Motion pictures, 1912-1939: Catalog of Copyright Entries

M. Nero Films, AG., Berlin. 1931. 9 reels, sd.

Credits: Director, Fitz Lang; scenario, Thea Von Harbou.

M. G. M. INTERNATIONAL NEWSREEL. 1929. 1 reel each. The issue of July 28, 1929, numbered volume 2. no. 101, marks the combination of International Newsreel and M. G. M. News into one unit, to form the title M. G. M. International Newsreel. © William Randolph Hearst.

Volume 2, 1928/29.

101. © 28Jul29; MP680.

102. © 1Aug29; MP681.

103. © 4Aug29; MP682.

104. © 8Aug29; MP683.

Volume 3, 1929/30.

1. © 11Aug29; MP684.

2. © 15Aug29; MP685.

3. © 18Aug29; MP774.

4. © 22Aug29; MP775.

5. © 25Aug29; MP776.

6. © 29Aug29; MP777.

7. © 1Sep29; MP778.

8. © 5Sep29; MP779.

9. © 8Sep29; MP780.

10. © 12Sep29; MP781.

11. © 15Sep29; MP782.

12. © 19Sep29; MP783.

13. © 22Sep29; MP869.

14. © 26Sep29; MP870.

15. © 29Sep29; MP871.

16. © 3Oct29; MP872.

17. © 6Oct29; MP873.

18. © 10Oct29; MP874.

19. © 13Oct29; MP875.

20. © 17Oct29; MP876.

21. © 20Oct29; MP877.

22. © 24Oct29; MP973.

23. © 27Oct29; MP974.

24. © 31Oct29; MP975.

25. © 3Nov29; MP976.

26. © 7Nov29; MP977.

27. © 10Nov29; MP978.

28. © 14Nov29; MP979.

29. © 17Nov29; MP980.

30. © 21Nov29; MP981.

31. © 24Nov29; MP982.

32. © 28Nov29; MP1100.

33. © 1Dec29; MP1101.

34. © 5Dec29; MP1102.

35. © 8Dec29; MP1103.

36. © 12Dec29; MP1104.

37. © 15Dec29; MP1105.

38. © 19Dec29; MP1106.

39. © 22Dec29; MP1107.

40. © 26Dec29; MP1127.

41. © 29Dec29; MP1128.

M. G. M. NEWS. 1927-29. 1 reel each.

1. © 16Aug27; MP4332.

2. © 19Aug27; MP4333.

3. © 23Aug27; MP4334.

4. © 26Aug27; MP4335.

5. © 1Sep27; MP4354.

6. © 4Sep27; MP4355.

7. © 8Sep27; MP4419.

8. © 11Sep27; MP4389.

9. © 15Sep27; MP4423.

10. © 18Sep27; MP4424.

11. © 22Sep27; MP4425.

12. © 25Sep27; MP4426.

13. © 29Sep27; MP4427.

14. © 2Oct27; MP4428.

15. © 6Oct27; MP4503.

16. © 9Oct27; MP4504.

17. © 13Oct27; MP4505.

18. © 16Oct27; MP4506.

19. © 20Oct27; MP4507.

20. © 23Oct27; MP4508.

21. © 27Oct27; MP4509.

22. © 30Oct27; MP4510.

23. © 3Nov27; MP4580.

24. © 6Nov27; MP4581.

25. © 10Nov27; MP4582.

26. © 13Nov27; MP4583.

27. © 17Nov27; MP4584.

28. © 20Nov27; MP4585.

29. © 24Nov27; MP4586.

30. © 27Nov27; MP4587.

31. © 1Dec27; MP4588.

32. © 4Dec27; MP4589.

33. © 8Dec27; MP4646.

34. © 11Dec27; MP4647.

35. © 15Dec27; MP4648.

36. © 18Dec27; MP4649.

37. © 22Dec27; MP4650.

38. © 25Dec27; MP4651.

39. © 29Dec27; MP4784.

40. © 1Jan28; MP4785.

41. © 5Jan28; MP4786.

42. © 8Jan28; MP4787.

43. © 12Jan28; MP4788.

44. © 15Jan28; MP4789.

45. © 19Jan28; MP4790.

46. © 22Jan28; MP4791.

47. © 26Jan28; MP4792.

48. © 29Jan28; MP4793.

49. © 2Feb28; MP4882.

50. © 5Feb28; MP4883.

51. © 9Feb28; MP4884.

52. © 12Feb28; MP4885.

53. © 16Feb28; MP4886.

54. © 19Feb28; MP4887.

55. © 23Feb28; MP4888.

56. © 26Feb28; MP4889.

57. © 1Mar28; MP4890.

58. © 4Mar28; MP4891.

59. © 8Mar28; MP4892.

60. © 11Mar28; MP4893.

61. © 15Mar28; MP4999.

62. © 18Mar28; MP5000.

63. © 22Mar28; MP5001.

64. © 25Mar28; MP5002.

65. © 29Mar28; MP5003.

66. © 1Apr28; MP5004.

67. © 5Apr28; MP5005.

68. © 8Apr28; MP5006.

69. © 12Apr28; MP5076.

70. © 15Apr28; MP5077.

71. © 19Apr28; MP5078.

72. © 22Apr28; MP5079.

73. © 26Apr28; MP5080.

74. © 29Apr28; MP5081.

75. © 3May28; MP5082.

76. © 6May28; MP5083.

77. © 10May28; MP5084.

78. © 13May28; MP5191.

79. © 17May28; MP5192.

80. © 20May28; MP5193.

81. © 24May28; MP5194.

82. © 27May28; MP5195.

83. © 31May28; MP5196.

84. © 3Jun28; MP5197.

85. © 7Jun28; MP5198.

86. © 10Jun28; MP5199.

87. © 14Jun28; MP5200.

88. © 17Jun28; MP5269.

89. © 21Jun28; MP5328.

90. © 24Jun28; MP5270.

91. © 28Jul28; MP5271.

92. © 1Jul28 MP5272.

93. © 5Jul28; MP5273.

94. © 8Jul28; MP5274.

95. © 12Jul28; MP5275.

96. © 15Jul28; MP5276.

97. © 15Jul28; MP5329.

98. © 19Jul28; MP5330.

99. © 22Jul28; MP5331.

100. © 26Jul28; MP5332.

101. © 29Jul28; MP5408.

102. © 1Aug28; MP5409.

103. © 5Aug28; MP5410.

104. © 12Aug28; MP5411.

Volume 2, 1928/29.

1. © 12Aug28; MP5412.

2. © 15Aug28; MP5413.

3. © 19Aug28; MP5458.

4. © 22Aug28; MP5459.

5. © 26Aug28; MP5460.

6. © 29Aug28; MP5461.

7. © 2Sep28; MP5462.

8. © 5Sep28; MP5463.

9. © 9Sep28; MP5464.

10. © 12Sep28; MP5558.

11. © 16Sep28; MP5559.

12. © 19Sep28; MP5560.

13. © 23Sep28; MP5561.

14. © 26Sep28; MP5562.

15. © 30Sep28; MP5563.

16. © 3Oct28; MP5564.

17. © 7Oct28; MP5565.

18. © 10Oct28; MP5566.

19. © 14Oct28; MP5567.

20. © 17Oct28; MP5639.

21. © 21Oct28; MP5640.

22. © 25Oct28; MP5641.

23. © 28Oct28; MP5642.

24. © 1Nov28; MP5643.

25. © 4Nov28; MP5644.

26. © 8Nov28; MP5645.

27. © 11Nov28; MP5646.

28. © 15Nov28; MP5647.

29. © 18Nov28; MP5727.

30. © 22Nov28; MP5728.

31. © 25Nov28; MP5729.

32. © 29Nov28; MP5730.

33. © 2Dec28; MP5731.

34. © 6Dec28; MP5732.

35. © 9Dec28; MP5733.

36. © 13Dec28; MP5734.

37. © 16Dec28; MP5735.

38. © 20Dec28; MP5857.

39. © 23Dec28; MP5858.

40. © 27Dec28; MP5859.

41. © 30Dec28; MP5860.

42. © 3Jan29; MP5861.

43. © 6Jan29; MP5862.

44. © 10Jan29; MP5863.

45. © 13Jan29; MP5864.

46. © 17Jan29; MP5865.

47. © 20Jan29; MP5866.

48. © 24Jan29; MP26.

49. © 27Jan29; MP27.

50. © 31Jan29; MP28.

51. © 3Feb29; MP29.

52. © 7Feb29; MP30.

53. © 10Feb29; MP31.

54. © 14Feb29; MP32.

55. © 17Feb29; MP33.

56. © 21Feb29; MP34.

57. © 24Feb29; MP35.

58. © 28Feb29; MP111.

59. © 3Mar29; MP112.

60. © 7Mar29; MP113.

61. © 10Mar29; MP114.

62. © 14Mar29; MP115.

63. © 17Mar29; MP116.

64. © 21Mar29; MP256.

65. © 23Mar29; MP257.

66. © 28Mar29; MP258.

67. © 31Mar29; MP259.

68. © 4Apr29; MP260.

69. © 7Apr29; MP261.

70. © 11Apr29; MP262.

71. © 14Apr29; MP263.

72. © 18Apr29; MP264.

73. © 21Apr29; MP265.

74. © 25Apr29; MP346.

75. © 28Apr29; MP347.

76. © 2May29; MP348.

77. © 5May29; MP349.

78. © 9May29; MP350.

79. © 12May29; MP351.

80. © 16May29; MP352.

81. © 19May29; MP353.

82. © 23May29; MP354.

83. © 26May29; MP443.

84. © 30May29; MP444.

85. © 2Jun29; MP445.

86. © 6Jun29; MP446.

87. © 9Jun29; MP447.

88. © 13Jun29; MP448.

89. © 16Jun29; MP449.

90. © 20Jun29; MP450.

91. © 23Jun29; MP451.

92. © 27Jun29; MP566.

93. © 30Jun29; MP567.

94. © 4Jul29; MP568.

95. © 7Jul29; MP569.

96. © 11Jul29; MP570.

97. © 14Jul29; MP571.

98. © 18Jul29; MP572.

99. © 21Jul29; MP678.

100. © 25Jul29; MP679.

After the issue of July 25, 1929, M. G. M. News was merged with International Newsreel to form M. G. M. International Newsreel.

MA AND PA. 1922. 2 reels.

Credits: Director, Roy Del Ruth.

MABEL AND FATTY VIEWING THE WORLD'S FAIR AT SAN FRANCISCO, CAL. 1915.

Credits: Producer, Mack Sennett.

MABEL AND FATTY'S MARRIED LIFE. 1915.

Credits: Producer, Mack Sennett.

MABEL AND FATTY'S WASH DAY. 1915.

Credits: Producer, Mack Sennett.

MABEL LOST AND WON. 1915.

Credits: Producer, Mack Sennett.

MABEL'S WILFUL WAY. 1915.

Credits: Producer, Mack Sennett.

MABLE, FATTY AND THE LAW. 1915.

A MACARONI SLEUTH. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Bess Meredyth.

MCFADDEN'S FLATS. A Richard Wallace Production. 1927. 8 reels. From the play by Gus Hill.

Credits: Producer, Edward Small; director, Richard Wallace; scenario, Charles Logue; adaptation, Jack Wagner, Jack Jerne, Rex Taylor.

MCFADDEN'S FLATS. Presented by Adolph Zukor. 1935. 7 reels, sd. From the play by Gus Hill.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; screenplay, Arthur Caesar, Edward Kaufman; adaptation, Casey Robinson; additional dialogue, Andy Rice.

MCGILL. (The Spirit of the Campus) Presented by E. W. Hammons. 1933. 821 ft., sd.

Credits: Director, Aubrey Scotto; story, Millard Gibson, Gar O'Neil; narration, Graham McNamee.

MCGINIS VS. JONES. (Stern Brothers Comedy) 1927. 2 reels. From the cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

MCGINTY AND THE COUNT. 1914. 1 reel.

Credits: O. A. Nelson.

Credits: Drawn by Edwin Johnson.

MACGOWAN-PARKER SUPRAPUBIC CYSTOTOMY. (EASTMAN MEDICAL FILMS) 1932. 1 reel.

MCGUIRE OF THE MOUNTED. 1923. 5 reels.

Credits: Director, Richard Stanton; story, Raymond L. Schrock; scenario, George Hively.

MACHINE GUNS IN THE MAKING. 1916. 1/2 reel.

A MACHINE THAT THINKS. 1924. 1 reel.

MACHINING THE CYLINDER BLOCK; Safeguarding Quality. 1927.

MCKAY AND ARDINE, BACK FROM ABROAD. 1929. 1 reel, sd.

MCKENNA OF THE MOUNTED. 1932. 7 reels.

Credits: Director, D. Ross Lederman; story, Randall Faye; dialogue and continuity, Stuart Anthony.

MCQUADE OF THE TRAFFIC SQUAD. 1915. 1,000 ft.

Credits: Director, Eugene Nowland.

MCTEAGUE. SEE Greed.

MAD ABOUT MUSIC. 1938. 10 reels.

Credits: Producer, Joe Pasternak; director, Norman Taurog; original story, Marcella Burke, Frederick Kohner; screenplay, Bruce Manning, Felix Jackson; music and lyrics, Jimmy McHugh, Harold Adamson.

THE MAD DANCER. 1925. 7 reels.

Credits: Director, Burton King; story, Louise Winter; continuity, William B. Laub.

THE MAD DOCTOR. (Mickey Mouse, no. U. A. 9) 1933. 1 reel.

THE MAD DOG. (Mickey Mouse, no. 24) 1932. 1 reel.

THE MAD EMPRESS. First National. 1939. 8 reels.

Credits: Producer and director, Miguel C. Torres; screenplay and dialogue, Jean Bart, Jerome Chodorov, Miguel C. Torres.

THE MAD GAME. 1933. 6,884 ft., sd.

Credits: Director, Irving Cummings; story, William Conselman; screenplay and dialogue, William Conselman and Henry Johnson; music, Samuel Kaylin.

THE MAD GENIUS. 1931. 8 reels, sd. From the play by Martin Brown.

Credits: Director, Michael Curtiz; screenplay, J. Grubb Alexander, Harvey Thew.

THE MAD HERMIT. Special Big U. 1916. 2 reels.

Credits: Director, Francis Ford; scenario, Grace Cunard.

MAD HOLIDAY. 1936. 8 reels, sd., b&w. Suggested by the story "Murder in a Chinese Theatre" by Joseph Santley.

Credits: Producer, Harry Rapf; director, George B. Seitz; screenplay, Florence Ryerson, Edgar Allan Woolf; film editor, George Boemler; music score, William Axt.

MAD HOUR. Presented by Robert Kane. 1928. 7 reels. Suggested by the novel "The Man and the Moment" by Elinor Glyn.

Credits: Producer, Allan Dwan; director, Joseph C Boyle; scenario, Tom J. Geraghty.

THE MAD KING. (Paul Terry-Toons) 1932.

Credits: Frank Moser, Paul Terry.

MAD LOVE. 1923. 6 reels.

Credits: Director, Ernst Lubitsch.

MAD LOVE. 1935. 7 reels, sd., b&w. From the novel "Les Mains d'Orlac" by Maurice Renard.

Credits: Producer, John W. Considine, Jr.; director, Karl Freund; screenplay, P. J. Wolfson, John J. Balderson; adaptation, Guy Endore; translated and adapted by Florence Crewe-Jones; film editor, Hugh Wynn; music director, Oscar Radin.

THE MAD MAID OF THE FOREST. Bison. 1915. 2 reels.

Credits: Producer, Jack J. Clark; scenario, Ben Cohn.

THE MAD MARRIAGE. 1921. 5 reels.

Credits: Producer, Rollin Sturgeon; story, Marjorie Benton Cooke; scenario, Marion Fairfax.

MAD MELODY. (Aesop's Fable) The Van Beuren Corp. 1931. 1 reel.

Credits: John Foster, Mannie Davis.

THE MAD MISS MANTON. 1938. 80 min., sd.

Credits: Producer, Pandro S. Berman; director, Leigh Jason; story, Wilson Collison; screenplay, Philip G. Epstein; editor, George Hively; music score, Roy Webb.

MAD MONEY. (Court of Human Relations) 1936. 1 reel, sd.

THE MAD PARADE. 1931. 7 reels, sd.

Credits: Gertrude Orr, Doris Malloy; producer, Herman M. Gumbin; supervision, M. H. Hoffman; director, William Baudine; screenplay, Henry McCarthy, Frank R. Conklin.

THE MAD RACER. 1926. 2 reels. Adapted from "The Adventures of Van Bibber" by Richard Harding Davis.

Credits: Director, Ben Stoloff; scenario, Mark Sandrich.

THE MAD RUSH. (Cameo Comedy) 1925. 1 reel.

MAD SCRAMBLES. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, Arvid Gillstrom; original story and scenario, Hal Conklin.

THE MAD STAMPEDE. Big U. 1917. 1 reel. Based on the poem "Lasco" by F. Desprez.

Credits: Director, J. Farrell MacDonald.

THE MAD WHIRL. Universal-Jewel. 1924. From the story "Here's How" by Richard Washburn Child.

Credits: Director, William A. Seiter; adaptation, Frederic and Fanny Hatton.

THE MAD WOMAN. 1919. 2 reels.

Credits: Director, George W. Terwilliger; scenario, Calder Johnston.

MAD YOUTH. 1939. 8 reels, sd.

Credits: Director, Melville Shyer.

MADAM BUTTERFLY. 1933. 10 reels. From the story by John Luther Long and the play by David Belasco.

Credits; Producer, B. P. Schulberg; director, Marion Gering; screenplay, Josephine Lovett, Joseph Moncure March.

MADAM SATAN. 1930. 13 reels, sd., b&w.

Credits: Producer and director, Cecil B. De Mille; story, Jeanie Macpherson; music and lyrics, Clifford Grey, Herbert Stothart, Elsie Janis, Jack King; film editor, Anne Bauchens.

MME. ALDA SINGING AVE MARIA BY VERDI. 1930. 1 reel, sd.

MADAME, BEHAVE. Released by Producers Distributing Corp. 1925. 6 reels. From the French farce by Jean Arlette.

Credits: Director, Scott Sidney; adaptation, F. McGrew Willis.

MADAME CUBIST. Victor. 1916. 2 reels.

Credits: Elaine Sterne; producer, Lucius Henderson.

Credits: Martin JÖrgensen, Louis Levy.

MADAME DUBARRY. 1917. 7 reels.

Credits: Director, J. Gordon Edwards; adaptation, Adrian Johnson.

MADAME DUBARRY. Presented by Herbert T. Kalmus. 1928. 2 reels.

Credits: Producer, Herbert T. Kalmus; director, R. William Neil; screenplay, Jack Cunningham; film editor, Aubrey Scotto.

MADAME DUBARRY. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 9 reels, sd.

Credits; Director, William Dieterle; story and screenplay, Edward Chodorov.

MADAME DYNAMITE. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Zion Myers, Gene Forde; story, Franklyn Ardell, Henry Johnson.

MME. ERNESTINE SCHUMANN-HEINK, CONTRALTO, SINGING: DANNY BOY [and others]. 1927. 1 reel, sd.

MME. ERNESTINE SCHUMANN-HEINK, CONTRALTO, SINGS: BY THE WATERS OF MINNETONKA [and others]. 1927. 1 reel, sd.

MME. FRANCES ALDA SINGING THE LAST ROSE OF SUMMER AND BIRTH OF MORN. 1929. 1 reel.

MADAME FRANCES ALDA SINGING THE STAR SPANGLED BANNER, ACCOMPANIED BY THE VITAPHONE SYMPHONY, HERMAN HELLER, CONDUCTING. 1927. 1 reel, sd.

MADAME JEALOUSY. 1918. 5 reels.

Credits: Director, Robert G. Vignola; story, George V. Hobart; scenario, Eve Unsell.

MADAME KURENKO. (Metro Movietone Act) 1929. 1 reel, sd.

MADAME LA PRESIDENTE. 1916. 5 reels.

MME. MARIA KURENKO [offers] SHADOW SONG FROM DINORAH, SONG OF INDIA. (Metro Movietone Act) 1930. 1 reel, sd.

MADAME OF THE JURY. 1930. 1 reel.

MADAME PEACOCK. 1920. 6 reels.

Credits: Director, Ray C. Smallwood; original story, Rita Weiman; adaptation, Nazimova.

MADAME POMPADOUR. 1927. 7 reels. From the play by Rudolph Schanzer and Ernst Welisch.

Credits: Director, Herbert Wilcox.

MADAME Q. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Hal Roach; story, Leo McCarey; editor, Richard Currier.

MADAME RACKETEER. 1932. 8 reels, sd.

Credits: Malcolm Stuart Boylan, Harvey Gates; directors, Alexander Hall, Harry W. Gribble.

MME. ROSA RAISA OFFERS A. GOOD-BYE BY F. PAOLO TOSTI, B. EILI-EILI! BY KURT SCHINDLER. 1928. 1 reel, sd.

MME. ROSA RAISA OFFERS A. PLAISIR D'AMOUR BY PADRE G. MARTINI, B. LA PALOMA BY S. YRADIER. 1928. 1 reel, sd.

MADAME SANS-GENE. 1923. 6 reels. From the comedy by Victorien Sardou and Émile Moreau.

MADAME SANS-GENE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 10 reels. From the play by Victorien Sardou and Émile Moreau.

Credits: Director, Leonce Perret; screenplay, Forrest Halsey.

MADAME SARAH BERNHARDT AT HOME. 1913. 2 reels.

MADAME SPY. 1918. 5 reels.

Credits: Producer, Jack Mulhall; director, Douglas Gerrard; story, Lee Morrison; scenario, Harvey Gates.

MADAME SPY. 1934. 7 reels. From a novel by Max Kimmich.

Credits: Director, Karl Freund; screenplay, William Hurlbut.

MADAME WANTS NO CHILDREN. 1927. 6 reels.

Credits: Director, Alexander Korda; edited and titled by Katharine Hilliker and H. H. Caldwell.

MADAME X. 1915. 6 reels.

Credits: Producer, Henry W. Savage.

MADAME X. 1920. 7 reels. From the play by Alexandre Bisson.

Credits: Director, Frank Lloyd; scenario, J. E. Nash, Frank Lloyd.

MADAME X. 1929. 10 reels. From the play by Alexandre Bisson.

Credits: Director, Lionel Barrymore; story, Alexandre Bisson; dialogue, Willard Mack; film editor, William S. Gray.

MADAME X. 1937. 8 reels, sd., b&w. From the play by Alexandre Bisson.

Credits: Producer, James Kevin McGuinness; director, Sam Wood; screenplay, John Meehan; film editor, Frank E. Hull.

Credits: H. K. Ward.

THE MADCAP. Red Feather. 1916. 5 reels.

Credits: Producer, William Dowlan; story, George Gibbs; scenario, Leonora Ainsworth.

A MADCAP ADVENTURE. 1915. 1 reel.

Credits: Director, Theodore Marston.

THE MADCAP COUNTESS. SEE Conquered.

THE MADCAP MUSICIAN. SEE Herschel Henlere in the Madcap Musician.

THE MADCAP QUEEN OF CRONA. Gold Seal. 1916. 2 reels.

Credits: Grace Cunard; producer, Francis Ford.

MADDEN OF THE MOUNTED. (Western Featurette) 1928. 2 reels.

Credits: Director, Josef Levigard; story, Thomas Malloy; continuity, William Lester.

Credits: Producer, William Duncan.

MADE FOR EACH OTHER. Released by United Artists. 1939. 10 reels, sd. Suggested by a story by Rose Franken.

Credits: Producer, David O. Selznick; director, John Cromwell; screenplay, Jo Swerling; film editor, James E. Newcom; music director, Lou Forbes.

MADE FOR LOVE. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1925. 7 reels.

Credits: Producer and director, Paul Sloane; story, Garrett Fort; editor, Elmer Harris.

MADE IN HEAVEN. Goldwyn Studios. 1921. 5 reels.

Credits: Supervised and directed by Victor Schertzinger; story, William Hurlbut; scenario, Arthur F. Statter.

MADE IN THE KITCHEN. 1921. 2 reels.

Credits: Director, Noel Smith.

MADE ON BROADWAY. 1933. 7 reels, sd., b&w. Based on the story "Public Relations" by Courtenay Terrett.

Credits: Director, Harry Beaumont; screenplay, Courtenay Terrett; film editor, William S. Gray.

MADE-TO-ORDER HERO. (Ranch Riders Picture) 1927. 5 reels.

Credits: Director, Edgar Lewis; story and continuity, William Lester.

MADEIRA. (Vagabond Adventure Series) RKO-Van Beuren. 1934. 1 reel, sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

MADEIRA—A GARDEN BY THE SEA. (A. Fitzpatrick Traveltalk) 1931. 1 reel, sd.

MADEIRA, ISLE OF ROMANCE. (James A. Fitzpatrick's Traveltalks) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., color.

Credits: Photographer, Hone M. Glendining; music score, Jack Shilkret.

MADELAINE MOREL. 1916. 3 reels.

MADELON. SEE False Evidence.

MLLE FIFI. SEE The Divorce Game.

MADEMOISELLE FROM ARMENTIERES. 1928. 6 reels, sd., b&w. From the story by Victor Saville.

Credits: Producers. A. A. C. & R. C. Bromhead; director, Maurice Elvey; titles, Ralph Spence; supervising editor, V. Gareth Gundry; film editor, Hugh Wynn.

MLLE. IRENE THE GREAT. 1931. 2 reels, sd.

Credits: Director, Eddie Cline; story, Nunnally Johnson.

MADEMOISELLE MIDNIGHT. 1924. 7 reels.

Credits: Written and adapted by John Russell, Carl Harbaugh.

MADEMOISELLE MODISTE. First National. Presented by Asher, Small, and Rogers. 1926. 7 reels. Adapted from the operetta by Henry Blossom and Victor Herbert.

Credits: Director, Robert Z. Leonard.

MLLE MODISTE. SEE

Fifi.

Kiss Me Again.

THE MADHOUSE. (Jack White Talking Comedies) 1929. 18 min., sd.

Credits: Director, Stephen Roberts.

A MAD HOUSE (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1934. 521 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

MADHOUSE MOVIES. (Paramount Varieties, no. 1) Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Eric Von Zourpuss.

MADHOUSE MOVIES. (Paramount Varieties) Presented by Adolph Zukor. 1934. 1 reel.

A MADISON SQUARE ARABIAN NIGHT. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Ashley Miller; adaptation, A. Van Buren Powell.

MADISON SQUARE GARDEN. 1932. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Harry Joe Brown; story, Thomson Burtis; screenplay, Allen Rivkin, P. J. Wolfson.

MAD MAN OR GENIUS. SEE A Stage Romance.

Credits: Director, Travers Vale; story, Emmett Campbell Hall.

THE MADNESS OF LOVE. 1922. 5 reels.

Credits: Written and directed by Wray Physioc.

MADNESS OF YOUTH. 1923. 5 reels, b&w, tinted sequences.

Credits: Director, Jerome Storm; story, George F. Worts; scenario, Joseph Franklin.

Credits: Director, Frank Cooley.

MADONNA OF AVENUE A. 1929. 8 reels.

Credits: Mark Canfield; director, Michael Curtiz; adaptation, Ray Doyle.

MADONNA OF AVE. A. Trailer. 1929. 1 reel.

A MADONNA OF THE SLUMS. 1919. 2 reels.

Credits: Director, George W. Terwilliger; story, Jessie Bonstelle; scenario, Calder Johnston.

MADONNA OF THE STREETS. Presented by Edwin Carewe. 1924. 8 reels. Adapted from "The Ragged Messenger" by W. B. Maxwell.

Credits: Director, Edwin Carewe.

MADONNA OF THE STREETS. 1930. 8 reels, sd. From the play "The Ragged Messenger" by W. B. Maxwell.

Credits: Producer, Harry Cohn; director, John Robertson; adaptation, dialogue, and continuity, Jo Swerling; film editor, Gene Havelick.

MÄDCHEN IN UNIFORM (GIRLS IN UNIFORM). 1931. 10 reels, sd. From the play "Gestern und Heute" by Christa Winsloe.

Credits: Director, Carl Froelich; music. Hansom Milde-Meissner.

DAS MÄDCHEN OHNE VATERLAND. SEE The Girl Without Home.

THE MAELSTROM. 1917. 5 reels.

Credits: Frank Froest; director, Paul Scardon.

MAFIOSI DI PALERMO. SEE I Mafiosi alla Vicaria di Palermo.

MAGAZINE COOKING. 1914. 1 reel.

MAGDA. 1917. 6 reels. Based on the play by Hermann Sudermann.

Credits: Director, Emile Chautard; scenario, Margaret Turnbull.

A MAGDALENE OF THE HILLS. 1917. 5 reels.

Credits: Director, John W. Noble; story, Harry Chandlee; scenario, June Mathis.

MAGGIE PEPPER. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels. From the drama by Charles Klein.

Credits: Director, Chet Withey; scenario, Gardner Hunting.

MAGIC. (A Buster Brown Comedy) (Stern Bros. Comedy) 1929. 2 reels. From the cartoons by R. F. Outcault.

MAGIC ART. (Aesop's Fables) 1932. 665 ft.

Credits: John Foster, Harry Bailey.

THE MAGIC BEANS. (A Walter Lantz Nertsery Rhyme) 1939. 1 reel.

Credits: Director, Lester Kline; story, Vic McLeod; animation, George Dane, Fred Kopietz.

THE MAGIC BON-BONS. Victor. 1915. 1 reel.

THE MAGIC CARPET. (Dinkey Doodle Cartoon, no. 9) Bray. 1925. 1 reel.

THE MAGIC CHEST. 1924. 1 reel.

Credits: Directors, J. A. Norling, William Ganson Rose.

THE MAGIC CITY. (Our World Today) 1928. 1 reel.

THE MAGIC CUP. 1921. 5 reels.

Credits: Director, John S. Robertson; story and scenario, E. Lloyd Sheldon.

THE MAGIC EYE. 1918. 5 reels.

Credits: Director, Rea Berger; story, Norris Shannon; scenario, Frank H. Clark.

THE MAGIC FISH. (Paul Terry Toons) Educational. Presented by E. W. Hammons. 1934. 520 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE MAGIC FLAME. 1927. 9 reels. From the stage play "King Harlequin" by Rudolph Lothar.

Credits: Producer and director, Henry King; adaptation, Bess Meredith; continuity, June Mathis; titles, George Marion, Jr., Nellie Revell.

THE MAGIC GAME. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Director, Robert B. Wilcox.

THE MAGIC GARDEN. Released by F. B. O. 1927. 7 reels. From the story by Gene Stratton-Porter.

Credits: Adaptation and direction, J. Leo Meehan; continuity, Charles M. Kerr.

MAGIC INDIA; AS SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

THE MAGIC JAZZ-BO. Joker. 1917. 1 reel.

Credits: Story and direction, Albert A. Sautell; scenario, Arthur F. Statler.

THE MAGIC LAMP. (A Dinky Doodle Cartoon) 1924. 1 reel.

Credits: Written and directed by Walter Lantz.

THE MAGIC MIRROR. (Is Marriage Sacred?) 1917. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

THE MAGIC MUMMY. (Tom and Jerry) The Van Beuren Corp. 1933. 645 ft.

Credits: John Foster, George Stallings.

MAGIC NIGHT. British & Dominions. 1932. 9 reels.

Credits: Holt Marvell, George Posford; producer and director, Herbert Wilcox.

THE MAGIC OF MUSIC. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

THE MAGIC OF OIL. 1936. 4 reels, sd.

THE MAGIC OF SPRING. 1917. 1/2 reel.

MAGIC ON BROADWAY. (A Max Fleischer Screen Song) 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall.

THE MAGIC SKIN. 1915. 5 reels.

Credits: James O. Walsh, Rex Taylor, Joseph A. Richmond.

THE MAGIC WORD. (An Educational Mirthquake Comedy) Presented by E. W. Hammons. 1935. 1,500 ft., sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Charlie Williams.

THE MAGICIAN. (Dinky Doodle Cartoon) 1926. 1 reel.

Credits: Written and directed by Walter Lantz.

THE MAGICIAN. 1926. 8 reels. From the novel by W. Somerset Maugham.

Credits: Direction and adaptation, Rex Ingram; film editor, Grant Whytock.

Credits: Producer, Charles H. France.

MAGICIAN MICKEY. (A Walt Disney Mickey Mouse) 1937. 1 reel, sd.

THE MAGICIAN'S DAUGHTER. Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Direction and original story, Felix E. Feist; screenplay, Jack Woodford, Richard Goldstone; music score, David Snell.

THE MAGISTRATE'S STORY. 1915. 1,000 ft.

Credits: Allen Potter Crolius; director, Langdon West.

THE MAGNATE. 1930. 1 reel, sd.

Credits: Director, Dick Currier.

THE MAGNATE OF PARADISE. 1914. 2 reels. An adaptation of the novel by Mary Imlay Taylor.

THE MAGNETIC BAT. 1928. 1 reel.

MAGNETIC EFFECTS OF ELECTRICITY. 1930. 976 ft., 16 mm.

THE MAGNIFICENT AMBERSONS. SEE Pampered Youth.

THE MAGNIFICENT BRUTE. 1921. 5 reels.

Credits: Producer, Robert Thornby; story, Malcolm Stuart Moylan; scenario, Lucien Hubbard.

THE MAGNIFICENT BRUTE. 1936. 8 reels, sd. Based on the story "Big" by Owen Francis.

Credits: Producer, Edmund Grainger; director, John Blystone; screenplay, Lewis B. Foster, Owen Francis, Bertram Millhauser; film editor, Ted Kent; music director, Charles Previn.

THE MAGNIFICENT FLIRT. 1928. 4,998 ft. Suggested by "Maman" by Germain [pseud. of JosÉ Germain Drouilly] and Moncousin.

Credits: Director, H. D'Abbadie D'Arrast; screenplay, Jean de Limur, H. D'Abbadie D'Arrast.

THE MAGNIFICENT FRAUD. 1939. 8 reels, sd. Based on the story "Caviare for His Excellency" by Charles G. Booth.

Credits: Producer, Harlan Thompson; director, Robert Florey; screenplay, Gilbert Gabriel, Walter Ferris; film editor, James Smith.

THE MAGNIFICENT LIE. 1931. 8 reels. Based on "The Laurels and the Lady" by Leonard Merrick.

Credits: Director, Berthold Viertel; screenplay, Vincent Laurence, Samson Raphaelson.

THE MAGNIFICENT MEDDLER. 1917. 5 reels.

Credits: Director, William Wolbert; story, Lawrence McCloskey; adaptation, Garfield Thompson.

MAGNIFICENT OBSESSION. 1935. 13 reels, sd. Based on the novel by Lloyd C. Douglas.

Credits: Director, John M. Stahl; screenplay, Sarah Y. Mason, Victor Heerman, George O'Neil.

MAGNOLIA. SEE

The Fighting Coward.

River of Romance.

THE MAGPIE. Gold Seal. 1917. 3 reels.

Credits: Director, Edwin Stevens; story, George Dana Smith.

A MAID AND A MAN. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Al. E. Christie.

MAID FOR A DAY. 1936. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

THE MAID FROM SWEDEN. 1914. 1 reel.

Credits: Director, Lee Beggs.

MAID IN CHINA. (Terry Toons) Presented by E. W. Hammons. 1938. 619 ft., sd.

