  Alpine Photography. chapter 1 decoration Negative Making. DEVELOPMENT, INTENSIFICATION, REDUCING, Etc. chapter 2 decoration Portraiture. chapter 4 decoration Pictorial Photography. chapter 5 decoration Architectural Photography. chapter 6 decoration The Hand Camera and its use. chapter 7 decoration Lantern Slides. chapter 8 decoration How to make Enlargements. chapter 9 decoration Platinotype Printing. chapter 11 decoration Contact Printing on Bromide Paper. chapter 12 decoration The Gum-Bichromate Process. chapter 13 decoration An Introduction to Carbon Printing for Beginners. chapter 14 decoration The Carbon Process. chapter 15 decoration Published by Publisher Logo CONTENTS OF |
| Page. | |
| Alpine Photography. W. de W. Abney, C.B., F.R.S. | 9 |
| Negative Making. C. H. Bothamley, F.C.S., F.I.C. | 23 |
| Lenses. Chapman Jones, F.C.S., F.I.C. | 57 |
| Portraiture. Harold Baker | 77 |
| Pictorial Photography. A. Horsley Hinton | 87 |
| Architectural Photography. John H. Avery | 117 |
| The Hand Camera and Its Use. W. Thomas | 131 |
| Lantern Slides. Andrew Pringle | 141 |
| How to Make Enlargements. John A. Hodges, F.R.P.S. | 155 |
| P.O.P. Rev. F. C. Lambert, M.A. | 177 |
| Platinotype Printing. A. Horsley Hinton | 197 |
| Contact Printing on Bromide Paper. W. Ethelbert Henry, C.E. | 225 |
| The Gum-Bichromate Process. Jas. Packham, F.R.P.S. | 241 |
| An Introduction to Carbon Printing for Beginners | 253 |
| The Carbon Process. Thomas S. Skelton | 261 |
| ILLUSTRATIONS. | |
| Homewards. Karl Greger | 17 |
| Among the Alps. W. de W. Abney | 25 |
| Winter Time on the Alps. W. de W. Abney | 41 |
| Melton Meadows. A. Horsley Hinton | 72 |
| Miss Lily Hanbury—A Portrait. Harold Baker | 89 |
| Gather the Roses while ye may. Alex. Keighley | 121 |
| Birch and Bracken. W. Thomas | 137 |
| Drifting Storm Clouds. W. Thomas | 168 |
| Streonsalch. W. J. Warren | 201 |
| Cupboard Love. T. Lee Syms | 232 |
| At the Fountain. J. W. Wade | 265 |
The purpose of this book is to place in the hands of every Photographer instructive articles on essential processes and manipulations, by eminent writers who have given such subjects their especial study, and who have borne in mind that whilst the experienced Amateur and the Professional may each find much to learn from a comparatively elementary description of methods and means, it is the Beginner who stands in greatest need of help.
In the mind of every photographer the name of Barnet is inseparable from a great Photographic Industry, and now it is intended that the name shall be associated with a good and useful book, which is called the Barnet Book of Photography, and it is left to the reader to say if the fulfilment of its purpose and the manner of its doing are such as to justify its existence.
To all who are interested in photography, who love it for itself and for its productions, and who desire to improve their own practice of its many processes and applications, this Book is respectfully dedicated.
Barnet, Herts. ELLIOTT & SON.
April, 1898.
