FROISSART.

1337-1410.

French literature, for the purposes of the present volume, may be said to commence with Froissart. Froissart is a kind of mediÆval Herodotus. His time is, indeed, almost this side the middle ages; but he belongs by character and by sympathy rather to the mediÆval than to the modern world. He is delightfully like Herodotus in the style and the spirit of his narrative. Like Herodotus, he became a traveller in order to become an historian. Like Herodotus, he was cosmopolite enough not to be narrowly patriotic. Frenchman though he was, he took as much pleasure in recounting English victories as he did in recounting French. His countrymen have even accused him of unpatriotic partiality for the English. His Chronicles have been, perhaps, more popular in their English form than in their original French. Two prominent English translations have been made, of which the later, that by Thomas Johnes, is now most read. Sir Walter Scott thought the earlier excelled in charm of style.

Jehan or Jean Froissart was a native of Valenciennes. His father meant to make a priest of him, but the boy had other tastes of his own. Before he was well out of his teens, he began writing history. This was under the patronage of a great noble. Froissart was all his life a natural courtier. He throve on the patronage of the great. It was probably not a fawning spirit in him that made him this kind of man; it was rather an innate love of splendor and high exploit. He admired chivalry, then in its last days, and he painted it with the passion of an idealizer. His father had been an heraldic painter, so it was perhaps an hereditary strain in the son that naturally attached him to rank and royalty. The people—that is, the promiscuous mass of mankind—hardly exist to Froissart. His pages, spacious as they are, have scarcely room for more than kings and nobles, and knights and squires. He is a picturesque and romantic historian, in whose chronicles the glories of the world of chivalry—a world, as we have said, already dying, and so soon to disappear—are fixed forever on an ample canvas, in moving form and shifting color, to delight the backward-looking imagination of mankind.

Froissart, besides being chronicler, was something of a poet. It would still be possible to confront one who should call this in question, with thirty thousand surviving verses from the chronicler's pen. Quantity, indeed, rather than quality, is the strong point of Froissart as poet.

He had no sooner finished the first part of his Chronicles, a compilation from the work of an earlier hand, than he posted to England for the purpose of formally presenting his work to the Queen, a princess of Hainault. She rewarded him handsomely. Woman enough, too, she was, woman under the queen, duly to despatch him back again to his native land, where the young fellow's heart, she saw, was lost to a noble lady, whom, from his inferior station, he could woo only as a moth might woo the moon. He subsequently returned to Great Britain, and rode about on horseback gathering materials of history. He visited Italy under excellent auspices, and, together with Chaucer and with Petrarch, witnessed a magnificent marriage ceremonial in Milan. Froissart continued to travel far and wide, always a favorite with princes, but always intent on achieving his projected work. He finally died at Chimay, where he had spent his closing years in rounding out to their completeness his "Chronicles of England, France, and the Adjoining Countries."

Froissart is the most leisurely of historians, or, rather, he is a writer who presupposes the largest allowance of leisure at the command of his readers. He does not seek proportion and perspective. He simply tells us all he had been able to find out respecting each transaction in its turn as it successively comes up in the progress of his narrative. If he goes wrong to-day, he will perhaps correct himself to-morrow, or day after to-morrow,—this not by changing the first record where it stands, to make it right, but by inserting a note of his mistake at the point, whatever it may be, which he shall chance to have reached in the work of composition when the new and better light breaks in on his eyes. The student is thus never quite certain but that what he is at one moment reading in his author, may be an error of which at some subsequent moment he will be faithfully advised. A little discomposing, this, but such is Froissart; and it is the philosophical way to take your author as he is, and make the best of him.

Of such an historian, an historian so diffuse, and so little selective, it would obviously be difficult to give any suitably brief specimen that should seem to present a considerable historic action in full. We go to Froissart's account of the celebrated battle of Poitiers (France). This was fought in 1356, between Edward the Black Prince on the English side, and King John on the side of the French.

King John of the French was, of course, a great prize to be secured by the victorious English. There was eager individual rivalry as to what particular warrior should be adjudged his true captor. Froissart thus describes the strife and the issue:—

We continue our citation from Froissart with the brief chapter in which the admiring chronicler tells the gallant story of the Black Prince's behavior as host toward his royal captive, King John of France (it was the evening after the battle):—

When evening was come, the Prince of Wales gave a supper in his pavilion to the King of France, and to the greater part of the princes and barons who were prisoners. The prince seated the King of France, and his son the Lord Philip, at an elevated and well-covered table: with them were Sir James de Bourbon, the Lord John d'Artois, the earls of Tancarville, of Estampes, of Dammartin, of Graville, and the Lord of Partenay. The other knights and squires were placed at different tables. The prince himself served the king's table, as well as the others, with every mark of humility, and would not sit down at it, in spite of all his entreaties for him so to do, saying that "he was not worthy of such an honor, nor did it appertain to him to seat himself at the table of so great a king, or of so valiant a man as he had shown himself by his actions that day." He added, also, with a noble air, "Dear sir, do not make a poor meal, because the Almighty God has not gratified your wishes in the event of this day; for be assured that my lord and father will show you every honor and friendship in his power, and will arrange your ransom so reasonably, that you will henceforward always remain friends. In my opinion, you have cause to be glad that the success of this battle did not turn out as you desired; for you have this day acquired such high renown for prowess, that you have surpassed all the best knights on your side. I do not, dear sir, say this to flatter you; for all those of our side who have seen and observed the actions of each party, have unanimously allowed this to be your due, and decree you the prize and garland for it." At the end of this speech, there were murmurs of praise heard from every one; and the French said the prince had spoken nobly and truly, and that he would be one of the most gallant princes in Christendom if God should grant him life to pursue his career of glory.