Seville ——

An unexpected event has, since my last, thrown the inhabitants of this town into raptures of joy. The bull-fights which, by a royal order, had been discontinued for several years, were lately granted to the wishes of the people. The news of the most decisive victory could not have more elated the spirits of the Andalusians, or roused them into greater activity. No time was lost in making the necessary preparations. In the course of a few weeks all was ready for the exhibition, while every heart beat high with joyful expectation of the appointed day which was to usher in the favourite amusement.

You should be told, however, that Seville is acknowledged, on all hands, to have carried these fights to perfection. To her school of bullmanship, that art owes all its refinements. Bull-fighting is considered by many of our young men of fashion a high and becoming accomplishment; and mimicking the scenes of the amphitheatre forms the chief amusement among boys of all ranks in Andalusia. The boy who personates the most important character in the drama—the bull—is furnished with a large piece of board, armed in front, with the natural weapons of the animal, and having handles fastened to the lower surface. By the last the boy keeps the machine steady on the top of the head, and with the former he unmercifully pushes such of his antagonists as are not dexterous enough to evade, or sufficiently swift to escape him. The fighters have small darts, pointed with pins, which they endeavour to fix on a piece of cork stuck flat on the horned board, till at length the bull falls, according to rule, at the touch of a wooden sword.

Our young country-gentlemen have a substitute for the regular bull-fights, much more approaching to reality. About the beginning of summer, the great breeders of black cattle—generally men of rank and fortune—send an invitation to their neighbours to be present at the trial of the yearlings, in order to select those that are to be reserved for the amphitheatre. The greatest festivity prevails at these meetings. A temporary scaffolding is raised round the walls of a very large court, for the accommodation of the ladies. The gentlemen attend on horseback, dressed in short loose jackets of silk, chintz, or dimity, the sleeves of which are not sewed to the body, but laced with broad ribbons of a suitable colour, swelling not ungracefully round the top of the shoulders. A profusion of hanging buttons, either silver or gold, mostly silver gilt, twinkle in numerous rows round the wrists of both sexes. The saddles, called Albardones, to distinguish them from the peak-saddle, which is seldom used in Andalusia, rise about a foot before and behind in a triangular shape. The stirrups are iron boxes, open on both sides, and affording a complete rest the whole length of the foot. Both country-people and gentlemen riding in these saddles, use the stirrups so short, that, in defiance of all the rules of manÈge, the knees and toes project from the side of the horse, and, when galloping, the rider appears to kneel on its back. A white beaver-hat, of rather more than two feet diameter, fastened under the chin by a ribbon, was till lately worn at these sports, and is still used by the horsemen at the public exhibitions; but the Montera is now prevalent. I find it difficult to describe this part of the national dress without the aid of a drawing. Imagine, however, a bishop’s mitre inverted, and closed on the side intended to receive the head. Conceive the two points of the mitre so shortened that, placed downwards on the skull, they scarcely cover the ears. Such is our national cap. Like Don Quixote’s head-piece, the frame is made of pasteboard. Externally it is black velvet, ornamented with silk frogs and tassels of the same colour.

Each of the cavaliers holds a lance, twelve feet in length, headed with a three-edged steel point. The weapon is called Garrocha, and it is used by horsemen whenever they have to contend with the bulls, either in the fields or the amphitheatre. The steel, however, is sheathed by two strong leather rings, which are taken off in proportion to the strength of the bull, and the sort of wound which is intended. On the present occasion no more than half an inch of steel is uncovered. Double that length is allowed in the amphitheatre; though the spear is not intended to kill or disable the animal, but to keep him off by the painful pressure of the steel on a superficial wound. Such however, is the violence of the bulls when attacking the horses, that I once saw the blunt spear I have described, run along the neck into the body of the beast and kill him on the spot. But this is a rare occurrence, and foul play was suspected on the part of the man, who seems to have used more steel than the lance is allowed to be armed with.

The company being assembled in and round the rural arena, the one-year-old bulls are singly let in by the herdsmen. It might be supposed, that animals so young would be frightened at the approach of the horseman couching his spear before their eyes; but our Andalusian breeders expect better things from their favourites. A young bull must attack the horseman twice, bearing the point of the spear on his neck, before he is set apart for the bloody honours of the amphitheatre. Such as flinch from the trial are instantly thrown down by the herdsmen, and prepared for the yoke on the spot.

