"I—say!——"

"Wasn't he priceless!——"

"You got his address, Cosimo? I must cultivate him!——"

"Pure delight!——"

"You had come in, hadn't you, Amory?——"

"He shot Brimby!——"

"To all intents and purposes—with his finger——"

"Can you do his accent, Walter?——"

"I will in a week, or perish——"

"His bath in the kitchen!——"

"T' wed 'uns can sleep i' t' little chamber——"

"No—he didn't sound the 'b' in 'chamber,' and there were at least three 'a's' in it——"

"'T' little chaaam'er'——"

"No, you haven't quite got it——"

"Give me a little time——"

The party had dwindled to six—Cosimo and Amory, the Wyrons, and Britomart Belchamber and Mr. Strong. They were still in the studio, but they were only waiting for the supper-gong to ring. Cigarette ends were thickly strewn about the asbestos log. The bandying of short ecstatic phrases had been between Walter and his wife, with Cosimo a little less rapturously intervening; the subject of them was, of course, Mr. Crabtree. To his general harangue Mr. Crabtree had added, before leaving, more particular words of advice, making a second tour of the studio for the purpose; and he had distinguished Walter above all the rest by inviting him, not merely to the house four doors from the "Arabian Horse," but to spend a warm afternoon with him on Douglas Head also.

But the Wyrons had these raptures pretty much to themselves. Perhaps Cosimo was thinking of Mr. Wilkinson, of some new paper of which he had never heard, and of the assumption that he, apparently, was to find the money for it. Miss Belchamber was rarely rapturous, so that her silence was nothing out of the way. Edgar Strong could be rapturous when he chose, but he evidently didn't choose now. And Amory had far too much on her mind.

Her original idea in asking the Wyrons to stay to supper had been that they, as acknowledged experts in the subject that perplexed her, would be the proper people to keep the ring while the four persons immediately concerned talked the whole situation quietly and reasonably and thoroughly out. But she was rather inclined now to think again before submitting her case to them. It would be so much better, if the case must be submitted to anybody, that Cosimo should do it. Then she herself would be able to shape her course in the light of anything that might turn up. Nothing, she had to admit, had turned up yet, and Amory was not sure that in that very fact there did not lie a sufficient cause for resentment. Had Cosimo pleaded a passion for Britomart Belchamber he would have had Passion's excuse. Lacking Passion, it could only be concluded that he was bored with Amory herself.

And that amounted to an insult....

The booming of the gong, however, cut short her brooding. They passed to the dining-room. Britomart and Walter sat with their backs to the tall black dresser with the willow pattern stretching up almost to the ceiling; Laura and Edgar took the German chairs that had their backs to the copper-hooded fireplace; and Cosimo and Amory occupied either end of the highly-polished clothless table. This absence of cloth, by the way, gave a church-like appearance to the flames of the candles in the spidery brass sticks that had each of them a ring at the top to lift it up by; the preponderance of black oak and dull black frames on the walls further added to the effect of gloom; and the putting down of the little green pipkins of soup and the moving of the green-handled knives and round-bowled spoons made little knockings from time to time.

Again Walter and Laura, with not too much help from Cosimo, sustained the weight of the conversation; and it was not until Amory asked a question in a tone from which rapture was markedly absent that they sponged, as it were, the priceless memory of Mr. Crabtree from their minds. Amory's question had been about Walter's new Lecture, still in course of preparation, on "Post-Dated Passion"; and Walter cursorily ran over its heads for the general benefit.

"I admit I got the idea from Balzac," he said between mouthfuls (whenever they came to The Witan the Wyrons supped almost as heartily as did Edgar Strong himself). "'Comment l'amour revient aux vieillards,' you know. But of course that hasn't any earthly interest for anybody. 'Aux vieilles' it ought to be. Then—well, then you've simply got 'em."

"Why not 'vieillards?'" Amory asked, not very genially.

"I say, Cosimo, I'll have another cutlet if I may.—Why not 'vieillards?' Quite obvious. Men aren't the interest. I've tried men, and you can ask Laura how the bookings went.—But 'vieilles' and I've got 'em. Really, Amory, you're getting quite dull if you don't see that! I'll explain. You see, I've already got the younger ones, like Brit here—shove the claret along, Brit—but the others, of forty or fifty say, well, they've all had their affairs—or if they haven't better still—and it's merely a question of touching the right chord. Regrets, time they've lost, fatal words 'Too late' and so on—it's simply made for me! Touch the chord and they do the rest for themselves. They probably won't hear half of it for sobbing.—Of course I shall probably have to modify my style a bit—not quite so—what shall I say——"

"Jaunty," his wife suggested, "—in the best sense, I mean——"

"Hm—that's not quite the word—but never mind. It's a great field. Certainly women, not men, are the draw."

