Practical Cinematography and Its Applications

CONTENTS

CHAP.		PAGE
I.	ATTRACTIONS AND OPPORTUNITIES OF THE ART	1
II.	THE PRINCIPLES OF CINEMATOGRAPHY	13
III.	THE MOVING-PICTURE CAMERA AND ITS MECHANISM	21
IV.	CAMERA AND HOW TO USE IT	35
V.	HAND CAMERA CINEMATOGRAPHY	51
VI.	DEVELOPING THE FILM	62
VII.	PRINTING THE POSITIVE	79
VIII.	ABERRATIONS OF ANIMATED PHOTOGRAPHY	94
IX.	SLOWING-DOWN RAPID MOVEMENTS	108
X.	SPEEDING-UP SLOW MOVEMENTS	124
XI.	CONTINUOUS CINEMATOGRAPHIC RECORDS	135
XII.	RADIO-CINEMATOGRAPHY: HOW THE X-RAYS ARE USED IN CONJUNCTION WITH THE MOVING-PICTURE CAMERA	147
XIII.	COMBINING THE MICROSCOPE AND THE ULTRA-MICROSCOPE WITH THE MOVING-PICTURE CAMERA	161
XIV.	MICRO-MOTION STUDY: HOW INCREASED WORKSHOP EFFICIENCY IS OBTAINABLE WITH MOVING-PICTURES	174
XV.	THE MOTION PICTURE AS AN AID TO SCIENTIFIC INVESTIGATION	185
XVI.	THE MILITARY VALUE OF THE CINEMATOGRAPH	197
XVII.	THE PREPARATION OF EDUCATIONAL FILMS	209
XVIII.	PHOTO-PLAYS AND HOW TO WRITE THEM	224
XIX.	RECENT DEVELOPMENTS IN STAGE PRODUCTIONS	238
XX.	WHY NOT NATIONAL CINEMATOGRAPH LABORATORIES?	248

	INDEX	259

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