These scenes are often concluded with a more cruel sport, named Derribar. A strong bull is driven from the herd into the open field, where he is pursued at full gallop by the whole band of horsemen. The Spanish bull is a fleet animal, and the horses find it difficult to keep up with him at the first onset. When he begins, however, to slack in his course, the foremost spearsman, couching his lance, and aiming obliquely at the lower part of the spine, above the haunches, spurs his horse to his utmost speed, and, passing the bull, inflicts a wound, which, being exceedingly painful, makes him wince, lose his balance, and come down with a tremendous fall. The shock is so violent that the bull seems unable to rise for some time. It is hardly necessary to observe, that such feats require an uncommon degree of horsemanship, and the most complete presence of mind.

Our town itself abounds in amusements of this kind, where the professional bull-fighters learn their art, and the amateurs feast their eyes, occasionally joining in the sport with the very lowest of the people. You must know, by the way, that our town corporation enjoys the privilege of being our sole and exclusive butchers. They alone have a right to kill and sell meat; which, coming through their noble hands, (for this municipal government is entailed on the first Andalusian families) is the worst and dearest in the whole kingdom. Two droves of lean cattle are brought every week to a large slaughter-house (el matadero) which stands between one of the city gates and the suburb of San Bernardo. To walk in that neighbourhood when the cattle approach is dangerous; for, notwithstanding the emaciated condition of the animals, and though many are oxen and cows, a crowd is sure to collect on the plain, and by the waving of their cloaks, and a sharp whistling which they make through their fingers, they generally succeed in dispersing the drove, in order to single out the fiercest for their amusement. Nothing but the Spanish cloak is used on these occasions. Holding it gracefully at arm’s length before the body, so as to conceal the person from the breast to the feet, they wave it in the eyes of the animal, shaking their heads with an air of defiance, and generally calling out Ha! Toro, Toro! The bull pauses a moment before he rushes upon the nearest object. It is said that he shuts his eyes at the instant of pushing with his horns. The man keeping his cloak in the first direction, flings it over the head of the animal, while he glances his body to the left, just when the bull, led forward by the original impulse, must run on a few yards without being able to turn upon his adversary, whom, upon wheeling round, he finds prepared to delude him as before. This sport is exceedingly lively; and when practised by proficients, seldom attended with danger. It is called CapÉo. The whole population of San Bernardo, men, women and children, are adepts in this art. Within the walls of the slaughter-house, however, is the place where the bull-fighters by profession are allowed to improve themselves. A member of the town corporation presides, and admits, gratis, his friends; among whom, notwithstanding the filth natural to such places, ladies do not disdain to appear. The Matadero is so well known as a school for bull-fighting, that it bears the cant appellation of the College. Many of our first noblesse have frequented no other school. Fortunately, this fashion is wearing away. Yet we have often seen Viscount Miranda, the head of one of the proudest families of the proud city of Cordova, step into the public amphitheatre, and kill a bull with his own hand. This gentleman had reared up one of his favourite animals, and accustomed him to walk into his parlour, to the great consternation of the company. The bull, however, once, in a surly mood, forgot his acquired tameness, and gored one of the servants to death; in consequence of which his master was compelled to kill him.

That Spanish gentlemen fight in public with bulls, I suppose you have heard or read. But this does not regularly take place, except at the coronation of our kings, and in their presence. Such noblemen as are able to engage in the perilous sport, volunteer their services for the sake of the reward, which is some valuable place under government, if they prefer it to an order of Knighthood. They appear on horseback, attended by the first professional fighters, on foot, and use short spears with a broad blade, called Rejones.

A Bull-day, (Dia de Toros), as it is emphatically called at Seville, stops all public and private business. On the preceding afternoon, the amphitheatre is thrown open to all sorts of people indiscriminately. Bands of military music enliven the bustling scene. The seats are occupied by such as wish to see the promenade on the arena, round which the ladies parade in their carriages, while every man seems to take pleasure in moving on the same spot where the fierce combat is to take place within a few hours. The spirits of the company are, in fact, pitched up by anticipation to the gay, noisy, and bold temper of the future sport.