Amory made a rather petulant objection, and the argument lasted some minutes. In the end Walter triumphantly gained his first point, that women and not men were the "draw" in the box-office sense, and also his second one, namely, that not the Britomarts, but the older women, who would put their hearts into his hands and pay him for exploiting their helplessness and ache and tenderness and regret, and never suspect that they were being practised upon, were "simply made for him...."

"What do you think of my title?" he asked.

And the title was discussed.

Amory was beginning to find Walter just a little grasping. She wished that after all she had not asked the Wyrons to stay to supper. Formerly she had thought that marriage-escapade of theirs big and heroic (that too, by the way, had been in the Latin Quarter, and probably on seven francs a day); but now she was less sure about that. Quite apart from the inapplicability of the Wyrons' experience to her own case, she now wondered whether theirs had in fact been experience at all. Now that she came to think of it, they had taken no risks. They had been married, and in the last event could always turn round on their critics and silence them with that fact....

Nor was she quite so ready now to lay even the souls of Britomart and Cosimo on the dissecting-table for the sake of seeing Walter exercise his professional skill upon them. This was not so much that she wanted to spare Cosimo and Britomart as that she did not want to give Walter a gratification. She was inclined to think that if Walter couldn't be a little more careful about contradicting her he might find his advertisement omitted from the "Novum" one week, as Katie Deedes' had been omitted, and where would he be then? The way in which he had just said that she was "getting quite dull" had been next door to a rudeness....

But she had to admit that she felt dull. Edgar, who sat next to her, did not speak, and Cosimo, who faced her, was apparently still brooding on people who planned the spending of his money without thinking it necessary to consult him first. She was tired of the whole of the circumstances of her life. Paris on seven francs a day could hardly be much worse. Nor, if she could but shake off her lethargy, need that sum be fixed as low as seven francs. For she had lately remembered an arrangement made between herself and Cosimo before she had ever consented to become engaged to him. It was a long time since either of them had spoken of this arrangement—so long that Cosimo would have been almost within his rights had he maintained that the circumstances had so altered as to make it no longer binding; but there it was, or had been, and it had never been expressly revoked. It was the arrangement by which they had set apart a fund to insure themselves, either or both of them, against any evils that might arise from incompatibility. Amory had no idea how the matter now stood. She didn't suppose for a moment that Cosimo had actually set a sum by each week or month; but, hard and fast or loose and fluid, he must have made, or be still ready to make, some provision. It was an inherent part of the contract that a solemn affirmation, with reason shown (spiritual, not mere legal reason) by either one or the other, should constitute a sufficient claim on this fund.

Therefore Paris need not necessarily be the worst penury.

But, for all her new inclination to leave the Wyrons out of it, she still thought it a prudent idea to carry the fight (not that there would be any fight—that was only a low way of expressing the high reasonableness that always prevailed at The Witan) to Cosimo and Britomart, rather than to have it centre about Edgar and herself. Walter's eyes were mainly on the box-office nowadays. The original virtue of that fine protest of theirs was—there was no use in denying it—gone. He spread his Lectures frankly now as a net. Well, that was only one net more among the many nets of which she was becoming conscious. Edgar too, poor boy, was compelled to regard even the "Novum" as in some manner a net. Mr. Brimby, Amory more than guessed, had nets to spread. Mr. Wilkinson, in his own way, was out for a catch; and Dickie fished at the Suffrage Shop; and Katie had fished at the Eden; and the only one who didn't fish was Mr. Prang, who wrote his articles about India for nothing, just to be practising his English.

And all these nets were spread for somebody's money—a good deal of it Cosimo's. It had been the same, though perhaps not quite so bad, at Ludlow. That experiment on the country-side had been alarmingly costly. And all this did not include the dozens and dozens of nets of narrower mesh. The "Novum" might gulp down money by the hundred, but the lesser things were hardly less formidable in the sum of them—subscriptions, contributions, gifts, loans, investments, shares in the Eden and the Book Shop, mortgages, second mortgages, subsidies, sums to "tide over," backings, guarantees, losses cut, more good money sent to bring back the bad, fresh means of spending devised by somebody or other almost every day. It had begun to weary even Amory. The people who came to The Witan became rather curiously better-dressed the longer their visiting continued; but the things they professed to hold dear appeared very little further advanced. All that first brightness and promise had gone. Amory's interest had gone. She wanted to escape from it all, and to go away with Edgar appeared once more to be the readiest way out.

But, though she might now wish to keep Walter Wyron out of it all, that did not necessarily mean that Walter would be kept out. This ex-officio specialist on the (preferably female) heart, this professional rectifier of unfortunate marriages, had not done a number of years' platform-work without having discovered the peculiar beauties of the argumentum ad hominem, and it was one of his practices to enforce his arguments with "Take the case of Brit here"—or "Let's get down to the concrete: suppose Amory—" And these descents to the particular had always a curiously accusatory effect. Walter, interrupting Amory's meditation, broke into one of them now.

"But my dear chap,"—this was to Cosimo,"—I can't imagine what's come over all of you to-night! First Amory, now you! You're usually quicker than this! Let's take a case.—Brit here——"

One sterno-mastoid majestically turned the caryatid's head. Again Miss Belchamber's grand thorax worked as if somebody had put a penny into the slot.

"What?" she said.

"Quiet, Brit; I'm only using you as an illustration.—Suppose Brit here was to develop a passion for somebody—Cosimo, say; yes, Cosimo'll do capitally; awfully good instance of the cant that's commonly talked about 'treachery' and 'under his own roof' and all the rest of it—as if a roof wasn't a roof and it hadn't got to be under somebody's—unless they went out on the Heath!—Well, suppose it was to happen to Cosimo and Brit; what then? We're civilized, I hope. We're a little above the animals, I venture to think. Amory wouldn't fly at Brit's eyes, and Brit's father wouldn't come round with a razor to cut Cosimo's throat. In fact——"

"My fa-ther al-ways uses a safety-razor," said Miss Belchamber with a reminiscent air.

"Don't interrupt, Brit.—I was going to say that the world's got past all that. Nor Brit wouldn't fly at Amory, nor Cosimo kick the old josser out of the house—though we should be much more ready to condone that part of it if they did—if it was only to get quits with the past a bit——"

"My fa-ther's forty-five," Miss Belchamber announced, as the interesting result of an interesting mental process of computation. "Next June," she added.

"More interruptions from the back of the hall.—In fact, I'm not sure that wouldn't be entirely defensible—Brit going for Amory and Cosimo kicking the old dodderer out, I mean. That's the justification of the crime passionel. It's the Will to Live. And by Live I mean Love. It's the old saying, that kissing lips have no conscience. Or Jove laughs at lovers' oaths. Quite right. It's the New Greek Spirit. But for all that we're modern and rational about these things. If Strong here wanted to take Laura from me I should simply say, 'All you've got to do, my dear chap, is to table your reasons, and if they're stronger than mine you take her.' See?"

At that Edgar Strong, like Britomart, looked up. He spoke for the first time.—"What's that you're saying?" he asked.

"I don't suppose you'd want her, but suppose you did...."

Mr. Strong dropped his eyes to his plate again.—"Ah, yes," he said. "Ellen Key's got something about that." And he relapsed into silence again.

It sounded to Amory idiotic. Walter was so evidently "trying" it on them in order to see how it would go down with an audience afterwards. She wouldn't have scratched Britomart's eyes out for Cosimo,—but she coloured a little, and bit her lip, at the thought that somebody might want to come between herself and Edgar.... But perhaps that was what Walter meant—real affinities, as distinct from the ordinary vapid assumptions about marriages being made in Heaven. If so, she agreed with him—not that she was much fonder of him on that account. She wished he would keep his personalities for Cosimo and Britomart, and leave herself and Edgar alone.—Walter went on.

"And then, when you've got your New Greek Certificate, so to speak, it's plainly the duty of everybody else, not to put obstacles in your way and to threaten you with razors and cutting off supplies, but to sink their personal feelings and to do everything they can to help you. And without snivelling either. I shouldn't snivel, I hope, if anybody took Laura, and she wouldn't if anybody took me——"

Here Laura interposed softly.—"I don't want any one to take you, dear," she said.

Walter turned sharply.

"Eh?... Now you've put me off my argument.... What was I saying?... Haven't I told you you must never do that, Laura?... No, it's quite gone.... You see ..."

Laura murmured that she was very sorry....

"No, it's gone," said Walter, almost cheerfully, as if not sorry that for once the worth of what he had been about to say should be measured by the sense of loss. "So since Laura wishes it I'll shut up."

He passed up his plate for a second helping of trifle.

By this time Amory was perhaps rather glad that she had had the Wyrons after all. That about people not putting obstacles in the way was quite neat. "A plain duty," he had said. She hoped Cosimo'd heard that, and would remember it when she raised the subject of the fund. And so far was she herself from putting obstacles in his way that, although she could have sent Britomart Belchamber packing with her wages at any moment, she had not done so. That, as Walter had said, would only have been another way of flying at her eyes.... Besides, Amory had been far too deeply occupied to formulate definitely her charges against Cosimo and Britomart. For all she knew it might have gone much, much further than she had thought. Sometimes, when Amory took breakfast in her own room, she did not see Cosimo until the evening, and Britomart too had heaps of time on her hands when she had finished with Corin and Bonniebell. Cosimo must not tell her that the "Life and Work" occupied him during every minute of his time....

Then, presently, she was sorry again that the Wyrons had been asked, for Walter had suddenly remembered the thread of his discourse, and, in continuing it, had been almost rude to Laura. She wondered whether he would have turned with a half angry "Why, what's the matter?" had Laura cried. Perhaps it was really a good thing the Wyrons hadn't any children, for this kind of thing would certainly have been a bad example for them. She herself was never rude to Cosimo before Corin and Bonniebell. She was always markedly polite. There were excuses to be made for Passion, but none for rudeness.

By this time Edgar Strong had finished his last piece of cheese and was wiping his lips with his napkin. Then he looked at his watch, and for the second time during the course of the meal spoke.

"Look here, Cosimo, I've got to be off presently, and we haven't settled about those advertisements yet. And there's something else I want to say to you too. Could we hurry coffee up? Where do we have it? In the studio, I suppose? Or do the others go into the studio and you and Walter and I have ours here?"

"We might as well all go into the studio," said Cosimo, rising; and they left the sombre room and sought the studio, all except Miss Belchamber, who went upstairs.

The sight of the innumerable cigarette-ends about the asbestos log reminded Walter of Mr. Crabtree again; and for a minute or two—that is to say during the time that Walter, taking her aside, told her of the quiet but penetrating side-light Mr. Crabtree had innocently shed on Mr. Wilkinson's scheme for some new paper or other that Cosimo was to finance—Amory was once more glad that the Wyrons had come. But the next moment, as Walter loitered away and Laura came and sat softly down beside her, she was sorry again. Laura was gently crying. That struck Amory as stupid. As if she hadn't enough great troubles of her own, without burdening herself with the Wyrons' trivial ones!

So, as she had nothing really helpful to say to Laura, she left her, and sat down on the footstool she had occupied on the day when Edgar Strong had said that he liked the casts and had asked her whether she had read something or other—she forgot what.

Edgar was talking in low tones to Cosimo, and Amory thought she heard the name of Mr. Prang. Then Cosimo, who always thought more Imperially with a map before him, got out the large atlas, and the two of them bent over it together. Walter joined them, and, after an interlude that appeared to be about the Lectures' advertisement, Walter strolled away again and joined Laura. Amory heard an "Eh?" and a moment later the word "touchy," and Walter went off to the window with his hands in the pockets of his knickers, whistling. Edgar took not the least notice of Amory's eyes intently fixed upon him. He continued to talk to Cosimo. Walter, who was examining a Japanese print, called over his shoulder, "This a new one, Amory? What is it—Utamaro?" Then he walked up to where Laura sat again. He was speaking in an undertone to her: "Rubbish ... take on like that ... better clear off then"; and a moment later, seeing Edgar Strong buttoning up his coat, he called out, "Wait a minute, Strong—we're going down too—get your hat, Laura——"

Five minutes later Cosimo Pratt and his wife were alone.

It was the first time they had been so for nearly a fortnight. Indeed, for weeks the departure of the last visitor had been the signal for their own good-night, Cosimo going his way, she hers. There had never been anything even remotely approaching a "scene" to account for this. It had merely happened so.

Therefore, finding himself alone with his wife in the studio again, Cosimo yawned and stretched his arms above his head.

"Ah-h-h!... You going to bed?"

As he would hardly be likely to take himself off before she had answered his question, Amory did not reply at once. She sat down on the footstool and stretched her hands out to the asbestos log. Then, after a minute, and without looking up, she broke one of their tacitly accepted rules by asking a direct question.

