. (2)
IV (2)
THE EDITOR'S RELATIONS WITH THE YOUNG CONTRIBUTOR
I. (3)
II. (3)
III. (3)
IV. (3)
V. (2)
VI. (2)
LAST DAYS IN A DUTCH HOTEL -1897
I. (4)
II. (4)
III (4)
IV (4)
V. (3)
VI. (3)
VII. (2)
VIII. (2)
SOME ANOMALIES OF THE SHORT STORY
I. (5)
II. (5)
III. (5)
IV. (5)
V. (4)
VI. (4)
SPANISH PRISONERS OF WAR
I. (6)
II. (6)
III. (6)
IV. (6)
AMERICAN LITERARY CENTRES
I. (7)
II. (7)
III. (7)
IV. (7)
V. (5)
THE STANDARD HOUSEHOLD-EFFECT COMPANY
I. (8)
II. (8)
STACCATO NOTES OF A VANISHED SUMMER
I. (9)
II. (9)
III. (8)
IV. (8)
V. (6)
LITERATURE AND LIFE Short Stories and Essays
CONTENTS:
WORRIES OF A WINTER WALK
I. (10)
II. (10)
III. (9)
SUMMER ISLES OF EDEN
I. (11)
II. (11)
III. (10)
IV. (9)
WILD FLOWERS OF THE ASPHALT
I. (12)
II. (12)
III. (11)
IV (10)
A CIRCUS IN THE SUBURBS
I. (13)
II. (13)
III. (12)
IV. (11)
A SHE HAMLET
I. (14)
II. (14)
III. (13)
THE MIDNIGHT PLATOON
I. (15)
II. (15)
III. (14)
IV. (12)
V. (7)
THE BEACH AT ROCKAWAY
I. (16)
II. (16)
III. (15)
IV. (13)
V. (8)
VI. (5)
SAWDUST IN THE ARENA
I. (17)
II. (17)
III. (16)
AT A DIME MUSEUM
I. (18)
II. (18)
AMERICAN LITERATURE IN EXILE
I. (19)
II. (19)
THE HORSE SHOW
I. (20)
II. (20)
III. (17)
IV. (14)
THE PROBLEM OF THE SUMMER
I. (21)
II. (21)
III. (18)
AESTHETIC NEW YORK FIFTY-ODD YEARS AGO
I. (22)
II. (22)
FROM NEW YORK INTO NEW ENGLAND
I. (23)
II. (23)
III. (19)
IV. (15)
V. (9)
THE ART OF THE ADSMITH
I. (24)
II. (24)
III. (20)
THE PSYCHOLOGY OF PLAGIARISM
I. (25)
II. (25)
PURITANISM IN AMERICAN FICTION
I. (26)
II. (26)
THE WHAT AND THE HOW IN ART
I. (27)
II. (27)
III. (21)
POLITICS OF AMERICAN AUTHORS
I. (28)
II. (28)
III. (22)
IV. (16)
STORAGE
I. (29)
II. (29)
III. (23)
IV (17)
"FLOATING DOWN THE RIVER ON THE O-HI-O"
I. (30)
II. (30)
III. (24)
IV. (18)
V. (10)
VI. (6)
MY LITERARY PASSIONS By William Dean Howells 1895 #NAME? #NAME?
BIBLIOGRAPHICAL (2)
I. THE BOOKCASE AT HOME
II. GOLDSMITH
III. CERVANTES
IV. IRVING
V. FIRST FICTION AND DRAMA
VI. LONGFELLOW'S "SPANISH STUDENT"
VII. SCOTT
VIII. LIGHTER FANCIES
IX. POPE
X. VARIOUS PREFERENCES
XI. UNCLE TOM'S CABIN
XII. OSSIAN
XIII. SHAKESPEARE
XIV. IK MARVEL
XV. DICKENS
XVI. WORDSWORTH, LOWELL, CHAUCER
XVII. MACAULAY
XVIII. CRITICS AND REVIEWS
XIX. A NON-LITERARY EPISODE
XX. THACKERAY
XXI. "LAZARILLO DE TORMES"
XXII. CURTIS, LONGFELLOW, SCHLEGEL
XXIII. TENNYSON
XXIV. HEINE
XXV. DE QUINCEY, GOETHE, LONGFELLOW
XXVI. GEORGE ELIOT, HAWTHORNE, GOETHE, HEINE
XXVII. CHARLES READE
XXVIII. DANTE
XXIX. GOLDONI, MANZONI, D'AZEGLIO
XXX. "PASTOR FIDO," "AMINTA," "ROMOLA," "YEAST," "PAUL FERROLL"
XXXI. ERCKMANN-CHATRIAN, BJORSTJERNE BJORNSON
XXXII. TOURGUENIEF, AUERBACH
XXXIII. CERTAIN PREFERENCES AND EXPERIENCES
XXXIV. VALDES, GALDOS, VERGA, ZOLA, TROLLOPE, HARDY
XXXV. TOLSTOY
CRITICISM AND FICTION By William Dean Howells
I (31)
II (31)
III (25)
IV (19)
V. (11)
VI. (7)
VII. (3)
VIII. (3)
IX. (2)
X. (2)
XI. (2)
XII.
XIII.
XIV.
XV.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