Our amphitheatre is one of the largest and handsomest in Spain. A great part is built of stone; but, from want of money, the rest is wood. From ten to twelve thousand spectators may be accommodated with seats. These rise, uncovered, from an elevation of about eight feet above the arena, and are finally crowned by a gallery, from whence the wealthy behold the fights, free from the inconveniences of the weather. The lowest tier, however, is preferred by the young gentlemen, as affording a clear view of the wounds inflicted on the bull. This tier is protected by a parapet. Another strong fence, six feet high, is erected round the arena, leaving a space of about twenty, between its area and the lower seats. Openings, admitting a man sideways, are made in this fence, to allow the men on foot an escape when closely pursued by the bull. They, however, most generally leap over it, with uncommon agility. But bulls of a certain breed, will not be left behind, and literally clear the fence. Falling into the vacant space before the seats, the animal runs about till one of the gates is opened, through which he is easily drawn back to the arena.

Few among the lower classes retire to their beds on the eve of a Bull-day. From midnight they pour down the streets leading to the amphitheatre, in the most riotous and offensive manner, to be present at the Encierro—shutting-in of the bulls—which being performed at the break of day, is allowed to be seen without paying for seats. The devoted animals are conducted from their native fields to a large plain in the neighbourhood of Seville, from whence eighteen, the number exhibited daily during the feasts, are led to the amphitheatre, on the appointed day, that long confinement may not break down their fierceness. This operation has something extremely wild in its character. All the amateurs of the town are seen on horseback with their lances hastening towards Tablada, the spot where the bulls are kept at large. The herdsmen, on foot, collect the victims of the day into a drove; this they do by means of tame oxen, called Cabestros, taught to be led by a haulter, carrying, tied round their neck, a large deep-sounding bell, with a wooden clapper. What the habit of following the bells of the leaders fails to do, the cracking of the herdsmen’s slings is sure to perform, when the animals are not driven to madness. The horsemen, also, stand on all sides of the drove till they get into a round trot. Thus they proceed to within half a mile of the amphitheatre. At that distance a path is closed up on both sides, with stout poles, tied horizontally across upright stakes—a feeble rampart, indeed, against the fury of a herd of wild bulls. Yet the Sevillian mob, though fully aware of the danger, are mad enough to take pleasure in exposing themselves. The intolerable noise in my street, and the invitation of a Member of the Maestranza—a corporate association of noblemen, whose object is the breeding and breaking of horses, and who in this town enjoy the exclusive privilege of giving bull-feasts to the public—induced me, during the last season, to get up one morning with the dawn, and take my stand at the amphitheatre, where, from their private gallery, I commanded a view of the plain lying between the river Guadalquivir and that building.

At the distant sound of the oxen’s bells, shoals of people were seen driving wildly over the plain, like clouds before a strong gale. One could read in their motions, a struggle between fear on one side, and vanity and habit on the other. Now they approached the palisade, now they ran to a more distant spot. Many climbed up the trees, while the more daring or fool-hardy, kept their station on what they esteemed a post of honour. As our view was terminated by a narrow pass between the river and the ancient tower called del Oro, or Golden, the cavalcade broke upon us with great effect. It approached at full gallop. The leading horsemen, now confined within the palisades, and having the whole herd at their heels, were obliged to run for their lives. Few, however, ventured on this desperate service, and their greatest force was in the rear. The herdsmen clinging to the necks of the oxen, in order to keep pace with the horses, appeared, to an unpractised eye, doomed to inevitable destruction. The cries of the multitude, the sound of numberless horns, made of the hollow stem of a large species of thistle, the shrill and penetrating whistling, which seems most to harass and enrage the bulls, together with the confused and rapid motion of the scene, could hardly be endured without a degree of dizziness. It often happens, that the boldest of the mob succeed in decoying a bull from the drove; but I was, this time, fortunate enough to see them safely lodged in the Toril—a small court divided into a series of compartments with drop-gates, in the form of sluices, into which they are successively goaded from a surrounding gallery, and lodged singly till the time of letting them loose upon the arena.