"What were you and Edgar Strong discussing?" she asked.

He yawned again.—"Oh, the Bookshop advertisement—and advertisements generally. It begins to look as if we should have to be less exclusive about these things. Strong tells me that it's unheard-of for a paper to refuse any advertisement it can get."

"I mean when you got out the atlas."

"Oh—India, of course. The Indian policy. Strong isn't altogether satisfied about Prang. He seems to think he might get us into trouble."

"How? Why?" Amory said, her eyes reflectively on the purring gas-jets.

"Can't make out. Some fancy of his. The policy hasn't changed, and Prang hasn't changed. I wonder whether Wilkinson's right when he says Strong's put his hand to the plough but is now ... ah! That reminds me!—Were you here when that preposterous fellow—what's his name—Crabtree—rather let the cat out of the bag about Wilkinson?"

"You mean about another paper? No. But Walter said something about it."

"Yes, by Jove! He seems to have it all cut-and-dried! Crabtree seems to think I knew all about it. Of course I did know that Wilkinson had a scheme, but I'd no idea he was jumping ahead at that rate. I don't want two papers. One's getting rather serious."

Still without looking at her husband, Amory said, "How, serious?"

"Why, the expense. I'm not sure that we didn't take the wrong line about the advertisements. Anyway, something will have to be done. Thirty pounds a week is getting too stiff. I'm seriously thinking of selling out from the Eden and the Bookshop. Do you know that with one thing and another we're down more than three thousand pounds this year?"

Amory was surprised; but she realized instinctively that that was not the moment to show her surprise. Were she to show it, the moment would not be opportune for the raising of the subject of the fund, and she wanted to raise that subject. And she wanted to raise it in connexion with Cosimo and Britomart Belchamber. She continued to gaze at the log. The servants, she thought, might have taken the opportunity of dinner to sweep up the litter of cigarette-ends that surrounded it; and then she had a momentary fancy. It was, that the domestic relations that existed between herself and Cosimo were a thing that, like that mechanical substitute for a more generous fire, could be turned off and on as it were by the mere touching of a tap. She wondered what made her think of that....

Cosimo had taken out his penknife and was scraping his nails, moodily running over items of disbursement as he scraped; and then the silence fell between them again.

It was Amory who broke it, and in doing so she turned her head for the first time. She gave her husband a look that meant that, though he might talk about expenses, she also had a subject.

"Walter was excessively stupid to-night," she said abruptly.

He said "Oh?" and went on scraping.

"At the best he's never a model of tact, but I thought he rather overstepped the mark at dinner."

Again he said "Oh?" and added, "What about?"

"His manners. His ideas are all right, I suppose, but I'm getting rather tired of his platform-tricks."

"His habit of illustration and so on?"

"And his want of tact generally. In fact I'm not sure it isn't more than that. In a strange house it would have been simply a faux pas, but he knows us well enough, and the arrangement between us. He might at any rate wait till he's called in."

Cosimo started on another nail.—"What arrangement?" he said.

Again Amory gave him that look that might have told him that, though he might think that only a lot of money had gone, she knew that something far more vital had gone with it.

"Do you mean that you didn't hear what he was saying about you and Britomart Belchamber?"

"Yes, I heard that, of course. Of course I heard it."

"Well?"

"Well!"

And this time their eyes met in a long look....

Cosimo had only himself to thank for what happened to him then. After all, you cannot watch a superb piece of female mechanism playing "Catching of Quails," and openly admire the way in which it can shut up like a clasp-knife and fold itself upon itself like a multiple lever, and pretend to be half in love with it lest sharp eyes should see that you are actually half in love with it, and take it for walks, and discuss Walter's Lectures with it, and tell it frequently how different things might have been had you been ten years younger, and warn it to be a good girl because of dangerous young men, and stroke its hair, and tell it what beautiful eyes it has, and kiss its hand from time to time, and walk with your arm protectingly about its waist, and so on and so forth, day after day—you cannot, after all, do these things and be entirely unflurried when your ever-so-slightly tiresome wife reminds you that, be it only by way of illustration, a young expert in such matters has coupled your name with that of the passive object of your philanderings. Nor can you reasonably be surprised when that wife gives you a long look, that doesn't reproach you for anything except for your stupidity or hypocrisy if you pretend not to understand, and then resumes her meditative gazing into a patent asbestos fire. Appearances are for the moment against you. You cannot help for one moment seeing it as it must have appeared all the time to somebody else. Of course you know that you are in the right really, and the other person entirely wrong, and that with a little reasonableness on that other person's part you could make this perfectly clear; but you are rather trapped, you know it, and the state of mind in which you find yourself is called by people who aren't anybody in particular "flurry."

Which is perhaps rather a long way of saying that Cosimo was suddenly and entirely disconcerted.

And his flurry included a certain crossness and impatience with Amory. She was—could be—only pretending. She knew perfectly well that there was nothing really. The least exercise of her imagination must have told her that to press Britomart Belchamber's hand, for example, was the most innocent of creature-comforts. Why, he had pressed it with Amory herself there; he had said, jokingly, and Amory had heard him, that it was a desirable hand to press, and he had pressed it. And so with Britomart's dancing of "Rufty Tufty." Amory, who, like Cosimo, had had an artist's training, ought to be the last person to deny that any eye so trained did not see a hundred beauties where eyes uneducated saw one only. And that of course meant chaste beauties. Such admiration was an exercise in analysis, not in amorousness.... No, it was far more likely that Amory was getting at him. She was smiling, a melancholy and indifferent little smile, at the asbestos log. She had no right to smile like that. It made him feel beastly. It made him so that he didn't know what to say....

But she continued to smile, and when Cosimo did at last speak he hated himself for stammering.

"But—but—but—oh, come, Amory, this is absurd! You're—you're tired! Me and Britomart! Oh, c-c-come!——"

And then it occurred to him that this was a ridiculous answer, and that the proper answer to have made would have been simply to laugh. He did laugh.

"Ha, ha, ha! By Jove, for the moment you almost took me in! You really did get a rise out of me that time! Congratulations.—And I admit it is rather cool of Walter to pounce on the first name that occurs to him and make use of it in that way. Deuced cool when you come to think of it. It seems to me——"

But again that quite calm and unreproaching look silenced him. There was a loftiness and serenity about it that reminded him of the Amory of four or five years before. And she spoke almost with a note of wonder at him in her tone.

"My dear Cosimo," she said very patiently, "what is the matter? You look at me as if I had accused you of something. Nothing was further from my thoughts. I suppose, when you examine it, it's a matter for congratulation, not accusation at all. As Walter said, I don't want to fly at anybody's eyes. We foresaw this, and provided for it, you know."

At this cool taking for granted of a preposterous thing Cosimo's stammer became a splutter.—"But—but—but—," he broke out: but Amory held up her hand.

"I raise no objection. I've no right to. What earthly right have I, when I concurred before ever we were married?"

"Concurred!... My dear girl, concurred in what? Really this is the most ridiculous situation I was ever in!"

Amory raised her brows.—"Oh?... I don't see anything ridiculous about it. It received my sanction when Britomart stopped in the house, and I haven't changed my mind. As I say, we foresaw it, and provided for it."

"'It!'" Cosimo could only pipe—one little note, high and thin as that of a piccolo. Amory continued.

"I'm not asking a single question about it. I'm not even curious. I didn't become your property when we married, and you're not mine. Our souls are our own, both of us. I think we were very wise to foresee it quite at the beginning.—And don't think I'm jealous. Perfectly truly, I wish you every happiness. Britomart's a very pretty girl, and nobody can say she's always making a display of her cleverness, like some of them. I respect your privacy, and want you to do the best you can with your life."

The piccolo note changed to that of a bassoon.—"Amory—listen to me."

"No. I'd very much rather not hear anything about it. As Walter said, Life is Love, and I only mentioned this at all to-night because there is one quite small practical detail that doesn't seem to me entirely satisfactory."

She understood Cosimo to ask what that was.

"This: You ought to be fair to her. I know you'll forgive my mentioning anything so vulgar, but it is—about money. She can't be expected to think of such things herself just now,"—there were whole honeymoons in the reasonable little nod Amory gave,"—and so I mention it. It's my place to do so. For us all just to dip our hands into a common purse doesn't seem to me very satisfactory. She's rights too that I shouldn't dream of disputing. And don't think I'm assuming more than there actually is. I only mean that I don't see why, in certain events, you shouldn't, et cetera; that's all I mean. You see?... But I admit that for everybody's sake I should like things put on a proper footing without loss of time."

Cosimo had begun to wander up and down among the saddlebag chairs. His slender fingers rested aimlessly on the backs of them from time to time. Amory thought that he was about to try the remaining notes within the compass of his voice, but instead he suddenly straightened himself. He appeared to have come to a resolution. He strode towards the door.

"Where are you going?" Amory asked.

"I'm going to fetch Britomart," he replied shortly. "This is preposterous."

But again he hesitated, as perhaps Amory surmised he might. His offer, if it meant anything, ought to have meant that his conscience was so clear that Amory might catechize Britomart to her heart's content; but there had been those hair-strokings and hand-pattings, and—and—and Britomart, as Amory had said, was "not always making a display of her cleverness." She might, indeed, let fall something even more disconcerting than the rest—

Cosimo was trying a bluff—

In a word, between fetching Britomart and not fetching her, Amory had her husband by the short hairs.

She mused.—"Just a moment," she said.

And then she rose from the footstool, put one hand on the edge of the mantelpiece, and with the other drew up her skirt an inch or two and stretched out her slipper to the log.

"It really isn't necessary to fetch Britomart," she said after a moment, looking up. "Fetch her if you prefer it, of course, but first I want to say something else—something quite different."

That it was something quite different seemed to be a deep relief to Cosimo. He returned from the door again.

"What's that?" he said.

"It's different," Amory said slowly, "but related. Let me think a moment how to put it.... You were speaking a few minutes ago of selling out from the Eden and the Suffrage Shop. If I understand you, things aren't going altogether well."

"They aren't," said Cosimo, almost grimly.

"And then," Amory continued, "there's Mr. Prang. Neither you nor Strong seem very satisfied about him."

"It's Strong who isn't satisfied. I've no complaints to make about Prang."

"Well, I've been thinking about that too, and I've had an idea. I'm not sure that after all Strong mayn't be right. I admit Prang states a case as well as it could be stated; the question is whether it's quite the case we want stated. His case is ours to a large extent, but perhaps not altogether. And as matters stand we're in his hands about India, simply because he knows more about it than we do. You see what I mean?"

"Not quite," said Cosimo.

"No? Well, let me tell you what I've been thinking...."

Those people who are nobodys, and have not had the enormous advantage of being taken by the hand by the somebodys, are under a misconception about daring and original ideas. The ideas seem original and daring to them because the processes behind them are hidden. The inferior mind does not realize of itself that every sudden and miraculous blooming is already an old story to somebody.

But Cosimo occupied a sort of intermediary position between the sources of inspiration and the flat levels of popular understanding. Remember, he was in certain ways one of the public; but at the same time he was the author of the "Life and Work." He took his Amory, so to speak, nascent. Therefore, when she gave utterance to a splendour, he credited himself with just that measure of participation in it that causes us humbler ones, when we see the airman's spiral, to fancy our own hands upon the controls, or, when we read a great book, to sun ourselves in the flattering delusion that we do not merely read, but, in some mysterious sense, participate in the writing of it also.

And so the words which Amory spoke now—words which would have caused you or me to give a gasp of admiration—affected him less extraordinarily.

"Why don't you go to India and see for yourself?" she said.

Nevertheless, Cosimo was not altogether unaffected. Even to his accustomed ear it was rather stupendous, and, if he hadn't been again uneasily wondering whether he dared risk having Britomart down when Amory should return to the former subject again, might have been more stupendous still. He resumed his walk along the saddlebag chairs, and, when at last he did speak, did not mar a high occasion with too much vulgar demonstrativeness.

"That's an idea," he said simply.

"You see, Mr. Chamberlain went to South Africa," Amory replied, as simply.

"Yes," said Cosimo thoughtfully.... "It's certainly an idea."

"And you know how people have been getting at the 'Novum' lately, and even suggesting that Prang was merely a pen-name for Wilkinson himself."

"Yes, yes."

"Well, if you went, for six months, say, or even three, nobody'd be able to say after that that you didn't know all about it."

"No," Cosimo replied.

"The stupid people go. Why not the people with eyes and minds?"

"Exactly," said Cosimo, resuming his walk.

Then, as if he had been a mere you or a simple me, the beauty of the idea did begin to work a little in him. He walked for a space longer, and then, turning, said almost with joy, "I say, Amory—would you like to go?"

But Amory did not look up from the slippered foot she had again begun to warm.—"Oh, I shouldn't go," she said absently.

"You mean me to go by myself?" said Cosimo, the joy vanishing again.

Then it was that Amory returned to the temporarily relinquished subject again.

"Well ...," she said, with a return of the quiet and wan but brave smile, "... I've nothing to do with that. I shouldn't set detectives to watch you. I was speaking for the moment purely from the point of view of the 'Novum's' policy.—But I see what you mean."

But Cosimo didn't mean that at all. He interposed eagerly, anxiously.

"You do jump to conclusions!"—he began.

"My dear Cosimo," she put up her hand, "I'm doing nothing of the kind. As I said, the other isn't my affair. Oh, I do wish you'd believe that I was perfectly calm about it! As Emerson said, soul ought to speak to soul from the top of Olympus or something, and, except that I want you to be happy, it's a matter of indifference to me who you go with. Do try to see that, Cosimo. Let's try to behave like civilized beings. We agreed long ago that sex was only a matter of accident. Don't let's make it so hatefully pivotal. After all, what practical difference would it make?"

But this was too much for Cosimo. He must have Britomart down and take his chance, that was all. At the worst, he did not see how Amory could be so unreasonable that a hand-pat or a hair-stroke or two could not be put before her in the proper light.

Unfortunately, the trouble was, not that she made a fuss, but that she made so little fuss....

Again he moved towards the door.

But Miss Belchamber herself, as it happened, saved him the trouble of fetching her. Their hands were at the door at the same moment, his inside, hers outside. She entered. She was wrapped in the large black-and-gold Chinese dressing-gown Cosimo had given her for a Christmas present, and there were pantofles on her bare feet, and her hair hung down her back in two enormous yellow plaits. She was eating a large piece of cake.

"I've left the hot water tap running," she announced. "I hadn't gone to bed. Does anybody else want a bath? I like lots of hot baths. I came down for a piece of cake."

She crossed to the sofa, crammed the last piece of cake into her mouth, dusted the crumbs from her fingers, tucked the dressing-gown close under her, and with her fingers began softly to perform the motions of pÉtrissage upon herself in the region of the erectors spinae. As she did so she again spoke, placidly and syllabically.

"I made a mistake," she said. "Father's forty-six. Next June. And I shall go to Walter's new Lecture. He's in the guard's van. I mean the van-guard. And Prince Ead-mond's is in the van-guard too. Especially Miss Miles. She says the Saturn-alia is a time of great li-cen-tiousness and dancing. Are they going to start it soon?"

Cosimo was nervous again. He cleared his throat.—"Britomart—," he began; but Miss Belchamber went on.

"I hope they are. Walter says it would be a very good thing. I shall dance 'Rufty Tufty.' And 'The Black Nag.' I love 'The Black Nag.' That's why I'm having a hot bath. Hot baths open the pores, or sweat-ducts. Then you close them again with a cold sponge. I always close them again with a cold sponge."

Cosimo cleared his throat again and had another try.—"Listen, Britomart—we were talking about you——"

Miss Belchamber looked complacently at her crossed Parian-marble ankles. Then she raised one of them, and her fingers explored the common tendon of the soleus and gastrocnemius.

"The soleus," she said, "acts when the knee-joint is flexed. In 'Rufty Tufty' it acts. Both of them, of course. And the manage-ment of the breath is very im-portant. It would be a very good thing if every-body opened their windows and took a hun-dred deep breaths before the Saturn-alia begins. I shall, and I shall make Corin and Bonniebell. Or won't they be able to go if it's very late? If it's after their bedtime I could bring them away early and then go back. I am so looking forward to it."

Cosimo made a third attempt.—"Britomart—", he said gravely.

"What?" said Miss Belchamber.

"I want to tell you about a rather important discussion we've been having——"

"Then shall I go and turn the tap off? The water will run cold. Then the sweat-ducts would have to be closed before they are opened, and that's wrong."

But this time Amory had moved towards the door. Cosimo, and not she, had wanted Miss Belchamber down, and now that he had got her he might amuse her. She thought he looked extremely foolish, but that was his look-out; she was going to bed. It seemed an entirely satisfactory moment in which to do so. She had managed better than she had hoped. The question of the fund had been satisfactorily raised, and it was obvious that the "Novum" would gain by having somebody on the spot, somebody perhaps less biassed than Mr. Prang, to advise upon its Indian policy. At the door she turned her nasturtium-coloured head.

"You might think over what I've been saying," she said. "We can talk of it again in a day or two. Especially my second suggestion, that about the 'Novum.' That seems to me very well worth considering. Good night."

And she passed out, leaving Cosimo plucking his lip irresolutely, and Miss Britomart Belchamber deeply interested in the common tendon of the other soleus and gastrocnemius.