  CHAPTER I ATTRACTIONS AND OPPORTUNITIES OF THE ART CHAPTER II THE PRINCIPLES OF CINEMATOGRAPHY CHAPTER III THE MOVING-PICTURE CAMERA AND ITS MECHANISM CHAPTER IV THE CAMERA AND HOW TO USE IT CHAPTER V HAND CAMERA CINEMATOGRAPHY CHAPTER VI DEVELOPING THE FILM CHAPTER VII PRINTING THE POSITIVE CHAPTER VIII ABERRATIONS OF ANIMATED PHOTOGRAPHY CHAPTER IX SLOWING DOWN RAPID MOVEMENTS CHAPTER X SPEEDING-UP SLOW MOVEMENTS CHAPTER XI CONTINUOUS CINEMATOGRAPHIC RECORDS CHAPTER XIII COMBINING THE MICROSCOPE AND THE ULTRA-MICROSCOPE WITH THE MOVING-PICTURE CAMERA CHAPTER XIV MICRO-MOTION STUDY: HOW INCREASED WORKSHOP EFFICIENCY IS OBTAINABLE WITH MOVING PICTURES CHAPTER XV THE MOTION PICTURES AS AN AID TO SCIENTIFIC INVESTIGATION CHAPTER XVI THE MILITARY VALUE OF THE CINEMATOGRAPH CHAPTER XVII THE PREPARATION OF EDUCATIONAL FILMS CHAPTER XVIII PHOTO-PLAYS AND HOW TO WRITE THEM CHAPTER XIX RECENT DEVELOPMENTS IN STAGE PRODUCTIONS CHAPTER XX WHY NOT NATIONAL CINEMATOGRAPH LABORATORIES? Title: Practical Cinematography and Its Applications Author: Frederick Arthur Ambrose Talbot Language: English Character set encoding: ISO-8859-1 E-text prepared by Chris Curnow, Paul Mitchell, |
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Practical Cinematography
and its Applications
BY THE SAME AUTHOR.
Price 6s. net each.
MOVING PICTURES: How they are Made and Worked.
LIGHTSHIPS AND LIGHTHOUSES.
THE STEAMSHIP CONQUEST OF THE WORLD.
THE RAILWAY CONQUEST OF THE WORLD.
LONDON: WILLIAM HEINEMANN.
How to take Moving-pictures of Wild Animals in Safety.
Messrs. Newman built a huge dummy cow fifteen feet in height of papier-mÂchÉ. The operator stands inside with his camera and the pictures are taken through a small hinged door. With this "property" dangerous animals can be approached closely.
Practical Cinematography
and its Applications
By
Frederick A. Talbot
Author of
"Moving Pictures" etc.
London MCMXIII
William Heinemann