The custom of this town requires that a bull be given to the populace immediately after the shutting-in. The irregular fight that ensues is perfectly disgusting and shocking. The only time I have witnessed it, the area of the amphitheatre was actually crowded with people, both on horse and foot. Fortunately their numbers distracted the animal: on whatever side he charged, large masses ran before him, on which he would have made a dreadful havock, but for the multitude which drew his attention to another spot. Yet one of the crowd, evidently in a state of intoxication, who stood still before the bull, was tossed up to a great height, and fell apparently dead. He would have been gored to pieces before our eyes, had not the herdsmen and some other good fighters, drawn away the beast with their cloaks.

Such horrors are frequent at these irregular fights; yet neither the cruelty of the sport, nor the unnecessary danger to which even the most expert bull-fighters expose their lives, nor the debauch and profligacy attendant on such exhibitions, are sufficient to rouse the zeal of our fanatics against them. Our popular preachers have succeeded twice, within my recollection, in shutting up the theatre. I have myself seen a friar with a crucifix in his hand, stop at its door, at the head of an evening procession; and, during a considerable part of the performance, conjure the people, as they valued their souls, not to venture into that abode of sin; but I never heard from these holy guardians of morals the least observation against bull-fighting: and even our high-flyers in devotion—the Philippians,[23] whom we might call our Methodists, allow all, except clergymen, to attend these bloody scenes, while they deny absolution to any who do not renounce the play.

Before quitting the amphitheatre I was taken by my friend to the gallery from which the bulls were goaded into their separate stalls. As it stands only two or three feet above their heads, I could not but feel a degree of terror at such a close view of these fiery savage eyes, those desperate efforts to reach the beholders, accompanied by repeated and ferocious bellowings. There is an intelligence and nobleness in the lion that makes him look much less terrific in his den. I saw the Divisa, a bunch of ribbons tied to a barbed steel point, stuck into the bulls’ necks. It is intended to distinguish the breeds by different combinations of colours, which are stated in handbills, sold about the streets like your court-calendars before the assizes.

Ten is the appointed hour to begin the morning exhibition; and such days are fixed upon as will not, by a long church-service, prevent the attendance of the canons and prebendaries, who choose to be present; for the chapter, in a body, receive a regular invitation from the Maestranza. Such, therefore, as have secured seats, may stay at home till the tolling of the great bell announces the elevation of the host—a ceremony which takes place near the conclusion of the daily morning service.

The view of the Seville amphitheatre, when full, is very striking. Most people attend in the Andalusian dress, part of which I have already described. The colour of the men’s cloaks, which are of silk, in the fine season, varies from purple to scarlet. The short loose jackets of the men display the most lively hues, and the white veils which the females generally wear at these meetings, tell beautifully with the rest of their gay attire.

The clearing of the arena, on which a multitude lounges till the last moment, is part of the show, and has the appropriate appellation of Despejo. This is performed by a battalion of infantry. The soldiers entering at one of the gates in a column, display their ranks, at the sound of martial music, and sweep the people before them as they march across the ground. This done, the gates are closed, the soldiers perform some evolutions, in which the commanding officer is expected to shew his ingenuity, till, having placed his men in a convenient position, they disband in a moment, and hide themselves behind the fence.

The band of Toreros (bull-fighters), one half in blue, the other in scarlet cloaks, now advance in two lines across the arena, to make obeisance to the president. Their number is generally twelve or fourteen, including the two Matadores, each attended by an assistant called Mediaespada (demi-sword). Close in their rear follow the Picadores (pikemen) on horseback, wearing scarlet jackets trimmed with silver lace. The shape of the horsemen’s jackets resembles those in use among the English postboys. As a protection to the legs and thighs, they have strong leather overalls, stuffed to an enormous size with soft brown paper—a substance which is said to offer great resistance to the bull’s horns. After making their bow to the president, the horsemen take their post in a line to the left of the gate which is to let in the bulls, standing in the direction of the barrier at the distance of thirty or forty paces from each other. The fighters on foot, without any weapon or means of defence, except their cloaks, wait, not far from the horses, ready to give assistance to the pikemen. Every thing being thus in readiness, a constable, in the ancient Spanish costume, rides up to the front of the principal gallery, and receives into his hat the key of the Toril or bull’s den, which the president flings from the balcony. Scarcely has the constable delivered the key under the steward’s gallery, when, at the waving of the president’s handkerchief, the bugles sound amid a storm of applause, the gates are flung open, and the first bull rushes into the amphitheatre. I shall describe what, on the day I allude to, our connoisseurs deemed an interesting fight, and if you imagine it repeated, with more or less danger and carnage, eight times in the morning and ten in the evening, you will have a pretty accurate notion of the whole performance.

The bull paused a moment and looked wildly upon the scene; then, taking notice of the first horseman, made a desperate charge against him. The ferocious animal was received at the point of the pike, which, according to the laws of the game, was aimed at the fleshy part of the neck. A dextrous motion of the bridle-hand and right leg made the horse evade the bull’s horn, by turning to the left. Made fiercer by the wound, he instantly attacked the next pikeman, whose horse, less obedient to the rider, was so deeply gored in the chest that he fell dead on the spot. The impulse of the bull’s thrust threw the rider on the other side of the horse. An awful silence ensued. The spectators, rising from their seats, beheld in fearful suspense the wild bull goring the fallen horse, while the man, whose only chance of safety depended on lying motionless, seemed dead to all appearance. This painful scene lasted but a few seconds; for the men on foot, by running towards the bull, in various directions, waving their cloaks and uttering loud cries, soon made him quit the horse to pursue them. When the danger of the pikeman was passed, and he rose on his legs to vault upon another horse, the burst of applause might be heard at the farthest extremity of the town. Dauntless, and urged by revenge, he now galloped forth to meet the bull. But, without detailing the shocking sights that followed, I shall only mention that the ferocious animal attacked the horsemen ten successive times, wounded four horses and killed two. One of these noble creatures, though wounded in two places, continued to face the bull without shrinking, till growing too weak, he fell down with the rider. Yet these horses are never trained for the fights; but are bought for the amount of thirty or forty shillings, when, worn out with labour, or broken by disease, they are unfit for any other service.

A flourish of the bugles discharged the horsemen till the beginning of the next combat, and the amusement of the people devolved on the Banderilleros—the same whom we have hitherto seen attentive to the safety of the horsemen. The Banderilla, literally, little flag, from which they take their name, is a shaft of two feet in length, pointed with a barbed steel, and gaily ornamented with many sheets of painted paper, cut into reticulated coverings. Without a cloak, and holding one of these darts in each hand, the fighter runs up to the bull, and stopping short when he sees himself attacked, fixes the two shafts, without flinging them, behind the horns of the beast at the very moment when it stoops to toss him. The painful sensation makes the bull throw up his head without inflicting the intended blow, and while he rages in impotent endeavours to shake off the hanging darts that gall him, the man has full leisure to escape. It is on these occasions, when the Banderilleros fail to fix the darts, that they require their surprising swiftness of foot. Being without the protection of a cloak, they are obliged to take instantly to flight. The bull follows them at full gallop; and I have seen the man leap the barrier, so closely pursued by the enraged brute, that it seemed as if he had sprung up by placing the feet on its head. Townsend thought it was literally so. Some of the darts are set with squibs and crackers. The match, a piece of tinder, made of a dried fungus, is so fitted to the barbed point, that, rising by the pressure which makes it penetrate the skin, it touches the train of the fireworks. The only object of this refinement of cruelty is, to confuse the bull’s instinctive powers, and, by making him completely frantic, to diminish the danger of the Matador, who is never so exposed as when the beast is collected enough to meditate the attack.

At the waving of the president’s handkerchief, the bugles sounded the death-signal, and the Matador came forward. Pepe Illo, the pride of this town, and certainly one of the most graceful and dextrous fighters that Spain has ever produced, having flung off his cloak, approached the bull with a quick, light, and fearless step. In his left hand he held a square piece of red cloth, spread upon a staff about two feet in length, and in his right, a broad sword not much longer. His attendants followed him at a distance. Facing the bull, within six or eight yards, he presented the red flag, keeping his body partially concealed behind it, and the sword entirely out of view. The bull rushed against the red cloth, and our hero slipped by his side by a slight circular motion, while the beast passed under the lure which the Matador held in the first direction, till he had evaded the horns. Enraged by this deception, and unchecked by any painful sensation, the bull collected all his strength for a desperate charge. Pepe Illo now levelled his sword, at the left side of the bull’s neck, and, turning upon his right foot as the animal approached him, ran the weapon nearly up to the hilt into its body. The bull staggered, tottered, and dropped gently upon his bent legs; but had yet too much life in him for any man to venture near with safety.—The unfortunate Illo has since perished from a wound inflicted by a bull in a similar state. The Matador observed, for one or two minutes, the signs of approaching death in the fierce animal now crouching before him, and at his bidding, an attendant crept behind the bull and struck him dead, by driving a small poniard at the jointure of the spine and the head. This operation is never performed, except when the prostrate bull lingers. I once saw Illo, at the desire of the spectators, inflict this merciful blow in a manner which nothing but ocular demonstration would have made me believe. Taking the poniard, called Puntilla, by the blade, he poised it for a few moments, and jerked it with such unerring aim on the bull’s neck, as he lay on his bent legs, that he killed the animal with the quickness of lightning.

Four mules, ornamented with large morrice-bells and ribbons, harnessed a-breast, and drawing a beam furnished with an iron hook in the middle, galloped to the place where the bull lay. This machine being fastened to a rope previously thrown round the dead animal’s horns, he was swiftly dragged out of the amphitheatre.

I have now given you a more minute, and, I trust, more correct description of every thing connected with the bull-fights than has ever been drawn by any traveller. Townsend’s is the best account of these sports I ever met with; yet it is not free from mistakes. So difficult is it to see distinctly, scenes with which we are not familiarly acquainted.

The risk of the fighters is great, and their dexterity alone prevents its being imminent. The lives most exposed are those of the Matadores; and few of them have retired in time to avoid a tragical end. Bull fighters rise from the dregs of the people. Like most of their equals, they unite superstition and profligacy in their character. None of them will venture upon the arena without a scapulary, two small square pieces of cloth suspended by ribbons, on the breast and back, between the shirt and the waistcoat. In the front square there is a print, on linen, of the Virgin Mary—generally, the Carmel Mary, who is the patron goddess of all the rogues and vagabonds in Spain. These scapularies are blessed, and sold by the Carmelite Friars. Our great Matador, Pepe Illo, besides the usual amulet, trusted for safety to the patronage of St. Joseph, whose chapel adjoins the Seville amphitheatre. The doors of this chapel were, during Illo’s life, thrown open as long as the fight continued, the image of the Saint being all that time encircled by a great number of lighted wax-candles, which the devout gladiator provided at his own expense. The Saint, however, unmindful of this homage, allowed his client often to be wounded, and finally left him to his fate at Madrid.

To enjoy the spectacle I have described, the feelings must be greatly perverted; yet that degree of perversion is very easily accomplished. The display of courage and address which is made at these exhibitions, and the contagious nature of all emotions in numerous assemblies, are more than sufficient to blunt, in a short time, the natural disgust arising from the first view of blood and slaughter. If we consider that even the Vestals at Rome were passionately fond of gladiatorial shows, we shall not be surprised at the Spanish taste for sports which, with infinite less waste of human life, can give rise to the strongest emotions.

The following instance, with which I shall conclude, will shew you to what degree the passion for bull-fights can grow. A gentleman of my acquaintance had some years ago the misfortune to lose his sight. It might be supposed, that a blind man would avoid the scene of his former enjoyment—a scene where every thing is addressed to the eye. This gentleman, however, is a constant attendant at the amphitheatre. Morning and evening he takes his place with the Maestranza, of which he is a member, having his guide by his side. Upon the appearance of every bull, he greedily listens to the description of the animal, and of all that takes place in the fight. His mental conception of the exhibition, aided by the well known cries of the multitude, is so vivid, that when a burst of applause allows his attendant just to hint at the event that drew it from the spectators, the unfortunate man’s face gleams with pleasure, and he echoes the last clappings of the circus.