Credits: Paul Terry, Connie Rasinski; music, Philip A. Scheib.

MAID IN HOLLYWOOD. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

MAID IN MOROCCO. (Lupino Lane Comedies) 1925. 2 reels.

Credits: Director, Charles Lamont.

THE MAID O' THE MOUNTAINS. 1915. 2 reels.

Credits: Director, George Archainbaud; story, Adrian Gil-Spear.

THE MAID OF HONOR. 1912. 1 reel.

Credits: Bannister Merwin.

A MAID OF MANDALAY. 1913.

Credits: Director, Maurice Costello.

THE MAID OF ROMANCE. 1915.

MAID OF SALEM. Presented by Adolph Zukor. 1937. 9 reels, sd.

Credits: Producer and director, Frank Lloyd; story, Bradley King; screenplay, Walter Ferris, Bradley King, Durward Grinstead; editor, Hugh Bennett; music, Victor Young; music director, Boris Morros.

THE MAID OF THE MIST. Rex. 1915. 1 reel.

Credits: Producer, Joseph DeGrasse; scenario, James Dayton.

MAID OF THE WEST. 1921. 5 reels.

Credits: Directors, Philo McCullough, C. R. Wallace; story, W. E. Spencer.

MAID TO ORDER. (Star Comedy) 1923. 1 reel.

MAID TO ORDER. 1931. 1 reel, sd.

MAID TO ORDER. 1939. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, George Jeske; film editor, Les Millbrook.

MAID WANTED. (Star Comedy) 1918. 1 reel.

Credits: Directors, Lyons-Moran; story, Phil Le Noir; scenario, Frank Howard Clark.

MAIDS A LA MODE. (Hal Roach Pitts-Todd Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

MAIDS A-COURTING. (Star Comedy) 1920. 1 reel.

Credits: Director, Vin Moore; story, Maynard Laswell.

MAIDS & MUSIC. (Nu-Atlas Musical) 1938. 1 reel.

Credits: Director, Milton Schwarzwald; dialogue, Sands & Wilson; orchestrations, Jack Schaindlin.

MAIDS AND MUSLIN. 1920. 2 reels.

Credits: Director, Noel M. Smith; story, Anthony W. Coldeway.

THE MAID'S NIGHT OUT. 1929. 1 reel, sd.

MAID'S NIGHT OUT. 1938. 7 reels, sd.

Credits: Producer, Robert Sisk; director, Ben Holmes; story, Willoughby Speyers; screenplay, Bert Granet; editor, Ted Cheesman.

MAIL AND FEMALE. (Hal Roach Comedy) (Our Gang Comedy) 1937. 1 reel, sd., b&w.

Credits: Director, Fred Newmeyer; film editor, William Ziegler.

MAIL AND FEMALE. (Broadway Brevity) 1937. 20 min., sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

THE MAIL PILOT. (Mickey Mouse, no. U. A. 13) 1933. 1 reel.

THE MAILMAN. Released by Film Booking Offices. 1923. 7 reels.

Credits: Director, Emory Johnson; story and adaptation, Emilie Johnson.

THE MAIL MAN. (Fables, no. 395) 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

MAIMED IN THE HOSPITAL. Nestor. 1918. 1 reel.

Credits: Written and directed by Craig Hutchinson.

THE MAIN EVENT. De Mille Pictures Corp. 1927. 7 reels. From the story "That Makes Us Even" by Paul Allison.

Credits: Director, William K. Howard; adaptation, Rochus Gliese; film editor, Claude Berkeley.

THE MAIN EVENT. 1938. 6 reels, sd.

Credits: Director, Danny Dare; story, Harold Shumate; screenplay, Lee Loeb.

MAIN 4400. Victor. 1916. 2 reels.

Credits: Producer, William Worthington; story, Willard Bradley; scenario, Maie Havey.

Credits: Director, Al. Santell.

MAIN STREET. 1923. 9 reels. Adapted from the novel by Sinclair Lewis.

Credits: Director, Harry Beaumont; adaptation, Julien Josephson.

MAIN STREET. SEE I Married a Doctor.

MAIN STREET FOLLIES. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George J. Bennett.

MAIN STREETS. (An E. M. Newman Traveltalk) 1933. 1 reel.

Credits: Editor, Bert Frank.

LES MAINS D'ORLAC. SEE Mad Love.

THE MAINSPRING. Red Feather. 1916. 5 reels.

Credits: Director, Jack Conway; story, Charles Agnew McLean; scenario, William Parker.

THE MAINSPRING. Falcon Features. 1917. 4 reels. From the story by Louis Joseph Vance.

Credits: Supervision, H. M. and E. D. Horkeimer; director, Henry King.

THE MAINSPRING. SEE Lost at Sea.

MAISIE. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels, sd., b&w. From a book by Wilson Collison.

Credits: Producer, J. Walter Ruben; director, Edwin L. Marin; screenplay, Mary C. McCall, Jr.; film editor, Frederick Y. Smith; music score, Edward Ward.

LE MAITRE DE FORGES. SEE The Iron Master.

MAJESTIC CEYLON, AS SEEN BY DOCTOR DORSEY. Powers. 1916. 1/2 reel.

MAJOR BLUFF'S ADVENTURES. Nestor. 1916. 1/4 reel.

MAJOR BOWES AMATEUR PARADE. 1936. 1 reel each, sd. © RKO Radio Pictures, Inc. (Biograph Pictures Corp., author);

1. © 1May36; LP6406.

2. © 5Jun36; LP6434.

3. © 3Jul36; LP6448.

4. © 19Jul36; LP6495.

5. © 31Aug36; MP6771.

6. © 2Oct36; LP6633.

MAJOR BOWES THEATRE OF THE AIR; Amateur Night. 1935. 2 reels each.

Series 1.

1. © 29Aug35; LP5771.

2. © 20Sep35; LP5809.

3. © 4Oct35; LP5870.

4. © 18Oct35; LP5871.

5. © 8Nov35; LP5982.

6. © 22Nov35; LP5983.

MAJOR DIFFICULTIES. 1938. 19 min., sd.

Credits: Producer, Bert Gilroy; director, Louis Brock; story, George Jeske, Jack Townley; film editor, Les Millbrook.

MAJOR GOOGLE. Released by Columbia Pictures Corporation. 1936. 753 ft., sd., color. From the King Features comic page by Billy De Beck.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe De Nat.

THE MAJOR LIED TILL DAWN. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Frank Tashlin; story, Richard Hogan; animation, Philip Monroe; music director, Carl W. Stalling.

MAKE A MILLION. 1935. 7 reels, sd.

Credits: Director, Lewis D. Collins; original story, Emmett Anthony; adaptation and screenplay, Charles Logue; editor, Jack Ogilvie.

MAKE BELIEVE REVUE. (Color Rhapsody) Presented by Columbia Pictures Corp. 1935. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould, Harry Love; music, Joe De Nat.

THE MAKE-BELIEVE WIFE. Paramount. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Director, John S. Robertson; story, Edward Childs Carpenter; scenario, Adrian Gil-Spear.

MAKE BUYING PLEASANT. 1931. 1 reel.

MAKE IT SNAPPY. 1924. 2 reels.

Credits: Director, Charles Lamont.

MAKE IT SNAPPY. Snappy. 1929. 2 reels.

Credits: Director, Harry Edwards; story, T. Page Wright, Bill Weber.

MAKE ME A STAR. 1932. 9 reels, sd. From the novel "Merton of the Movies" by Harry Leon Wilson, and the play by George S. Kaufman and Marc Connelly.

Credits: Director, William Beaudine; screenplay, Sam Mintz, Walter DeLeon, Arthur Kober.

MAKE OR BREAK. (Sport Pictorial, no. 15) 1921. 1 reel.

Credits: Producer, Jack Eaton; editor, Grantland Rice.

MAKE UP YOUR MIND. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Walton Butterfield.

MAKE WAY FOR A LADY. 1936. 65 min., sd. From the novel "Daddy and I" by Elizabeth Jordan.

Credits: Associate producer, Zion Myers; director, David Burton; screenplay, Gertrude Purcell; editor, George Crone.

MAKE WAY FOR TOMORROW. Presented by Adolph Zukor. 1937. 10 reels, sd. Based on a novel by Josephine Lawrence and a play by Helen and Nolan Leary.

Credits: Producer and director, Leo McCarey; screenplay, Vina Delmar; film editor, LeRoy Stone; original music, George Antheil; music director, Boris Morros.

MAKE YOUR DEMONSTRATIONS AS IMPRESSIVE AS YOUR PRODUCTS. 1929. 1 reel.

MAKE YOUR EYES BEHAVE. Released through General Film. 1917. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

A MAKER OF GESTURES. SEE Too Many Kisses.

MAKER OF MEN. 1931. 7 reels, sd.

Credits: Director, Edward Sedgwick; story, Howard J. Green, Edward Sedgwick; screenplay, Howard J. Green; film editor, Gene Milford.

MAKERS OF MELODY. 1929. 2 reels.

Credits: Screen story and direction, S. Jay Kaufman.

MAKIN' EM MOVE. (Aesop Sound Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

MAKING A BOOK. 1931. 980 ft.

MAKING A CONVERT. 1914. 1 reel.

Credits: Epes Winthrop Sargent.

MAKING A MAN. 1922. 6 reels.

Credits: Director, Joseph Henabery; story, Peter B. Kyne.

MAKING A RUBBER TIRE. (Ford Educational Library. Industrial Geography of the United States) Ford Motion Picture Laboratories. 1922. 1 reel.

MAKING A TABORET. 1929. 1 reel.

MAKING A U. S. SOLDIER. Powers. 1916.

MAKING AMERICA MUSICAL. 1932. 2 reels.

MAKING AN IMPRESSION. 1916. 1 reel.

Credits: Producer, Frank Currier.

MAKING FRIENDS. (Betty Boop Cartoon) 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks Lokey.

MAKING GOOD. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

MAKING GOOD. 1931. 1 reel.

MAKING GOOD. (An Oswald Comedy) 1932. 1 reel.

Credits: Walter Lantz, Bill Nolan.

MAKING GOOD WITH GOOD HUMOR. 1937. For Good Humor Ice Cream Co. Filmstrip, sd.

MAKING GOOD WITH HER FAMILY. 1914. 1 reel.

Credits: Producer, Harry Jackson.

MAKING MANHANDLERS. 1935. 1 reel, sd.

Credits: Producer, Jack Eaton.

MAKING MONEY IN YOUR OWN BUSINESS. 1936. For Goodrich. Filmstrip, sd.

MAKING MONKEY BUSINESS. Special Victor. 1917. 1 reel.

Credits: Tom Gibson; director, Allen Curtis.

MAKING MORE SALES FROM GOOD SERVICE. 1930. 1 reel.

THE MAKING OF A TOUPÉE. 1915. 1 reel.

THE MAKING OF BOB MASON'S WIFE. 1916. 1 reel.

Credits: Marie W. Fellner; director, Burton L. King.

THE MAKING OF CROOKS. 1915. 3 reels.

Credits: Director, William Robert Daly.

THE MAKING OF HIM. 1914. 2,000 ft.

THE MAKING OF HUNDRED-TON GUNS. 1917. 1 reel.

THE MAKING OF MADDALENA. 1916. 5 reels. From the story by Mary and Samuel Lewis.

THE MAKING OF O'MALLEY. 1925. 8 reels.

Credits: Gerald Beaumont; supervision, Earl Hudson; director, Lambert Hillyer.

THE MAKING OVER OF GEOFFREY MANNING. 1915. 4 reels.

Credits: Director, Harry Davenport.

MAKING ROOM FOR THE WHIPPET. 1928. 1 reel.

MAKING ROSA STYLISH. SEE The Apple.

MAKING STARS. (Betty Boop Cartoon) 1935. 1 reel.

Credits: Director, Dave Fleischer; animation, Edward Nolan, Herman Cohen.

MAKING THE GRADE. 1929. 6 reels. Based on the story by George Ade.

Credits: Director, Alfred Green.

MAKING THE HEADLINES. 1938. 7 reels.

Credits: Director, Lewis D. Collins; story, Howard J. Green; screenplay, Jefferson Parker, Howard J. Green.

MAKING THE LAST QUARTER COUNT. 1930. 1 reel.

MAKING THE ROUNDS. 1934. 2 reels, sd.

Credits: Producer, Phil L. Ryan; director, Del Lord; story and adaptation, James Mulhauser, Scott E. Cleethorpe; music, Abe Meyer; editor, Francis Lyon.

MAKING THE VARSITY. Presented by Samuel Zierler. 1928. 6,400 ft.

Credits: Supervision, Burton King; director, Cliff Wheeler; story, Elsie Werner, Bennett Southard; editor, Lee Anthony.

MAKING THE WILLYS SIX SPEAK FOR ITSELF. 1930. 1 reel.

MAKING THEM COUGH UP. 1914. Split reel.

MAKING WHOOPEE. (Tuxedo Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

MAL HALLETT AND HIS ENTERTAINING ORCHESTRA. 1929. 1 reel, sd.

MAL HALLETT AND HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Lloyd French.

MAL HALLETT AND HIS WAY DOWN EAST BAND. 1929. 1 reel, sd.

MALARIA. 1924. 3 reels.

Credits: Scenario, Samuel T. Darling, William B. Herms, E. H. Kleinschmidt, Edward Stewart.

MALARIA AND THE MOSQUITO. 1922. 2,245 ft.

Credits: Planned and supervised by William B. Herms.

MALAY NIGHTS. Presented by George W. Weeks. 1932. 7 reels.

Credits: Supervision, Cliff Broughton; director, E. Mason Hopper; story, Glenn Ellis; adaptation and dialogue, John Thomas Neville; editor, Byron Robinson.

MALAYAN JUNGLES. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Howard Claney.

MALAYAN MOTOR ROADS. (Paramount-Burton Holmes Travel Picture) 1920. 1 reel.

THE MALAYS OF SUMATRA. 1929. 1 reel.

Credits: Edited by the Dept. of Anthropology, Harvard University.

MALAYSIA. (Vagabond Adventure Series) 1932. 9 min.

MALE AND FEMALE. 1919. 9 reels. Founded on the play "The Admirable Crichton" by J. M. Barrie.

Credits: Director, Cecil B. De Mille; adaptation, Jeanie MacPherson.

THE MALE MAN. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

THE MALEFACTOR. SEE The Test of Honor.

MALIBU. SEE Sequoia.

MALLOY COMPEADOR. SEE The Scrapper.

THE MALTESE FALCON. 1931. 9 reels, sd. Based on the novel by Dashiell Hammett.

Credits: Director, Roy Del Ruth; screenplay and dialogue, Maude Fulton.

MAMA LOVES PAPA. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, George Stevens; dialogue, H. M. Walker; editor, Richard Currier.

MAMA LOVES PAPA. 1933. 7 reels, sd.

Credits: Director, Norman McLeod; story, Keene Thompson, Douglas MacLean; screenplay, Nunnally Johnson, Arthur Kober.

MAMA RUNS WILD. 1938. 7 reels.

Credits: Associate producer and director, Ralph Staub; original story, Gordon Kahn; screenplay, Gordon Kahn, Hal Yates; additional dialogue, Paul Gerard Smith, Frank Rowan; film editor, Edward Mann; music director, Alberto Colombo.

MAMA STEPS OUT. 1937. 8 reels, sd., b&w. From a play by John Kirkpatrick.

Credits: Producer, John Emerson; director, George B. Seitz; screenplay, Anita Loos; film editor, George Boemler; music score, Edward Ward.

MAMAN. SEE The Magnificent Flirt.

MAMA'S AFFAIR. First National. 1921. 6 reels. From the play by Rachel Barton Butler.

Credits: Director, Victor Fleming; adaptation, John Emerson, Anita Loos.

MAMA'S BABY BOY. Presented by Samuel V. Grand. 1923. 2 reels.

Credits: Director, Archie Mayo.

MAMA'S COWPUNCHER. Century. 1921. 2 reels.

Credits: Written and directed by Alf T. Goulding.

MAMA'S LITTLE PIRATE. (Hal Roach Comedy) (Our Gang Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Bert Jordan.

MAMA'S NEW HAT. (A Captain and the Kids Cartoon) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia. Based on the United Features comic "The Captain and the Kids."

MAMBA. 1930. 9 reels, sd., color.

Credits: Director, Albert Rogell; story, F. Schumann-Heink, John Reinhardt; continuity and dialogue, Tom Miranda, Winifred Dunn.

MAMMON AND THE ARCHER. Broadway Star Feature Co., Inc. 1918. 2 reels.

Credits: O. Henry [pseud. of William Sydney Porter]; director, Kenneth Webb.

MAMMY. 1930. 84 min., sd., color. Story based on the play "Mr. Bones" by Irving Berlin.

Credits: Director, Michael Curtiz; story and songs, Irving Berlin; screenplay and dialogue, Gordon Rigby, Joseph Jackson.

MAMMY. Trailer. 1930. 1 reel, sd.

MAMMY'S BOY. SEE His Darker Self.

A MAN ABOUT TOWN. Presented by William Fox. 1927. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Eugene J. Forde; scenario, Andrew Bennison, Frank Martin.

MAN ABOUT TOWN. 1932. 6,357 ft., sd. From the novel by Denison Clift.

Credits: Director, John Francis Dillon; screenplay, Leon Gordon; editor, Frank Hull.

MAN ABOUT TOWN. 1939. 9 reels, sd.

Credits: Producer, Arthur Hornblow, Jr.; director, Mark Sandrich; story, Morrie Ryskind, Allan Scott, Z. Myers; screenplay, Morrie Ryskind; film editor, LeRoy Stone.

THE MAN ABOUT TOWN. SEE Frank X. Silk in The Man About Town.

THE MAN ACROSS THE STREET. Imp. 1916. 2 reels.

Credits: Scenario and production, Henry Otto; story, Robert Thomas.

A MAN AFRAID. 1915. 2 reels.

MAN AGAINST WOMAN. 1932. 7 reels, sd.

Credits: Director, Irving Cummings; story, Keene Thompson; screenplay, Jo Swerling.

MAN AND BEAST. Butterfly. 1917. 5 reels.

Credits: Director, Henry McRae; scenario, Henry McRae, W. B. Pearson.

MAN AND HIS ANGEL. 1916. 5 reels.

MAN AND HIS MASTER. 1915. 2 reels.

A MAN AND HIS MONEY. Rex. 1915. 1 reel.

Credits: Producer, Joseph De Grasse; scenario, Frances Willey, Ida May Park.

A MAN AND HIS MONEY. Presented by Samuel Goldwyn. 1919. 5 reels. From the story by Frederick S. Isham.

Credits: Director, Harry Beaumont.

Credits: Written and produced by Lem B. Parker.

MAN AND HIS SOUL. Quality Pictures Corp. 1916. 5 reels.

MAN AND MAID. Presented by Louis B. Mayer. 1925. 6 reels. From the novel by Elinor Glyn.

Credits: Director, Victor Schertzinger; story, scenario, and continuity, Elinor Glyn.

MAN AND MORALITY. Victor. 1916. 3 reels.

Credits: Written and produced by Harry C. Myers.

THE MAN AND THE DOLL. SEE L'Homme et la PoupÉe.

THE MAN AND THE MOMENT. Presented by Richard A. Rowland. 1929. 7 reels. From the story by Elinor Glyn.

Credits: Produced and directed by George Fitzmaurice; screen version, Agnes Christine Johnston.

THE MAN AND THE MOMENT. Trailer. First National. 1929. 1 reel, sd.

THE MAN AND THE MOMENT. SEE Mad Hour.

THE MAN AND THE TEST. SEE The Lamb.

Credits: Adapted and directed by Alice BlachÉ.

MAN AND WIFE. 1923. 5 reels.

Credits: Director, John L. McCutcheon; story and adaptation, Leota Morgan.

MAN BAIT. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 6 reels. From the play by Norman Houston.

Credits: Director, Donald Crisp; adaptation, Douglas Z. Doty.

THE MAN BEHIND THE CURTAIN. 1916. 5 reels.

Credits: Producer, and director, Courtlandt J. Van Deusen.

THE MAN BEHIND THE DOOR. 1914. 4 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

A MAN BETRAYED. 1936. 6 reels.

Credits: Producer, Nat Levine; director, John H. Auer; original screenplay, Dorrell and Stuart McGowan.

MAN BITES LOVE BUG. 1937. 2 reels, sd.

Credits: Director, Del Lord; story, Al Giebler, Elwood Ullman.

THE MAN CALLED BACK. Quadruple Film Corp., Ltd. Presented by Tiffany Productions, Inc. 1932. 8 reels. Adapted from the novel "Silent Thunder" by Andrew Soutar.

Credits: Producer, Sam Bischoff; director, Robert Florey; screenplay, continuity and dialogue, Robert Presnell.

MAN CRAZY. 1927. 6 reels. From the story "Clarissa and the Post Road" by Grace Sartwell Mason.

Credits: Producers, Charles R. Rogers, John Francis Dillon; adaptation and continuity, Perry Nathan.

A MAN FOR A' THAT. 1916. 2 reels. Reissue.

THE MAN FOUR-SQUARE. 1926. 5 reels, b&w, tinted sequences.

Credits: Director, R. William Neill; story, William MacLeod Raine; scenario, Charles Darnton.

THE MAN FROM ARGENTINE. Powers. 1915. 2 reels.

Credits: Harvey Gates; producer, Lynn Reynolds.

THE MAN FROM ARIZONA. 1932. 6 reels.

Credits: Producer, Trem Carr; director, Harry Frazer; story and adaptation, Wellyn Totman.

MAN FROM BAR 20. SEE Partners of the Plains.

THE MAN FROM BEYOND. 1921. 7 reels.

Credits: Director, Burton King; original story, Harry Houdini; adaptation, Coolidge Streeter.

THE MAN FROM BITTER ROOTS. 1916. For Fox Film Corp. 5 reels. From the story by Caroline Lockhart.

Credits: Adapted and produced by Oscar C. Apfel.

THE MAN FROM BLANKLEYS. Warner Brothers Vitaphone. 1930. 8 reels. From the play by F. Anstey [pseud. of Thomas Anstey Guthrie].

Credits: Director, Alfred E. Green; screenplay, Harvey Thew; dialogue and titles, Joseph Jackson.

THE MAN FROM BLANKLEY'S. Trailer. 1930. 1 reel, sd.

THE MAN FROM BLANKLEY'S. SEE The Fourteenth Man.

THE MAN FROM BRODNEY'S. 1923. 8 reels. From the story by George Barr McCutcheon.

Credits: Director, David Smith; adaptation, C. Graham Baker.

THE MAN FROM CHICAGO. 1931. 6 reels, sd. From the play by Reginald Simpson.

Credits: Director, Walter Summers; adaptation, Walter Summers, Walter Mycroft; film editor, Leslie Norman.

THE MAN FROM DOWNING STREET. 1922. 5 reels.

Credits: Director, Edward JosÉ; story, Clyde Westover, Lottie Horner, Florine Williams; scenario, Bradley J. Smollen.

THE MAN FROM EGYPT. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

THE MAN FROM EGYPT. 1920. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

THE MAN FROM FUNERAL RANGE. 1918. 5 reels. From the play "Broken Threads" by W. E. Wilkes.

Credits: Director, Walter Edwards; screen adaptation, Monte M. Katterjohn.

THE MAN FROM GUNTOWN. 1935. 6 reels, sd.

Credits: Producer, Nat Ross; direction, story, and continuity, Ford Beebe; film editor, Robert Johns.

THE MAN FROM HELL'S EDGES. 1932. 6 reels.

Credits: Direction, story and adaptation, Robert N. Bradbury.

THE MAN FROM HOME. Presented by Jesse L. Lasky. 1914. 5 reels. From the play by Booth Tarkington and Harry Leon Wilson.

Credits: Producer and director general, Cecil B. De Mille.

THE MAN FROM HOME. Paramount. 1922. 7 reels. From the play by Booth Tarkington and Harry Leon Wilson.

Credits: Producer and director, George Fitzmaurice; scenario, Ouida Bergere.

THE MAN FROM LONE MOUNTAIN. 1925. 5 reels.

Credits: Director, Ben Wilson; story, George W. Pyper.

THE MAN FROM LOST RIVER. 1921. 6 reels.

Credits: Director, Frank Lloyd; story, Katharine Newlin Burt; scenario, Lambert Hillyer, Arthur F. Statter.

THE MAN FROM MEDICINE HAT. 1921. 5 reels. From the novel "The Manager of the B. and A." by Vaughan Kester.

Credits: Director, J. P. McGowan.

THE MAN FROM MEXICO. SEE Let's Get Married.

THE MAN FROM MONTANA. Butterfly. 1917. 5 reels.

Credits: Director, George Marshall; story, George Marshall, Harvey Gates.

THE MAN FROM MONTEREY. 1933. 57 min.

Credits: Producer, Leon Schlesinger; director, Mack V. Wright; screenplay and dialogue, Lesley Mason.

MAN FROM MONTREAL. 1939. 7 reels.

Credits: Director, Christy Cabanne; original story, Ben Pivar; screenplay, Owen Frances.

MAN FROM MUSIC MOUNTAIN. 1938. 6 reels, sd.

Credits: Associate producer, Charles E. Ford; director, Joe Kane; original story, Bernard McConville; screenplay, Betty Burbridge, Luci Ward; film editor, Lester Orlebeck.

THE MAN FROM NOWHERE. Red Feather. 1916. 5 reels.

Credits: William H. Clifford; director, Henry Otto.

THE MAN FROM PAINTED POST. 1917. 5 reels.

Credits: Director, Joseph Henabery; story, Jackson Gregory; scenario, Douglas Fairbanks.

THE MAN FROM RED GULCH. Presented by Hunt Stromberg. 1925. 6 reels. From the story "The Idyl of Red Gulch" by Bret Harte.

Credits: Director, Edmund Mortimer; adaptation, Elliott J. Clawson.

THE MAN FROM SUNDOWN. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Paul Franklin; film editor, William Lyon; music and lyrics, Bob Nolan, Ted Spencer; music director, M. W. Stoloff.

THE MAN FROM TEXAS. 1915.

Credits: Director, Tom Mix.

THE MAN FROM TEXAS. 1939. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; story and screenplay, Robert Emmett; film editor, Fred Bain.

THE MAN FROM THE DESERT. 1915. 3 reels.

Credits: Director, Ulysses Davis.

THE MAN FROM THE DESERT. SEE Desert Driven.

THE MAN FROM THE EAST. Released through General Film Co. 1914. 1 reel.

Credits: Written and directed by Tom Mix.

THE MAN FROM THE SEA. 1914. 2 reels. Adapted from a sketch by Paul Dickey and Charles Goddard.

Credits: Adaptation, George W. Terwilliger.

THE MAN FROM THE WEST. 1913. 1 reel.

Credits: Frances M. Wright.

THE MAN FROM THE WEST. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Albert Rogell; story, Josephine Dodge; adaptation and scenario, Harrison Jacobs.

THE MAN FROM TOWN. 1915. 1 reel.

THE MAN FROM UTAH. (Lone Star Western) 1934. 6 reels, sd.

Credits: Producer, Paul Malvern; director, Robert Bradbury; story and screenplay, Lindsley Parsons; editor, Carl Pierson.

THE MAN FROM WYOMING. Universal Special. 1923. 5 reels. From the book "Wyoming" by William McLeod Raine.

Credits: Director, Robert North Bradbury.

A MAN FROM WYOMING. 1930. 5,989 ft. From a story by Joseph Moncure March and Lew Lipton.

Credits: Director, Rowland V. Lee; screenplay, John V. A. Weaver, Albert Shelby LeVino.

THE MAN FROM YESTERDAY. 1932. 8 reels, sd. Based on a play by Nell Blackwell and Rowland G. Edwards.

Credits: Director, Berthold Viertel; screenplay, Oliver H. P. Garrett.

THE MAN-HATER. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

THE MAN HE MIGHT HAVE BEEN. 1913. Produced in cooperation with the National Association of Manufacturers. 1 reel.

Credits: James Oppenheim.

THE MAN HE MIGHT HAVE BEEN. 1916. 1 reel.

Credits: Hettie Gray Baker; director, Burton L. King.

THE MAN HE USED TO BE. Broadway Star. 1916. 3 reels.

Credits: Producer, Eugene Mullin.

THE MAN HIGHER UP. 1929. 2 reels, sd., b&w.

Credits: Story, William De Mille.

THE MAN HUNT. 1916. 3 reels. From the novel by Arthur C. Train.

Credits: Director, Paul Scardon; adaptation, Joseph Gollomb.

Credits: Director, Travers Vale; story, Fred Jackson.

MAN HUNT. 1933. 7 reels, sd.

Credits: Producer, J. G. Bachmann; director, Irving Cummings; story and screenplay, Sam Mintz, Leonard Praskins.

MAN HUNT. 1936. 7 reels, sd.

Credits: Director, William Clemens; original story, Earl Felton; editor, Louis Hesse.

MAN HUNT. (An Oswald Cartoon) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele; artists, Lester Kline, Ralph Somerville.

THE MAN HUNTER. 1919. 6 reels.

Credits: Story, scenario and direction, Frank Lloyd.

THE MAN HUNTER. Warner Brothers and Vitaphone. 1930. 6 reels, sd.

Credits: Director, Ross Lederman; original story, Lily Hayward; screen adaptation and dialogue, James A. Starr.

THE MAN HUNTER. Trailer. 1930. 1 reel.

THE MAN HUNTERS. 1914. 1 reel.

THE MAN I KILLED. SEE Broken Lullaby.

THE MAN I LOVE. 1929. 7 reels, si., sd.

Credits: Director, William A. Wellman; story and dialogue, Herman J. Mankiewicz; adaptation, Percy Heath.

THE MAN I MARRY. 1936. 8 reels, sd.

Credits: Producer, Val Paul; director, Ralph Murphy; original story, M. Coates Webster; screenplay, Harry Clork; film editor, Bernard W. Burton.

THE MAN IN BLACK. 1914. 1,000 ft.

Credits: Producer, Edward J. LeSaint.

THE MAN IN BLUE. Jewel. 1925. 6 reels.

Credits: Director, Edward Laemmle; story, Gerald Beaumont; scenario, E. Richard Schayer.

THE MAN IN BLUE. 1937. 7 reels, sd.

Credits: Associate producer and author of original story, Kubec Glasmon; director, Milton Carruth; screenplay, Lester Cole; film editor, Paul Landres; music director, Charles Previn.

THE MAN IN DRESS CLOTHES. SEE Evening Clothes.

THE MAN IN EVENING CLOTHES. SEE She Wolves.

THE MAN IN HIM. 1916. 2 reels.

THE MAN IN HOBBLES. 1928. 7 reels. Suggested by the story by Peter B. Kyne.

Credits: Director, George Archainbaud; adaptation, John Francis Natteford; titles, Frederic Hatton, Fanny Hatton; editor, Desmond O'Brien.

THE MAN IN MOTLEY. 1915. 1 reel.

Credits: I. A. R. Wylie.

Credits: Producer, Ralph Dewsbury.

THE MAN IN POSSESSION. 1931. 9 reels, sd., b&w. From the play by H. M. Harwood.

Credits: Producer, Sam Wood; screen adaptation, Sarah Y. Mason; additional dialogue, Sarah Y. Mason, P. G. Wodehouse; film editor, Ben Lewis.

THE MAN IN THE BARN. (An Historical Mystery) 1937. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneur; screenplay, Morgan Coxe; historical compilations, Charles E. Whittaker; narrator, Carey Wilson.

THE MAN IN THE CHAIR. Imp. 1915. 2 reels.

Credits: Producer, Leon Kent; story, Hobart Henley; scenario, Harvey Gates.

THE MAN IN THE DARK. 1914. 1 reel.

Credits: John H. Collins.

THE MAN IN THE IRON MASK. Presented by Edward Small. Released through United Artists. 1939. 12 reels, sd. From the novel by Alexandre Dumas.

Credits: Producer and director, James Whale; screenplay, George Bruce; film editor, Grant Whytock; music, Lucien Moraweck; music director, Lud Gluskin.

THE MAN IN THE IRON MASK. SEE The Iron Mask.

THE MAN IN THE MIRROR. Presented by Edward L. Alperson. 1937. 8 reels, sd. From the novel by William Garrett.

Credits: Producer, Julius Hagen; director, Maurice Elvey; adaptation and dialogue, F. McGrew Willis.

THE MAN IN THE MOONLIGHT. 1919. 6 reels.

Credits: Director, Paul Powell; story, Elliott J. Clawson.

MAN IN THE ROUGH. 1928. 5 reels.

Credits: Director, Wallace Fox; original story, W. C. Tuttle; screenplay, Frank Howard Clark.

THE MAN IN THE SADDLE. Universal-Jewel. 1926. 6 reels.

Credits: Director, Clifford S. Smith; story and scenario, Charles A. Logue.

THE MAN IN THE SHADOW. David Hartford Productions. 1926. 5,632 ft.

Credits: Director, Bertram Bracken; story and adaptation, Frances Nordstrom; editor, Walter L. Griffin.

Credits: Producer, Oscar Eagle.

THE MAN IN THE STREET. 1914. 3 reels. An adaptation from the novel by Mary Imlay Taylor.

Credits: Director, Charles J. Brabin.

THE MAN IN THE TRUNK. (The Perils of the Secret Service, no. 5) Imp. 1917. 2 reels. Founded on the Yorke Norroy stories by George Bronson Howard.

Credits: Director, George Bronson Howard.

THE MAN INSIDE. Broadway Universal. 1916. 5 reels. Adapted from the novel.

Credits: Producer, J. S. Adolphi; adaptation, R. L. Schrock.

THE MAN LIFE PASSED BY. 1923. 7 reels.

Credits: Original story, Victor Schertzinger; screenplay, Winifred Dunn.

MAN-MADE ISLAND. (A Columbia Tour) 1939. 1 reel, sd., color.

Credits: Associate producer, Hugh McCollum; narrative, Leonard Zinberg, Peter Martin; narrator, Gayne Whitman; film editor, Arthur Seid; photographer, Frank Good.

MAN-MADE WOMEN. 1928. For De Mille Pictures Corp. 6 reels.

Credits: Producer, Ralph Block; director, Paul L. Stein; story and adaptation, Ernest Pascal; screenplay, Alice D. G. Miller; film editor, Doane Harrison.

A MAN MUST LIVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,116 ft. Based on "Jungle Law" by I. A. R. Wylie.

Credits: Director, Paul Sloane; screenplay, James Ashmore Creelman.

THE MAN NEXT DOOR. 1923. 7 reels. From the novel by Emerson Hough.

Credits: Director, Victor L. Schertzinger.

THE MAN NOBODY KNOWS. 1925. 6 reels. Based on the book by Bruce Barton.

Credits: Produced and photographed by Erret LeRoy Kenepp; titles, Bruce Barton; musical settings, Alexander Savine.

THE MAN OF A THOUSAND HITS. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery; continuity, A. Dorian Otvos.

A MAN OF ACTION. First National. 1923. 6 reels.

Credits: Director, James W. Horne; original story, Bradley King.

MAN OF ACTION. 1933. 6 reels, sd.

Credits: Director, George Melford; story, William Colt MacDonald; screenplay, Robert Quigley; film editor, Otto Meyer.

A MAN OF ACTION. SEE

Rip Roarin' Roberts.

Walloping Wallace.

MAN OF AFFAIRS. 1936. 8 reels, sd. Adapted from the play "The Nelson Touch" by Neil Grant. Released in England under the title "His Lordship."

Credits: Director, Herbert Mason; screenplay, L. Du Garde Peach, Edwin Greenwood; adaptation, Maude T. Howell; editor, M. Gordon; music director, Louis Levy.

MAN OF ARAN. Gainsborough. 1934. 8 reels, sd.

Credits: Director, Robert Flaherty; editor and scenarist, John Goldman; music score, John Greenwood; music director, Louis Levy.

MAN OF CONQUEST. 1939. 11 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, George Nicholls, Jr.; original story, Harold Shumate, Wells Root; screenplay, Wells Root, E. E. Paramore, Jr., Jan Fortune; film editor, Edward Mann; music score, Victor Young.

THE MAN OF DESTINY. 1914. 1 reel.

Credits: Preston Kendall; director, Walter Edwin.

THE MAN OF GOD. 1915. 2,000 ft.

Credits: Written and produced by George W. Terwilliger.

A MAN OF HIS WORD. Falcon Features. 1917. 4 reels. From the play "Jelf's" by Horace Annesley Vachell.

Credits: Adapted and produced by George L. Tucker.

A MAN OF IRON. 1925. 6 reels.

Credits: Director, Whitman Bennett; adaptation, Lawrence Marsten.

MAN OF IRON. First National Productions Corp. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels.

Credits: Director, William McGann; story, Dawn Powell; screenplay, William Wister Haines.

MAN OF LETTERS. (Let George Do It Series) (Stern Brothers Comedy) 1927. 2 reels. From cartoons by George McManus.

Credits: Director, Samuel Newfield.

THE MAN OF MIGHT. 1918-19. 2 reels each. © The Vitagraph Co. of America.

Credits: Director, William Duncan; story, Albert E. Smith, C. T. Brady; scenario, Graham Baker.

1. The Riven Flag. © 20Dec18; LP13172.

2. The Leap Through Space. © 20Dec18; LP13173.

3. The Creeping Death. © 20Dec18; LP13174.

4. The Gripping Hand. © 4Jan19; LP13232.

5. The Human Shield. © 22Jan19; LP13313.

6. The Height of Torment. © 12Feb19; LP13392.

7. Into the Trap. © 13Feb19; LP13393.

8. The One Chance. © 8Mar19; LP13473.

9. The Crashing Horror. © 19Mar19; LP13515.

10. Double Crossed. © 22Mar19; LP13528.

11. The Ship of Dread. © 5Apr19; LP13569.

12. The Volcano's Prey. © 12Apr19; LP13597.

13. The Flood of Despair. © 21Apr19; LP13625.

14. The Living Catapult. © 26Apr19; LP13651.

15. The Rescue. © 2May19; LP13668.

THE MAN OF MYSTERY. Imp. 1917. 2 reels.

THE MAN OF MYSTERY. 1917. 5 reels. Adapted from a novel by A. C. Gunter.

Credits: Director, Frederick A. Thompson; adaptation, H. C. Bergman.

A MAN OF NERVE. Released by F. B. O. 1925. 5 reels.

Credits: Director, Lewis W. Chaudet; story, John H. Hamlin; scenario, George Hively.

A MAN OF PARTS. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

A MAN OF PEACE. SEE Hobart Bosworth in A Man of Peace.

A MAN OF POSITION. 1923. 2 reels.

Credits: Written and directed by Archie Mayo.

A MAN OF QUALITY. 1926. 6 reels.

Credits: Director, Wesley Ruggles; story, H. H. Van Loan.

A MAN OF SENTIMENT. 1933. 7 reels, sd.

Credits: Director, Richard Thorpe; story, Frederick Hazlitt Brennan; screen story and dialogue, Robert Ellis.

THE MAN OF SHAME. 1915. 5 reels. Adapted from the French novel "Roger La Honte" by Jules Mary.

Credits: Producer, Harry C. Myers; adaptation, M. B. Havey.

A MAN OF SORROW. 1916. 6 reels. From the play "Hoodman Blind."

Credits: Written and produced by Oscar C. Apfel.

THE MAN OF STONE. 1921. 5 reels.

Credits: Director, George Archainbaud; story, John Lynch, Edmund Goulding; scenario, Lewis Allen Browne.

MAN OF THE FOREST. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels. From the story by Zane Grey.

Credits: Associate producer, B. P. Schulberg; director, John Waters; adaptation, Max Marcin; screenplay, Fred Myton.

MAN OF THE FOREST. 1933. 7 reels, sd. From a story by Zane Grey.

Credits: Director, Henry Hathaway; screenplay, Jack Cunningham, Harold Shumate.

Credits: Picturized by Morris Tourneur.

THE MAN OF THE HOUR. 1914. 3 reels.

MAN OF THE PEOPLE. 1937. 8 reels, sd., b&w.

Credits: Producer, Lucien Hubbard; director, Edwin L. Marin; original story and screenplay, Frank Dolan; film editor, William S. Gray; music score, Edward Ward.

MAN OF THE WORLD. 1931. 6,364 ft., sd.

Credits: Director, Richard Wallace; story, Herman J. Mankiewicz.

MAN OF TWO WORLDS. 1934. 10 reels, sd. From the novel by Ainsworth Morgan.

Credits: Producer, Pandro S. Berman; director, J. Walter Ruben; screenplay, Howard J. Green, Ainsworth Morgan; editor, Jack Hively; music director, Max Steiner.

Credits: Adaptation, Philip Hubbard.

THE MAN ON THE BOX. 1925. 7 reels. From the novel and stage play by Harold MacGrath.

Credits: Director, Charles Reisner; scenario, Charles A. Logue.

THE MAN ON THE FLYING TRAPEZE. (A Popeye the Sailor Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David Tendlar.

MAN ON THE FLYING TRAPEZE. Presented by Adolph Zukor. 1935. 7 reels, sd.

Credits: Producer, William LeBaron; director, Clyde Bruckman; story, Charles Bogle, Sam Hardy; screenplay, Ray Harris, Sam Hardy; film editor, Richard Currier.

THE MAN ON THE ROCK. (An Historical Mystery) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Edward Cahn; original story, Pierre Artigue; screenplay, Herman Boxer; narrator, Carey Wilson; music score, David Snell.

MAN OR MONEY? Imp. 1915. 3 reels.

Credits: William Lippert; producer, Henry McRae Webster.

MAN OVERBOARD. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Cynthia Payne.

MAN-PROOF. 1937. 8 reels, sd., b&w. From a book by Fanny Heaslip Lea.

Credits: Producer, Louis D. Lighton; director, Richard Thorpe; screenplay, Vincent Lawrence, Waldemar Young, George Oppenheimer; film editor, George Boemler; music score, Franz Waxman.

MAN RUSTLIN'. Independent Picture Corp. Released by F. B. O. 1926. 5 reels.

Credits: Director, Del Andrews; story, Bill Branch; continuity, Burl R. Tuttle, Jay Chapman.

THE MAN TAMER. 1921. 5 reels.

Credits: Story, John Barton Oxford; adaptation and scenario, A. P. Younger.

THE MAN TAMER. Mustang. 1927. 2 reels.

Credits: Director, Ernst Laemmle; story and continuity, William Lester.

THE MAN THAT MIGHT HAVE BEEN. 1914. 1 reel.

Credits: Director, William Humphrey.

THE MAN, THE MISSION, AND THE MAID. 1914. 1 reel.

Credits: Director, Theodore Marston.

THE MAN THEY COULD NOT HANG. 1939. 7 reels, sd.

Credits: Producer, Wallace MacDonald; director, Nick Grinde; story, Leslie T. White, George W. Sayre; screenplay, Karl Brown; film editor, William Lyon.

MAN TO MAN. Universal Jewel. 1922. 6 reels.

Credits: Director, Stuart Paton; story, Jackson Gregory; scenario, George C. Hull.

MAN TO MAN. 1930. 8 reels. Based on the story by Ben Ames Williams.

Credits: Director, Allan Dwan; screenplay and continuity, Joseph Jackson.

MAN TO MAN. Presented by E. W. Hammons. 1937. 1,545 ft., sd.

Credits: Director, Raymond Kane; story, Marcy Klauber, Arthur Jarrett.

A MAN TO REMEMBER. 1938. 79 min., sd. From the story "Failure" by Katharine Haviland-Taylor.

Credits: Producer, Robert Sisk; director, Garson Kanin; screenplay, Dalton Trumbo; editor, Jack Hively; music score, Roy Webb.

THE MAN TRACKERS. 1921. 5 reels.

Credits: Written and produced by Edward Kull; scenario, George Plympton.

THE MAN TRAIL. 1915. 6 reels. Adapted from the novel by Henry Oyen.

Credits: Producer, E. H. Calvert.

THE MAN TRAILER. 1934. 6 reels, sd.

Credits: Direction and screenplay, Lambert Hillyer.

THE MAN TRAP. 1917. 5 reels.

Credits: Director, Elmer Clifton; scenario, Waldemar Young.

MANTRAP. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From a novel by Sinclair Lewis.

Credits: Director, Victor Fleming; screenplay, Adelaide Heilbron, Ethel Doherty.

MAN TROUBLE. 1930. 7,800 ft., sd.

Credits: Director, Berthold Viertel; story, Ben Ames Williams; adaptation, George Manker Watters, Marion Orth; editor, J. Edwin Robbins.

THE MAN UNCONQUERABLE. 1922. 6 reels.

Credits: Director, Joseph Henabery; story, Hamilton Smith; scenario, Julien Josephson.

THE MAN UNDER COVER. 1922. 5 reels.

Credits: Director, Tod Browning; story, L. V. Eytinge; scenario, Harvey Gates.

THE MAN UPSTAIRS. 1926. 7 reels.

Credits: Earl Derr Biggers; director, Roy Del Ruth; screenplay, Edward T. Lowe, Jr.

MAN WANTED. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 7 reels, sd.

Credits: Director, William Dieterle; story, Robert Lord; adaptation, Charles Kenyon.

THE MAN WHO. 1921. 6 reels. Adapted from the story in the Saturday Evening Post by Lloyd Osbourne.

Credits: Producer and director, Maxwell Karger; adaptation, June Mathis.

Credits: Producer, F. Martin Thornton.

THE MAN WHO BROKE THE BANK AT MONTE CARLO. 1935. 6,020 ft., sd. From the play by Ilia Surgutchoff and Frederick Albert Swann.

Credits: Director, Stephen Roberts; screenplay, Howard Ellis Smith, Nunnally Johnson; music director, Oscar Bradley.

THE MAN WHO CALLED AFTER DARK. 1916. 2 reels.

THE MAN WHO CAME BACK. 1924. 9 reels. Founded on the story by John Fleming Wilson.

Credits: Producer and director, Emmett J. Flynn; scenario, Edmund Goulding.

THE MAN WHO CAME BACK. 1930. 7,786 ft., sd. Based on the play and story by Jules Eckhardt Goodwin and John Fleming Wilson.

Credits: Director, Raoul Walsh; screenplay, Edwin Burke; editor, Harold Schuster.

THE MAN WHO COULD NOT SLEEP. 1915. 1,000 ft.

Credits: Mark Swan.

THE MAN WHO COULD WORK MIRACLES. 1937. 9 reels, sd. Based on the story by H. G. Wells.

Credits: Producer, Alexander Korda; director, Lothar Mendes; scenario and dialogue, H. G. Wells.

THE MAN WHO COULDN'T BEAT GOD. 1915. 5 reels.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE MAN WHO CRIED WOLF. 1937. 7 reels, sd.

Credits: Arthur Rothafel; associate producer, E. M. Asher; director, Lewis R. Foster; original screenplay, Charles Grayson, Sy Bartlett; film editor, Frank Gross; music director, Frank Previn.

THE MAN WHO DARED. 1920. 6 reels.

Credits: Director, Emmett J. Flynn; story and scenario, Jules Furthman.

THE MAN WHO DARED. 1933. 6,200 ft., sd.

Credits; Director, Hamilton McFadden; original screenplay, Dudley Nichols, Lamar Trotti; editor, Al DeGaetano.

THE MAN WHO DARED. First National. 1939. 6 reels, sd.

Credits: Director, Crane Wilbur; original story, Lucian Hubbard; screenplay, Lee Katz.

THE MAN WHO DARED. SEE When a Girl Loves.

THE MAN WHO DISAPPEARED. 1914. 1 reel each. © Thomas A. Edison, Inc.

Credits: Richard Washburn Child.

1. The Black Mask. © 21Mar14; LP2372.

2. The Hunted Animal. © 4Apr14; LP2463.

3. The Double Cross. © 18Apr14; LP2539.

4. The Light on the Wall. © 2May14; LP2631.

5. With His Hands. © 16May14; LP2721.

[6] The Gap. © 29May14; LP2773.

[7] Face to Face. © 22Jun14; LP2903.

[8] A Matter of Minutes. © 3Jul14; LP2962.

[9] The Living Dead. © 18Jul14; LP3060.

[10] By the Aid of a Film. © 1Aug14; LP3122.

THE MAN WHO FIGHTS ALONE. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,337 ft.

Credits: Producer and director, Wallace Worsley; story, William Blacke, James Shelley Hamilton; screenplay, Jack Cunningham.

Credits: Directed and adapted by Emile Chautard.

THE MAN WHO FOUND HIMSELF. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels.

Credits: Director, Alfred E. Green; original screen story, Booth Tarkington; scenario, Tom J. Geraghty.

THE MAN WHO FOUND HIMSELF. 1937. 7 reels, sd. From the story "Wings of Mercy" by Alice F. Curtis.

Credits: Producer, Cliff Reid; director, Lew Landers; screenplay, J. Robert Bren, Edmund L. Hartmann, G. V. Atwater, Thomas Lennon; editor, Jack Hively.

THE MAN WHO FOUND OUT. 1915. 1 reel.

THE MAN WHO HAD EVERYTHING. 1920. 6 reels.

Credits: Director, Alfred Green; story, Ben Ames Williams; scenario, Arthur F. Statter.

THE MAN WHO KNEW. 1914. 1 reel.

Credits: Director, William Humphrey.

THE MAN WHO KNEW TOO MUCH. Gaumont British Picture Corp., Ltd., London. Released by Gaumont-British Distributors, Ltd. 1934. 8 reels, sd.

Credits: Charles Bennett, D. B. Wyndham Lewis; director, Alfred Hitchcock; scenario, Edwin Greenwood, A. R. Rawlinson; additional dialogue, Emlyn Williams; music, Arthur Benjamin; musical director, Louis Levy.

THE MAN WHO LAUGHED LAST. SEE Sessue Hayakawa in The Man Who Laughed Last.

THE MAN WHO LAUGHS. Universal Jewel. 1928. 10 reels. From the novel by Victor Hugo.

Credits: Director, Paul Leni; adaptation and continuity, J. Grubb Alexander.

THE MAN WHO LIVED AGAIN. 1936. 7 reels.

Credits: Director, Robert Stevenson; screenplay, L. du Garde Peach, Sidney Gilliat, John L. Balderston.

THE MAN WHO LIVED TWICE. 1936. 8 reels, sd.

Credits: Director, Harry Lachman; story, Tom Van Dycke, Henry Altimus; screenplay, Tom Van Dycke, Fred Niblo, Jr., Arthur Strawn; film editor, Byron Robinson.

THE MAN WHO LOST HIMSELF. 1920. 6 reels. From the novel by H. de Vere Stackpoole.

Credits: Scenario and direction by George D. Baker.

THE MAN WHO MARRIED HIS OWN WIFE. 1922. 5 reels.

Credits: Director, Stuart Paton; story, John Fleming Wilson, Mary Ashe Miller; scenario, George Hively.

THE MAN WHO NEVER WAS CAUGHT. 1915. 1 reel.

THE MAN WHO PLAYED GOD. Released by United Artists Corp. 1922. 6 reels. From the play by Jules Eckert Goodman, based on the short story by Gouverneur Morris.

Credits: Director, Harmon Weight; adaptation, Forrest Halsey.

THE MAN WHO PLAYED GOD. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 9 reels, sd. From the play by Jules Eckert Goodman, based on the short story by Gouverneur Morris.

Credits: Director, John G. Adolfi; adaptation, Julian Josephson, Maude Howell.

THE MAN WHO PLAYED SQUARE. 1924. 7 reels, b&w, tinted sequences.

Credits: Director, Al Santell; story, William Cook; scenario, John Stone.

THE MAN WHO RECLAIMED HIS HEAD. Presented by Carl Laemmle. 1934. 9 reels, sd. From the play by Jean Bart [pseud. of Marie Antoinette Sarlabous].

Credits: Associate producer, Henry Henigson; director, Edward Ludwig; screenplay, Jean Bart, Samuel Ornitz; film editor, Murray Seldeen.

THE MAN WHO SAVED THE DAY. Special Big U. 1917. 2 reels.

THE MAN WHO SAW TOMORROW. 1922. 7 reels.

Credits: Perley Poore Sheehan, Frank Condon; director, Alfred E. Green; adaptation, Will Ritchey, Frank Condon.

THE MAN WHO STAYED AT HOME. Presented by Screen Classics, Inc. 1919. 6 reels. Adapted from the play by Lechmere Worrall and J. E. Harold Terry.

Credits: Supervision, Maxwell Karger; director, Herbert Blache; scenario, June Mathis.

Credits: Director, Frank Hall Crane.

THE MAN WHO TOOK A CHANCE. 1917. 5 reels.

Credits: Ben Cohn; director, William Worthington.

THE MAN WHO TURNED WHITE. SEE The Sheik of Araby.

THE MAN WHO VANISHED. 1914. 1 reel. Adapted from the Felix Boyd series "Below the Dead Line" by Scott Campbell [pseud. of Frederick William Davis].

Credits: Director, Langdon West.

THE MAN WHO WAS AFRAID. 1917. 65 min. From the story by Mary Brecht Pulver.

Credits: Director, Fred E. Wright; adaptation, H. Tipten Steck.

THE MAN WHO WENT SANE. 1916. 3 reels.

Credits: Paul West; director, Thomas R. Mills; picturized by Joseph F. Poland.

THE MAN WHO WOKE UP. 1921. 2 reels.

Credits: Story, L. Underwood; scenario, Robert Dillon.

THE MAN WHO WON. 1919. 5 reels. Based on the book by Cyrus Townsend Brady.

Credits: Director, Paul Scardon; scenario, Edward J. Montagne.

THE MAN WHO WON. 1923. 5 reels, b&w, tinted sequences. Based on "The Twins of Suffering Creek" by Ridgwell Cullum.

Credits: Director, William A. Wellman; scenario, Ewart Adamson.

THE MAN WHO WOULDN'T LOVE. SEE Sinner or Saint.

THE MAN WHO WOULDN'T MARRY. 1913.

Credits: Annesley Burrowes.

THE MAN WHO WOULDN'T REMOVE HIS HAT. SEE The Devil's Bowl.

THE MAN WHO WOULDN'T TELL. 1918. 5 reels.

Credits: Director, James Young; story, Bess Meredyth.

THE MAN WITH A PACKAGE. Joker. 1917. 1 reel.

Credits: C. B. Hoadley; director, W. W. Beaudine.

THE MAN WITH THE BROODING EYES. SEE Brooding Eyes.

THE MAN WITH THE IRON HEART. 1915. 3 reels.

Credits: Director, George Nicholls.

1. The Murder in the Villa Falcon. © title, descr. & 126 prints, 18Oct15; LU6694.

2. Mystery of the Midnight Express. © title, descr. & 143 prints, 17Feb16; LU7658.

3. The Stolen Invention. © title, descr. & 142 prints, 12Jan17; LU9953.

4. The Lonely House. © title, descr. & 120 prints, 12Jan17; LU9954.

THE MAN WITH THE PUNCH. 1920. 2 reels.

Credits: Story, W. C. Tuttle; scenario, Burl Armstrong.

THE MAN WITH THE SCAR. Mustang. 1926. 2 reels.

Credits: Director, William A. Crinley; story, and scenario, Basil Dickey.

THE MAN WITH THE TWISTED LIP. 1922. 2 reels. From "The Adventures of Sherlock Holmes" by Sir Arthur Conan Doyle.

Credits: Director, Maurice Elvey.

THE MAN WITH TWO FACES. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels. Based on the play "The Dark Tower" by George S. Kaufman and Alexander Woollcott.

Credits: Director, Archie Mayo; screenplay, Tom Reed, Niven Busch.

THE MAN WITH TWO MOTHERS. 1922. 5 reels.

Credits: Director, Paul Bern; story, Alice Duer Miller; scenario, Julien Josephson.

THE MAN WITHIN. 1916. 3 reels.

Credits: Director, Tom Mix.

THE MAN WITHOUT A CONSCIENCE. 1925. 7 reels.

Credits: Director, James Flood; story, Max Kretzer; adaptation, Hope Loring, Louis Duryea Lighton.

THE MAN WITHOUT A COUNTRY. 1917. 6 reels. Based on the story by Edward Everett Hale.

Credits: Supervision, Edwin Tanhouser; director, Ernest C. Warde; scenario, Lloyd Lonergan.

THE MAN WITHOUT A COUNTRY. 1925. 10 reels. Based on the story by Edward Everett Hale.

Credits: Director, Rowland V. Lee; adaptation and scenario, Robert N. Lee.

THE MAN WITHOUT A COUNTRY. 1938. 2 reels. From the story by Edward Everett Hale.

Credits: Director, Crane Wilbur; screenplay, Forrest Barnes.

THE MAN WITHOUT A COUNTRY. SEE As No Man Has Loved.

THE MAN WITHOUT A FACE. 1927-28. 2 reels each. © Pathe Exchange, Inc.

Credits: Director, Spencer Gordon Bennet; screen version, Joseph Anthony Roach.

1. A Perilous Mission. © 12Dec27; LP24762.

2. The Barrage. © 15Dec27; LP24763.

3. The Death Shell. © 22Dec27; LP24802.

4. The Abduction. © 24Dec27; LP24803.

5. The Mark of Crime. © 12Jan28; LP24871.

6. The Road of Peril. © 15Jan28; LP24872.

7. The Master Strikes. © 21Jan28; LP24908.

8. The Crime Craft. © 28Jan28; LP24930.

9. A Mysterious Visitor. © 6Feb28.

10. Unmasked. © 9Feb28; LP24969.

MAN WITHOUT A HEART. 1924. 6 reels. From the novel by Ruby M. Ayres.

Credits: Director, Burton King; screen adaptation, Harry Chandlee.

Credits: Adapted and produced by George L. Tucker.

MAN, WOMAN, AND SIN. 1927. 7 reels.

Credits: Produced, written and directed by Monta Bell; scenario, Alice D. G. Miller; film editor, Blanche Sewell.

MAN, WOMAN, AND WIFE. 1928. 7 reels.

Credits: Director, Edward Laemmle; story, Charles A. Logue.

MAN, WOMAN, MARRIAGE. Presented by Allen A. Kaufman. 1921. 9 reels.

Credits: Story and direction, Allen Holubar.

MANAGED MONEY. (Frolics of Youth) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, E. H. Allen; director, Charles Lamont; story and dialogue, Ernest Pagano, Ewart Adamson.

THE MANAGER OF THE B. AND A. SEE The Man from Medicine Hat.

MANANA LAND. SEE An Uneven Match, Manana Land and Memories.

MANCHU LOVE. 1929. 2 reels, sd., color.

Credits: Aubrey Scotto; producer, Herbert T. Kalmus; director, Elmer Clifton; story, Jack Cunningham.

MANCHUKUO. 1938. 1 reel.

MANDALAY. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels.

Credits: Director, Michael Curtiz; story, Paul Henry Fox; screenplay, Austin Parker, Charles Kenyon.

THE MANDARIN. 1924. 1 reel.

Credits: Director, William H. Watson; story, Richard Smith.

THE MANDARIN MYSTERY. 1936. 7 reels. Based on "The Chinese Orange Mystery" by Ellery Queen [pseud.]

Credits: Producer, Nat Levine; director, Ralph Staub; screenplay, John Francis Larkin, Rex Taylor, Gertrude Orr, Cortland Fitzsimmons.

Credits: Director, Oscar Apfel; story, Philip Lonergan; scenario, Lucien Hubbard.

MANDRAKE THE MAGICIAN. 1939. 2 reels each, sd. Based on the newspaper feature created by Lee Falk and Phil Davis.

Credits: Directors, Sam Nelson, Norman Deming; screenplay, Joseph F. Poland, Basil Dickey, Ned Dandy.

1. Shadow on the Wall. © 2May39; LP8816.

2. Trap of the Wasp. © 8May39; LP8828.

3. City of Terror. © 11May39; LP8834.

4. The Secret Passage. © 15May39; LP8840.

5. The Devil's Playmate. © 22May39; LP8863.

6. The Fatal Crash. © 26May39; LP8867.

7. Gamble for Life. © 29May39; LP8873.

8. Across the Deadline. © 13Jun39; LP8912.

9. Terror Rides the Rails. © 13Jun39; LP8913.

10. The Unseen Monster. © 19Jun39; LP8917.

11. At the Stroke of Eight. © 26Jun39; LP8927.

12. The Reward of Treachery. © 5Jul39; LP8963.

THE MAN-EATER. (James Montgomery Flagg's Girls You Know) 1918. 1 reel, color.

Credits: Director, Jack Eaton.

MAN-EATING SHARKS. (Cannibals of the Deep Series, no. 4) 1932. 770 ft.

Credits: Producer, Mack Sennett.

MAN EATING TIGER. SEE Spring Tonic.

MANHANDLED. 1924. 6,998 ft. From the Saturday Evening Post story by Arthur Stringer.

Credits: Producer and director, Allan Dawn; screenplay, Frank W. Tuttle.

MANHANDLING ETHEL. SEE Enchantment.

MANHATTAN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,415 ft. Based on "The Definite Object" by Jeffery Farnol.

Credits: Director, R. H. Burnside; adaptation, Paul Sloane, Frank Tuttle.

MANHATTAN COCKTAIL. 1928. 6,051 ft.

Credits: Director, Dorothy Arzner; story, Ernest Vajda; screenplay, Ethel Doherty.

A MANHATTAN KNIGHT. 1920. 5 reels, b&w, tinted sequences.

Credits: Director, George A. Beranger; story, Gelett Burgess; scenario, Paul H. Sloane.

MANHATTAN KNIGHTS. 1928. 7 reels.

Credits: Director, Burton King; story and continuity, Adeline Leitzbach.

MANHATTAN LOVE SONG. 1934. 8 reels, sd. Suggested by the novel by Cornell Woolrich [pseud. of Cornell George Hopley-Woolrich].

Credits: Director, Leonard Fields; screenplay, David Silverstein, Leonard Fields; editor, Carl Pierson.

MANHATTAN LOVE SONG. SEE Change of Heart.

MANHATTAN LULLABY. (Song Hit Stories) Educational Pictures. Presented by E. W. Hammons. 1933. 9 min., sd.

Credits: Producer, Jack White; story and music, James F. Hanley.

Credits: Charles T. and Frank Dazey; director, John McDermott; scenario, E. V. Durling.

MANHATTAN MARINERS. (Grantland Rice Sportlight) Van Beuren Corp. 1931. 1 reel.

MANHATTAN MARY. SEE Follow the Leader.

MANHATTAN MELODRAMA. Cosmopolitan. 1934. 9 reels, sd.

Credits: Producer, David O. Selznick; director, W. S. Van Dyke; original story, Arthur Caesar; screenplay, Oliver H. P. Garrett, Joseph L. Mankiewicz; film editor, Ben Lewis.

MANHATTAN MERRY-GO-ROUND. 1937. 10 reels, sd. Based on the musical revue by Frank Hummert.

Credits: Associate producer, Harry Sauber; director, Charles F. Riesner; original screenplay, Harry Sauber; editors, Murray Seldeen, Ernest Nims; music director, Alberto Colombo.

MANHATTAN MONKEY BUSINESS. (Hal Roach Comedy) 1935. 2 reels, sd., b&w.

Credits: Directors, Charles Parrott, Harold Law; film editor, William Ziegler.

MANHATTAN MOON. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Producer, Stanley Bergerman; director, Stuart Walker; original story, Robert Harris; screenplay, Barry Trivers, Ben Grauman Kohn; adaptation, Aben Kandel; film editor, Phil Cahn; music, Karl Hajos.

MANHATTAN PARADE. Warner Bros, and Vitaphone Production. 1932. 8 reels, sd. Based on a play by Samuel Shipman.

Credits: Director, Lloyd Bacon.

MANHATTAN RHYTHM. Presented by Adolph Zukor. 1935. 1 reel, sd.

MANHATTAN SERENADE. (M. G. M. Colortone Revue) 1930. 2 reels, sd., color. Based upon an original composition by Louis Alter.

Credits: Director, Sammy Lee; dialogue, Joe Farnham; music, Louis Alter, Howard Johnson, Charles F. Riesner; orchestral arrangement and direction, Arthur Lange.

MANHATTAN SHAKEDOWN. 1939. 6 reels, sd.

Credits: Director, Leon Barsha; story, Theodore Tinsley; screenplay, Edgar Edwards.

MANHATTAN TAPESTRY. Treasure Chest. Presented by E. W. Hammons. 1936. 906 ft., sd., color.

Credits: Producers, Palmer Miller, Curtis F. Nagel; editors, Richard Fair, William M. Pizor.

MANHATTAN WATERFRONT. (World on Parade, no. 7) 1937. 1 reel.

Credits: Text, Harold McCracken; narrator, Alois Havrilla.

MANIAC. 1934. 6 reels, sd.

Credits: Director, Dwain Esper; story and continuity, Hildegarde Stadie.

THE MANICURE GIRL. 1913. 1 reel.

Credits: George Randolph Chester.

THE MANICURE GIRL. (Chronicles of Bloom Center) 1915. 1 reel.

Credits: Producer, Burton L. King.

THE MANICURE GIRL. Paramount. 1925. 5,959 ft.

Credits: Frederic and Fanny Hatton; director, Frank Tuttle; screenplay, Townsend Martin.

THE MANIFESTATIONS OF HENRY ORT. SEE Straight Is the Way.

MANNA. Gold Seal. 1915. 2 reels.

Credits: Producer, Henry Otto; scenario, Olga Printzlau.

MANNEQUIN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From the story by Fannie Hurst.

Credits: Producer and director, James Cruze; screenplay, Frances Agnew; adaptation, Walter Woods.

MANNEQUIN. A Frank Borzage production. 1938. 9 reels, sd., b&w.

Credits: Producer, Joseph L. Mankiewicz; director, Frank Borzage; story, Katharine Brush; screenplay, Lawrence Hazard; film editor, Frederick Y. Smith; music, Edward Ward.

MANNERS AND THE MAN. 1915. 1 reel.

MANON. SEE Hope Hampton in the Fourth Act of Manon.

MAN POWER. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,617 ft.

Credits: Associate producer, B. P. Schulberg; director, Clarence Badger; story, Byron Morgan; adaptation, Ray Harris, Sam Mintz; screenplay, Louise Long.

MAN'S BEST FRIEND, and THE STORY OF THE ROOSEVELT FAMILY IN AMERICA. (The Human Side of the News) 1933. 1 reel.

MAN'S CASTLE. 1933. 8 reels, sd. From the play by Lawrence Hazard.

Credits: Director, Frank Borzage; screenplay, Jo Swerling; film editor, Viola Lawrence.

MAN'S COUNTRY. 1938. 6 reels, sd.

Credits: Assistant producer, Robert Tansey; director, Robert Hill; original screenplay, Robert Emmett; film editor, Russ Schoengarth.

MAN'S ENEMY. 1914.

A MAN'S GAME. 1934. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Harold Shumate; film editor, Otto Meyer.

MAN'S GREATEST FRIEND. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Joe Newman; screenplay, Barney Gerard, Richard Goldstone; research compilations, Dr. Ryland R. Madison.

A MAN'S HARDEST FIGHT. Big U. 1916. 1 reel.

Credits: Ben Cohn; producer. Jay Hunt.

A MAN'S HOME. Presented by Lewis J. Selznick. 1921. 6 reels.

Credits: Producer and director, Ralph Ince; story, Anna S. Richardson, Edmund Breese; scenario, Edward J. Montagne.

MAN'S LAW. 1915. 2 reels.

Credits: Written and directed by Colin Campbell.

MAN'S LAW AND GOD'S. 1922. 5 reels.

Credits: Written and directed by Finis Fox.

A MAN'S MAKING. 1915. 5 reels.

A MAN'S MAN. 1917. 7 reels. Adapted from the book by Peter B. Kyne.

Credits: Director, Oscar Apfel; scenario, Thomas Geraghty.

A MAN'S MAN. Released by Film Booking Offices of America. 1923. 5 reels. From the book by Peter B. Kyne.

Credits: Director, Oscar Apfel; scenario, Thomas C. Geraghty.

A MAN'S MAN. 1929. 8 reels. Based on the play by Patrick Kearney.

Credits: Produced and directed by James Cruze; continuity, Forrest Halsey; film editor, George Hively.

MAN'S MANIA FOR SPEED. (Adventure of the Newsreel Cameraman) 1934. 1 reel, sd.

A MAN'S MATE. 1924. 6 reels.

Credits: Director, Edmund Mortimer; story and scenario, Charles Kenyon.

A MAN'S PAST. Jewel. 1927. From the play "The Diploma" by Emerich Foeldes.

Credits: Director, George Melford; continuity, Emil Forst.

MAN'S PLAYTHING. 1920. 6 reels.

Credits: Written and directed by Charles T. Horan.

A MAN'S SACRIFICE. 1915. 3 reels.

Credits: Director, George D. Baker.

MAN'S SIZE. Fox Film Corp. 1923. 5 reels. Based on the novel by William MacLeod Raine.

Credits: Director, Howard M. Mitchell; scenario, Joseph Franklin Poland.

A MAN'S SIZE PET. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

MAN'S TRIUMPH OVER THE MIGHTY FOREST. 1917. 1 reel.

Credits: Director, Travers Vale; story, William Addison Lathrop.

A MAN'S WORK. 1916. 3 reels.

A MAN'S WORLD. 1918. 5 reels. From the play by Rachel Crothers.

Credits: Supervision, Maxwell Karger; director, Herbert Blache; scenario, June Mathis.

THE MANSARD MYSTERY. Imp. 1916. 2 reels.

Credits: Director, Stuart Paton; story, Sylvester Jones; scenario, Harvey Gates.

Credits: Written and produced by Lem B. Parker.

A MANSION OF TRAGEDY. 1915. 3 reels.

Credits; Director, Joseph Byron Totten.

MANSLAUGHTER. Paramount. Presented by Jesse L. Lasky. 1922. 10 reels. From the Saturday Evening Post story by Alice Duer Miller.

Credits: Producer and director, Cecil B. De Mille; adaptation, Jeanie Macpherson.

MANSLAUGHTER. 1930. 7,954 ft., sd. Based on the novel by Alice Duer Miller.

Credits: Director, George Abbott; screenplay, George Abbott; film editor. Otto Lovering.

THE MANTLE OF CHARITY. 1918. 5 reels.

Credits: Stephen Fox; director, Edward Sloman.

THE MANTLE OF DECEIT. Rex. 1916. 2 reels.

Credits: Written and directed by Robert F. Hill.

THE MANUFACTURE OF BIG GUNS. 1915. Split reel.

THE MANUFACTURE OF COIN. 1915. Produced by permission of the United States Treasury Department. 1,000 ft.

MANUFACTURE OF WOOLENS. SEE Worsted Yarn Manufacture.

Credits: Producer, George Loane Tucker.

MANY A SIP. 1931. 2 reels, sd.

Credits: Producer, Louis Brock; director, Mark Sandrich; story and continuity, Ben Holmes, Nat Perrin, Mark Sandrich; film editor, Sam White.

MANY A SLIP. Released by F.B.O. 1927. 2 reels.

Credits: Directors, Charley Bowers, H. L. Muller; story. Charley Bowers, H. L. Muller, Ted Sears.

MANY A SLIP. 1931. 8 reels. From the stage play by Edith Fitzgerald and Robert Riskin.

Credits: Associate producer, Albert De Mond; director, Vin Moore; screenplay and added dialogue, Gladys Lehman.

MANY HAPPY RETURNS. Presented by Adolph Zukor. 1934. 7 reels, sd. Based on the novel, "Mr. Dayton, Darling" by Lady Mary Cameron [pseud.]

Credits: Producer, William LeBaron; director, Norman McLeod; screenplay, J. P. McEvoy, Claude Binyon; adaptation, Keene Thompson, Ray Harris; music, Arthur Johnston.

MANY MOONS. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

MANY SAPPY RETURNS. 1938. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Charley Chase.

MANY UNHAPPY RETURNS. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story. Charles Roberts, Ewart Adamson; film editor, Les Millbrook.

MANY WINGS—BESIDE THE STILL WATERS. 1927. 1 reel.

Credits: Robert C. Bruce.

MAPLE SUGAR. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

MAPLE SYRUP AND SUGAR. 1930. 1 reel.

Credits: Producer, Joseph W. Smiley.

MARATHON MANIACS. Victor. 1917. 1 reel.

Credits: Written and directed by Craig Hutchinson.

MARBLE HEADS. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

THE MARBLE HEART. Imp. 1915. 4 reels.

THE MARBLE HEART. 1916. For Fox Film Corp. 5 reels.

Credits: Producer, Keenan Buel; supervision, scenario, and adaptation, Herbert Brenon.

THE MARCELLINI MILLIONS. 1917. 5 reels.

Credits: Director, Donald Crisp; story, Edith Kennedy; scenario, Edith Kennedy, George Beban.

THE MARCH HARE. 1921. 5 reels.

Credits: Director, Maurice Campbell.

THE MARCH OF CHAMPIONS. (A Sportlight Picture) 1933. 1 reel, sd.

THE MARCH OF CRIME. 1936. 2 reels.

Credits: Narrative by Wedgewood Nowell.

THE MARCH OF FREEDOM. 1939. 2 reels, sd.

Credits: Producers, Joseph O'Brien, Thomas Mead; script, Henry Clay Bate; narrator, Graham McNamee.

MARCH OF THE PRESIDENTS. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Narrator, John B. Kennedy; commentary, Horace A. Woodmansee; editors, Fred Waller, Milton Hocky.

MARCH OF THE YEARS. Columbia. Produced and dramatized by March of the Years Associates. 1933-34. 1 reel each, except the first entry which is 2 reels, sd.

2. © 4Oct33; LP4324.

3. © 22Oct33; LP4208.

4. © 8Nov33; LP4228.

M5. © 2Feb34; MP4564.

M6. © 2Feb34; MP4565.

M7. © 10Feb34; MP4566.

8. © 24Mar34; MP4685.

9. © 10May34; MP4762.

M10. © 15Aug34; MP4945.

MARCH OF TIME. Presented by the editors of Life and Time (Volume 1, no. 1 to Volume 3, no. 5, editors of Time) 1935-39.

Volume 1, 1935/36.

1. © 2Jan35; LP5291.

2. © 8Mar35; LP5378.

3. © 11Apr35; LP5551.

4. © 15May35; LP5587.

5. © 15Aug35; MP5791.

6. © 20Sep35; MP5867.

7. © 18Oct35; MP5927.

8. © 15Nov35; MP6060.

9. © 13Dec35; MP6092.

10. © 17Jan36; MP6142.

11. © 14Feb36; MP6310.

12. © 13Mar36; MP6311.

Volume 2, 1936.

4. © 17Apr36; MP6476.

5. © 15May36; MP6465.

6. © 12Jun36; MP6655.

7. © 10Jul36; MP6680.

8. © 7Aug36; MP6697.

Volume 3, 1936/37.

1. © 11Sep36; MP6770.

2. © 2Oct36; MP6829.

3. © 6Nov36; MP6925.

4. © 27Nov36; MP6946.

5. © 25Dec36; MP7077.

6. © 22Jan37; MP7142.

7. © 19Feb37; MP7194.

8. © 19Mar37; MP7298.

9. © 16Apr37; MP7344.

10. © 14May37; MP7470.

11. © 11Jun37; MP7526.

12. © 9Jul37; MP7611.

13. © 6Aug37; MP7669.

Volume 4, 1937/38.

1. © 3Sep37; MP7819.

2. © 1Oct37; MP7820.

3. © 29Oct37; MP8088.

4. © 26Nov37; MP8124.

5. © 24Dec37; MP8230.

6. © 21Jan38; MP8089.

7. © 18Feb38; MP8416.

8. © 18Mar38; MP8290.

9. © 15Apr38; MP8486.

10. © 13May38; MP8428.

11. © 10Jun38; MP8680.

12. © 8Jul38; MP8761.

13. © 5Aug38; MP8824.

Volume 5, 1938/39.

1. © 2Sep38; MP8762.

2. © 30Sep38; MP8825.

3. © 28Oct38; MP8879.

4. Uncle Sam—The Good Neighbor. © 25Nov38; MP9017.

5. The Refugee—Today and Tomorrow. © 23Dec38; MP9203.

6. State of the Nation, 1939. © 20Jan39; MP9062.

7. Mexico's New Crisis—Young America. © 17Feb39; MP9204.

8. The Mediterranean Background for War. © 17Mar39; MP9376.

9. Japan—Master of the Orient. © 14Apr39; MP9327.

10. Dixie, U. S. A. © 12May39; MP9493.

11. War, Peace & Propaganda. © 9Jun39; MP9486.

12. The Movies March On. © 7Jul39; MP9541.

13. Metropolis—1939. © 4Aug39; MP9580.

Volume 6, 1939/40.

1. Soldiers with Wings. © 1Sep39; MP9670.

2. The Battle Fleets of England. © 29Sep39; MP9712.

3. Uncle Sam—The Farmer. © 27Oct39; MP9734.

4. Newsfronts of War—1940. © 24Nov39; MP9802.

LA MARCHE AU SOLEIL. SEE Children of the Sun.

MARCHETA. 1936. 1 reel.

MARCHING ALONG. (The Little King) 1933. 1 reel. Based on the cartoon by O. Soglow.

Credits: Animation, Jim Tyler.

MARCHING HOME. 1929. 1 reel, sd.

MARCHING ON. 1929. 3 reels, b&w.

Credits: Director, Marcel Silver; story, Ben Holmes.

MARCHING TO GEORGIE. 1929. 2 reels, sd.

Credits: Director, William Watson.

MARCHING WITH SCIENCE. (Adventures of the Newsreel Cameraman) 1934. 1 reel, sd.

MARCO HIMSELF. SEE The Social Lion.

MARE NOSTRUM. 1926. 10 reels. Based on the book by Vincente Blasco Ibanez.

Credits: Director, Rex Ingram; scenario, Willis Goldbeck; film editor, Grant Whytock.

MAREEA THE FOSTER MOTHER. 1914. 2 reels.

Credits: Director, Ulysses Davis.

MAREEA, THE HALF-BREED. 1914.

Credits: Director, Ulysses Davis.

MARGARET MCKEE, ASSISTED BY THE VITAPHONE SYMPHONY ORCHESTRA [WITH] HERMAN HELLER CONDUCTING, IN A NURSERY SCENE, WHISTLES AND SINGS WOOING HOUR [and others]. 1927. 1 reel, sd.

Credits: Producer, Lem B. Parker.

MARGIE OF THE UNDERWORLD. 1915. 2 reels.

Credits: Producer, Wilbert Melville.

MARGUERITE DE VALOIS. SEE Queen Margaret.

MARIA. 1923. 13 reels.

MARIA DEL CARMEN. SEE Serenade.

MARIA ROSA. 1916. 5 reels. Founded on the play by Guido Marburg and Wallace Gillpatrick.

Credits: Producer, Cecil B. De Mille.

MARIAN, THE HOLY TERROR. 1914. 1 reel.

Credits: Producer, William Duncan.

MARIANNA. Laemmle. 1915. 1 reel.

Credits: Written and produced by Harry G. Stafford.

MARIANNE. A Marion Davies production. 1929. 7 reels.

Credits: Produced and directed by Robert Z. Leonard; story and screenplay, Dale Van Every; film editor, Basil Wrangell.

MARIA'S SACRIFICE. 1914. From a Study in Sociology.

Credits: Director, William Humphrey.

MARIE ANTOINETTE. Presented by Metro-Goldwyn-Mayer. 1938. 17 reels, sd., b&w. Based in part on the book by Stefan Zweig.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke II; screenplay, Claudine West, Donald Ogden Stewart, Ernest Vajda; film editor, Robert J. Kern; music score, Herbert Stothart.

MARIE GALANTE. 1934. 8,192 ft., sd. Based on the novel by Jacques Deval.

Credits: Director, Henry King; screenplay, Reginald Berkeley; music director, Arthur Lange.

MARIE, LTD. 1919. 5 reels.

Credits: Director, Kenneth Webb; story, Louise Winters; scenario, Jane Murfin.

MARIHUANA. 1936. 6 reels, sd.

Credits: Director, Dwain Esper; story, Hildagarde Stadie; continuity, Rex Elgin.

MARINE CIRCUS. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1939. 785 ft., sd., color.

Credits: Director, James A. FitzPatrick; film editor, Philip Anderson.

MARINE FOLLIES. Mentone. 1936. 2 reels, sd.

Credits: Story and direction, Milton Schwarzwald.

MARINE MARVELS. (Sportlight) 1934. 1 reel, sd.

THE MARINE PARADE. (A Bray Nature Special) Presented by the Bray Studios. 1927. 1 reel.

Credits: Titled by Don Carlos Ellis.

THE MARINES ARE COMING. 1934. 8 reels, sd.

Credits: Supervision, Colbert Clark; director, David Howard; original story, John Rathmell, Colbert Clark; screenplay, James Gruen; film editor, Thomas Scott.

THE MARINES ARE HERE. 1938. 7 reels, sd.

Credits: Director, Phil Rosen; original story, Edwin L. Parsons, Charles Logue; screenplay, Jack Knapp, J. Benton Cheney; film editor, Russell Schoengarth; music director, Abe Meyers.

MARION HARRIS [IN] SONG: MINE ALL MINE. 1929. 1 reel, sd.

MARION HARRIS [IN] SONGS: AFRAID OF YOU AND WE LOVE IT. (Movietone Act) 1928. 1 reel, sd.

MARION HARRIS [IN] SONGS: I WONDER AND I'M MORE THAN SATISFIED. (Movietone Act) 1928. 1 reel.

MARION HARRIS [IN] SONGS: RAIN AND DOWN BY THE OLD FRONT GATE. (Movietone Act) 1928. 1 reel, sd.

MARION TALLEY, SINGING CARO NOME, FROM [THE] OPERA RIGOLETTO. 1927. 1 reel, sd.

MARION TALLEY, SOPRANO, AND BENIAMINO GIGLI, TENOR, OF THE METROPOLITAN OPERA COMPANY SINGING VERRANNO A TE SULL'AURA (BORNE ON THE SIGHING BREEZE) FROM ACT 1 OF THE OPERA LUCIA DI LAMMERMOOR. 1927. 1 reel, sd.

THE MARIONETTES. 1917. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Helmer Walton Bergman.

THE MARIONETTES. 1918. 5 reels. From the play by Pierre Wolff.

Credits: Director, Emile Chautard; scenario, Frederick Chapin.

MARIONETTES. 1926. 2 reels, color.

Credits: Director, Henri Diamant Berger.

THE MARIONETTES. 1929. 1 reel, sd.

Credits: Director, Hugh Croise.

THE MARIONETTES. SEE The Ransom.

MARIPOSA. SEE The Charmer.

MARIUTCH. 1930. 1 reel.

Credits: Director, Dave Fleischer; animation, Max Fleischer.

MARK IT PAID. (Joe Rock Comedy) 1923. 2 reels.

Credits: Director, Grover Jones.

THE MARK OF A GENTLEMAN. Gold Seal. 1916. 2 reels.

Credits: F. McGrew Willis; producer, William Worthington.

THE MARK OF CAIN. Red Feather. 1916. 5 reels.

Credits: Director, Joseph De Grasse; scenario, Stuart Paton.

MARK OF THE FROG. 1928. 2 reels each. © Pathe Exchange, Inc.

Credits: Edgar Wallace; director, Arch B. Heath.

1. The Gas Attack. © 28Feb28; LP25011.

2. Decoyed. © 3Mar28; LP25043.

3. The Jail Delivery. © 7Mar28; LP25065.

4. Triple Vengeance. © 22Mar28; LP25111.

5. The Enemy Within. © 29Mar28; LP25112.

6. Cross Fire. © 3Apr28; LP25113.

7. Framed. © 8Apr28; LP25143.

8. A Life at Stake. © 14Apr28; LP25153.

9. A Race with Death. © 14Apr28; LP25185.

10. Paying the Penalty. © 30Apr28; LP25199.

MARK OF THE VAMPIRE. 1935. 6 reels, sd., b&w.

Credits: Screenplay, Guy Endore, Bernard Schubert; film editor, Ben Lewis.

THE MARK OF ZORRO. 1920. 8 reels. From the novel "The Curse of Capistrano" by Johnston McCulley.

Credits: Director, Fred Niblo.

A MARKED MAN. Butterfly. 1917. 5 reels.

Credits: Director, Jack Ford; written by George Hively.

MARKED MEN. 1920. 5 reels. From the story "The Three Godfathers" by Peter B. Kyne.

Credits: Director, Jack Ford; editors, Frank Lawrence, Frank Atkinson.

MARKED MONEY. 1928. 6 reels.

Credits: Producer, Hector Turnbull; director, Spencer Bennet; original story, Howard J. Green; adaptation, George Dromgold, Sanford Hewitt; film editor, Harold McLernon.

MARKED WOMAN. First National. 1937. 10 reels, sd.

Credits: Director, Lloyd Bacon; original screenplay, Robert Rossen, Abem Finkel; music and lyrics, Harry Warren, Al Dubin.

MARKET GARDENING. 1929. 1 reel.

THE MARKET OF SOULS. 1919. 6 reels.

Credits: Supervision, Thomas H. Ince; director, Joseph De Grasse; story, John Lynch.

THE MARKET PRICE OF LOVE. 1915. 1 reel.

Credits: William Wright Farmer.

MARKING TIME. 1929. 2 reels.

Credits: Director, Ben Holmes; story, Emily Barry.

THE MARKSWOMAN. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, Edward Sloman.

MARLIE, THE KILLER. 1928. 5 reels.

Credits: Director, Noel Mason Smith; story, Hazel Christie MacDonald; continuity, George Pyper.

MAROONED. 1916. 3 reels.

Credits: H. Tipton Steck; director, E. H. Calvert.

MAROONED HEARTS. 1920. 6 reels.

Credits: Director, George Archainbaud; story, Lewis Allen Browne.

THE MARQUIS AND MISS SALLY. 1918. 2 reels.

Credits: O. Henry [pseud. of William Sydney Porter]; director, Allen Watts.

MARQUIS PREFERRED. 1929. 6 reels. Based on a story by Frederic Arnold Kummer.

Credits: Producer and director, Frank Tuttle; story, Ernest Vajda; screenplay, Ethel Doherty.

MARRIAGE. 1927. 6 reels. From the story by H. G. Wells.

Credits: Producer and director, R. William Neill; scenario, Gertrude Orr.

Credits: Director, James Young.

Credits: Story and direction, Robin H. Townley.

THE MARRIAGE BED. SEE Husband's Holiday.

Credits: Producer, Lawrence Marston.

THE MARRIAGE BROKER. Victor. 1916. 2 reels.

Credits: Producer, Ben Wilson; story, Bruno Lessing [pseud. of Rudolph Edgar Block]; adaptation, Helmer W. Bergman.

MARRIAGE BY CONTRACT. 1928. 8 reels, sd.

Credits: Producer, John M. Stahl; director, James Flood; story, Edward Clark; continuity, Francis H. Hyland; titles, Paul Perez; editor, L. R. Brown.

THE MARRIAGE CHEAT. 1924. 7 reels.

Credits: Director, John Griffith Wray; story, Frank R. Adams; adaptation, C. Gardner Sullivan.

MARRIAGE CIRCLE. 1923. 8 reels. From the play by Lothar Schmidt [pseud. of Lothar Goldschmidt].

Credits: Producer and director, Ernst Lubitsch; adaptation, Paul Bern.

THE MARRIAGE CLAUSE. Universal-Jewel. 1926. 8 reels. From the story "Technic" by Dana Burnet.

Credits: Scenario and direction, Lois Weber.

MARRIAGE DE L'AMOUR. SEE The Marriage of Cupid.

A MARRIAGE FOR REVENGE. Joker. 1916. 1 reel.

Credits: W. W. Farmer; producer, Allen Curtis.

MARRIAGE FORBIDDEN. 1938. 6 reels. From the French play by Eugene Brieux.

Credits: Director, Phil Stone; adaptation, Upton Sinclair; continuity, Joseph Hoffman.

MARRIAGE-GO-ROUND. (Radio Flash, no. 4) 1939. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Harry D'Arcy; story, George Jeske, Harry D'Arcy; film editor, John Lockert.

MARRIAGE HUMOR. 1933. 2 reels, sd.

Credits: Producer, Arvid E. Gillstrom; director, Harry J. Edwards; story, Dean Ward, Vernon Dent; film editor, Jack English; background music, Lee Zahler.

MARRIAGE IN TRANSIT. 1925. 5 reels, tinted.

Credits: Director, Robert Neill; story, Grace Livingston Hill Lutz; scenario, Dorothy Yost.

MARRIAGE LICENSE? 1926. 8 reels, b&w, tinted sequences. Based on the stage play "The Pelican" by F. Tennyson Jesse and H. M. Harwood.

Credits: Director, Frank Borzage; scenario, Bradley King.

THE MARRIAGE LIE. 1918. 5 reels.

Credits: Director, Stuart Paton; scenario, Harvey Gates.

THE MARRIAGE MAKER. Paramount. 1923. 7 reels. Adapted from the play "The Faun" by Edward Knobloch.

Credits: Producer and director, William De Mille; adaptation, Clara Beranger.

Credits: Director, Arthur Ashley; story, Clay Mantley.

THE MARRIAGE MARKET. Presented by Columbia Pictures. 1924. 6 reels.

Credits: Producer, Harry Cohn; director, Edward J. Le Saint; story, Evelyn Campbell.

MARRIAGE MORALS. 1923. 7 reels.

Credits: Written and directed by William Nigh.

THE MARRIAGE OF ARTHUR. Laemmle. 1916. 2 reels.

Credits: Written and produced by Rupert Julian.

THE MARRIAGE OF FIGARO. SEE Figaro's Wedding.

THE MARRIAGE OF KITTY. SEE Afraid to Love.

THE MARRIAGE OF WILLIAM ASHE. 1921. 6 reels. From Margaret Mayo's dramatization of the novel by Mrs. Humphrey Ward.

Credits: Supervision, Bayard Veiller; director, Edward Sloman; scenario, Ruth Ann Baldwin.

MARRIAGE ON APPROVAL. 1933. 8 reels, sd. From the novel by Priscilla Wayne [pseud. of Besse Toulouse Sprague].

Credits: Director, Howard Higgin; adaptation, Olga Printzlau; continuity and dialogue, Howard Higgin, Edward Sinclair.

THE MARRIAGE PIT. 1920. 5 reels.

Credits: Producer, Frederick A. Thomson; story, Frederick Isham; scenario, Wallace Clifton.

THE MARRIAGE PLAYGROUND. 1929. Si. & 7,182 ft., sd. From "The Children" by Edith Wharton.

Credits: Director, Lothar Mendes; scenario, J. Walter Ruben; adaptation and dialogue, Doris Anderson.

THE MARRIAGE PRICE. Artcraft. Presented by Adolph Zukor. 1919. 5 reels.

Credits: Griswold Wheeler; director, Emile Chautard; scenario, Eve Unsell.

THE MARRIAGE RING. Paramount. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, John Lynch; picturized by R. Cecil Smith.

MARRIAGE ROWS. (Educational's Comedies) (Lloyd Hamilton Talking Comedies) 1931. 20 min., sd.

Credits: Direction and story, William Goodrich; continuity and adaptation, Walter Reed.

THE MARRIAGE SPECULATION. 1917. 5 reels.

Credits: Director, Ashley Miller; story, Cyrus Townsend Brady, Albert E. Smith; scenario, A. Van Buren Powell.

THE MARRIAGE WAGER. 1914. 2,000 ft.

THE MARRIAGE WHIRL. First National. 1925. 8 reels. From the play "The National Anthem" by J. Hartley Manners.

Credits: Director, Al Santell; editorial director, June Mathis.

THE MARRIAGE WOW. 1932. 2 reels.

Credits: Director, Charles La Mont; story and dialogue, Harry Sauber.

MARRIAGE WOWS. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Max Fleischer, Dave Fleischer.

MARRIAGES ARE MADE. 1918. 5 reels.

Credits: Director, Carl Harbaugh; story, E. Lloyd Sheldon; scenario, Raymond L. Schrock.

THE MARRIAGES OF MAYFAIR. SEE The Fatal Hour.

MARRIED. 1930. 1 reel, sd.

MARRIED A YEAR. Nestor. 1916. 1 reel.

Credits: Director, John McDermott; scenario, Calder Johnstone.

MARRIED ALIVE. Presented by William Fox. 1927. 5 reels.

Credits: Director, Emmett Flynn; story, Ralph Straus; scenario, Gertrude Orr.

MARRIED BACHELORS. (Charlie Puffy-Octavus Roy Cohen Comedy) 1927. 2 reels.

Credits: Director, Ralph Cedar; original story, Octavus Roy Cohen.

MARRIED BEFORE BREAKFAST. 1937. 7 reels, sd., b&w.

Credits: Producer, Sam Zimbalist; director, Edwin L. Marin; story, Harry Ruskin; screenplay, George Oppenheimer, Everett Freeman; film editor, William S. Gray; music score, David Snell.

MARRIED, BUT SINGLE. Rolma Films, Inc. 1917. 1 reel.

Credits: Harry Mainhall; director, William Quirk.

MARRIED BY ACCIDENT. Nestor. 1917. 1 reel.

Credits; Director, Roy Clements; story, Eddie Lyons, Lee Moran; scenario, Tom Gibson.

THE MARRIED FLAPPER. 1922. 5 reels.

Credits: Director, Stuart Paton; story, Bernie Hyman; scenario, Doris Schroeder.

MARRIED FLIRTS. Presented by Louis B. Mayer. 1924. 7 reels, b&w, tinted sequences.

Credits: Producer and director, Robert G. Vignola; story, Louis Joseph Vance; scenario, Julia Crawford Ivers; film editor, Frank E. Hull.

MARRIED IN HASTE. 1919. 5 reels.

Credits: Director, A. Rosson; story, E. Lloyd Sheldon, J. Searles Dawley; scenario, Charles Kenyon.

MARRIED IN HOLLYWOOD. 1929. 9,700 ft., sd.

Credits: Director, Marcel Silver; editor, Dorothy Spencer.

MARRIED LADY NEEDS HUSBAND. SEE SeÑora Casade Necesita Marido.

MARRIED LIFE. 1920. 5 reels.

Credits: Director, Erle Kenton.

MARRIED NEIGHBORS. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

MARRIED ON CREDIT. L-Ko. 1915. 1 reel.

MARRIED ON THE WING. Joker. 1916. 1 reel.

Credits: Ben Cohn; producer, Ernest Shields.

MARRIED OR SINGLE. 1933. 2 reels.

Credits: Director, Monte Brice; story, Jack Kirkland, Paul Gangelin.

MARRY ME. Paramount. 1925. 5,526 ft. From the play "The Nest Egg" by Anne Caldwell O'Dea.

Credits: Producer and director, James Cruze; screenplay, Anthony Coldewey.

MARRY MONTH OF MAY. 1926. 2 reels, b&w, tinted sequences. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Thomas Buckingham; adaptation, Murray Roth.

MARRY MY WIFE. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Director, Lyons-Moran; story, J. Grubb Alexander.

MARRY OR ELSE. 1930. 2 reels, sd.

Credits: Director, Jack Partington.

MARRY THE GIRL. Presented by Sterling Productions, Inc. 1928. 6 reels.

Credits: Director, Philip Rosen; story, Wyndham Gitten; continuity, Frances Guihan.

MARRY THE GIRL. 1937. 8 reels, sd. Based on the novel by Edward Hope [pseud. of Edward Hope Coffey].

Credits: Director, William McGann; screenplay, Sig Herzig, Pat C. Flick, Tom Reed; film editor, Warren Low.

MARRY WHEN YOUNG. 1924. 1 reel.

Credits: Director, William H. Watson; story, Richard Smith.

MARRYING GRETCHEN. 1914. 1 reel.

Credits: Producer, William Duncan.

MARRYING MONEY. SEE Marriage a la Carte.

MARRYING SUE. 1913. 1 reel.

Credits: Director, Tefft Johnson.

MARS. (Oswald Cartoon) 1931. 1 reel.

Credits: Directed and animated by Walter Lantz, William Nolan.

MARS ATTACKS THE WORLD. 1938. 7 reels, sd. Based on the newspaper feature "Flash Gordon" by Alex Raymond.

Credits: Associate producer, Barney A. Sarecky; directors, Ford Beebe, Robert Hill; original story and screenplay, Ray Trampe, Norman S. Hall, Wyndham Gittens.

MARSE COVINGTON. 1915. 5 reels. From the play by George Ade.

MARSEILLES. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

THE MARSHAL OF MESA CITY. 1939. 62 min., sd.

Credits: Producer, Bert Gilroy; director, David Howard; screenplay, Jack Lait, Jr.; editor, Frederic Knudtson.

THE MARSHAL OF MONEYMINT. (Hoxie subject) 1922. 5 reels.

Credits: Story and direction, Roy Clements.

Credits: Producer, William Duncan.

MARTHA. SEE Milady's Escapade.

MARTHA'S REBELLION. 1914. 1 reel.

Credits: Ruth M. Woodward.

MARTHA'S ROMEO. 1915. 1,000 ft.

Credits: Henry Beldon; director, Charles Ranson.

MARTHA'S VINDICATION. 1916. 5 reels.

Credits: Scenario, Ella Carter Woods.

MARTIN CHUZZLEWIT. 1914. 2 reels. Adapted from the novel by Charles Dickens.

MARTIN LOWE—FIXER. Laemmle. 1915.

Credits: Producer, Frank Lloyd; scenario, Ben Cohn.

MARTIN LUTHER, HIS LIFE AND TIME. 1924. 8 reels.

Credits: Editor, M. G. G. Scherer.

MARTIN OF THE MOUNTED. Mustang. 1926. 2 reels.

Credits: Director, William Wyler; story and continuity, George H. Plympton.

THE MARTINACHE MARRIAGE. Falcon Features. 1917. 4 reels. Based on the story by Beatrix Demarest Lloyd.

Credits: Supervision, H. M. and E. D. Horkeimer; director, Bert Bracken.

MARTINELLI NO. 2. 1931. 1 reel.

MARTINIQUE. SEE Volcano.

THE MARTYRDOM OF PHILIP STRONG. 1916. 5 reels. Based on "The Crucifixion of Philip Strong" and "In His Steps" by Charles Sheldon.

Credits: Dramatized by Francis Neilson.

THE MARTYRS OF THE ALAMO. 1915. 5 reels. Adapted from the novel by Theodosia Harris.

Credits: Adaptation, W. C. Cabanne.

MARTYRS OF YESTERDAY. SEE In the Land of the Setting Sun.

A MARVEL OF THE AGES. 1938. 1 reel, sd.

MARVELOUS MANHATTAN. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

Credits: Written and produced by Jacob Sarnoff.

MARVELS OF THE INSECT WORLD. 1915. Split reel.

Credits: Director, Raymond L. Ditmars.

MARY. 1915. 1 reel.

Credits: William Addison Lathrop; director, Langdon West.

MARY ANN IN SOCIETY. Victor. 1917.

Credits: Direction and story, Ruth Stonehouse; scenario, Fred Myton.

MARY BURNS, FUGITIVE. Presented by Adolph Zukor. 1935. 9 reels.

Credits: Producer, Walter Wanger; director, William K. Howard; original screenplay, Gene Towne, Graham Baker; continuity, Louis Stevens; editor, Pete Fritsch.

MARY CARY. SEE Nobody's Kid.

MARY ELLEN COMES TO TOWN. Paramount-Artcraft. 1920. 5 reels.

Credits: Director, Elmer Clifton; story, Helen G. Smith; scenario, Wells Hastings.

MARY FROM AMERICA. Gold Seal. 1917. 3 reels.

Credits: Director, Douglas Gerrard; story, Elizabeth R. Carpenter; scenario, Maude Grange.

MARY-'GUSTA. SEE A Petticoat Pilot.

MARY HAYNES [IN] THE BEAUTY SHOP. 1928. 1 reel, sd.

MARY JANE. 1913. 1 reel.

Credits: Director, W. J. Bauman.

MARY JANE ENTERTAINS. 1914. 2 reels.

Credits: Director, George D. Baker.

MARY JANE'S PA. 1917. 5 reels. From the play by Edith Ellis.

Credits: Director, William P. S. Earle; scenario, A. Van Buren Powell.

MARY JANE'S PA. First National Productions Corp. Presented by First National Productions Corp. and The Vitaphone Corp. 1935. 8 reels, sd. Based on the play by Edith Ellis Furness and the novel by Norman Way.

Credits: Director, William Keighley; screenplay, Tom Reed, Peter Milne.

MARY LEWIS IN WAY DOWN SOUTH. 1927. 1 reel.

MARY, M. C. SEE The Velvet Paw.

Credits: Synopsis, Arthur Maude.

MARY OF SCOTLAND. 1936. 14 reels, sd. From the play by Maxwell Anderson.

Credits: Producer, Pandro S. Berman; director, John Ford; screenplay, Dudley Nichols; music, Carroll Clark; orchestrator, Maurice De Packh.

MARY OF THE MOVIES. Presented by Columbia Productions. 1923. 7 reels.

Credits: Supervision, Louis Lewyn, Jack Cohn; director, John MacDermott; titles, Joseph W. Farnham.

MARY REGAN. 1921. From the novel by Leroy Scott.

Credits: Direction and production, Lois Weber.

MARY STEVENS, M. D. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels.

Credits: Director, Lloyd Bacon; story, Virginia Kellogg; screenplay, Rian James, Robert Lord.

MARY STUART. 1913. 3 reels. Adapted from the play by Frederick Schiller.

MARY THE THIRD. SEE Wine of Youth.

MARYLAND MY MARYLAND. SEE Bride of the Storm.

MARY'S ANKLE. 1919. 5 reels. From the play by May Tully.

Credits: Supervision, Thomas H. Ince; director, Lloyd Ingraham; scenario, Luther Reed.

MARY'S DUKE. Victor. 1915. 3 reels.

Credits: Elaine Sterne.

MARY'S LITTLE LOBSTER. 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Edward F. Cline.

MARY'S NEW HAT. 1913. 1 reel.

Credits: S. W. Bunting.

MA'S GIRLS. 1915. 2 reels.

Credits: Director, Tom Mix.

MA'S PRIDE AND JOY. 1932. 2 reels.

Credits: Director, Leslie Pearce.

THE MASAI. 1929. 1 reel, sd.

Credits: Edited by Harvard University, Dept. of Anthropology.

MASANIELLO. SEE The Dumb Girl of Portici.

MASK-A-RAID. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

Credits: Scenario, Jack Freise.

THE MASK OF FORTUNE. Laemmle. 1916. 1 reel.

Credits: Producer, George Cochrane; story and scenario, Calder Johnstone.

THE MASK OF FU MANCHU. 1932. 7 reels, sd., b&w. From the story by Sax Rohmer [pseud. of Arthur Sarsfield Ward].

Credits: Director, Charles Brabin; screenplay, Irene Kuhn, Edgar Allan Woolf, John Willard; film editor, Ben Lewis.

THE MASK OF LOPEZ. Released by Film Booking Offices. 1924. 5 reels.

Credits: Producer, Harry J. Brown; director, Albert Rogell; story and scenario, Marion Jackson.

THE MASK OF LOVE. Laemmle. 1917. 1 reel.

MASKED. 1920. 2 reels.

Credits: Director, Mack V. Wright; story, Harvey Gates; scenario, Hope Loring.

THE MASKED BRIDE. 1925. 6 reels.

Credits: Director, Christy Cabanne; story, Leon Abrams; scenario, Carey Wilson; film editor, Frank E. Hull.

THE MASKED CUPID. Special Victor. 1917. 1 reel.

THE MASKED DANCER. 1913. 2 reels.

Credits: Director, Burton King.

MASKED EMOTIONS. 1929. 7 reels.

Credits; Directors, David Butler, Kenneth Hawks; story, Ben Ames Williams; scenario, Harry Brand, Benjamin J. Markson.

MASKED FATE. 1915. 1 reel.

THE MASKED MARVEL. 1924. 2 reels.

Credits: Director, Roy Del Ruth.

THE MASKED MARVELS. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; story, Gale Henry; scenario, C. J. Wilson, Jr.

THE MASKED MENACE. 1927. 2 reels each. © Pathe Exchange, Inc. From the story "Still Face" by Clarence Budington Kelland.

Credits: Director, Arch Heath; scenario, Paul Fairfax Fuller.

1. Against Odds. © 12Oct27; LP24524.

2. An Unknown Assassin. © 17Oct27; LP24525.

3. The Enemy Strikes. © 18Oct27; LP24526.

4. A Half-Wit's Fury. © 12Nov27; LP24678.

5. An Attack at Midnight. © 15Nov27; LP24679.

6. Checkmate. © 24Nov27; LP24691.

7. By Hook or Crook. © 28Nov27; LP24692.

8. Still Face Shows His Hand. © 28Nov27; LP24703.

9. The Last Stand. © 28Nov27; LP24713.

10. The Menace Unmasked. © 30Nov27; LP24714.

THE MASKED PLAYERS CONTEST. 1925. 6 reels.

Credits: Written and directed by Aubrey M. Kennedy.

1. © title, descr. & 163 prints, 18Mar19; LU13504.

2. © title, descr. & 142 prints, 18Mar19; LU13501.

3. © title, descr. & 123 prints, 18Mar19; LU13503.

4. © title, descr. & 133 prints, 8Apr19; LU13574.

5. © title, descr. & 116 prints, 15Apr19; LU13601.

6. © title, descr. & 138 prints, 22Apr19; LU13624.

7. © title, descr. & 114 prints, 10May19; LU13693.

8. © title, descr. & 104 prints, 10May19; LU13694.

9. © title, descr. & 152 prints, 26May19; LU13760.

10. © title, descr. & 135 prints, 27May19; LU13761.

11. © title, descr. & 148 prints, 12Jun19; LU13817.

12. © title, descr. & 129 prints, 14Jun19; LU13823.

13. © title, descr. & 160 prints, 17Jun19; LU13835.

14. © title, descr. & 106 prints, 18Jun19; LU13845.

15. © title, descr. & 115 prints, 18Jun19; LU13846.

THE MASKED RIDER. 1916. 5 reels.

THE MASKED SUBSTITUTE. Laemmle. 1915. 2 reels.

Credits: Producer, William C. Dowlan; scenario, Leonora Ainsworth.

THE MASKED WOMAN. Gold Seal. 1916. 3 reels.

Credits: Producer, A. W. Rice; story, Tom Gibson; scenario, Harvey Gates.

THE MASKED WOMAN. 1927. 6 reels. From the stage play by Charles MÉrÉ.

Credits: Producer, June Mathis; director, Balboni.

MASKEE. SEE Shipmates.

DIE MASKEN ERWIN REINERS. SEE The Masks of the Devil.

MASKERADE. SEE Escapade.

MASKS AND FACES. 1914. 2 reels. Adapted from the novel "Peg Woffington" by Charles Reade.

MASKS AND MEMORIES. 1934. 3 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, Eddie Moran.

MASKS AND MISHAPS. 1917. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

MASKS AND MISHAPS. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

THE MASKS OF THE DEVIL. 1928. 8 reels, b&w. From the book "Die Masken Erwin Reiners" by Jakob Wassermann.

Credits: Producer and director, Victor Seastrom; continuity, Frances Marion; titles, Marian Ainslee, Ruth Cummings; film editor, Conrad Nervig.

THE MASQUE RAID. Presented by Columbia Pictures Corp. 1937. 645 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe De Nat.

MASQUERADE. 1929. 7 reels.

Credits: Director, Russell J. Birdwell; story, Louis Joseph Vance; scenario, Frederick Hazlitt Brennan.

MASQUERADE. 1931. 2 reels.

THE MASQUERADE BANDIT. Released by F. B. O. 1926. 5 reels.

Credits: Director, Robert DeLacy; story, Enid Hibbard, Ethel Hill; continuity, William E. Wing.

THE MASQUERADE PARTY. (A Krazy Kat Cartoon) 1934. 1 reel.

Credits: Story, Harry Love; animation, Allen Rose, Preston Blair.

THE MASQUERADER. Presented by Richard Walton Tully. 1922. 8 reels. Founded on the play by John Hunter Booth.

Credits: Director, James Young.

THE MASQUERADER. United Artists. 1933. 8 reels, sd. Based on John Hunter Booth's dramatization of the novel by Katherine Cecil Thurston.

Credits: Producer, Samuel Goldwyn; director, Richard Wallace; adaptation and screenplay, Howard Estabrook; dialogue, Moss Hart.

THE MASSACRE. 1912.

MASSACRE. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 8 reels.

Credits: Director, Alan Crosland; story, Robert Gessner; screenplay, Ralph Block, Sheridan Gibney.

MASTER AND MAN. 1913. 1 reel.

MASTER FIXIT. 1913. 1 reel.

Credits: Director, Ralph Ince.

MASTER GILBERT, SENSATIONAL CHILD ARTIST. 1928. 1 reel, sd.

Credits: Picturized and produced by Harley Knoles; photographer and assistant director, Arthur Edson.

Credits: Director, Ernest C. Warde; story, F. X. James; scenario, Jack Cunningham.

THE MASTER MIND. 1920. 6 reels. From the story by Daniel D. Carter [pseud. of David Daniel Cohen].

Credits: Adaptation and direction, Kenneth Webb.

THE MASTER MUMMER. 1915. 3 reels. An adaptation of the novel by E. Phillips Oppenheim.

THE MASTER MYSTERY. Presented by B. A. Rolfe. 1918-19. 2 reels each, except no. 1 which is 3 reels. © Octagon Films, Inc.

Credits: Director, Burton King; story, Arthur B. Reeve, Charles A. Logue.

1. © 15Dec18; LP13194.

2. © 15Dec18; LP13195.

3. © 10Feb19; LP13422.

4. © 8Feb19; LP13379.

5. © 8Feb19; LP13380.

6. © 12Feb19; LP13387.

7. © 12Feb19; LP13388.

8. © 12Feb19; LP13389.

9. © 12Feb19; LP13390.

10. © 12Feb19; LP13391.

11. © 15Feb19; LP13409.

12. © 17Feb19; LP13410.

13. © 18Feb19; LP13423.

14. © 18Feb19; LP13424.

15. © 18Feb19; LP13425.

MASTER OF CEREMONIES. 1928. 1 reel.

Credits: Staged by Max Obal.

THE MASTER OF HIS HOUSE. 1915. 1 reel.

Credits: Director, Lee Beggs.

THE MASTER OF MAN. SEE Name the Man.

MASTER OF MEN. 1933. 8 reels, sd.

Credits: Director, Lambert Hillyer; story, Chester Erskin, Eugene Solow; screenplay, Edward Paramore, Seton I. Miller.

THE MASTER OF THE BENGALS. 1915. 1 reel.

Credits: Producer, L. W. Chaudet; story, A. Hiltbrunner.

THE MASTER OF THE HOUSE. 1915. 5 reels. Based on the play by Edgar James.

THE MASTER OF THE MINE. 1914. 2 reels.

Credits: Director, W. J. Bauman.

THE MASTER OF THE SWORD. 1915. 1 reel.

THE MASTER PASSION. 1916. 5 reels.

Credits: Director, Richard Ridgely.

THE MASTER ROGUES OF EUROPE. Big U. 1915. 3 reels.

THE MASTER SPY. (The Perils of the Secret Service) Gold Seal. 1917. 3 reels. Founded on the Yorke Norroy stories by George Bronson Howard.

Credits: Producers, Jack Wells, Kingsley Benedict; director, Jack Wells.

A MASTER STROKE. 1920. 5 reels.

Credits: Director, Chester Bennett; story, Frederic Van Rensselaer Dey; scenario, Lucien Hubbard.

THE MASTER SWEEPER. SEE Chester Conklin in The Master Sweeper.

Credits: Stein Riverton, Martin JÖrgensen.

MASTER WILL SHAKESPEARE. (An MGM Miniature) 1936. 1 reel, sd.

Credits: Director, Jacques Tourneur; screenplay, Richard Goldstone; commentary, Carey Wilson; music, Herbert Stothart.

THE MASTERFUL HIRELING. 1915. 1 reel.

MASTERS OF MEN. 1923. 7 reels. From the novel by Morgan Robertson.

Credits; Director, David Smith; scenario, C. Graham Baker.

THE MASTER'S TOUCH. 1939. 10 min., sd., color.

Credits: Producer, Horace Shepard; commentator, Dwight Weist.

MATA HARI. 1932. 10 reels, sd., b&w.

Credits: Benjamin Glazer, Leo Birinski; producer, George Fitzmaurice; additional dialogue, Doris Anderson, Gilbert Emery; film editor, Frank Sullivan.

THE MATCH-BREAKER. 1921. 5 reels.

Credits: Producer and director, Dallas M. Fitzgerald; story, Metta White; scenario, Arthur J. Zellner.

THE MATCH KID. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music score, Joe De Nat.

THE MATCH KING. 1932. 9 reels. Based on the novel by Einar Thorvaldson.

Credits: Directors, Howard Bretherton, William Keighley; screenplay, Houston Branch, Sidney Sutherland.

MATCH PLAY. Presented by Mack Sennett. 1930. 22 min., sd.

Credits: Director, Mack Sennett.

MATCHING WITS. 1922. 2 reels.

Credits: Producer, Albert Russell; story, Malcolm Stuart Boylan; scenario, George Morgan.

MATCHING WITS. (Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

THE MATCHMAKERS. 1916. 3,000 ft.

Credits: William Addison Lathrop; director, George Ridgwell.

THE MATCH-MAKERS. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

MATCHMAKING MAMMA. 1929. 2 reels.

Credits: Supervision, J. A. Waldron; director, Harry Edwards; story, Jefferson Moffitt, Carl Harbaugh; film editor, William Hornbeck.

MATERNITÉ. 1928. 7 reels.

Credits: Director, Carl Froelich; story, Robert Liebmann, Walter Supper.

Credits: Director, John B. O'Brien; story, Shannon Fife.

MATES AND MODELS. 1919. 2 reels.

Credits: Director, Noel Smith; story and scenario, Anthony W. Coldeway.

MATILDA'S FLING. 1915. 1,000 ft.

Credits: Mary Rider; director, Will Louis.

MATILDA'S LEGACY. 1915. 1 reel.

Credits: Written and produced by Arthur D. Hotaling.

THE MATINEE GIRL. (James Montgomery Flagg's Girls You Know) 1918. 1 reel, color.

Credits: Director, Jack Eaton.

THE MATINEE IDLE. SEE Henry Hull in The Matinee Idle.

MATINEE IDLES. (Star Comedy) 1922. 1 reel.

THE MATINEE IDOL. Metro-Rolma. 1916. 1 reel.

Credits: Leta Vance Nicholson; director, William Quirk.

THE MATINEE IDOL. 1928. 6 reels. Adapted from the story "Come Back to Aaron."

Credits: Producer, Harry Cohn; director, Frank R. Capra; story, Robert Lord, Ernest S. Pagano; adaptation, Elmer Harris; continuity, Peter Milne; film editor, Arthur Roberts.

MATINEE LADIES. 1927. 7 reels.

Credits: Albert S. Howson; director, Byron Haskin; scenario, Graham Baker.

THE MATING. 1918. 5 reels.

Credits: Director, Frederick Thompson; story, Millicent Evison.

THE MATING CALL. Paramount. Presented by Howard R. Hughes. 1928. 6,325 ft. From the story by Rex Beach.

Credits: Director, James Cruze; adaptation, Walter Woods.

THE MATING OF MARCELLA. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, R. William Neill; story, Joseph Franklin Poland; picturized by R. Cecil Smith.

THE MATRIMONIACS. Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine; story, Scott Darling; scenario, L. V. Jefferson.

THE MATRIMONIAL BED. 1930. 8 reels.

Credits: Director, Michael Curtiz; screenplay, Harvey Thew.

THE MATRIMONIAL BED. Trailer. 1930. 1 reel.

A MATRIMONIAL BOOMERANG. 1915. 1 reel.

Credits: Producer, Tom Mix, story, Edith Blumer.

MATRIMONIAL MANOEUVERS. 1913. 1 reel.

Credits: Directors, Maurice Costello, Wilfrid North.

THE MATRIMONIAL WEB. 1921. 5 reels.

Credits: C. Graham Baker; director, Edward JosÉ; scenario, C. Graham Baker.

Credits: Supervision, Thomas H. Ince; director, Scott Sidney.

MATRIMONY. 1915. 5 reels.

Credits: C. Gardner Sullivan; director, Scott Sidney.

MATRIMONY BLUES. 1926. 2 reels, b&w, tinted sequences.

Credits: Director, Lex Neal; story, Edward P. Morgan.

THE MATRON'S REPORT. SEE Little Miss Nobody.

A MATTER OF COURT. 1914. Split reel.

A MATTER OF ETHICS. 1930. 1 reel.

A MATTER OF HIGH EXPLOSIVES. 1914. 1 reel.

Credits: Mark Swan; director, Charles Ransom.

A MATTER OF POLICY. 1923. 1 reel.

Credits: Director, William Watson.

MATTO GROSSO. 1932. 5 reels.

Credits: Directors, John S. Clarke, Jr., Floyd D. Crosby, David M. Newell.

MATTY'S DECISION. Gold Seal. 1915. 2 reels.

MAVIS OF THE GLEN. Laemmle. 1915.

Credits: Producer, Robert Leonard; scenario, Mary Murillo.

MAX COMES ACROSS. 1917. 30 min.

Credits: Written and directed by Max Linder.

MAX FISHER AND HIS CALIFORNIAN ORCHESTRA. 1928. 1 reel.

Credits: Director, Marcel G. Silver.

MAX IN A TAXI. 1917. 2 reels.

Credits: Written and directed by Max Linder.

MAX SCHMELING OF GERMANY. 1929. 1 reel.

MAX WANTS A DIVORCE. 1917. 30 min.

Credits: Written and directed by Max Linder.

MAY MCAVOY IN SUNNY CALIFORNIA. 1928. 1 reel.

Credits: Murray Roth and Hugh Herbert; director, Bryan Foy.

MAY USHER, COMEDIENNE, IN LYRICS OF LIFE SONGS: WHAT DO THEY MEAN BY LOVE [AND] IT'S NOT SO GOOD IN HOLLYWOOD. 1927. 1 reel, sd.

MAYBE IT'S LOVE. 1930. 8 reels.

Credits: Director, William Wellman; story, Mark Canfield; screenplay and dialogue, Joseph Jackson.

MAYBE IT'S LOVE. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 7 reels, sd. Based on a play by Maxwell Anderson.

Credits: Director, William McGann; screenplay, Jerry Wald, Harry Sauber; adaptation, Lawrence Hazard.

THE MAYFLOWER. (Paul Terry-Toons) Presented by E. W. Hammons. 1935. 545 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE MAYOR OF HELL. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1933. 90 min., sd.

Credits: Director, Archie Mayo; story, Islin Auster; screenplay, Edward Chodorov; film editor, Jack Killifer.

THE MAYOR'S DECISION. Laemmle. 1915. 3 reels.

Credits: Leonora Ainsworth; producer, William C. Dowlan.

THE MAYOR'S FALL FROM GRACE; or, THE MAYOR'S LAPSE FROM VIRTUE. 1916. 1 reel.

Credits: Producer, David Smith.

THE MAYOR'S LAPSE FROM VIRTUE. SEE The Mayor's Fall from Grace.

THE MAYOR'S WIFE. SEE His Wife's Husband.

MAYTIME. 1923. 8 reels. From the play by Rida Johnson Young.

Credits: Adaptation, Olga Printzlau.

MAYTIME. A Robert Z. Leonard production. 1937. 14 reels, sd., b&w. Based on the play by Rida Johnson Young.

Credits: Producer, Hunt Stromberg; director, Robert Z. Leonard; screenplay, Noel Langley; film editor, Conrad A. Nervig; music, Sigmund Romberg; musical adaptation and direction, Herbert Stothart.

MAZIE PUTS ONE OVER. 1915. 1,000 ft.

ME AN' BILL. 1914. 2 reels.

Credits: Written and produced by Colin Campbell.

ME AN' ME PAL. Red Feather. 1917. 5 reels.

Credits: Richard Ganthony; director, Harold Shaw.

ME 'AN SHORTY. SEE Cassidy of Bar 20.

Credits: Producer and director, Oscar Apfel; story, Hamilton Thompson.

Credits: Producer, Harold Shaw; story, Richard Ganthony.

ME AND MY GAL. 1922. 5 reels.

Credits: Director, George Pearson.

ME AND MY GAL. 1932. 7,295 ft., sd.

Credits: Director, Raoul Walsh; story, Philip Klein, Barry Conners; screenplay, Arthur Kober; editor, Jack Murray.

ME AND MY MULE. 1922. 2 reels.

Credits: Written and directed by Al Herman.

ME AND MY PAL. (A Laurel and Hardy Comedy) Presented by E. W. Hammons. 1933. 2 reels, sd., b&w.

Credits: Director, Charles Rogers; film editor, Bert Jordan.

ME AND THE BOY FRIEND. (Musical Pups Series) Presented by P. A. Powers. 1932. 1 reel.

Credits: Producer, Emil Velazco.

ME, GANGSTER. 1928. 7 reels, tinted.

Credits: Director, Raoul Walsh; story and scenario, Charles Francis Coe.

THE MEAD TRIAL. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 11 min.

THE MEADOW LARK. 1913.

Credits: Richard Ridgely.

THE MEANEST GAL IN TOWN. 1934. 7 reels, sd.

Credits: Producer, Russell Mack; story, Arthur Horman; screenplay, Richard Schayer, Russell Mack, H. W. Hanemann; editor, James B. Morley; music director, Max Steiner.

THE MEANEST MAN IN THE WORLD. First National. 1923. 6 reels. Based on the play by George M. Cohan; suggested by the playlet by Everett S. Ruskay.

Credits: Augustin MacHugh.

MEANS AND MORALS. 1915. 2 reels.

Credits: H. S. Sheldon.

THE MEASURE OF A MAN. 1916. 5 reels.

Credits: Director, Jack Conway; story, Norman Duncan; scenario, Maud Grange.

THE MEASURE OF A MAN. 1924. 5 reels.

Credits: Director, Arthur Rosson; story, Norman Duncan.

THE MEASURE OF LEON DUBRAY. Gold Seal. 1915. 3 reels.

Credits: Scenario and production, Henry Otto.

MEASURE THEM BY THE SAME YARDSTICK. 1936. 1 reel, sd.

MEASURING AND FITTING. 1930. Filmstrip, 80 frames.

MEASURING AND MODEL SELECTION. 1931. Filmstrip, 55 frames.

MEASURING BRAKE RESISTANCE SCIENTIFICALLY. 1928. 2 reels.

MEASURING THE PROSPECT. 1931. Filmstrip.

MEAT PACKING. (Ford Educational Library, Industrial Geography) Ford Motion Picture Laboratories. 1922. 1 reel.

MEAT PACKING. 1929. 1 reel.

MEATLESS DAYS AND SLEEPLESS NIGHTS. 1918. 1 reel.

Credits: Thomas J. Gray; director, Chester M. DeVonde.

THE MECHANICAL COW. (An Oswald the Lucky Rabbit Cartoon) 1927. 1 reel.

Credits: Walt Disney.

THE MECHANICAL COW. Presented by E. W. Hammons. 1937. 616 ft., sd.

Credits: Paul Terry, Jack Zander; scored and conducted by Philip A. Scheib.

THE MECHANICAL HANDY MAN. (Oswald) 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Charles Bowers; artists, Ray Fahringer, Ted Dubois, Ed Benedict.

THE MECHANICAL MAN. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence Badger.

MECHANICAL MAN. (Oswald Cartoon Comedy) Snappy. 1932. 1 reel.

THE MECHANICAL STORY ONLY WILLYS-KNIGHT CAN TELL. 1930. 1 reel.

MECHANICAL SUPERIORITIES OF THE NEW SUPERIOR WHIPPET SIX. 1929. 1 reel.

MECHANICS (General Science, no. 1) 1937. Filmstrip, 40 frames, 35 mm.

MECHANICS OF THE NATION'S MARKET PLACE. 1929. For the New York Stock Exchange. 25 min.

MECHANISM OF THE NORMAL HEART. 1929. 1 reel.

THE MECHANISMS OF BREATHING. 1936. 1 reel, sd.

MECHANIX ILLUSTRATED. 1938. 1 reel each, sd. © The Vitaphone Corp.

Credits: Producer, E. M. Newman; director, Ira Genet; commentators, Howard Clancy, Jean Paul King.

B-178. © 13Dec38; MP9076.

B-180. © 5Nov38; MP9210.

MECHANIX ILLUSTRATED. (The Color Parade) 1939. Based on material in the magazine and produced in cooperation with Fawcett Publications. 1 reel each, sd., color. © The Vitaphone Corp.

Credits: Producer, E. M. Newman; director, Ira Genet; commentator, Dwight Weist.

1. © 30Sep39; MP9675.

2. © 7Jan39; MP9152.

3. © 25Feb39; MP9174.

4. © 22Apr39; MP9329.

5. © 10Jun39; MP9434.

6. © 5Aug39; MP9571.

MEDBURY IN ABYSSINIA. SEE Laughing with Medbury in Abyssinia.

MEDBURY IN BORNEO. (Walter Futter Travelaughs, no. M-316) Presented by Columbia Pictures. 1931. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury; film editor, David Miller.

MEDBURY IN MANDALAY. SEE Laughing with Medbury in Mandalay.

THE MEDDLER. Imp. 1915. 2 reels.

Credits: William Addison Lathrop; producer, Brinsley Shaw.

THE MEDDLER. 1925. 5 reels.

Credits: Director, Arthur Rosson; story, Miles Overholt; continuity, W. Scott Darling.

MEDDLERS AND MOONSHINERS. 1918. 1 reel.

Credits: Written and directed by Lawrence Semon.

THE MEDDLESOME DARLING. 1915. 2,000 ft.

Credits: Producer, Joseph W. Smiley.

MEDDLING WITH MARRIAGE. (Is Marriage Sacred?) 1917. 30 min.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

MEDDLING WOMEN. 1924. 7 reels.

Credits: Direction and story, Ivan Abramson.

Credits: Story and direction, Ivan Abramson.

THE MEDIATOR. 1916. For Fox Film Corp. 5 reels. From the novel by Roy Norton.

Credits: Director, Otis Turner; adaptation, Otis Turner, Ethel Webber.

MEDICINE LODGE. SEE The Cheyenne Sun Dance.

THE MEDICINE MAN. 1930. 7 reels, sd. From the play by Elliott Lester.

Credits: Director, Scott Pembroke; screenplay, Ladye Horton; adaptation, Eve Unsell.

THE MEDICINE MEN. Presented by William Fox. 1929. 4 reels.

Credits: Director, Norman Taurog; story, Paul Gerard Smith, Clark & McCullough; scenario, Paul Gerard Smith; film editor, Albert C. Dripps.

THE MEDICINE SHOW. (Krazy Kat) Presented by Columbia Pictures Corp. 1933. 1 reel. Adapted from George Herriman's cartoon character.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Rose, Harry Love; music score, Joe De Nat.

MEDITATIONS ON MARRIAGE. SEE If Women Only Knew.

MEDITERRANEAN BLUES. (Romantic Journeys) Presented by E. W. Hammons. 1934. 772 ft., sd., color.

Credits: Producers, Howard C. Brown, Curtis F. Nagel; music, Alexander Maloof.

MEDIUM SPIRITS. (Speed Comedy, no. 2) Reggie Morris Productions, Inc. 1921. 2 reels.

Credits: Director, Reggie Morris.

MEDIUM WELL DONE. 1937. 1 reel, sd.

Credits: Director, Lloyd French; story, Ira Genet.

THE MEEK MR. MEEK. 1930. 1 reel, sd.

Credits: Director, Morton Blumenstock; dialogue direction, Max Hayes.

MEET FATHER. 1924. 2 reels.

Credits: Director, Jess Robbins.

MEET MY DOG. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jules White.

MEET MY HUSBAND. (Star Comedy) 1921. 1 reel.

Credits: Director, Ward Hayes; story, Ward Hayes, Frank Kingsley.

MEET MY WIFE. Victor. 1917. 1 reel.

Credits: Written and directed by George Marshall; scenario, Karl Coolidge.

MEET NERO WOLFE. 1936. 7 reels, sd.

Credits: Producer, B. P. Schulberg; director, Herbert Biberman; story, Rex Stout; screenplay, Howard J. Green, Bruce Manning, Joseph Anthony; film editor, Otto Meyer; music director, Howard Jackson.

MEET THE AMBASSADOR. (Jimmy Aubrey Series, no. 8) 1925. 2 reels.

MEET THE BARON. 1933. 7 reels, sd., b&w.

Credits: Producer, David O. Selznick; director, Walter Lang; story, Herman J. Mankiewicz, Norman Krasna; screenplay, Allen Rivkin, P. J. Wolfson; dialogue, Arthur Kober, William K. Wells; film editor, James E. Newcom; music, Jimmy McHugh.

MEET THE BOY FRIEND. 1930. 1 reel, sd.

Credits: Director, Norman Taurog.

MEET THE BOY FRIEND. 1937. 7 reels, sd.

Credits: Associate producer, Colbert Clark; director, Ralph Staub; story, Jack Raymond, Robert Arthur; screenplay, Bradford Ropes.

MEET THE BRIDE. Presented by E. W. Hammons. 1937. 1,549 ft., sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy Klauber.

MEET THE CHAMP. (A Phil L. Ryan Comedy) 1933. 2 reels, sd.

Credits: Director, Del Lord; story and adaptation, Luther Reed, Ralph Ceder, Scott E. Cleethorpe; editor, Maurice Wright.

MEET THE COUNT. (A Stern Brothers Comedy) (Keeping Up with the Joneses Series) 1928. 2 reels. From the cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

MEET THE DOCTOR. 1924. 2 reels.

Credits: Producer, Eddie Lyons.

MEET THE FOLKS. (Jimmie Adams Comedies) 1927. 2 reels.

Credits: Producer, Christie; director, Bob Kerr.

MEET THE GIRLS. 1938. 5,834 ft., sd.

Credits: Director, Eugene Forde; original screenplay, Marguerite Roberts; music director, Samuel Kaylin.

MEET THE HUSBAND. Bluebird. 1927. 1 reel.

Credits: Director, George Summerville.

MEET THE KERNEL. 1936. 1 reel.

Credits: Director, Joseph Henabery.

MEET THE MAESTROS. Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Continuity, Milton Hocky; editor, Leslie Roush.

MEET THE MISSUS. 1929. 2 reels.

Credits: Kenyon Nicholson; director, Arvid E. Gillstrom; screen adaptation, Alfred A. Cohn.

MEET THE MISSUS. 1937. 7 reels, sd. From the story "Lady Average" by Jack Goodman and Albert Rice.

Credits: Producer, Albert Lewis; director, Joseph Santley; screenplay, Jack Townley, Bert Granet, Joel Sayre; editor, Frederic Knudtson; music director, Rob Webb.

MEET THE PRINCE. Released by Producers Distributing Corp. 1926. 7 reels. From the story "The American Sex" by Frank R. Adams.

Credits: Director, Joseph Henabery; scenario, Harold Shumate.

MEET THE PRINCESS. (Slim Summerville Comedy) 1932. 16 1/2 min.

Credits: Director, Harry J. Edwards; story, Francis J. Martin.

MEET THE PROFESSOR. Mentone. 1935. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

MEET THE QUINCE. (H. C. Witwer Record Breaker Series, no. 2) 1929. 2 reels.

Credits: Director, Albert Herman.

MEET THE SENATOR. 1932. 2 reels.

MEET THE WIFE. 1931. 8 reels, sd.

From the stage play by Lynn Starling.

Credits: Producer, Christie; director, A. Leslie Pierce; adaptation and dialogue, F. McGrew Willis, Walter DeLeon.

MEET THE WIFE. SEE Frank Orth and Company in Meet the Wife.

THE MEETING. 1917. 1 reel.

Credits: Elaine Sterne; director, John Robertson.

A MEETING FOR A CHEATING. 1916. 1 reel.

MEETING MAZIE. Presented by Carl Laemmle. 1933. 2 reels, sd.

Credits: Producer, Warren Doane; director, James W. Horne; story, Albert Austin, W. P. Hackney; editor, Harry Marker.

MEETING MR. JONES. 1914. 1 reel.

MEG O' THE CLIFFS. 1915. 1,000 ft.

Credits: Producer, Melvin Mayo.

MEG O' THE MOUNTAINS. 1914. 2 reels.

Credits: Written and directed by Richard R. Ridgely.

MEIN FRIENDT SCHNEIDER. Big U. 1915. 1 reel.

Credits: Producer, Murdock MacQuarrie; scenario, G. E. Jenks.

MEINE FRAU DIE HOCHSTAPLERIN (My WIFE THE ADVENTURESS). 1932. 9 reels.

Credits: Director, Kurt Gerron; manuscript, Ernest Wolf, Frederich Zeckendorf, Philipp Lothar Mayring.

MEL KLEE IN THE PRINCE OF WAILS. 1929. 1 reel.

THE MELANCHOLY DAME. Presented by Al Christie. 1929. 2 reels, sd. From the story by Octavus Roy Cohen.

Credits: Director, Arvid E. Gillstrom.

MELLER DRAMMER. 1914. 1 reel.

Credits: Producer, E. A. Martin.

THE MELLOW QUARTETTE. (Pen and Ink Vaudeville) Educational. 1925. 1 reel.

MELO. SEE Dreaming Lips.

MELODIOUS MOMENTS. SEE The Croonaders in Melodious Moments.

MELODY CRUISE. 1933. 9 reels, sd.

Credits: Associate producer, Louis Brock; director, Mark Sandrich; screenplay, Ben Holmes, Mark Sandrich; additional dialogue, Allen Rivkin, P. J. Wolfson; film editors, George Marsh, John Lockert; music director, Max Steiner.

MELODY FOR TWO. 1937. 7 reels, sd.

Credits: Director, Louis King; story, Richard Macaulay; screenplay, George Bricker, Luci Ward, Joseph K. Watson; music and lyrics, Harry Warren, Al Dubin, M. K. Jerome, Jack Scholl.

MELODY GIRL. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Arthur Jarrett.

MELODY IN MAY. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Stanley Rauh; film editor, Edward Mann.

MELODY IN SPRING. 1934. 8 reels, sd.

Credits: Producer, Douglas MacLean; director, Norman McLeod; story, Frank Leon Smith; screenplay, Benn W. Levy; continuity, Jane Storm.

MELODY LANE. Jewel. 1929. 8 reels. Adapted from the play "The Understander" by Jo Swerling.

Credits: Director, Robert F. Hill; adaptation, J. G. Hawks, Robert F. Hill.

THE MELODY LINGERS ON. 1935. 11 reels. Based on the novel by Lowell Brentano.

Credits: Producer, Edward Small; director, David Burton; screenplay and dialogue, Ralph Block, Philip Dunne; film editor, Duncan Mansfield; music director, Alfred Newman.

MELODY MAGIC. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

THE MELODY MAN. 1930. 7 reels. From the play by Herbert Fields, Richard Rodgers and Lorenz Hart.

Credits: Producer, Harry Cohn; director, R. William Neill; adaptation and dialogue, Howard J. Green.

MELODY MAN. (Organlogue, no. 3) 1931. 1 reel, sd.

Credits: Narrator, Campbell.

THE MELODY OF DEATH. Rex. 1917. 2 reels.

Credits: E. M. Ingleton; director, Douglas Gerrard.

THE MELODY OF DOOM. 1915. 2 reels.

Credits: Director, Frank Beal.

THE MELODY OF LOVE. Gold Seal. 1916. 3 reels.

Credits: Nell Shipman; producer, J. Warren Kerrigan.

MELODY OF LOVE. Jewel. 1928. 9 reels, sd.

Credits: Director, A. B. Heath; story, Robert Arch.

MELODY TRAIL. 1935. 6 reels, sd.

Credits: Producer, Nat Levine; supervision, Armand Schaefer; director, Joseph Kane; story, Sherman Lowe, Elizabeth Burbridge; screenplay, Sherman Lowe; film editor, Lester Orlebeck.

A MELON-DRAMA. 1931. 2 reels, sd.

Credits: Producer, Lou Brock; director, Mark Sandrich; story, Bobby Clark; adaptation and dialogue, Mark Sandrich, Johnnie Grey, William Grew; film editor, Ted Cheesman.

MELTING MILLIONS. 1917. For Fox Film Corp. 5 reels.

Credits: Director, Otis Turner; story, Joseph Anthony Roach.

MELTING MILLIONS. 1927. 2 reels each. © Pathe Exchange, Inc.

Credits: Director, Spencer G. Bennet; story, Joseph Anthony Roach.

1. A Shot in the Dark. © 28Mar27; LP23779.

2. Perilous Waters. © 22Apr27; LP23914.

3. The Fatal Attack. © 26Apr27; LP23915.

4. The Heiress of Craghaven. © 29Apr27; LP23916.

5. The Hidden Harbor. © 3May27; LP23917.

6. A Strange Voyage. © 10May27; LP23969.

7. The Mysterious Prisoner. © 14May27; LP23970.

8. The Imposter. © 17May27; LP23971.

9. The Spy. © 18May27; LP23982.

10. Exposed. © 19May27; LP23983.

THE MEMENTO. SEE The Garter Girl.

MEMORIES. 1929. 1 reel, sd.

Credits: Basil Smith.

MEMORIES. SEE

Henpecks and Pecked Hens, Sunny Sands and Drifting Snow, and Memories.

Ima Vamp, Fairyland, and Memories.

The Last of the Morgans.

Mother's Angel, In Quest of a Minnie, and Memories.

Sweet Dynamite, The Land of Incense, and Memories.

Uneasy Feet, God's Country, and Memories.

An Uneven Match, MaÑana Land, and Memories.

MEMORIES AND MELODIES. 1935. 1,467 ft., sd., color. Suggested by the memoirs of Stephen Foster.

Credits: Written and directed by James A. Fitzpatrick.

MEMORIES IN MEN'S SOULS. 1914. 1 reel.

Credits: Director, Van Dyke Brooke.

MEMORIES OF OLD MALACCA. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

MEMORIES OF SPAIN. (Along the Road to Romance on the Magic Carpet of Movietone) 1936. 1 reel, sd.

Credits: Editor, Lew Lehr; narrator, Lowell Thomas.

MEMORIES THAT HAUNT. 1913. 2 reels.

MEMORY LANE. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

Credits: Verse, H. C. Ruth.

MEMORY LANE. Presented by Louis B. Mayer. 1926. 8 reels.

Credits: Producer and director, John M. Stahl; original screenplay, John M. Stahl, Benjamin Glazer.

MEMORY LANE. First National. 1926. 8 reels.

Credits: Producer and director, John M. Stahl; original play, John M. Stahl, Benjamin Glazer.

THE MEMORY MILL. Special Big U. 1916. 1 reel.

MEMORY OF LOVE. SEE In Name Only.

THE MEMORY TREE. Big U. 1915. 1 reel.

Credits: Raymond L. Schrock; producer, L. Johnstone.

MEN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels.

Credits: Direction and story, Dimitri Buchowetzki; screenplay, Paul Bern.

MEN AMONG MEN. SEE Fred Ardath with Earl Hall and Grace Osborn in Men Among Men.

MEN AND WOMEN. 1914.

MEN AND WOMEN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,223 ft. From the play by David Belasco and Henry C. De Mille.

Credits: Director, William De Mille; screenplay, Clara Beranger.

MEN ARE LIKE THAT. 1930. 5,467 ft., sd. From the play "The Show-off" by George Kelly.

Credits: Director, Frank Tuttle; adaptation, Herman J. Mankiewicz; scenario, Marion Dix; film editor, Verna Willis.

MEN ARE NOT GODS. Presented by Alexander Korda. Released through United Artists. 1937. 10 reels, sd.

Credits: Written and directed by Walter Reisch; scenario and dialogue, G. B. Stern, Iris Wright; film editor, Henry Cornelius; music director, Muir Mathieson.

MEN ARE SUCH FOOLS. 1932. 8 reels, sd.

Credits: Director, William Nigh; story, Thomas Lloyd Lennon; adaptation and dialogue, Viola Brothers Shore; continuity, Ethel Doherty.

MEN ARE SUCH FOOLS. 1938. 8 reels. From a story by Faith Baldwin.

Credits: Director, Busby Berkeley; screenplay, Norman Reilly Raine, Horace Jackson.

MEN AT WORK. 1937. Filmstrip, 97 fr., sd.

MEN CALL IT LOVE. 1931. 8 reels, sd., b&w. Adapted from the play "Among the Married" by Vincent Lawrence.

Credits: Director, Edgar Selwyn; dialogue continuity, Doris Anderson; film editor, Frank Sullivan.

MEN IN BLACK. 1934. 2 reels, sd.

Credits: Director, Raymond McCarey; story and screenplay, Felix Adler.

MEN IN EXILE. First National. 1937. 6 reels. From stories by Houston Branch and Marie Baumer.

Credits: Director, John Farrow; screenplay, Roy Chanslor.

MEN IN FRIGHT. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, George Sidney; original story, Carl Dudley, Marty Schwartz; screenplay, Hal Law, Robert McGowan; music, Dave Snell.

MEN IN HER LIFE. 1931. 8 reels, sd. Based on a story by Warner Fabian [pseud.]

Credits: Director, William Beaudine; adaptation and dialogue, Robert Riskin; continuity, Dorothy Howell; film editor, Richard Cahoon.

MEN IN THE RAW. 1923. 5 reels. From the story in Ace High Magazine by Bert W. Foster.

Credits: Director, George Marshall; scenario, George Hively.

MEN IN WHITE. Cosmopolitan. 1934. 8 reels, sd., b&w. From the play by Sidney Kingsley.

Credits: Producer, Monta Bell; director, Richard Boleslavsky; screenplay, Waldemar Young; film editor, Frank Sullivan; music score, William Axt.

MEN MUST FIGHT. 1933. 8 reels, sd., b&w. From the play by Reginald Lawrence and S. K. Lauren.

Credits: Director, Edgar Selwyn; screenplay, C. Gardner Sullivan; film editor, William S. Gray.

MEN O' WAR. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Lewis R. Foster; story, Leo McCarey; dialogue, H. M. Walker; editor, Richard Currier.

MEN OF AFFAIRS. SEE There's Millions in It.

MEN OF AMERICA. 1932. 7 reels.

Credits: Producer, David O. Selznick; director, Ralph Ince; story, Humphrey Pearson, Henry McCarty; screenplay, Samuel Ornitz, Jack Jungmeyer.

MEN OF CHANCE. 1932. 7 reels, sd.

Credits: Supervision, Pandro Berman; director, George Archainbaud; original story, Louis Weitzenkorn; adaptation and dialogue, Wallace Smith, Louis Stevens; additional dialogue, Eddie Welch; film editor, Archie Marshall.

MEN OF DARING. 1927. 6 reels.

Credits: Director, Albert Rogell; story and scenario, Marion Jackson.

MEN OF PURPOSE. Presented by Veterans Film Service. 1925. 10 reels.

MEN OF STEEL. Presented by R. A. Rowland. 1926. 10 reels. Suggested by the short story "United States Flavor" by R. G. Kirk.

Credits: Milton Sills; supervision, Earl Hudson; director, George Archainbaud.

MEN OF STEEL. Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Eddie Stanley, George Brandt; director, Sammy Lee; screenplay, Stanley Rauh; music score, David Snell.

THE MEN OF THE DESERT. 1917. 65 min.

Credits: Written and directed by W. S. Van Dyke.

MEN OF THE HOUR. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Anthony Coldeway; film editor, John Rawlins.

MEN OF THE MOUNTAINS. 1915. 2,000 ft.

MEN OF THE NIGHT. Presented by Sterling Productions, Inc. 1926. 5,700 ft.

Credits: Director, Albert Rogell; story, Florence Wagner; adaptation, Lucille de Nevers.

MEN OF THE NIGHT. 1934. 6 reels, sd.

Credits: Direction, story, and screenplay, Lambert Hillyer; film editor, Al Clark.

MEN OF THE NORTH. 1930. 7 reels, sd., b&w.

Credits: Director, Hal Roach; story, Willard Mack; continuity and dialogue, Richard Schayer; film editor, Tom Held.

MEN OF THE SKY. 1931. 8 reels, sd.

Credits: Director, Alfred E. Green; story, Jerome Kern, Otto Harbach.

MEN OF TO-MORROW. London Film Productions, Ltd., London. Presented by Paramount Film Service, Ltd. 1932. 89 min. Based on the novel "Young Apollo" by Anthony Gibbs.

Credits: Producer, Zoltan Korda; director, Leontine Sagan; scenario and dialogue, Anthony Gibbs.

MEN OF TOMORROW. 1934. 6 reels. Based on the novel "Young Apollo" by Anthony Gibbs.

Credits: Director, Leontine Sagan.

THE MEN OF ZANZIBAR. 1922. 5 reels.

Credits: Director, Rowland V. Lee; story, Richard Harding Davis; adaptation and scenario, E. J. LeSaint.

MEN ON CALL. 1930. 6,050 ft., sd.

Credits: Story and dialogue, James Kevin McGuinness; editor, Paul Weatherwax.

Credits: Director, Travers Vale.

MEN WHO HAVE MADE LOVE TO ME. Released thru George Kleine System. 1918. 90 min.

Credits: Mary McLane; producer, George K. Spoor; director, Arthur Berthelet.

MEN WITH WINGS. Presented by Adolph Zukor. 1938. 11 reels, sd., color.

Credits: Producer and director, William A. Wellman; screenplay, Robert Carson; film editor, Tommy Scott.

MEN WITHOUT LAW. 1930. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Louis King; story, Lew Seiler; dialogue and continuity, Dorothy Howell; film editor, Roy Snyder.

MEN WITHOUT NAMES. Presented by Adolph Zukor. 1935. 7 reels, sd.

Credits: Producer, Albert Lewis; director, Ralph Murphy; original story, Dale Van Every; screenplay, Marguerite Roberts, Kubec Glasmon; film editor, Stuart Heisler.

MEN WITHOUT SKIRTS. 1930. 2 reels.

Credits: Director, Lewis R. Foster.

MEN WITHOUT WOMEN. 1929. 7,774 ft.

Credits: Director, John Ford; story, John Ford, James Kevin McGuinness; screenplay and dialogue, Dudley Nichols; editor, Paul Weatherwax.

THE MENACE. 1918. 5 reels.

Credits: Director, John Robertson; story, Rex Taylor, Irma Taylor; picturized by George H. Plympton.

THE MENACE. 1932. 7 reels, sd. Based on a story by Edgar Wallace.

Credits: Director, Roy William Neil; adaptation, Charles Logue; continuity, Dorothy Howell; dialogue, Roy Chanslor; film editor, Gene Havelick.

MENACE. Presented by Adolph Zukor. 1934. 6 reels, sd.

Credits: Producer, Bayard Veiller; director, Ralph Murphy; story, Philip MacDonald; screenplay, Anthony Veiller; adaptation, Chandler Sprague.

THE MENACE OF THE ALPS. 1926. 1 reel.

Credits: Editors, Sydney Singerman, Maurice Pivar.

THE MENACE OF THE MISSISSIPPI; or, AMERICA'S GREATEST DISASTER. 1927. 2 reels.

MENACE OF THE MOUNTED. Mustang. 1926. 2 reels.

Credits: Director, Ray Taylor; story and continuity, George Morgan.

MENDEL, INC. SEE The Heart of New York.

MENDELSSOHN'S WEDDING MARCH. (A Musical Romance) Presented by Metro-Goldwyn-Mayer. 1939. 782 ft., sd., color.

Credits: Written, directed, and produced by James A. Fitzpatrick; musical adaptation, Nathaniel Finston, C. Bakaleinikoff.

MENSCHEN IM HOTEL. SEE Grand Hotel.

Credits: Harry G. Kebel.

MENTAL POISE. (Robert Benchley Comedy) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Ray Rowland.

MENU. (An Oddity) 1933. 949 ft., sd., color.

Credits: Director, Nick Grinde; story, Thorne Smith; explanatory remarks, Pete Smith.

MERBABIES. (A Walt Disney Silly Symphony) 1938. 1 reel, sd.

MERCHANDISING STAPLE VEGETABLES. SEE How Inventory Shortages Develop.

A MERCHANT OF MENACE. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Harry Sweet; story, Walter Weems, Leslie Goodwin; film editor, John Lockert.

MERCY MERRICK. 1913. 1 reel. From "The New Magdalen" by Wilkie Collins.

MERELY A MARRIED MAN. 1915.

Credits: Producer, Mack Sennett.

MERELY MARY ANN. 1916. For Fox Film Corp. 5 reels. From the play by Israel Zangwill.

Credits: Producer, John G. Adolfi; written and picturized by John G. Adolfi, John W. Kellette.

MERELY MARY ANN. 1920. 5 reels. From the play by Israel Zangwill.

Credits: Scenario and direction, Edward J. LeSaint.

MERELY MARY ANN. 1931. 6,750 ft., sd. From the play by Israel Zangwill.

Credits: Director, Henry King; screenplay, Jules Furthman; editor, Frank Hull.

MERELY MOTHER. 1914. 2 reels.

Credits: Director, Oscar Apfel; story, Lulu Case Russell; scenario, Wallace C. Clifton.

THE MERL TWINS, BELLE AND CECILLE, SONGS AND DANCE, OFFERING: A. SUNDOWN [and others]. 1927. 1 reel.

MERLE KENDRICK AND HIS ORCHESTRA. (Melody Master) 1938. 11 min., sd.

Credits: Director, Joseph Henabery.

MERRILY WE GO TO HELL. 1932. 9 reels, sd. Based on the story "I, Jerry, Take Thee, Joan" by Cleo Lucas.

Credits: Director, Dorothy Arzner; screenplay, Edwin Justus Mayer.

MERRILY WE LIVE. (Hal Roach Feature Comedy) Presented by Hal Roach. 1938. 10 reels, sd., b&w.

Credits: Producer, Milton H. Bren; director, Norman Z. McLeod; screenplay, Eddie Moran, Jack Jevne; film editor, William Terhune; music director, Marvin Hatley; orchestration, Arthur Morton.

MERRILY YOURS. (Frolics of Youth) 1933. 2 reels, sd.

Credits: Story and direction, Charles Lamont; adaptation, Dona Barell, Thomas Carr.

MERRY ANDREW. SEE Handy Andy.

THE MERRY CAFE. (Krazy Kat) 1936. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

THE MERRY CAVALIER. Released by F. B. O. 1926. 5 reels.

Credits: Director, Mason Noel; story and continuity, Grover Jones.

MERRY DOG. (Pooch the Pup Cartoon) Snappy. 1932. 1 reel.

Credits: Direction and animation, Walter Lantz.

THE MERRY DWARFS. (Walt Disney Cartoon) 1930. 1 reel.

THE MERRY FRINKS. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels.

Credits: Director, Alfred E. Green; story and screenplay, Gene Markey, Kathryn Scola.

THE MERRY GO-ROUND. 1919. 5 reels.

Credits: Director, Edmund Lawrence; story, Philip E. Hubbard; scenario, Douglas Bronston.

MERRY-GO-ROUND. Universal Jewel. 1923. 10 reels.

MERRY-GO-ROUND OF 1938. 1937. 10 reels, sd.

Credits: Associate producer, B.G. De Sylva; director, Irving Cummings; original story, Monte Brice, Henry Myers; screenplay, Monte Brice, A. Dorian Otvos.

MERRY JAIL-BIRDS. 1919. 2 reels.

Credits: Director, F. Fishback.

THE MERRY KITTENS. (Rainbow Parade, no. 8) 1935. 1 reel, sd.

Credits: Directors, Burt Gillett, Jim Culhane.

MERRY MANNEQUINS. (Scrappy) (Color Rhapsody) Released by Columbia Pictures Corp. 1937. 704 ft., sd., color.

Credits: Producer, Charles Mintz; director, Ub Iwerks; music director, Joe de Nat; music, Eddie Kilfeather.

MERRY MARY. 1916. 2 reels.

THE MERRY MERMAIDS. 1918. 2 reels.

Credits: Director, James Davis.

THE MERRY MODELS. 1915. 1 reel.

THE MERRY MUTINEERS. (Scrappy) (Color Rhapsody) Released by Columbia Pictures Corp. 1936. 669 ft., sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

THE MERRY OLD SOUL. (An Oswald Cartoon) Snappy. 1933. 1 reel.

THE MERRY OLD SOUL. (Merrie Melodies) 1935. 1 reel.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Rollin Hamilton, Riley Thompson; music, Norman Spencer.

THE MERRY WIDOW. 1925. 10 reels. Adapted from the musical comedy by Victor Leon [pseud. of Victor Hirschfeld] and Leo Stein [pseud. of Leo Rosenstein] and the operetta by Franz LehÁr.

Credits: Screen adaptation and scenario, Erich Von Stroheim, Benjamin Glazer.

THE MERRY WIDOW. 1934. 10 reels, sd. Based on the book and lyrics by Victor Leon [pseud. of Victor Hirschfeld] and Leo Stein [pseud. of Leo Rosenstein].

Credits: Director, Ernst Lubitsch; screenplay, Ernest Vajda, Samson Raphaelson.

MERRY WIVES OF GOTHAM. SEE Lights of Old Broadway.

MERRY WIVES OF RENO. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels, sd.

Credits: Director, H. Bruce Humberstone; story and screenplay, Robert Lord; additional dialogue, Joe Traub.

MERRY WIVES OF WINDSOR, OVERTURE PLAYED BY THE NATIONAL PHILHARMONIC ORCHESTRA OF THE U. S. A. (Paramount Symphonic Series) Symphonic Films, Inc. 1939. 1 reel, sd. From the opera, music by Otto Nicolai.

Credits: Conducted and directed by Frederick Feher.

MERRYMAKERS. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Lloyd Bacon.

MERTON OF THE MOVIES. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7,655 ft. From the novel by Harry Leon Wilson and the play by George S. Kaufman and Marc Connelly.

Credits: Producer, James Cruze; screenplay, Walter Woods.

MERTON OF THE MOVIES. SEE Make Me a Star.

A MESSAGE FOR HELP. Bison. 1915. 2 reels.

A MESSAGE FROM MARS. 1921. 6 reels. Based on the play by Richard Ganthony.

Credits: Producer, Maxwell Karger; scenario, Arthur Zellner, Arthur Maude.

A MESSAGE FROM THE SKY. SEE 0-18.

THE MESSAGE IN THE ROSE. 1914. 1 reel.

Credits: Bannister Merwin.

THE MESSAGE OF EMILE COUÉ. 1923. 2 reels.

THE MESSAGE OF HOPE. 1923. 4 reels.

Credits: Story, Genevieve M. Murphy.

THE MESSAGE OF THE MOUSE. 1917. 6 reels.

Credits: Director, J. Stuart Blackton; story, George Randolph Chester, Lillian Chester.

THE MESSAGE OF THE MOUSE. 1920. 5 reels.

Credits: Director, J. Stuart Blackton; story, George Randolph Chester, Lillian Chester; scenario, Edward J. Montagne.

THE MESSAGE OF THE SUN DIAL. 1914. 1 reel.

Credits: G. T. Perry; director, Richard Ridgely.

A MESSAGE TO GARCIA. 1916. 5 reels. Founded on the preachment by Elbert Hubbard.

Credits: Director, Richard Ridgely.

A MESSAGE TO GARCIA. 1936. 10 reels, sd. Suggested by the essay by Elbert Hubbard and the book by Andrew S. Rowan.

Credits: Director, George Marshall; screenplay, W. P. Lipscomb, Gene Fowler; music director, Louis Silvers.

MESSALINA. 1924. 8 reels.

Credits: Producer, Enrico Guazzoni.

THE MESSENGER. 1921. 2 reels.

Credits: Director, Jimmy Aubrey; story, Jimmy Aubrey, Bud Ross.

THE MESSENGER BOY. 1931. 2 reels, sd., b&w.

Credits: Director, Edward I. Luddy; story, Edward I. Luddy, Benny Rubin; screenplay, Ewart Adamson; film editor, Fred Maguire.

THE METHODS OF MARGARET. 1914. 1 reel.

Credits: Director, Wilfred North.

METRO MOVIETONE REVUE. 1929. 1 reel each, sd. © Metro-Goldwyn-Mayer Distributing Corp.

Introducing Gus Van and Joe Schenck, The Capitolians, Grace Rogers, and Broadway's Master of Ceremonies, Harry Rose. © 9Dec29; MP932.

2. Introducing George Dewey Washington, Johnny Marvin, Rosemarie Sennatt, The Locust Sisters and Harry Rose. © 10Jul29; MP404.

3. Introducing Frances White, Ponce Sisters, Reynold Sisters, Joseph Regan and Jack Pepper as Master of Ceremonies. © 14Jan29; MP5700.

4. Featuring Ella Shields, Ponce Sisters, Joe Regan, George Dewey Washington and Jack Pepper. © 11Mar29; MP5920.

METROPOLIS. 1927. 8 reels.

Credits: Director, Fritz Lang; story, Thea Von Harbou.

THE METROPOLIS—MEN INTO STEEL. SEE The City.

METROPOLITAN. 1935. 6,685 ft., sd.

Credits: Director, Richard Boleslawski; story, Bess Meredyth; screenplay, Bess Meredyth, George Marion, Jr.; music director, Alfred Newman.

METROPOLITAN NOCTURNE. 1935. 2 reels.

Credits: Producer, Lee Marcus; director, Leigh Jason; film editor, John Lockert; music director, Max Steiner; music, Louis Alter; orchestrations, Howard Jackson; lyrics, John Scholl.

THE METTLE OF JERRY McGUIRE. Bison. 1915. 2 reels.

Credits: Helen Holmes; producer, J. P. McGowan.

THE MEXICALI KID. 1938. 6 reels, sd.

Credits: Producer, Robert Tansey; director, Wallace W. Fox; original screenplay, Robert Emmett.

MEXICALI ROSE. 1930. 7 reels.

Credits: Producer, Harry Cohn; director, Erle C. Kenton; story and dialogue, Gladys Lehman; continuity, Norman Houston.

MEXICALI ROSE. 1939. 6 reels, sd.

Credits: Associate producer, Harry Grey; director, George Sherman; original story, Luci Ward, Connie Lee; screenplay, Gerald Geraghty; film editor, Tony Martinelli; music supervision, Raoul Kraushaar.

THE MEXICAN. 1914. 1,000 ft.

Credits: Producer, Tom Mix.

MEXICAN IDYL. (Musical Moods) Released by First Division Pictures, Inc. 1934. 1 reel, sd.

Credits: Director of orchestra, Rosario Bourdon.

MEXICAN MURAL. (Along the Road to Romance on the Magic Carpet of Movietone) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Ed Thorgersen.

MEXICAN NATURAL HISTORY. Powers. 1916. 1/2 reel.

MEXICAN OIL FIELDS. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

Credits: Screenplay, Burton Holmes.

MEXICAN SILHOUETTE. 1939. Pt. 1, 2 reels; pt. 2, 1 reel, b&w, 16 mm.

Credits: Producer, Clement K. Chase.

MEXICAN TIPICA ORCHESTRA. 1929. 1 reel, sd.

MEXICANA. (Gus Edwards' Colortone Revue) 1929. 2 reels, sd., color.

THE MEXICAN'S GRATITUDE. 1914. 1 reel. An adaptation of "A Chaparral Christmas Gift" by O. Henry [pseud. of William Sydney Porter].

MEXICO. 1930. 1 reel.

MEXICO. (A Walter Lantz, Bill Nolan Cartoon) (An Oswald Cartoon) 1930. 1 reel.

MEXICO. (Paramount Color Cruises) 1938. 1 reel, sd., color.

Credits: Produced and photographed by Palmer Miller, Curtis F. Nagel; narrator, Gene Hamilton.

MEXICO AND ITS OILS. 1921. Produced under direction of United States Bureau of Mines in cooperation with Sinclair Consolidated Oil Corporation.

MEYERS AND HANFORD, THE ARKANSAS TRAVELERS. 1928. 1 reel, sd.

MI SEGUNDA MUJER. SEE SeÑora Casada Necesita Marido.

MIAMI. Released by W. W. Hodkinson Corp. 1924. 7 reels.

Credits: Director, Alan Crosland; story, John Lynch.

MIARKA, THE CHILD OF THE BEAR. SEE Gypsy Passion.

MICE IN COUNCIL. Educational. Presented by E. W. Hammons. 1934. 517 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE MICE WILL PLAY. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Jack Miller; animation, Sid Sutherland; music director, Carl W. Stalling.

MICHAEL. SEE The Wings.

MICHAEL AND MARY. 1932. 8 reels. From the play by A. A. Milne.

Credits: Adapted and directed by Victor Saville; scenario, Angus McPail, Robert Stephenson.

MICHAEL O'HALLORAN. 1923. 7 reels. Adapted from the novel by Gene Stratton-Porter.

Credits: Adaptation and direction, J. Leo Meehan.

MICHAEL O'HALLORAN. 1937. 7 reels, sd. From the novel by Gene Stratton-Porter. A cartoon sequence is included through the courtesy of Walt Disney.

Credits: Associate producer, Herman Schlom; director, Karl Brown; screenplay, Adele Buffington.

MICHAEL O'HALLORAN. SEE Any Man's Wife.

Credits: Director, Lloyd B. Carleton.

MICHAEL STROGOFF; or, THE COURIER OF THE CZAR. 1926. 10 reels. From the novel by Jules Verne.

Credits: Producer, V. Tourjansky; directors, Louis Nalpas, Noe Bloch; English editing, Sylvia Tress; film editor, A. Bolton.

MICHAEL STROGOFF. SEE The Soldier and the Lady.

MICHAEL THWAITE'S WIFE. SEE The Better Half.

MICHIGAN. (The Spirit of the Campus) Educational Pictures. Presented by E. W. Hammons. 1932. 708 ft., sd.

Credits: Director, Aubrey Scotto; story, Millard Gibson, Gar O'Neil.

THE MICHIGAN KID. Jewel. 1928. 6 reels. From the story by Rex Beach.

Credits: Director, Irvin Wallat; adaptation, J. Grubb Alexander; continuity, Peter Milne.

MICHIGAN MEMORIAL PARK. 1929. 1 reel.

MICKEY. 1918. 7 reels.

MICKEY CUTS UP. (Mickey Mouse, no. 19) 1931. 1 reel.

MICKEY IN ARABIA. (Mickey Mouse, no. 28) 1932. 1 reel.

MICKEY IN LOVE. 1928. 2 reels.

Credits: Director, Earl Montgomery; story, E. V. Durling, St. Elmo Boyce, H. A. Woodmansee; editor, Earl Neville.

MICKEY IN SCHOOL. (A Mickey McGuire Comedy) 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY PLAYS PAPA. (Walt Disney's Mickey Mouse) 1934. 1 reel.

MICKEY STEPS OUT. (Mickey Mouse Cartoon, no. 15) 1931. 1 reel.

MICKEY THE DETECTIVE. (Mickey McGuire Series, no. 3) 1928. 2 reels.

Credits: Director, Edward Herman; story, E. V. Durling, J. Basil.

MICKEY THE KID. 1939. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Arthur Lubin; original story, Alice Altschuler; screenplay, Doris Malloy, Gordon Kahn; film editor, William Morgan; music director, Cy Fever.

MICKEY THE ROMEO. 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S AMATEURS. (A Walt Disney Mickey Mouse) 1937. 1 reel, sd.

MICKEY'S APE MAN. 1933. 2 reels.

Credits: Director, J. A. Duffy; story, Earl Montgomery.

MICKEY'S ATHLETES. (Mickey McGuire Series, no. 4) 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Joseph Basil.

MICKEY'S BABIES. 1928. 2 reels.

Credits: Director, Earl T. Montgomery.

MICKEY'S BARGAIN. 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S BATTLE. (Mickey McGuire Series, no. 4) 1927. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Producer, Larry Darmour; director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY'S BIG BROADCAST. 1933. 2 reels, sd. Based on the cartoons by Fontaine Fox.

Credits: Producer, Larry Darmour; director, J. A. Duffy; story, Joseph Levering, Hal Davitt.

MICKEY'S BIG GAME HUNT. (Mickey McGuire Series, no. 5) 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Joseph Basil.

MICKEY'S BIG MOMENT. 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S BROWN DERBY. (Mickey McGuire Series, no. 10) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Victor Potel.

MICKEY'S BUSY DAY. 1932. 2 reels. From the cartoon by Fontaine Fox.

Credits: Director, J. A. Duffy; story, Joseph Levering.

MICKEY'S CHAMPS. 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Frank Liddell.

MICKEY'S CHARITY. 1932. 2 reels, sd. From the cartoon by Fontaine Fox.

Credits: Director, J. A. Duffy; story, Earle Montgomery, Joseph Levering.

MICKEY'S CHOO CHOO. 1930. 1 reel.

Credits: Arranged by U. B. Iwerks.

MICKEY'S CIRCUS. (Mickey McGuire Series) Released by F. B. O. 1927. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Director, Al Herman.

MICKEY'S CIRCUS. (A Walt Disney Mickey Mouse) 1936. 1 reel, sd., color.

MICKEY'S COVERED WAGON. 1933. 2 reels, sd.

Credits: Director, J. A. Duffy; story, Levering, Montgomery, Grey.

MICKEY'S CRUSADERS. (Mickey McGuire Series, no. 4) 1931. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S DIPLOMACY. (Mickey McGuire Series, no. 4) 1931. 2 reels.

Credits: Director, Albert Herman; story, J. A. Duffy, Leon Leon.

MICKEY'S DISGUISES. 1933. 2 reels, sd. From a cartoon by Fontaine Fox.

Credits: Director, J. A. Duffy; story, Joseph Levering, Hal Davitt.

MICKEY'S ELEPHANT. (Walt Disney Mickey Mouse) 1936. 1 reel, sd.

MICKEY'S ELEVEN. (Mickey McGuire Series, no. 3) Released by F. B. O. Pictures Corp. 1927. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Producer, Larry Darmour; director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY'S EXPLORERS. (Mickey McGuire Series, no. 7) Released by RKO Productions, Inc. 1929. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Producer, Larry Darmour; director, Albert Herman; story, E. V. Durling, J. Basil.

MICKEY'S FIRE BRIGADE. 1935. 1 reel, sd.

MICKEY'S FOLLIES. (Mickey Mouse Cartoon) 1929. 1 reel.

MICKEY'S GALA PREMIER. (Mickey Mouse, no. 15) 1933. 1 reel.

MICKEY'S GARDEN. (A Walt Disney Mickey Mouse) 1935. 1 reel, sd., color.

MICKEY'S GOLDEN RULE. Presented by RKO Distributing Corp. 1932. 2 reels, sd. From the cartoon by Fontaine Fox.

Credits: Producer, Larry Darmour; director, J. A. Duffy; story, Joseph Levering; editor, Dwight Caldwell; music director, Lee Zahler.

MICKEY'S GOOD DEED. (Mickey Mouse, no. U. A. 7) 1932. 1 reel.

MICKEY'S GRAND OPERA. 1936. 1 reel.

MICKEY'S GREAT IDEA. (Mickey McGuire Comedies, no. 6) Released by F. B. O. Pictures Corp. 1929. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Producer, Larry Darmour; director, Albert Herman; story, E. V. Durling, J. Basil.

MICKEY'S HELPING HAND. (Mickey McGuire Series, no. 2) 1931. 2 reels.

Credits: Director, J. A. Duffy; story, George Gray.

MICKEY'S HOLIDAY. (Mickey McGuire Series, no. 5) 1932. 2 reels. From cartoons by Fontaine Fox.

Credits: Director, J. A. Duffy; story, Joseph Levering.

MICKEY'S INITIATION. (Mickey McGuire Series, no. 12) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S KANGAROO. Released through United Artists. 1935. 1 reel, sd.

MICKEY'S LAST CHANCE. (Mickey McGuire Series, no. 9) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Victor Potel.

MICKEY'S LITTLE EVA. (Mickey McGuire Series, no. 8) Larry Darmour Productions. 1928. 2 reels. Based on the Fontaine Fox cartoons.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY'S LUCK. 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S MAN FRIDAY. (Walt Disney's Mickey Mouse) 1935. 1 reel.

MICKEY'S MASTER MIND. 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S MECHANICAL MAN. (Mickey Mouse, no. 14) 1933. 1 reel.

MICKEY'S MEDICINE MEN. 1934. 2 reels, sd.

Credits: Director, J. A. Duffy; story, Joseph Levering.

MICKEY'S MELLERDRAMMER. (Mickey Mouse, no. U. A. 11) 1933. 1 reel.

MICKEY'S MENAGERIE. (Mickey McGuire Comedies, no. 8) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, J. Basil.

MICKEY'S MERRY MEN. (Mickey McGuire Series, no. 3) 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Joseph Levering.

MICKEY'S MIDNITE FOLLIES. (Mickey Himself McGuire Series, no. 3) 1929. 2 reels.

MICKEY'S MINSTRELS. 1934. 2 reels, sd.

Credits: Director, J. A. Duffy; story, Levering, Blaiklock, Young.

MICKEY'S MIXUP. (Mickey Himself McGuire Series, no. 3) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, C. M. Kerr.

MICKEY'S MOVIES. (Mickey McGuire Series, no. 1) 1928. 2 reels.

Credits: Director, Earl T. Montgomery; story, E. V. Durling, A. E. Duncan.

MICKEY'S MUSKETEERS. (Mickey McGuire Series, no. 1) 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Joseph Levering.

MICKEY'S NIGHTMARE. (Mickey Mouse Cartoon, no. U. A. 1) 1932. 1 reel.

MICKEY'S NINE. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY'S NORTHWEST MOUNTED. (Mickey McGuire Series, no. 11) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S ORPHANS. (Mickey Mouse Cartoon, no. 21) 1931. 1 reel.

MICKEY'S PAL PLUTO. (Mickey Mouse, no. U. A. 10) 1933. 1 reel.

MICKEY'S PALS. (Mickey McGuire Series, no. 2) Released by F. B. O. 1927. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY'S PARADE. (Mickey McGuire Series, no. 5) Larry Darmour Productions. 1928. 2 reels. Based on the cartoons by Fontaine Fox.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

MICKEY'S PARROT. (A Walt Disney Mickey Mouse) 1938. 1 reel, sd.

MICKEY'S POLO TEAM. 1936. 1 reel.

MICKEY'S RACE. 1933. 2 reels, sd.

Credits: Director, J. A. Duffy; story, Joseph Levering.

MICKEY'S REBELLION. (Mickey Himself McGuire Series, no. 4) 1931. 2 reels.

Credits: Director, Albert Herman; story, J. A. Duffy.

MICKEY'S RESCUE. 1934. 1,696 ft.

Credits: Director, J. A. Duffy; story, Joseph Levering.

MICKEY'S REVUE. (Mickey Mouse Series) (A Walt Disney Cartoon) 1932. 1 reel.

MICKEY'S RIVAL. (Walt Disney Mickey Mouse) 1936. 1 reel.

MICKEY'S RIVALS. (Mickey McGuire Series, no. 2) Larry Darmour Productions. Released by F. B. O. Pictures Corp. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, J. Basil.

MICKEY'S SERVICE STATION. 1935. 1 reel, sd.

MICKEY'S SIDE LINE. (Mickey McGuire Series, no. 1) 1931. 2 reels.

Credits: Director, J. A. Duffy; story, Leon M. Leon.

MICKEY'S STAMPEDE. (Mickey McGuire Series, no. 3) 1931. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S STEAM-ROLLER. (Walt Disney's Mickey Mouse, no. 24) 1934. 1 reel.

MICKEY'S STRATEGY. (Mickey McGuire Series, no. 3) 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Frank Liddell.

MICKEY'S SURPRISE. (Mickey Himself McGuire Series, no. 3) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Hal Davitt.

MICKEY'S SURPRISE PARTY. 1939. 1 reel.

MICKEY'S TENT SHOW. 1933. 2 reels, sd.

Credits: Director, J. A. Duffy; story, Levering, Montgomery, Grey.

MICKEY'S THRILL HUNTERS. 1931. 2 reels. From the cartoon by Fontaine Fox.

Credits: Director, Albert Herman.

MICKEY'S TOUCHDOWN. 1933. 2 reels, sd.

Credits: Director, J. A. Duffy; story, Levering, Montgomery, Grey.

MICKEY'S TRAILER. (A Walt Disney Mickey Mouse) 1938. 1 reel.

MICKEY'S TRAVELS. 1932. 2 reels. From cartoons by Fontaine Fox.

Credits: Director, J. A. Duffy; story, Joseph Levering.

MICKEY'S TRIUMPH. 1928. 2 reels.

Credits: Director, Earl Montgomery; story, E. V. Durling, St. Elmo Boyce, H. A. Woodmansee; editor, Earl Neville.

MICKEY'S WARRIORS. 1930. 2 reels.

MICKEY'S WHIRLWINDS. 1930. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling.

MICKEY'S WILD WEST. 1928. 2 reels.

Credits: Director, Earl Montgomery; story, E. V. Durling, St. Elmo Boyce, W. H. Woodmansee.

MICKEY'S WILDCATS. 1931. 2 reels. From the cartoon by Fontaine Fox.

Credits: Director, Albert Herman; story, Leon M. Leon.

MICKEY'S WINNERS. (Mickey Himself McGuire Series, no. 3) 1930. 2 reels.

Credits: Director, Albert Herman.

THE MICROBE. 1919. 5 reels. Based on the story by Henry Altimus published in Ainslee's Magazine.

Credits: Supervision, Maxwell Karger; director, Henry Otto; scenario, June Mathis.

MICROBES. Metro-Rolma Film Corp. 1916. 1 reel.

Credits: William B. Courtney.

MICROSCOPIC ANIMAL LIFE. 1930. 1 reel.

MICROSCOPIC MYSTERIES. (An Oddity) 1932. 872 ft.

Credits: Director, Hugo Lund; explanatory remarks, Pete Smith.

MICROSCOPIC POND LIFE. 1915. 1 reel.

'MID KENTUCKY HILLS. 1913. 1 reel.

Credits: Director, Ned Finley.

MIDDLE ATLANTIC STATES. (Regional Geography) 1921. 2 reels.

THE MIDDLE WATCH. Presented by British International Pictures, Ltd. 1930. 11 reels, sd. Based on the book by Ian Hay [pseud. of John Hay Beith].

Credits: Supervision, Emile De Ruelle; director, Norman Walker; scenario, Norman Walker, Frank Launder; film editor, S. Simmonds.

THE MIDDLEMAN. 1915. 5 reels.

Credits: Henry Arthur Jones.

THE MIDLANDERS. 1920. 6 reels. From the novel by Charles Tenney Jackson.

Credits: Directors, Ida May Park, Joseph De Grasse.

MIDNIGHT. Imp. 1917. 1 reel.

Credits: Director, Allen J. Holubar; story, Frank H. Spearman; scenario, E. J. Clawson.

MIDNIGHT. 1922. 5 reels.

Credits: Director, Major Maurice Campbell; story, Harvey Thew.

MIDNIGHT. 1930. 1 reel, sd.

Credits: John Foster, Mannie Davis.

MIDNIGHT. 1934. 8 reels. From the play by Paul and Claire Sifton.

Credits: Producer and director, Chester Erskin.

MIDNIGHT. 1939. 10 reels, sd.

Credits: Producer, Arthur Hornblow, Jr.; director, Mitchell Leisen; story, Edwin Justus Mayer, Franz Schulz; screenplay, Charles Brackett, Billy Wilder; film editor, Doane Harrison.

THE MIDNIGHT ALARM. 1923. 7 reels.

Credits: Director, David Smith; story, Charles Graham Baker.

MIDNIGHT ALIBI. 1934. 59 min., sd. Based on the story "The Old Doll's House" by Damon Runyon.

Credits: Supervision, Robert Presnell; director, Alan Crosland; screenplay, Warren Duff; film editor, Jack Killifer.

Credits: Producer, Charles H. France.

A MIDNIGHT BELL. 1917. 2 reels. From the comedy by Charles Hoyt.

Credits: Director, J. A. Richmond; adapted by Richard Andres.

A MIDNIGHT BELL. Charles Ray Productions, Inc. Presented by Arthur S. Kane. 1921. 6 reels. From the comedy by Charles Hoyt.

Credits: Director, Charles Ray; adaptation, Richard Andres; editor, Harry Decker.

MIDNIGHT BLUNDERS. 1936. 2 reels, sd.

Credits: Director, Del Lord; story, Jack Leonard, Monte Collins; screenplay, Preston Black, Harry McCoy.

THE MIDNIGHT BRIDE. 1919. 5 reels.

Credits: Director, William Humphrey; story, Charles Stokes Wayne; scenario, Sam Taylor.

THE MIDNIGHT BUM. Bluebird. 1927. 1 reel.

Credits: Director, George Summerville.

THE MIDNIGHT CABARET. 1923. 2 reels.

Credits: Written and directed by Larry Semon.

MIDNIGHT CLUB. 1933. 7 reels, sd.

Credits: Producer, Bayard Veiller; director, Alexander Hall, George Somnes; original story, E. Phillips Oppenheim; screenplay, Seton I. Miller, Leslie Charteris.

MIDNIGHT COURT. 1937. 7 reels.

Credits: Director, Frank McDonald; original story and screenplay, Don Ryan, Kenneth Gamet.

MIDNIGHT DADDIES. 1930. 6 reels, sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Hampton Del Ruth, Harry McCoy.

THE MIDNIGHT EXPRESS. 1924. 6 reels.

Credits: Written and directed by George W. Hill.

THE MIDNIGHT FLYER. 1918. 2 reels.

THE MIDNIGHT FLYER. Released by F. B. O. 1925. 7 reels.

Credits: Director, Tom Forman; story, Arthur Guy Empey; scenario, J. Grubb Alexander.

MIDNIGHT FOLLIES. (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, James Jones.

MIDNIGHT FROLICS. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; director, Ub Iwerks; music director, Joe de Nat; music, Eddie Kilfeather.

Credits: Director, James McKay.

THE MIDNIGHT GIRL. 1925. 7 reels.

Credits: Director, Wilfred Noy; story, Garrett Fort; adaptation, Wilfred Noy, Jean Conover.

THE MIDNIGHT GUEST. 1923. 5 reels.

Credits: Director, George Archainbaud; story and scenario, Rupert Julian.

MIDNIGHT IN A TOY SHOP. (A Walt Disney Silly Symphony Comic) 1930. 1 reel, sd.

MIDNIGHT INTRUDER. 1938. 7 reels. Based on a novel by Channing Pollock.

Credits: Associate producer, Trem Carr; director, Arthur Lubin; screenplay, George Waggner, Lester Cole; film editor, Bernard Burton.

THE MIDNIGHT KISS. 1926. 5 reels, b&w, tinted sequences. From the play "Pigs" by Anne Morrison and Patterson McNut.

Credits: Director, Irving Cummings; adaptation and scenario, Alfred A. Cohn.

MIDNIGHT LIFE. Presented by Sam Sax. 1928. 6 reels. From the novel "The Spider's Web" by Reginald Wright Kauffman.

Credits: Director, Scott R. Dunlap.

THE MIDNIGHT LODGE. SEE Miller and Lyles in The Midnight Lodge.

MIDNIGHT LOVERS. 1926. 7 reels. From the play "Collusion" by J.E. Harold Terry.

Credits: Producer, John Francis Dillon; scenario, Carey Wilson.

MIDNIGHT MADNESS. 1918. 5 reels.

Credits: Elliott J. Clawson; director, Rupert Julian.

MIDNIGHT MADNESS. De Mille Studio. 1928. 6 reels. From the play "The Lion Trap" by Daniel Nathan Rubin.

Credits: Producer, Hector Turnbull; director, F. Harmon Weight; adaptation and continuity, Robert N. Lee; film editor, Harold McLernon.

MIDNIGHT MADONNA. Presented by Adolph Zukor. 1937. 7 reels, sd.

Credits: Producer, Emanuel Cohen; director, James Flood; story, David Boehm; screenplay, Doris Malloy, Gladys Lehman; film editor, Ray Curtiss; music director, Boris Morros.

THE MIDNIGHT MAN. Butterfly. 1917. 5 reels.

Credits: Bess Meredyth; director, Elmer Clifton; scenario, Tom Gibson.

THE MIDNIGHT MAN. 1919. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Director, James W. Horne; story, James W. Horne, Frank Howard Clarke; scenario, Harvey Gates.

1. Cast Adrift. © 11Jun19; LP13816.

2. Deadly Enemies. © 11Jun19; LP13828.

3. Ten Thousand Dollars Reward. © 11Jun19; LP13827.

4. At Bay. © 28Jul19; LP14002.

5. Unmasked. © 30Jul19; LP14015.

6. The Elevator Mystery. © 4Sep19; LP14151.

7. The Electric Foe. © 23Sep19; LP14221.

8. Shadow of Fear. © 3Oct19; LP14257.

9. The Society Hold-up. © 16Oct19; LP14301.

10. The Blazing Torch. © 18Oct19; LP14313.

11. The Death Ride. © 25Oct19; LP14339.

12. The Tunnel of Terror. © 3Nov19; LP14376.

13. A Fight to a Finish. © 13Nov19; LP14440.

14. The Jaws of Death. © 17Nov19; LP14451.

15. The Wheel of Terror. © 28Nov19; LP14485.

16. Hurled from the Heights. © 3Dec19; LP14511.

17. The Cave of Destruction. © 10Dec19; LP14526.

18. A Wild Finish. © 17Dec19; LP14550.

MIDNIGHT MARY. 1933. 8 reels, sd., b&w.

Credits: Associate producer, Lucien Hubbard; director, William Wellman; original story, Anita Loos; screenplay, Gene Markey, Kathryn Scola; film editor, William S. Gray; music, William Axt.

MIDNIGHT MELODIES. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

MIDNIGHT MOLLY. Gothic. Released by F. B. O. 1925. 6 reels.

Credits: Director, Lloyd Ingraham; story and scenario, Frederick Kennedy Myton.

MIDNIGHT MORALS. Presented by George W. Weeks. 1932. 6 reels, sd.

Credits: Producer, Ralph M. Like; supervision, Cliff Broughton; director, E. Mason Hopper; story and continuity, Norman Houston; editor, Byron Robinson.

A MIDNIGHT MYSTERY. Imp. 1917. 2 reels.

Credits: Director, William V. Mong; story, Clarissa Mackie; scenario, Anthony W. Coldewey.

MIDNIGHT MYSTERY. 1930. 7 reels, sd. From the play "Hawk Island" by Howard Irving Young.

Credits: Director, George B. Seitz; screenplay, Beulah Marie Dix.

THE MIDNIGHT PATROL. 1918. 5 reels.

Credits: Director, Irvin T. Willat; story, Julian Josephson, Denison Clift.

THE MIDNIGHT PATROL. (A Laurel-Hardy Comedy) Presented by Hal Roach. 1933. 863 ft., sd., b&w.

Credits: Director, Lloyd French; film editor, Bert Jordan.

THE MIDNIGHT RAIDERS. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story, James Edward Hungerford; scenario, Robert A. Dillon.

THE MIDNIGHT RIDE OF PAUL REVERE. 1914. 2 reels. Based on the poem by Henry W. Longfellow.

Credits: Director, Charles J. Brabin.

THE MIDNIGHT RIDE OF PAUL REVERE. 1917. 1 reel. Based on the poem by Henry Wadsworth Longfellow.

MIDNIGHT ROSE. Jewel. 1927. 6 reels.

Credits: Director, James Young; story and continuity, J. Grubb Alexander; adaptation, Frank Beresford.

MIDNIGHT SHADOWS. 1924. 5 reels.

Credits: Written and directed by Francis Ford.

THE MIDNIGHT SUN. Jewel. 1926. 9 reels.

Credits: Director, Dimitri Buchowetzki; story and scenario, A. P. Younger.

THE MIDNIGHT TAXI. 1928. 7 reels.

Credits: Director, John Adolfi; story, Gregory Rogers; scenario, Freddie Foy.

MIDNIGHT TAXI. 1937. 6,610 ft., sd.

Credits: Director, Eugene Forde; story, Borden Chase; screenplay, Lou Breslow, John Patrick; music director, Samuel Kaylin.

THE MIDNIGHT TOLL. Special Laemmle. 1916.

MIDNIGHT WARNING. 1932. 7 reels.

Credits: Director, Spencer Gordon Bennett; story, Norman Battle; adaptation and dialogue, John Thomas Neville.

THE MIDNIGHT WATCH. 1924. 2 reels.

Credits: Director, Charles Lamont.

MIDSEAL. SEE Recaptured Love.

THE MIDSHIPMAN. Produced under the supervision of the U. S. Navy Department. 1925. 8 reels.

Credits: Director, Christy Cabanne; story, Carey Wilson; scenario, F. McGrew Willis.

MIDSHIPMAN JACK. 1933. 8 reels, sd.

Credits: Associate producer, Glendon Allvine; director, Christy Cabanne; screenplay, Frank Wead, F. McGrew Willis; editor, Basil Wrangell; music director, Max Steiner.

MIDST PEACEFUL SCENES. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

'MIDST WOODLAND SHADOWS. 1914. 1 reel.

Credits: Director, Ralph W. Ince.

MIDSTREAM. 1929. 8 reels, si., sd.

Credits: Director, James Flood; story, Bernice Boone; continuity, Frances Guihan; music score, Hugo Riesenfeld.

MIDSUMMER IN SWEDEN. 1938. 10 min., sd.

Credits: Narration, John Martin.

MIDSUMMER MADNESS. 1920. 6 reels. Adapted from "His Friend and His Wife" by Cosmo Hamilton.

Credits: Director, William De Mille; scenario, Olga Printzlau.

MIDSUMMER MUSH. (Hal Roach Comedy) (A Charley Chase Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Charles Parrott; film editor, William Terhune.

A MIDSUMMER NIGHT'S DREAM. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1935. 17 reels, sd. From the drama by William Shakespeare.

Credits: Director, Max Reinhardt, William Dieterle; arranged for the screen by Charles Kenyon, Mary C. McCall, Jr.

A MIDSUMMER NIGHT'S STEAM. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; director, Mark Sandrich; story, Henry Johnson.

MIDSUMMER'S DAY. 1929. 1 reel.

Credits: John Foster.

MIDWINTER IN SWEDISH NORRLAND. 1915. 1 reel.

MIDWINTER MADNESS. Bison. 1916. 2 reels.

Credits: Written and produced by Winthrop Kelley.

THE MIGHTY. 1929. 6,802 ft., si. & sd.

Credits: Director, John Cromwell; story, Robert N. Lee; adaptation and dialogue, William Slavens McNutt, Grover Jones.

THE MIGHTY BARNUM. Presented by Joseph M. Schenck. Released through United Artists. 1935. 10 reels, sd. Based on the play by Gene Fowler and Bess Meredyth.

Credits: Producer, Darryl F. Zanuck; director, Walter Lang; film editors, Allen McNeil, Bobbie McLean; music score, Alfred Newman.

Credits: Director, William Bertram.

MIGHTY LAK' A ROSE. First National. Presented by Edwin Carewe. 1923. 8 reels.

Credits: Curtis Benton; producer and director, Edwin Carewe.

THE MIGHTY SMITHY. (A Life Cartoon Comedy) 1926. 1 reel.

THE MIGHTY TREVE. 1937. 7 reels, sd.

Credits: Associate producer, Val Paul; director, Lewis D. Collins; story, Albert Payson Terhune; screenplay, Albert R. Perkins, Marcus Goodrich, Charles Grayson.

MIGNON. 1915. 5 reels.

Credits: Scenario, Charles Kenyon.

MIGNONETTE. Imp. 1916. 2 reels.

Credits: Harry Ditmar; producer, Winthrop Kelly.

THE MIKADO. 1939. 11 reels, sd., color. Based on the opera by W. S. Gilbert and Arthur Sullivan.

Credits: Director, Victor Schertzinger; adapted, conducted, and produced by Geoffrey Toye.

THE MIKADO. SEE Fan Fan.

MIKE. Presented by Louis B. Mayer. 1926. 7 reels.

Credits: Story, Marshall Neilan; scenario, Marian Jackson.

MIKE. SEE Torch Singer.

MIKE AMES IN THE VARSITY VAMP. 1930. 1 reel, sd.

MIKE FRIGHT. (Hal Roach Comedy) (Our Gang Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

MIKE RILEY AND BAND. 1938. 1 reel, sd.

Credits: Director, Lloyd French.

MIKE WINS A MEDAL. (A Life Cartoon Comedy) 1927. 1 reel.

MILADY. 1923. 6 reels. From a novel by Alexandre Dumas.

Credits: Producer and director, Henri Diamant-Berger.

MILADY. 1923. 7 reels. From a novel by Alexandre Dumas.

Credits: Producer and director, Henri Diamant-Berger.

MILADY'S BOUDOIR. 1915. 1 reel.

MILADY'S ESCAPADE. Released by Educational Film Exchanges, Inc. 1932. 21 min. Suggested by the opera "Martha" by Von Flotow.

Credits: Supervision, Antoine De Vally; director, Howard Higgin.

MILD CARGO. (Aesop's Fables) (Cubby Bear) 1934. 1 reel.

Credits: Director, George Stallings; animation, Steve Muffati.

MILD OATS. SEE Pardon My Pups.

MILD OR MIGHTY. (A Grantland Rice Sportlight) Presented by AmÉdÉe J. Van Beuren. 1929. 1 reel.

Credits: Producer, John L. Hawkinson.

THE MILD WEST. 1934. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Cyrus Wood, A. Dorian Otvas.

MILDEWED MELODRAMAS. (A Paramount Paragraphic) Presented by Adolph Zukor. 1938. 1 reel, sd.

MILE-A-MINUTE KENDALL. Oliver Morosco Photoplay Co. 1918. 5 reels. From the play by Owen Davis.

Credits: Director, William D. Taylor; scenario, Gardner Hunting.

THE MILE A MINUTE MAN. Presented by Camera Pictures, Inc. 1926. 5 reels.

Credits: Director, Jack Nelson; story and continuity, Edward J. Meagher.

MILE-A-MINUTE MONTY. 1915.

MILE-A-MINUTE-MONTY [and] SCENES IN THE CANADIAN ROCKIES. 1915. 1 reel.

Credits: Leon A. Searle.

MILE-A-MINUTE ROMEO. 1923. 6 reels. Adapted from "The Gun Gentleman" by Max Brand [pseud. of Frederick Faust].

Credits: Director, Lambert Hillyer; scenario, Robert N. Lee.

MILES BREWSTER AND THE SUPER-SEX. SEE The Super-Sex.

MILES CALTHROPE. SEE Thou Art the Man.

MILES OF SMILES. Century. 1923. 2 reels.

MILES PER HOUR. (The Grantland Rice Sportlight) 1934. 1 reel, sd.

MILESTONES. 1920. 6 reels. From the play by Arnold Bennett and Edward Knoblock.

Credits: Director, Paul Scardon; scenario, Louis Sherwin.

A MILITANT SCHOOLMA'AM. 1914. 1 reel.

Credits: Screenplay, Edwin Ray Coffin.

MILITARY DRILL OF KIKUYU TRIBES AND OTHER NATIVE CEREMONIES. 1914.

MILITARY TACTICS. (Football Thrills Series) 1932. 1 reel.

Credits: Producer, Clyde E. Elliott; editor, Leonard Mitchell.

MILIZIA TERRITORIALE (TERRITORIAL MILITIA). 1936. 10 reels.

Credits: A. De Benedetti; director, Mario Bonnard.

MILK AND MONEY. (Looney Tunes) 1936. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Charles Jones, Virgil Ross; music, Carl W. Stalling.

MILK AND YEGGS. (Star Comedy) 1921. 1 reel.

Credits: Written and directed by Chuck Reisner.

MILK AS FOOD. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

THE MILK BANDITS. 1924. 2 reels.

Credits: Director, Harry Sweet.

A MILD FED VAMP. 1917. For Fox Film Corp. 2 reels.

Credits: Written and supervised by Henry Lehrman; director, David Kirkland.

MILK FOR BABY. (Terry Toons) Presented by E. W. Hammons. 1938. 1 reel, sd.

Credits: Paul Terry, Mannie Davis; music, Philip A. Scheib.

MILK MADE. 1927. 1 reel. From Krazy Kat Cartoons.

Credits: Producer, Charles B. Mintz.

A MILK WHITE FLAG. 1916. 3 reels. From the play by Charles Hoyt.

Credits: Director, T. N. Heffron.

THE MILKMAN. (Toby the Pup) 1931. 1 reel.

Credits: Dick Huemor, Sid Marcus.

THE MILKMAN. (Flip the Frog Cartoon) 1932. 1 reel.

THE MILKY WAY. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Richard Smith.

THE MILKY WAY. Presented by Adolph Zukor. 1936. 10 reels, sd. From a play by Lynn Root and Harry Clork.

Credits: Producer, E. Lloyd Sheldon; director, Leo McCarey; screenplay, Grover Jones, Frank Butler, Richard Connell; editor, LeRoy Stone.

THE MILL OF LIFE. 1914. 1 reel.

THE MILL POND. (Aesop Sound Fable) Presented by The Van Beuren Corp. 1929. 1 reel, sd.

Credits: John Foster.

MILLER AND FARRELL IN A SONG SPECIALTY. (Movietone Number) 1928. 1 reel, sd.

Credits: Director, George W. Lane.

MILLER AND LYLES IN HARLEM KNIGHTS. 1929. 1 reel, sd.

MILLER AND LYLES IN JIMTOWN CABARET. 1929. 1 reel, sd.

MILLER AND LYLES IN JIMTOWN SPEAKEASY. (Movietone Act) 1928. 1 reel, sd.

MILLER AND LYLES IN THE MIDNIGHT LODGE. 1930. 1 reel, sd.

MILLER AND LYLES IN THEY KNOW THEIR GROCERIES. 1929. 1 reel.

MILLER AND LYLES, THE MAYOR OF JIMTOWN. (Movietone Act) 1928. 1 reel.

THE MILLER'S DAUGHTER. (Merrie Melodies) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Rollin Hamilton, Charles M. Jones; musical score, Norman Spencer.

MILLIE. 1931. 9 reels. From the novel by Donald Henderson Clarke.

Credits: Producer, Charles R. Rogers; director, John Francis Dillon; adaptation and continuity, Charles Kenyon; dialogue, Charles Kenyon, Ralph Murphy.

THE MILLINERY MAN. 1915. 1,000 ft.

A MILLINERY MIX-UP. 1914. 1 reel.

Credits: J. Edward Hungerford; director, Charles H. Seay.

A MILLION A MINUTE. 1916. 5 reels. From the story by Hudson Douglas [pseud. of Robert Aitken].

A MILLION AMERICANS GO HOME. 1937. 1 reel.

A MILLION BID. 1913. 5 reels. From the play, "Agnes" by George Cameron.

Credits: Producer, Ralph Ince.

A MILLION BID. 1927. 7 reels.

Credits: Director, Michael Curtiz; story, George Cameron; screenplay, Robert A. Dillon.

MILLION DOLLAR BABY. 1934. 8 reels, sd.

Credits: Producer, Ben Verschleiser; director, Joseph Santley; original story and screenplay, Joseph Santley, John W. Krafft; editor, Carl Pierson.

THE MILLION DOLLAR COLLAR. 1929. 6 reels.

Credits: Director, D. Ross Lederman; story and scenario, Robert Lord.

THE MILLION DOLLAR COLLAR. Announcement Trailer. 1928. 1 reel, sd.

THE MILLION DOLLAR DOLLIES. Emerald Pictures Co. Presented by Screen Classics, Inc. 1918. 5 reels.

Credits: Directed and written by Leonce Perret.

THE MILLION DOLLAR HANDICAP. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 6 reels. From the novel "Thoroughbreds" by W. A. Fraser.

Credits: Director, Scott Sidney; adaptation, F. McGrew Willis.

MILLION DOLLAR LEGS. 1932. 7 reels, sd.

Credits: Joseph L. Mankiewicz, Henry Myers; director, Edward Cline.

MILLION DOLLAR LEGS. 1939. 7 reels, sd.

Credits: Director, Nick Grinde; story, Lewis R. Foster; screenplay, Lewis R. Foster, Richard English; film editor, Stuart Gilmore.

MILLION DOLLAR MELODY. Presented by E. W. Hammons. 1933. 1,890 ft., sd.

Credits: Producer, Jack White; story, Sig Herzig, Burnet Hershey; music director, Al Colombo; film editor, Barney Rogan.

1. The Airship in the Night. © title, descr. & 70 prints, 8May14; LU2654.

2. The False Friend. © title & descr., 20Jun14; 21 prints, 9Jun14; LU2908.

3. A Leap in the Dark. © title & descr., 20Jun14; 27 prints, 9Jun14; LU2909.

4. The Top Floor Flat. © title & descr., 20Jun14; 32 prints, 9Jun14; LU2910.

SEE ALSO "Zudora" and "The Twenty Million Dollar Mystery."

MILLION DOLLAR NOTES. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

MILLION DOLLAR RANSOM. 1934. 7 reels, sd. Based on the story "Ransom, One Million Dollars" by Damon Runyon.

Credits: Director, Murray Roth.

THE MILLION DOLLAR ROBBERY. 1914. 4 reels.

A MILLION DOLLAR SMASH. 1916. 2 reels.

A MILLION FOR A BABY. 1916. 3 reels.

Credits: Charles Michelson; director, Henry Beaumont.

A MILLION FOR LOVE. Presented by Sterling Productions, Inc. 1928. 6 reels.

Credits: Director, Robert Hill; story, Peggy Gaddis; continuity, Frances Guihan.

A MILLION IN SIGHT. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Virginia Kirtley; scenario, Bess Meredyth.

A MILLION ME'S. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1 reel, sd.

Credits: Director, Monte Brice.

THE MILLION POUND DAY. SEE The Saint in London.

A MILLION TO BURN. 1923. 5 reels.

Credits: Director, William Parke; story, Mary Whitside; adaptation, Raymond Schrock.

THE MILLIONAIRE. 1921. 5 reels.

Credits: Producer, Jack Conway; story, Hulbert Footner; scenario, Wallace Clifton.

Credits: Written, directed, and produced by Oscar Micheaux.

THE MILLIONAIRE. 1931. 9 reels, sd. Based on "Idle Hands" by Earl Derr Biggers.

Credits: Director, John G. Adolfi; screenplay, Julian Josephson, Maude T. Howell; dialogue, Booth Tarkington.

THE MILLIONAIRE BABY. Red Seal. 1915. 6 reels.

MILLIONAIRE BILLIE. 1916. 1 reel.

Credits: Written and produced by Clay M. Greene.

THE MILLIONAIRE CABBY. 1915. 1 reel.

Credits: Director, E. A. Martin.

THE MILLIONAIRE CAT. 1932. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Mark Sandrich; story, Ben Holmes, Tom Lennon; adaptation and dialogue, Bobby Clark, Mark Sandrich; film editor, Sam White.

THE MILLIONAIRE COWBOY. Released by F. B. O. 1924. 5 reels.

Credits: Director, Harry Garson; story, Darryl Francis Zanuck; scenario, Frank S. Beresford.

Credits: Paul Sarauw.

A MILLIONAIRE FOR A MINUTE. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, James Dayton.

THE MILLIONAIRE HOBO. (A Phantasy Cartoon) Presented by Columbia Pictures Corp. 1939. 635 ft., sd.

Credits: Story, Art Davis; animation, Sid Marcus; music, Joe De Nat.

THE MILLIONAIRE PAUPERS. Rex. 1915. 3 reels.

Credits: Producer, Jos. De Grasse; scenario, Ida May Park.

THE MILLIONAIRE PIRATE. 1919. 5 reels.

Credits: Director, Rupert Julian; story, Herbert Hall Winslow, Emil Nyitray; scenario, Waldemar Young.

THE MILLIONAIRE POLICEMAN. Royal. 1926. 5 reels. From the novel by Samuel J. Briskin.

Credits: Director, Edward Le Saint; adaptation and continuity, Dorothy Yost.

Credits: Alexander Girardi.

MILLIONAIRES. 1926. 7 reels. Suggested by the book "The Inevitable Millionaires" by E. Phillips Oppenheim.

Credits: Director, Herman C. Raymaker; screenplay, Raymond L. Schrock; adaptation, Edward Clark, Graham Baker.

THE MILLIONAIRE'S DOUBLE. Rolfe Photoplays, Inc. Presented by B. A. Rolfe. 1917. 5 reels.

Credits: Director, Harry Davenport; story, June Mathis.

THE MILLIONAIRE'S HUNDRED DOLLAR BILL. 1915. 2 reels.

Credits: Director, William Humphrey.

THE MILLIONAIRE'S TRUST. SEE The Black Pierrot.

MILLIONS FOR DEFENSE. 1914. 1 reel.

Credits: Director, Ulysses Davis; story, Marc E. Jones.

MILLIONS IN THE AIR. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Sid Herzig, Jane Storm; producer, Harold Hurley; director, Ray McCarey; editor, Ellsworth Hoagland; music and lyrics, Ralph Rainger, Frederick Hollander, Leo Robin, Arthur Johnston, Sam Coslow.

MILLS BLUE RHYTHM BAND. 1934. 1 reel, sd.

Credits: Director, Roy Mack; continuity, Cyrus Wood.

MILLS OF THE GODS. 1930. 2 reels, sd.

MILLS OF THE GODS. 1934. 7 reels, sd.

Credits: Director, Roy William Neill; story, Melville Baker, John S. Kirkland; screenplay, Garrett Ford; film editor, Jack Rawlins.

THE MILLS OF THE GODS. SEE The Man Who Found Himself.

MILLSTONES. 1916. 2 reels.

Credits: H. Tipton Steck.

MILT BRITTON AND HIS WORLD FAMOUS ORCHESTRA. 1937. 1 reel.

Credits: Director, Lloyd French.

MILTON C. WORK. 1930. 1 reel, sd.

MIMI. Alliance Films. 1934. 8 reels, sd. Freely adapted from "La Vie de BohÈme" by Henri Murger.

Credits: Director, Paul L. Stein; adaptation, Paul Merzbach; scenario and dialogue, Clifford Grey, Jack Davies, Denis Waldrock; film editor, Leslie Norman; music and lyrics, Gianamo Pucini, G. H. Clutsam.

MIN AND BILL. 1930. 7 reels, sd., b&w. From the book "Dark Star" by Lorna Moon.

Credits: Producer and director, George Hill; scenario and dialogue, Frances Marion, Marion Jackson; film editor, Basil Wrangell.

MINCK. SEE No Place to Go.

MIND DOESN'T MATTER. 1932. 2 reels.

Credits: Director, Bryan Foy; story, Al Martin.

THE MIND NEEDER. 1938. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Elwood Ullman, Al Giebler.

MIND OVER MOTOR. 1915. 2 reels.

Credits: Mary Roberts Rinehart.

MIND OVER MOTOR. 1923. 5 reels.

Credits: Producer and director, Ward Lascelle; story, Mary Roberts Rinehart.

THE MIND READER. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels, sd.

Credits: Director, Roy Del Ruth.

MIND THE BABY. Century. 1924. 2 reels.

Credits: Written and directed by Al Herman.

THE MIND THE PAINT GIRL. 1920. 6 reels. From the stage play by Sir Arthur Wing Pinero.

Credits: Director, Wilfrid North.

MIND YOUR BUSINESS. 1928. 2 reels, b&w.

Credits: Director, Ben Stoloff; story and scenario, Hugh Herbert, Sidney Lanfield.

MIND YOUR BUSINESS. Produced by John C. Flinn. 1930. 2 reels, sd., b&w.

Credits: Supervision, Bill Wollfenden; story and direction, Monte Carter; film editor, John Link; music director, Josiah Zuro.

MIND YOUR DOCTOR. 1924. 1 reel.

Credits: Director, Richard H. Smith.

MIND YOUR OWN BUSINESS. Presented by Adolph Zukor. 1937. 8 reels, sd.

Credits: Producer, Emanuel Cohen; director, Norman Z. McLeod; story, John Francis Larkin; screenplay, Dore Schary; film editor, George McGuire.

MINDING THE BABY. Nestor. 1917. 1 reel.

Credits: Frederick A. Palmer; director, Roy Clements.

MINDING THE BABY. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer; animation, Jimmie Culhane, Berney Wolf.

MINDING THE BABY. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1932. 1 reel.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; musical score, Joe De Nat.

MINE TO KEEP. Presented by Samuel V. Grand. 1923. 6 reels.

Credits: Producer and director, Ben Wilson; story, Evelyn Campbell; scenario, Arthur Statter.

THE MINE WITH THE IRON DOOR. 1936. 7 reels, sd. From the novel by Harold Bell Wright.

Credits: Director, David Howard; screenplay, Don Swift, Dan Jarrett; film editor, Arthur Hilton.

THE MINER. (Toby the Pup) 1930. 1 reel.

Credits: Dick Huemor, Sid Marcus.

MINERS OVER TWENTY-ONE. 1924. 1 reel.

Credits: Director, Slim Summerville.

MINES AND MATRIMONY. Joker. 1916. 1 reel.

Credits: Director, W. W. Beaudine; story, Irene Blake; scenario, Paul Coolidge.

MINGLING SPIRITS. Nestor. 1916. 1 reel.

Credits: Production and scenario, Al. E. Christie; story, Robert McGowan.

THE MINIATURE CIRCUS. 1915. Split reel.

THE MINING AND SMELTING OF COPPER. 1930. 1 reel.

MINING ANTHRACITE COAL. (Ford Educational Library, Industrial Geography) Ford Motion Picture Laboratories. 1922. 1 reel.

THE MINISTER'S TEMPTATION. 1913. 1 reel.

Credits: Sydney Booth.

MINNIE. 1922. 7 reels.

Credits: Directors, Marshall Neilan, Frank Urson; scenario, Marshall Neilan.

MINNIE THE MOOCHER. 1932. 1 reel.

Credits: Director, Dave Fleischer.

MINSTREL DAYS. 1930. 1 reel, sd.

THE MINSTREL SHOW. (Krazy Kat) Presented by Columbia Pictures Corp. 1932. 1 reel, sd. Adapted from George Herriman's cartoon character.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Eugster, Preston Blair; music score, Joe De Nat.

A MINUTE FROM DEATH. (Your True Adventures) 1939. 1 reel, sd.

Credits: Director, Joseph Henabery; screenplay, Burnet Hershey.

THE MINUTE MAN. (Star Comedy) 1922. 1 reel.

Credits: Written and directed by William Watson.

MINUTE MYSTERIES. SEE

Death Attends a Party.

Fast Fingers.

Credits: Producer, A. D'Aguiar; director, LÉonide Moguy; scenario, Jean Guitton; adaptation, Daniel Maya, LÉonide Moguy, AndrÉ Cerf; music, Michel Levine.

MIRACLE. SEE A Woman's Faith.

THE MIRACLE BABY. 1923. 6 reels.

Credits: Director, Val Paul; story, Frank Pierce; adaptation, Isadore Bernstein.

THE MIRACLE MAN. 1919. 8 reels. Based on the story by Frank Lucius Packard and the dramatization by George M. Cohan.

Credits: Scenario and direction, George Loane Tucker; story, George M. Cohan.

THE MIRACLE MAN. 1932. 9 reels, sd. Adapted from the story by Frank L. Packard and Robert H. Davis, and the play by George M. Cohan.

Credits: Director, Norman McLeod; adaptation, Waldemar Young; dialogue, Waldemar Young, Samuel Hoffenstein.

MIRACLE MONEY. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Leslie Fenton; original story and screenplay, Karl Kamb.

THE MIRACLE OF LOVE. Cosmopolitan. Paramount-Artcraft. 1919. 7 reels.

Credits: Director, Robert Z. Leonard; story, Cosmo Hamilton; scenario, Adrian Johnson, Leon d'Usseau.

THE MIRACLE OF MANHATTAN. Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Bradley King; director, George Archainbaud; scenario, Edward J. Montagne.

THE MIRACLE OF MILK. Industrial Film Division of Paramount Pictures, Inc. Presented by the State of New York, Department of Agriculture and Markets. 1939. 996 ft., sd.

Credits: Director, Leslie Roush; script, Paul Gangelin, Justin Herman; narrator, Frank Gallop.

THE MIRACLE OF SALT LAKE. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Basil Wrangel; screenplay, Carl Dudley; historical compilations, Milton Gunzburg; narrator, Carey Wilson; music score, David Snell.

THE MIRACLE OF SISTER BEATRICE. Park Lane. Presented by Rico Brothers. 1939. 8 reels, sd. Adapted from a legend of Sister Beatrice concerning a miracle of the thirteenth century.

Credits: Director, Harry T. Dixon; music score, Alfredo Antonini.

MIRACLE ON MAIN STREET. 1939. 9 reels, sd.

Credits: Producer, Jack H. Skirball; director, Steve Sekely; original story, Samuel Ornitz, Boris Ingster; screenplay, Frederick Jackson; editor, Barney Rogan; music director, Hans J. Salter; music, Walter Jurmann.

THE MIRACLE RIDER. Presented by Nat Levine. 1935. 2 reels each, except no. 1 which is 5 reels, sd.

Credits: Producer, Victor Zobel; directors, Armand Schaefer, B. Reeves Eason; original story, Barney Sarecky, Wellyn Totman, Gerald Geraghty; screenplay, John Rathmell; film editor, Joseph Lewis.

THE MIRACLE WOMAN. A Frank Capra production. 1931. 9 reels, sd. Based on the play "Bless You Sister" by John Meehan and Robert Riskin.

Credits: Producer, Harry Cohn; director, Frank R. Capra; screenplay and dialogue, Jo Swerling; continuity, Dorothy Howell; film editor, Maurice Wright.

THE MIRACLE WOMAN. SEE Fannie Ward in The Miracle Woman.

MIRACLES FOR SALE. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. From a book by Clayton Rawson.

Credits: Director, Tod Browning; screenplay, Harry Ruskin, Marion Parsonnet, James Edward Grant; film editor, Frederick Y. Smith.

MIRACLES OF SPORT. SEE Robert Edgren's Miracles of Sport.

MIRACLES OF THE JUNGLE. 1921. 2 reels each, except no. 1 which is 3 reels.

Credits: Written and directed by E. A. Martin, James Conway.

1. The City of Lions. © 24May21; LP16575.

2. The Passage of Death. © 24May21; LP16576.

3. The Jungle Attack. © 24May21; LP16577.

4. The Leopard's Revenge. © 24May21; LP16578.

5. The Storm in the Desert. © 27May21; LP16585.

6. To the Rescue. © 27May21; LP16586.

7. The Leopard's Lair. © 27May21; LP16587.

8. Doomed to Death. © 2Jun21; LP16599.

9. In the Hands of the Apes. © 6Jun21; LP16636.

10. Midst Raging Tigers. © 14Jun21; LP16670.

11. Twelve Against One. © 20Jun21; LP16693.

12. Cheating Death. © 5Jul21; LP16737.

13. The Heart of an Elephant. © 25Jul21; LP16791.

14. The Lion's Leap. © 21Jul21; LP16904.

15. All's Well That Ends Well. © 2Aug21; LP16834.

THE MIRAGE. Released by Producers Distributing Corp. 1924. 6 reels. From the play by Edgar Selwyn.

Credits: Director, George Archainbaud; adaptation, C. Gardner Sullivan.

THE MIRAGE. Released by Producers Distributing Corp. 1925. 6 reels. From the play by Edgar Selwyn.

Credits: Director, George Archainbaud; adaptation, C. Gardner Sullivan.

THE MIRAGE. SEE Possessed.

MIRANDY SMILES. 1918. 5 reels.

Credits: Director, William C. De Mille.

Credits: Adaptation, Ernest Servaes.

THE MIRROR. 1915. 1,000 ft.

Credits: Producer, Joseph Kaufman.

THE MIRROR OF JUSTICE. Powers. 1915. 1 reel.

Credits: Producer, Lynn Reynolds; scenario, F. McGrew Willis.

MIRRORS. 1934. 1 reel, sd.

MIRTH AND MELODY. SEE Dorothy and Rosetta Ryan in Mirth and Melody.

MISADVENTURES OF A MIGHTY MONARCH. 1913. 1 reel.

Credits: Director, George D. Baker.

MISBEHAVING LADIES. Trailer. 1930. 1 reel, sd.

MISBEHAVING LADIES. 1931. 8 reels. From the story "Once There Was a Princess" by Juliet Wilbur Tompkins.

Credits: Director, William Beaudine; screen version, Julien Josephson.

MISCARRIED PLANS. 1924. 2 reels.

Credits: Director, Nat Ross; story, Ewart Adamson.

MISCAST. 1931. 1 reel, sd.

Credits: Director, Mort Blumenstock; story, Paul Gerard Smith; adaptation, E. K. Nadel; dialogue and staging, Max E. Hayes.

MISCHA ELMAN, CONCERT VIOLINIST, PLAYING HUMORESQUE BY DVORAK AND GAVOTTE BY GOSSEC. 1927. 1 reel, sd.

MISCHA LEVITZKI PLAYING LISZT'S 6TH HUNGARIAN RHAPSODY. 1928. 1 reel.

Credits: Director, George W. Lane.

THE MISCHIEF MAKER. 1914. 2 reels.

Credits: Director, Frederick Thomsen.

THE MISCHIEF MAKER. 1916. For Fox Film Corp. 5 reels.

Credits: Scenario and direction, John G. Adolfi; story, Alfred Solman.

MISDEAL. SEE Recaptured Love.

MISER MURRAY'S WEDDING PRESENT. 1914. 1 reel.

Credits: Director, Van Dyke Brooke.

LES MISERABLES. 1918. For Fox Film Corp. 10 reels. Based on the novel by Victor Hugo.

Credits: Director, Frank Lloyd; adaptation, Frank Lloyd, Marc Robbins.

LES MISERABLES. 1925. 32 reels. From the novel by Victor Hugo.

Credits: Director, Louis Nalpas; adaptation, Henri Fescourt.

LES MISERABLES. Presented by Joseph M. Schenck. Released through United Artists. 1935. 12 reels, sd. From the novel by Victor Hugo.

Credits: Producer, Darryl Zanuck; director, Richard Boleslawski; screenplay, W. P. Lipscomb.

LES MISERABLES. SEE The Bishop's Candlesticks.

THE MISER'S LEGACY. 1915. 1 reel.

A MISFIT EARL. 1919. 5 reels.

Credits: Director, Ira M. Lowrey; story, Wilson Bayley.

THE MISFIT PAIR. Star Comedy. 1921. 1 reel.

A MISFIT SAILOR. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, William Watson; story, Frank Roland Conklin.

THE MISFIT WIFE. 1920. 6 reels. Based on the play by Julie Herne.

Credits: Director, Edwin Mortimer; adaptation, Lois Zellner, A. P. Younger.

MISFITS & MATRIMONY. 1918. 2 reels.

Credits: Director, J. A. Howe; story, Earl Montgomery, Joseph Rock.

THE MISHAPS OF E. Z. SMITHERS. SEE Follies of a Day and Night.

1915/16.

1. Cruel and Unusual. © title, descr. & 28 prints, 20Dec15; LU7251.

2. Keep Moving. © title, descr. & 10 prints, 16Dec15; LU7218.

3. Hold Fast. © title, descr. & 15 prints, 20Dec15; LU7253.

4. Going Up. © title, descr. & 35 prints, 31Dec15; LU7325.

5. Look Out Below. © title, descr. & 35 prints, 31Dec15; LU7326.

6. The Lightning Bell-Hop. © title, descr. & 28 prints, 22Jan16; LU7476.

7. Bells and Belles. © title, descr. & 31 prints, 22Jan16; LU7477.

8. Just Imagination. © title, descr. & 31 prints, 2Mar16; LU7745.

9. Out of Order. © title, descr. & 25 prints, 14Mar16; LU7822.

10. Coming Down. © title, descr. & 26 prints, 22Mar16; LU7872.

1916.

1. Blow Your Horn. © title, descr. & 42 prints, 16Jun16; LU8521.

2. Showing Some Speed. © title, descr. & 29 prints, 23Jun16; LU8567.

3. While You Wait. © title, descr. & 24 prints, 24Jun16; LU8568.

4. Local Showers. © title, descr. & 28 prints, 7Jul16; LU8653.

1916.

5. A Pirate Bold. © title, descr. & 39 prints, 15Jul16; LU8704.

7. Strictly Private. © title, descr. & 43 prints, 21Jul16; LU8760.

8. Active Service. © title, descr. & 46 prints, 3Aug16; LU8862.

9. Partly Cloudy. © title, descr. & 19 prints, 8Aug16; LU8889.

10. Fore and Aft. © title, descr. & 75 prints, 18Aug16; LU8962.

11 [i.e. 6]. Outs and Ins. © title, descr. & 13 prints, 5Jun16; LU8427.

THE MISHAPS OF MUSTY SUFFER. 1915-1917. 1 reel each.

Credits: Director, Louis Myll (no. 1-10, 1916).

1915/16.

1. Cruel and Unusual. © 30Dec15; LP7959.

2. Keep Moving. © 26Dec15; LP7960.

3. Hold Fast. © 30Dec15; LP7961.

4. Going Up. © 31Dec15; LP7962.

5. Look Out Below. © 31Dec15; LP7963.

6. The Lightning Bell-Hop. © 31Jan16; LP7964.

7. Bells and Belles. © 31Jan16; LP7965.

8. Just Imagination. © 12Mar16; LP7966.

9. Out of Order. © 24Mar16; LP7967.

10. Coming Down. © 28Nov16; LP7968.

1916.

1. Blow Your Horn. © 21Jun16; LP9274.

2. Showing Some Speed. © 28Jun16; LP9392.

3. While You Wait. © 5Jul16; LP9391.

4. Local Showers. © 12Jul16; LP9507.

5. A Pirate Bold. © 19Jul16; LP9562.

6. Outs and Ins. © 26Jul16; LP9614.

7. Strictly Private. © 2Aug16; LP9648.

8. Active Service. © 9Aug16; LP9687.

9. Partly Cloudy. © 16Aug16; LP9761.

10. Fore and Aft. © 23Aug16; LP9812.

1917, 3rd series.

1. The Fried Egg Hero. © 21Mar17; LP10449.

2. The Soda Jerker. © 27Mar17; LP10478.

3. Wet and Dry. © 31Mar17; LP10506.

4. Truly Rural. © 11Apr17; LP10576.

5. Ladder of Fame. © 24Apr17; LP10677.

6. Pure and Simple. © 28Apr17; LP10695.

7. Spliced and Iced. © 9May17; LP10749.

8. Starlight Sleep. © 12May17; LP10771.

9. Musty B. Young. © 23May17; LP10831.

10. Musty's Vacation. © 29May17; LP10872.

MISJUDGED. 1915. 3 reels.

Credits: Producer, William Worthington; scenario, Harvey Gates.

THE MISJUDGED MR. HARTLEY. 1915. 1 reel.

THE MISLEADING LADY. 1916. 5 reels.

Credits: Charles W. Goddard, Paul Dickey; adaptation, H. S. Sheldon.

THE MISLEADING LADY. 1921. 6 reels. From the play by Charles Goddard and Paul Dickey.

Credits: Supervision, Maxwell Karger; director, George Irving; scenario, Lois Zellner.

THE MISLEADING LADY. 1932. 6,279 ft. Based upon the play by Charles W. Goddard and Paul Dickey.

Credits: Director, Steuart Walker; screenplay, Adelaide Heilbron, Caroline Francke.

THE MISLEADING WIDOW. Paramount-Artcraft. Presented by Adolph Zukor. 1919. 5 reels. Adapted from "Billeted" by F. Tennyson Jesse and H. M. Harwood.

Credits: Director, J. S. Robertson; scenario, Frances Marion.

MISMANAGED. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Eddie Moran; film editor, John Lockert; music director, Roy Webb.

MISMATED. Imp. 1915. 1 reel.

Credits: Producer, George A. Lessey; scenario, Raymond L. Schrock.

MISMATES. 1926. 8 reels. Adapted from the play by Myron C. Fagan.

Credits: Supervision, Earl Hudson; director, Charles Brabin; scenario, Sada Cowan.

MISPLACED HUSBANDS. 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

MISS ADVENTURE. 1916. 3 reels.

Credits: Written and directed by William Wilbert.

MISS ADVENTURE. 1919. 5 reels.

Credits: Director, Lynn F. Reynolds; story and scenario, J. Anthony Roach.

MISS AMBITION. 1918. 5 reels.

Credits: Rex Taylor; director, Henry Houry; picturized by George A. Plympton.

MISS ANN GREY AND HER BOY FRIENDS. 1928. 1 reel, sd.

Credits: Producer, Oscar Eagle.

MISS BLOSSOM. Laemmle. 1916. 2 reels.

Credits: Written and produced by Lynn Reynolds.

MISS BLUEBEARD. 1925. 7 reels. From "Little Miss Bluebeard," Avery Hopwood's adaptation of the play "Der Gatte des FrÄuleins" by Gabriel Dregely.

Credits: Director, Frank Tuttle; screenplay, Townsend Martin.

MISS BOBBY FOLSOM IN TYPICAL TYPES. 1929. 1 reel.

MISS BREWSTER'S MILLIONS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. Based on the novel "Brewster's Millions" by George Barr McCutcheon.

Credits: Director, Clarence Badger; screenplay, Harold Shumate, Lloyd Corrigan; adaptation, Monty Brice.

Credits: Director, Frank Crane; scenario, J. Clarkson Miller.

MISS DULCIE FROM DIXIE. 1919. 5 reels.

Credits: Director, Joseph Gleason; story, Lulah Ragsdale.

MISS ELLA SHIELDS [IN] SONGS: JUST ONE KISS [AND] IF YOU KNEW SUSIE. (Movietone Act) 1928. 1 reel.

MISS FANE'S BABY IS STOLEN. 1934. 7 reels, sd.

Credits: Producer, Bayard Veiller; director, Alexander Hall; story, Rupert Hughes; screenplay, Adela Rogers St. Johns; continuity, Jane Storm.

MISS FATTY'S SEASIDE LOVERS. 1915.

Credits: Producer, Mack Sennett.

MISS FRECKLES. 1915. 2 reels.

Credits: H. Tipton Steck; director, Charles E. Ashley.

MISS GEORGE WASHINGTON. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: Lewis Allen; director, J. Searle Dawley.

MISS GLORY. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; modern art conceived and designed by Leadora Congdon.

MISS HOBBS. 1920. 6 reels. From the play by Jerome K. Jerome.

Credits: Director, Donald Crisp; scenario, Elmer Harris.

MISS INFORMATION. SEE Lois Wilson and Edward Everett Horton in Miss Information.

MISS INNOCENCE. 1918. 5 reels.

Credits: Director, H. Millarde; story, H. Corker; scenario, Thomas Fallon.

MISS JEKYLL AND MADAME HYDE. 1915. 3 reels.

Credits: Director, Charles L. Gaskill.

MISS KITTY DONER IN A BIT OF SCOTCH. 1928. 1 reel, sd.

MISS LONELY HEARTS. Educational Films Corp. of America. Presented by E. W. Hammons. 1937. 952 ft., sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy Klauber.

MISS LULU BETT. Paramount. 1921. 7 reels. From the novel and play by Zona Gale.

Credits: Producer and director, William De Mille; editor, Clara Beranger.

MISS MARCELLE SINGING SOUTHERN SYNCOPATED SONGS. 1929. 1 reel, sd.

MISS NOBODY. 1920. 5 reels.

Credits: Director, Francis J. Grandon; story, E. Magnus Ingleton.

MISS NOBODY. 1926. 7 reels. Adapted from the story "Shebo" by Tiffany Wells.

Credits: Director, Lambert Hillyer.

MISS PACIFIC FLEET. 1935. 8 reels, sd.

Credits: Director, Ray Enright; story, Frederick Hazlitt Brennan; screenplay, Lucille Newmark, Peter Milne, Patsy Flick; film editor, Clarence Kolster; music and lyrics, M. K. Jerome, Herb Brennan; music director, Leo F. Forbstein.

Credits: Supervision, William A. Brady; direction, scenario, and adaptation, Harley Knoles.

MISS PINKERTON. 1932. 7 reels. From the novel by Mary Roberts Rinehart.

Credits: Director, Lloyd Bacon; adaptation, Niven Busch, Lillie Hayward; additional dialogue, Robert Tasker.

MISS RAFFLES. 1914. 1 reel.

MISS ROBINSON CRUSOE. 1917. 5 reels.

Credits: Producer, B. A. Rolfe; director, William Christy Cabanne; story, June Mathis, William Christy Cabanne.

MISS STICKY-MOUFIE-KISS. 1915. 1 reel.

Credits: Director, Sydney Drew.

THE MISS THEY MISSED. Presented by E. W. Hammons. 1938. 2 reels, sd.

Credits: Producer, Al Christie; story, Billy K. Wells.

MISS THOMPSON. SEE

Rain.

Sadie Thompson.

MISS 318 AND MR. 37. SEE Out of the Ruins.

MISS TOMBOY AND FRECKLES. 1914. 1 reel.

Credits: Director, Wilfred North.

MISS U. S. A. 1917. 5 reels.

Credits: Director, Harry Millarde; story, Randolph Lewis.

MISS WARREN'S BROTHER. 1916. 3 reels.

Credits: Director, Theodore Marston.

THE MISSES STOOGE. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, William Terhune.

MISSING. 1917. 2 reels. From the story by Victoria Norton.

Credits: Director, Brinsley Shaw; adaptation, Helmer W. Bergman.

MISSING. Paramount. 1918. 5 reels. Based on the novel by Mrs. Humphry Ward.

Credits: Producer, J. Stuart Blackton; director, James Young; scenario, J. Stuart Blackton, James Young.

THE MISSING BULLET. Universal Special. 1919. 2 reels.

Credits: Director, J. P. MacGowan; story, Alvin J. Neitz; scenario, George Hively.

THE MISSING CLUE. 1915. 1 reel.

Credits: Director, Lee Beggs.

THE MISSING CLUE. (Minute Mysteries) 1934. 1 reel, sd.

Credits: H. A. Ripley; director, Louis De Rochemont; adaptation, William Francis.

MISSING DAUGHTERS. 1924. 7 reels.

Credits: Story, William H. Clifford.

MISSING DAUGHTERS. 1939. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; screenplay, Michael L. Simmons, George Bricker; film editor, Gene Havlick.

MISSING EVIDENCE. 1939. 7 reels, sd.

Credits: Producer and director, Phil Rosen; original story, Dorrell McGowan, Stuart E. McGowan; screenplay, Arthur T. Horman; film editor, Ted Kent.

MISSING GIRLS. 1936. 7 reels, sd.

Credits: Director, Phil Rosen; original story, Martin Mooney; screenplay, Martin Mooney, John W. Krafft.

THE MISSING GUEST. 1938. 7 reels, sd.

Credits: Producer, Barney Sarecky; director, John Rawlins; story, Erich Philippi; screenplay, Charles Martin, Paul Perez; film editor, Frank Gross.

MISSING HUSBAND. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons and Moran.

MISSING HUSBANDS. 1922. 7 reels. From the novel "L'Atlantide" by Pierre Benoit.

Credits: Adaptation and direction, Jacques Feyder.

THE MISSING LINK. 1927. 7 reels.

Credits: Director, Charles F. Reisner; story and scenario, Darryl Francis Zanuck.

THE MISSING LINKS. 1916. 5 reels. Adapted from the novel by Granville Warwick.

Credits: Scenario, Bernard McConville.

MISSING LINKS. (A Life Cartoon Comedy) 1926. 1 reel.

THE MISSING LOCKET. Rex. 1916. 1 reel.

MISSING MEN. SEE Bureau of Missing Persons.

MISSING MILLIONS. Paramount. Presented by Adolph Zukor. 1922. 6 reels. Adapted from the stories "A Problem in Grand Larceny" and "An Answer in Grand Larceny" by Jack Boyle.

Credits: Director, Joseph Henabery; scenario, Albert Shelby Le Vino.

THE MISSING ONE. (Krazy Kat Cartoon) 1916. Split reel.

Credits: George W. Herriman; animation, Leon A. Searle.

THE MISSING PAGE. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

THE MISSING RUBY. 1915. 1 reel.

Credits: Director, Thomas Santschi.

THE MISSING TWENTY-FIVE DOLLARS. 1914. 1 reel.

Credits: Charles M. Seay.

THE MISSING WALLET. Special Laemmle. 1917. 1 reel.

THE MISSING WITNESS. Special Imp. 1916. 1 reel.

Credits: Producer, Herbert Brenon.

MISSING WITNESSES. First National. 1937. 6 reels, sd.

Credits: Director, William Clemens; original screenplay, Kenneth Gamet, Don Ryan.

THE MISSION OF MR. FOO. 1915. 1 reel.

Credits: Helen Chandler.

Credits: Story and direction, Theodore W. Wharton.

Credits: Producer, Lem B. Parker.

THE MISSISSIPPI. 1934. 1 reel, sd. From the suite by Ferde GrofÉ.

Credits: Director, Roy Mack; compiled by Bert Frank.

MISSISSIPPI. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Producer, Arthur Hornblow, Jr.; director, A. Edward Sutherland; story, Booth Tarkington; adaptation, Herbert Fields, Claude Binyon; screenplay, Francis Martin, Jack Cunningham; music and lyrics, Richard Rogers, Lorenz Hart.

MISSISSIPPI. SEE Heaven on Earth.

THE MISSISSIPPI GAMBLER. 1929. 7 reels.

Credits: Director, Reginald Barker; story, Karl Brown, Leonard Fields.

MISSISSIPPI MOODS. (Radio Musical, no. 4) 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Gay Stevens, Jester Hairston; film editor, John Lockert; music, Hall Johnson.

MISSISSIPPI MUD. (An Oswald Cartoon) 1928. 1 reel.

THE MISSISSIPPI RIVER FLOOD. 1927. 2 reels.

Credits: Director, George H. Hoskyn.

MISSY. Laemmle. 1915. 2 reels.

Credits: Written and produced by Lynn Reynolds.

A MISTAKE IN JUDGMENT. 1913. 1 reel.

Credits: M. B. Havey.

A MISTAKE IN RUSTLERS. 1916. 1 reel.

Credits: Produced and written by Tom Mix.

A MISTAKE IN TYPESETTING. 1915. 1 reel.

Credits: Director, Lee Beggs.

MISTAKES WILL HAPPEN. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

MISTAKES WILL HAPPEN. Snappy. 1928. 1 reel.

Credits: Director, Doran Cox; story, James Madison; continuity, George H. Plympton.

MR. ADAM. (Star Comedy Special) 1933. 1,733 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Art Jarrett; editor, Barney Rogan.

MR. ALLAN PRIOR, AUSTRALIAN TENOR, DIRECTED BY BRYAN FOY AND ACCOMPANIED BY THE VITAPHONE ORCHESTRA SINGS: A. A DREAM [AND] B. LA DONNA E MOBILE. 1927. 1 reel.

MR. AND MRS. HADDOCK ABROAD. SEE Finn and Hattie.

MR. & MRS. IS THE NAME. (Merrie Melodies, no. 3) Vitaphone. 1935. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Ben Clopton, Cal Dalton; music score, Bernard Brown.

MR. & MRS. JACK NORWORTH IN ODDS AND ENDS. 1929. 1 reel, sd.

MR. AND MRS. JACK NORWORTH IN THE NAGGER. 1930. 1 reel.

MR. AND MRS. JACK NORWORTH IN THE NAGGERS' DAY OF REST. 1931. 1 reel.

MR. AND MRS. JACK NORWORTH IN THE NAGGERS GO ROOTING. 1931. 1 reel.

MR. AND MRS. JESSE CRAWFORD. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery.

MR. AND MRS. JESSE CRAWFORD. 1938. 1 reel, sd.

MR. AND MRS. JESSE CRAWFORD AT HOME. (Vitaphone Variety) 1939. 10 min., sd.

Credits: Director, Lloyd French.

MR. AND MRS. JESSE CRAWFORD, THE POETS OF THE ORGAN. 1937. 10 min., sd.

Credits: Director, Joseph Henabery.

MR. & MRS. MELODY. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

MISTER ANTONIO. 1929. 8 reels, sd. Adapted from the play by Booth Tarkington.

MR. BARNES OF NEW YORK. 1914. 6 reels.

MR. BARNES OF NEW YORK. 1922. 5 reels.

Credits: Director, Victor L. Schertzinger; story, Archibald Clavering Gunter; scenario, J. E. Nash.

MR. BILLINGS SPENDS HIS DIME. Paramount. Presented by Jesse L. Lasky. 1923. 6 reels. From the story in Red Book Magazine by Dana Burnet.

Credits: Director, Wesley H. Ruggles; scenario, Albert Shelby Le Vino.

MR. BINGLES' MELODRAMA. 1914. 3 reels.

Credits: Director, George D. Baker.

MR. BISBEE'S PRINCESS. SEE So's Your Old Man.

MR. BLINK OF BOHEMIA. 1915. 1 reel.

Credits: Director, Sidney Drew.

MR. BOGGS STEPS OUT. Presented by Edward L. Alperson. 1937. 7 reels, sd. From the story "Face the Facts" by Clarence Budington Kelland.

Credits: Producer, Ben Pivar; director, Gordon Wiles; screenplay, Richard English; film editor, Gene Milford.

MR. BONES. SEE Mammy.

MR. BRIDE. Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, James Parrott; editor, Richard Currier.

MR. BUDDY BRIGG'S BURGLAR. 1916. 1 reel.

MR. BUNNY IN DISGUISE. 1914. 1 reel.

Credits: Director, George D. Baker.

MR. BUTTLES. 1915. 3 reels.

Credits: Frederic Arnold Kummer.

MR. CARLSON OF ARIZONA. 1915. 2,000 ft.

MISTER CHUMP. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Clem Beauchamp.

MR. CHUMP. 1938. 6 reels.

Credits: Director, William Clemens; original screenplay, George Bricker.

MR. CINDERELLA. (Tuxedo Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

MISTER CINDERELLA. Presented by Hal Roach Studios. 1936. 8 reels, sd., b&w.

Credits: Director, Edward Sedgwick; original story, Jack Jevne; screenplay, Richard Flournoy, Arthur Vernon Jones; film editor, Jack Ogilvie; music director, Marvin Hatley.

MR. DALY'S WEDDING DAY. 1915. 1 reel.

Credits: Director, Langdon West.

MR. DAYTON, DARLING. SEE Many Happy Returns.

MR. DEEDS GOES TO TOWN. 1936. 12 reels, sd. From the story by Clarence Budington Kelland.

Credits: Director, Frank Capra; screenplay, Robert Riskin; film editor, Gene Havlick; music director, Howard Jackson.

MR. DODD TAKES THE AIR. First National. 1937. 10 reels, sd.

Credits: Producer, Mervyn LeRoy; director, Alfred E. Green; story, Clarence Budington Kelland; screenplay, William Wister Haines, Elaine Ryan; music and lyrics, Harry Warren, Al Dubin.

MR. DOLAN OF NEW YORK. Red Feather. 1917. 5 reels.

Credits: Story and direction, Raymond Wells; scenario, Fred Myton.

MR. DOODLE KICKS OFF. 1938. 77 min., sd.

Credits: Producer, Robert Sisk; director, Leslie Goodwins; story, Mark Kelly; screenplay, Bert Granet; editor, Ted Cheesman; music director, Roy Webb.

MISTER DYNAMITE. 1935. 7 reels, sd. From the story "On the Make" by Dashiell Hammett.

Credits: Director, Alan Crosland; screenplay, Doris Malloy, Harry Clork.

MR. FIXIT. 1918. 5 reels.

Credits: Direction and scenario, Allan Dwan; story, Ernest Butterworth.

MR. FLIRT IN WRONG. L-Ko. 1915. 2 reels.

MISTER 44. 1916. For the Metro Program. 5 reels.

Credits: Directed and adapted by Henry Otto; story, E. J. Rath; scenario, Charles A. Taylor.

MR. FRANK GABY, THE TOUT. 1927. 1 reel, sd.

MR. FULLER PEP, AN OLD BIRD PAYS HIM A VISIT. Powers. 1917. 1/2 reel.

Credits: F. M. Follett.

MR. FULLER PEP, HE BREAKS FOR THE BEACH. Powers. 1916. 1/2 reel.

Credits: F. M. Follett.

MR. FULLER PEP, HE CELEBRATES HIS WEDDING ANNIVERSARY. Powers. 1916. 1/2 reel.

MR. FULLER PEP, HE DABBLES IN THE POND. Powers. 1916. 1/2 reel.

Credits: F. M. Follett.

MR. FULLER PEP, HE DOES SOME QUICK MOVING. Powers. 1917. 1/2 reel.

Credits: F. M. Follett.

MR. FULLER PEP, HE GOES TO THE COUNTRY. Powers. 1917. 1/2 reel.

Credits: F. M. Follett.

MR. FULLER PEP, HE TRIES MESMERISM. Powers. 1916. 1/2 reel.

Credits: F. M. Follett.

MR. FULLER PEP, HIS DAY OF REST. 1917. 1/2 reel.

MR. FULLER PEP, HIS WIFE GOES FOR A REST. Powers. 1917. 1/2 reel.

Credits: F. M. Follett.

MR. GALLAGHER AND MR. SHEAN. (Screen Songs) 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

MISTER HOBO. 1935. 8 reels, sd.

Credits: Paul Laffitte; director, Milton Rosmer; scenario, Guy Bolton; adaptation, Maude Howell; editor, Charles Saunders; music director, Louis Levy; music, Arthur Benjamin.

MR. HOUSEKEEPER. 1916. 1 reel.

Credits: Director, Earl Metcalfe.

MR. ISAACS. SEE Son of India.

MR. JACK, A DOCTOR BY PROXY. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK, A HALL ROOM HERO. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK DUCKS THE ALIMONY. 1916. 1 reel.

Credits: Director, C. J. Williams.

MR. JACK GOES INTO BUSINESS. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK HIRES A STENOGRAPHER. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK INSPECTS PARIS. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK, THE HASH MAGNATE. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK TRIFLES. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK WINS A DOUBLE CROSS. 1916. 1 reel.

Credits: Director, C. J. Williams.

MR. JACK'S ARTISTIC SENSE. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JACK'S HAT AND THE CAT. 1916. 1 reel.

Credits: Director, C. Jay Williams.

MR. JARR AND CIRCUMSTANTIAL EVIDENCE. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND GERTRUDE'S BEAUX. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND LOVE'S YOUNG DREAM. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND THE CAPTIVE MAIDEN. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND THE DACHSHUND. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND THE LADIES' CUP. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND THE LADY REFORMER. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR AND THE VISITING FIREMEN. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR BRINGS HOME A TURKEY. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR TAKES A NIGHT OFF. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR VISITS HIS HOME TOWN. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR'S BIG VACATION. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. JARR'S MAGNETIC FRIEND. 1915. 1 reel.

Credits: Director, Harry Davenport.

MR. LEMON OF ORANGE. 1931. 6,331 ft., sd.

Credits: Director, John Blystone; story, Jack Hays; dialogue, Eddie Cantor, Edwin Burke; editor, Ralph Dixon.

MR. LOGAN, U. S. A. 1918. 5 reels.

Credits: Scenario and direction, Lynn F. Reynolds.

MR. MCIDIOT'S ASSASSINATION. 1916. 2 reels.

MR. MEESON'S WILL. SEE The Grasp of Greed.

Credits: G. Bodmer, Conrald Tallroth.

MR. MOTO. SEE Danger Island.

MR. MOTO TAKES A CHANCE. 1938. 7 reels, sd. Based on the character Mr. Moto created by J. P. Marquand.

Credits: Executive producer, Sol M. Wurtzel; director, Norman Foster; original story, Willis Cooper, Norman Foster; screenplay, Lou Breslow, John Patrick; film editor, Nick De Maggio; music director, Samuel Kaylin.

MR. MOTO TAKES A VACATION. 1939. 5,632 ft., sd. Based on the character Mr. Moto created by J. P. Marquand.

Credits: Director, Norman Foster; original screenplay, Philip McDonald, Norman Foster; music director, Samuel Kaylin.

MR. MOTO'S GAMBLE. 1938. 6,565 ft., sd. Based on the character Mr. Moto created by John P. Marquand.

Credits: Director, James Tinling; original screenplay, Charles Belden, Jerry Cady; music director, Samuel Kaylin.

MISTER MUGG. (A Warren Doane Comedy) 1933. 2 reels.

Credits: Producer, Warren Doane; director, James W. Horne; story, Jay A. Howe, James W. Horne.

MR. NOUN AND MISS PRONOUN OF GRAMMAR ROW. 1919. 2 reels.

MR. OPP. 1917. 5 reels. From the story by Alice Hegan Rice.

Credits: Scenario and direction, Lynn F. Reynolds.

MISTER PAGANINI. 1915. 2 reels.

MR. PARKER—HERO. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

MR. PICKWICK. 1913. 1 reel.

Credits: Director, Larry Trimble.

MR. POOH. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Director, Robert B. Wilcox.

MR. PRINGLE AND SUCCESS. Black Cat. 1917. 29 min.

Credits: Director, Harry Beaumont; story, Charles J. McGuire.

MR. ROBINSON CRUSOE. 1932. 8 reels, sd.

Credits: Director, Edward Sutherland; story, Elton Thomas; adaptation, Tom Geraghty.

MISTER ROMEO. SEE Chicken a la King.

MR. SANTA CLAUS. 1914. 2 reels.

Credits: Director, George Ridgewell.

MR. SKITCH. 1933. 6,200 ft., sd. Based on the story "Green Dice" by Anne Cameron.

Credits: Director, James Cruze; screenplay, Sonya Levien, Ralph Spence.

MISTER SMARTY. 1936. 2 reels, sd.

Credits: Director, Preston Black; story, George Crone; screenplay, John Grey.

MR. SMITH GOES TO WASHINGTON. 1939. 13 reels, sd.

Credits: Director, Frank Capra; story, Lewis R. Foster; screenplay, Sidney Buchman; film editors, Gene Havlick, Al Clark; music director, M. W. Stoloff; music, Dimitri Tiomkin.

MR. SNIFFKINS' WIDOW. 1914. 1 reel.

Credits: Elizabeth Miller; director, Charles M. Seay.

MR. STUBB'S PEN. 1915. Split reel.

Credits: Screenplay, J. A. Murphy.

MR. TOOT'S TOOTH. 1913. 1 reel.

Credits: Arthur Housman.

MR. VAMPIRE. Rex. 1916. 2 reels.

Credits: Grace Cunard; director, Francis Ford.

MR. WIDGET. (An Educational Star Personality Comedy) Presented by E. W. Hammons. 1935. 1,845 ft., sd.

Credits: Producer, Al Christie; story, Joe Cook.

MISTER WIFE. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, Harold Beaudine; story, Kingsley Benedict.

MR. WONG, DETECTIVE. 1938. 8 reels, sd. Based on the James Lee Wong series in Collier's Magazine, written by Hugh Wiley.

Credits: Associate producer, W. T. Lackey; director, William Nigh; screenplay, Houston Branch; film editor, Russell Schoengarth.

MR. WONG IN CHINATOWN. 1939. 8 reels, sd. Based on the James Lee Wong stories by Hugh Wiley.

Credits: Producer, William T. Lackey; director, William Nigh; screenplay, Scott Darling; film editor, Russell Schoengarth.

MR. WOOD B. WEDD'S SENTIMENTAL EXPERIENCES. 1913-14. 1 reel each. © Thomas A. Edison, Inc.

Credits: Mark Swan; director, C. Jay Williams.

1. Her Face Was Her Fortune. © 13Dec13; LP1800.

2. The Lovely Senorita. © 10Jan14; LP1950.

3. The Beautiful Leading Lady. © 6Feb14; LP2112.

4. The Vision in the Window. © 14Mar14; LP2331.

5. High Life. © 13Apr14; LP2502.

6. A Lady of Spirits. © 9May14; LP2670.

[7] The Revengeful Servant Girl. © 13Jun14; LP2856.

[8] A Canine Rival. © 10Jul14; LP3002.

[9] The Buxom Country Lass. © 15Aug14; LP3210.

[10] Love by the Pound. © 14Sep14; LP3367.

[11] Wood B. Wedd and the Microbes. © 10Oct14; LP3515.

[12] Wood B. Wedd Goes Snipe Hunting. © 14Nov14; LP3766.

[13] A Superfluous Baby. © 31Dec14; LP4083.

MR. WRIGHT IN WRONG. 1917. 15 min.

MR. W'S LITTLE GAME. 1934. 1 reel, sd.

Credits: Director, Lynn Shores.

MR. WU. 1920. 5 reels. From the play by H. M. Vernon and Harold Owen.

Credits: Director, Maurice Elvey; scenario, Frederick Blatchford.

MR. WU. 1927. 8 reels. From the play by Harry Maurice Vernon and Harold Owen.

Credits: Producer and director, William Nigh; adaptation and continuity, Lorna Moon; film editor, Ben Lewis.

MRS. BALFAME. Frank Powell Producing Corp. 1917. 6 reels. From the novel by Gertrude Atherton.

Credits: Director and dramatization, Frank Powell.

MRS. BARNACLE BILL. (Hal Roach Comedy) (All Star Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Lloyd French; film editor, Bert Jordan.

MRS. BILLIE. SEE The Lily and the Rose.

MRS. DANE'S CONFESSION. 1922. 5 reels.

Credits: Director, Michael Kertes; story, William Mors; editor, Don Bartlett.

MRS. DANE'S DANGER. 1916. 4 reels.

Credits: Director, Wilifrid North.

MRS. DANE'S DEFENSE. 1917. 5 reels.

Credits: Director, Hugh Ford; story, Henry Arthur Jones; scenario, Margaret Turnbull.

MRS. DORAY STORIES. SEE Young America.

MRS. GREEN'S MISTAKE. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

Credits: Producer, E. A. Martin.

MRS. JARR AND THE BEAUTY TREATMENT. 1915. 1 reel.

Credits: Director, Harry Davenport.

MRS. JARR AND THE SOCIETY CIRCUS. 1915. 1 reel.

Credits: Director, Harry Davenport.

MRS. JARR'S AUCTION BRIDGE. 1915. 1 reel.

Credits: Director, Harry Davenport.

MRS. LEFFINGWELL'S BOOTS. 1918. 5 reels. From the play by Augustus Thomas.

Credits: Director, Walter Edwards.

MRS. MADAM MANAGER. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

MRS. MALONEY'S FORTUNE. 1914. 1 reel.

Credits: Director, Theodore Marsten; story, W. A. Tremayne.

MRS. MURPHY'S COOKS. 1915. 1 reel.

Credits: Written and produced by Tom Mix.

MISTRESS NELL GWYN. SEE Nell Gwyn.

THE MISTRESS OF SHENSTONE. 1921. 6 reels. