It was on an afternoon in May, and the window of Dorothy's flat overlooking the pond was wide open. Ruffles of wind chased one another from moment to moment across the water, and the swans, guarding their cygnets, policed the farther bank, where dogs ran barking. The two elder Bits played in the narrow strip of garden below; again the frieze of the room was a soft net of rippling light; and the brightness of the sun—or so Ruth Mossop declared—had put the fire out.

Ruth was alone in the flat. As she passed between the pond-room and the kitchen, re-lighting the fire, "sweeping in," and preparing tea, she sang cheerfully to herself "A few more years shall roll, a few more sorrows come." Ruth considered that the sorrows would probably come by means of the youngest Bit. He ought (she said) to have been a little girl. Then, in after years, he might have been a bit of comfort to his mother. Boys, in Ruth's experience, were rarely that.

As she put the cakes for tea into the oven of the stove there came a milk-call from below. Ruth leaned out of the lift-window, and there ensued a conversation with the white-jacketed milk-boy.

"Saw your guv'nor last night," the boy grinned.

"Where's that cream I ordered, and that quart of nursery milk? You can't mind your business for thinking of picture palaces."

"Keep your 'air on; coming up now.—I say, they put 'is 'ead under a steam-'ammer. I said it was a dummy, but Gwen said it wasn't. Was it 'im?"

"You mind your own interference, young man, and leave others to mind theirs; you ought to have something better to do with your threepences than collecting cigarette cards and taking girls to the pictures."

"It was in 'Bullseye Bill: A Drarmer of Love an' 'Ate'—'Scoundrel, 'ow dare you speak those words to a pure wife an' mother on the very threshold of the 'Ouse of——'"

"That's enough, young man—we don't want language Taken in Vain here—and you can tell 'em at your place we're leaving soon."

"But was that 'im in the long whiskers at the end, when the powder magazine blew up?"

But Ruth, taking her cans, shut down the window and returned to the kitchen.

"'Then O, my Lord, prepare——'" she crooned as she gave a peep into the oven and then clanged the door to again, "'My soul for that blest day——'"

They were leaving soon. Already the sub-letting of the flat was in an agent's hands, and soon Stan would be braving the perils of his career no longer. Dorothy had unfolded her idea to her aunt, and Lady Tasker had raised no objection, provided Dorothy could raise the money by bringing Aunt Eliza into line.

"It's as good as Maypoles and Village Players anyway," she had said, "and I'm getting too old to run about as I have done.—By the way, is it true that Cosimo Pratt's gone to India?"

Dorothy had replied that it was true.

"Hm! What for? To dance round another Maypole?"

"I don't know, auntie. I've seen very little of them."

"Has she gone?"

"No."

"No more babies yet, I suppose?"

"No."

"Well ... you'd better see your Aunt Eliza. She's got all the money that's left.—But I don't see how you're going to get any very much out of Tony and Tim."

"Oh, I'll see they don't impose on me as they've been imposing on you!... So I may move that billiard-table, and alter the gun-room?"

"Yes, if you pay for it."

"Thanks—you are a dear!..."

By what arts Dorothy had contrived to lay Aunt Eliza under contribution doesn't matter very much here. Among themselves the Lennards and Taskers might quarrel, but they presented an unbroken front to the world—and Dorothy, for Aunt Eliza's special benefit, managed to make the world in some degree a party to her project. That is to say, that a paragraph had appeared in certain newspapers, announcing that an experiment of considerable interest, etc., the expenses of which were already guaranteed, and so forth, was about to be tried in the County of Shropshire, where "The Brear," the residence of the late Sir Noel Tasker, was already in course of alteration. And so on, in Dorothy's opinion, neither too much nor too little for her design.... It had been a public committance of the family, and it had worked the oracle with Aunt Eliza. Rather than have a public squabble about it, she had come in with her thousand, the work was now well advanced, and the venerable sinner who had recited the poems printed by Cosimo Pratt's Village Press was in charge of the job. Dorothy, hurriedly weaning the youngest Bit, had run down to Ludlow for the express purpose of announcing to him that it was a job, and not an aesthetic jollification.

Moreover, at that time she had half a hundred other matters to attend to; for Stan, escaping from powder-magazines as the last inch of fuse sputtered, and fervently hoping that the man had made no mistake about the length of stroke of the Nasmyth hammer under which he put his devoted head, could give her little help. Besides her own approaching dÉmÉnagement, she had much of the care of that of her aunt. As Stan's earnings were barely sufficient for the current expenses of the household, she still had to turn to odds and ends of her old advertisement work. She had—Quis custodiet?—the nurse to look after, and the tradesmen, and letters, and callers, and Ruth. In short, a simple inversion of her aunt's dictum about the Pratts—"Too much money and not enough to do"—would have fitted Dorothy's case to a nicety.

Therefore, as another burden more or less would make little difference to one already so burdened, Dorothy had added still further to her cares. Ever since that day when Lady Tasker had come bareheaded out of her house and had spoken to Amory Pratt outside the Victoria and Albert Museum, Dorothy had had her sometime friend constantly on her mind. She had spoken of her to her aunt, who had again shown herself deplorably illiberal and incisive.

"I don't pretend to understand the modern young woman," she had remarked carelessly. "Half of 'em seem to upset their bodies with too much study, and the other half to play hockey till they're little better than fools. I suppose it's all right, and that somebody knows what they're about.... I often wonder what they'd have done, though, if it hadn't been for Sappho and Madame Curie.... By the way," she had gone irrelevantly on without a break, "does she want any more children besides those twins?"...

Nevertheless, Dorothy had had Amory so much on her mind that twice since Cosimo's departure for India she had been up to The Witan in search of her. After all, if anybody was to blame for anything it was Cosimo. But on neither occasion had Amory been at home. Dorothy had left messages, to which she had received no reply; and so she had gone a third time—had gone, as it happened, on that very afternoon when Ruth sang "A few more years shall roll" as she made the hot cakes for tea. This time she had persuaded Katie Deedes to come with her—for Katie had left the Eden, was out of a job, and for the time being had afternoon hours to spare.

But again they had failed to find Amory, and Dorothy and Katie took a turn round the Heath before returning to the flat for tea. As they walked along the hawthorn hedge that runs towards Parliament Hill and South Hill Park they talked. Kites were flying on the Hill; the Highgate Woods and the white spire showed like a pale pastel in the Spring sunshine; and from the prows of a score of prams growing babies leaned out like the figureheads of ships.

"That's where Billie was born," said Dorothy, nodding towards the backs of the houses that make the loop of South Hill Park.

Katie only said "Oh?" She too had caught the uneasiness about Amory. And what Katie thought was very soon communicated.

"You see, Dot," she broke suddenly out, "you've no idea of what a—what a funny lot they are really.... No, I haven't told you—I haven't told you half! It's everything they do. Why, the nurse practised for months and months at a school where they washed a celluloid baby—I'm not joking—she did—a life-sized one—they did it in class, and dressed it, and put it to sleep—as if that would be any good at all with a real one!... And really—I'm not prudish, as you know, Dot—but the way they used to sit about, in a dressing-gown or a nightgown or anything—I don't mean when there was a big crowd there, of course, but just a few of them—Walter, and Mr. Brimby, and Edgar Strong—and all of them going quite red in the face with puremindedness! At any rate, I never did think that was quite the thing!"

She spoke with great satisfaction of the point of the New Law she had not broken. It seemed to make up for those she had.

"And those casts and paintings and things about—it's all right being an artist, of course, but if I ever got married, I shouldn't like casts and paintings of me about for everybody to see like that!——"

"Oh, just look at that hawthorn!" Dorothy interrupted.

"Yes, lovely.—And Walter talking about Dionysus, and what Lycurgus thought would be a very good way of preventing jealousy, and a lot more about Greeks and Romans and Patagonians and Esquimaux! Do you know, Dot, I don't believe they know anything at all about it—not really know, I mean! I don't see how they can! One man might know a little bit about a part of it, and another man a little bit about another part—and that would be rather a lot, seeing how long ago it all is—but Walter knows it all! At any rate nobody can contradict him. But what does it matter to us to-day, Dorothy? What does it matter?... Of course I don't mean they're wicked. But—but—in some ways I can't help thinking it would be better to be wicked as long as you didn't say anything about it——!"

"Oh, I don't think they're wicked," said Dorothy placidly. But the 'vert went eagerly on.

"That's just it!" she expounded. "Walter says 'wicked's' only a relative term. If you face the truth boldly, all the time, lots of things wouldn't be wicked at all, he says. And I believe he's really awfully devoted to Laura—in his way—though he does talk about these things with Britomart Belchamber sitting there in her nightgown. But it's always the same bit of truth they face boldly. They never think of going in for astronomy—or crystal-what-is-it—crystallography—or something chilly—and face that boldly——"

Dorothy laughed.—"You absurd girl!"

"—but no. It's always whether people wear clothes because they're modest or whether they're modest because they wear clothes, or something like that.—And Walter begins it—and then Laura chimes in, and then Cosimo, and then Amory, and then Dickie—and when they've said it all on Monday they say it again on Tuesday, and Wednesday, and every day—and I don't know what they've decided even yet——"

"Well, here we are," Dorothy said as she reached her own door. "Let's have some tea.... Mr. Miller hasn't been in yet, has he, Ruth?"

"No, m'm."

"Well, we'll have tea now, and you can make some fresh when he comes. And keep some cakes hot."

Mr. Miller's visit that afternoon had to do with a care so trifling that Dorothy merely took it in her stride. She had not found—she knew that she would never find—the "Idee" that Mr. Miller wanted; but if no Idees except real ones were ever called Idees we should be in a very bad way in this world. She knew that there is always a middling chance that if you state a pseudo-Idee solemnly enough, and trick it out with circumstance enough, and set people talking enough about it, it will prove just as serviceable as the genuine article; and she was equally familiar, as we have seen, with that beautiful and compensating Law by which quick and original minds are refused money when they are producing of their best but overwhelmed with it when their brains have become as dry as baked sponges. She had given Mr. Miller quite good Idees in the past; she had no objection to being paid over again for them now; and if they really had been new ones they would have been of no use to Mr. Miller for at least ten years to come. That is why the art of advertisement is so comparatively advanced. Any other art would have taken twenty years.

Therefore, as she remembered the exceeding flimsiness of the one poor Idee she had, she had resolved that Mr. Miller's eyes should be diverted as much as possible from the central lack, and kept to the bright irrelevancies with which she would adorn it. The Idee was that of the Litmus Layette ... but here we may as well skip a few of Katie's artless betrayals of her former friends, and come to the moment when Mr. Miller, with his Edward the Sixth shoulders, appeared, bowed, was introduced to Katie, bowed again, sat down, and was regaled with hot cakes and conversation. He had risen and bowed again, by the way, when Dorothy, for certain reasons of policy, had mentioned Katie's relationship to the great Sir Joseph Deedes, and Katie had told of a stand-up fight she had had with her uncle's Marshal about admittance to his lordship's private room.

"Well, now, that's something I've learned to-day," Mr. Miller magnanimously admitted, sitting down again. "So your English Judges have Marshals! I was under the impression that that was a military title, like Marshal Macmann and Field-Marshal Sir Evelyn Wood. Well now.... And how might Judge Deedes' Marshal be dressed, Miss Deedes?"

"Not 'Judge' Deedes," said Katie smiling. "That's a County Court Judge." And she explained. Mr. Miller opened his eyes wide.

"Is that so-o-o? Well now, if that isn't interesting! That's noos. He's a Honourable with a 'u' in it, and a Sir, and you call him his Lordship, and he's Mister Justice Deedes! Ain't that English!... Now let me see if I'm on the track of it. 'Your Worship'—that's a Magistrate. 'Your Honour'—that's the other sort of Judge. And 'My Lord'—that's Miss Deedes' uncle. And an English Judge has a Marshal.... Do you recollect our Marshals, Mrs. Stan?——"

Building (as it now appeared) even better than he knew, Mr. Miller had, in the past, granted the rank of Marshal to Messrs. Hallowell and Smiths' shopwalkers.

Dorothy's reason for thus flagrantly introducing Sir Joseph's name was this:—

Katie had left the Eden, and she herself was presently off to Ludlow. Thus there was the possible reversion of a job of sorts going a-begging. Katie might as well have it as anybody else. Dorothy had strictly enjoined upon her impulsive friend that on no account was she to contradict or disclaim anything she, Dorothy, might choose to say on her behalf to Mr. Miller; and she intended that the credit, such as it was, of the last Idee she even intended to propose to Mr. Miller—the Litmus Layette—should be Katie's start. Once started she would have to look after herself.

So when Mr. Miller passed from the subject of Hallowell and Smiths' Marshals to that of his long-hoped-for Idee, Dorothy was ready for him. Avoiding the weak spot, she enlarged on the tradition—very different from a mere superstition—that, in Layettes, blue stood always for a boy and pink for a girl.

"You see," she said, "this is England when all's said, and we're frightfully conservative. Don't condemn it just because it wouldn't go in New York.... You've heard of the Willyhams, of course?" she broke off suddenly to ask.

"I cann't say I have, Mrs. Stan. But I'm sitting here. Tell me. They're a Fam'ly, I presoom?"

"Yes. Upshire's their title. Now that title's descended in the female line ever since Charles the First. Ever since then the Willyham Layettes have been pink as a matter of course. And now, not a month ago, there was a boy, and they had to rush off and get blue at the very last moment.... Let me see, your children are little girls, aren't they?" she again interrupted herself to say.

"Three little goils, Mrs. Stan, with black-and-white check frocks and large black bows in their hair."

"Well, and mine are boys. Blue for me and pink for you. But we'll come to that in a moment.—The thing that really strikes me as extraordinary is that in all these ages, with all the countless babies that have been born, we don't know yet which it's going to be!... And I don't think we ever shall. Now just think what that means—not just to a Royal House, with a whole succession depending on it, and crowns and dynasties and things—but to every woman! You see the tremendous interest they take in it at once!—But I don't know whether a man can ever understand that——"

She paused.

"Go on, Mrs. Stan—I want the feminine point of voo," said Mr. Miller.—"The man ain't broken Post Toasties yet that has more reverence for motherhood than what I have——"

"I know," said Dorothy bashfully. "But it isn't the same—being a father. It's—it's different. It's not the same. I doubt whether any man knows what it means to us as we wait and wonder—and wait and wonder—day after day—day after day——"

Here she dropped her eyes. Here also Mr. Miller dropped his head.

"It isn't the same—being a father—it's different," Dorothy was heard to murmur.

Mr. Miller breathed something about the holiest spot on oith.

"So you see," Dorothy resumed presently, hoping that Mr. Miller did not see. "It's the nearest subject of all to us. The very first question we ask one another is, 'Do you hope it's a little boy or a little girl?' And as it's impossible to tell, it's impossible for us to make our preparations. Lady Upshire doesn't know one bit more about it than the poorest woman in the streets. And this in an age that boasts of its Science!"

"Well," said Mr. Miller, giving it consideration, "that's ver-ry true. I ain't a knocker; I don't want to get knocking our men of science; but it's a fact they cann't tell. I recollect Mrs. Miller saying to me——"

"Yes—look at it from Mrs. Miller's point of view——"

"I remember Mrs. Miller using the ver-ry woids you've just used, Mrs. Stan. (I hope this don't jolt Miss Deedes too much; it's ver-ry interessting). And that's one sure thing, that it ain't a cinch for Mrs. Bradley Martin any more than what it is for any poor lady stenographer at so many dallars per. But—if you'll pardon me putting the question in that form—where's the point, Mrs. Stan? What's the reel prapasition?"

This being precisely what Dorothy was rather carefully avoiding, again she smiled bashfully and dropped her head, as if once more calling on those profound reserves of Mr. Miller's veneration for motherhood. These even profounder reserves, of Mr. Miller's veneration for dallars, were too much to the point altogether.

"I was afraid you wouldn't understand," she sighed.

"But," said Mr. Miller earnestly, "give me something to get a hold of, Mrs. Stan. I ain't calling the psychological prapasition down any; a business man has to be psychologist all the time; but he wants it straight. Straight psychology. The feminine point of voo, but practical. It ain't for Harvard. It's for Hallowell and Smith's."

"Well," said Dorothy, "it's Miss Deedes' idea really—and it would never have occurred to her if it hadn't been for Lady Upshire—would it Katie?"

"No," said Katie.

"Very well. Suppose Lady Upshire had had the Litmus Layette. All she would have had to do would have been to take the ribbons out—the work of a moment—the pink ribbons—dip them in the preparation—and there they'd have been, ready for immediate use. And blue ones would be dipped in the other solution and of course they'd have turned pink.... You see, you can't alter the baby, but you can alter the ribbons. And it isn't only ribbons. A woolly jacket—or a pram-rug—or socks—or anything—I think it's an exceedingly clever Idea of Miss Deedes!——"

Mr. Miller gave it attention. Then he looked up.

"Would it woik?" he asked.

"Well," said Dorothy ... "it works in chemistry. But that's not the principal thing. It's its value as an advertisement that's the real thing. Think of the window-dressing!—Blue and pink, changing before people's very eyes!—Just think how—I mean, it interests every woman! They'd stand in front of the window, and think—but you're a man. Mrs. Miller would understand.... Anyhow, you would get crowds of people, and that's what you want—crowds of people—that's its advertisement-value.—And then when you got them inside it would be like having the hooks at one end of the shop and the eyes at the other—a hook's no good without an eye, so they have to walk past half a mile of counters, and you sell them all sort of things on the way. I think there's a great deal in it!"

"It's a Stunt," Mr. Miller conceded, as if in spite of himself he must admit thus much. "It's soitainly a Stunt. But I'm not sure it's a reel Idee."

"That," said Dorothy with conviction, "would depend entirely in your own belief in it. If you did it as thoroughly as you've done lots of other things——"

"It's soitainly a Stunt, Miss Deedes," Mr. Miller mused....

He was frowningly meditating on the mystic differences between a Stunt and an Idee, and was perhaps wondering how the former would demean itself if he took the risk of promoting it to the dignity of the latter, when the bell was heard to ring. A moment later Ruth opened the door.

"Lady Tasker," she said.

Lady Tasker entered a little agitatedly, with an early edition of the "Globe" crumpled in her hand.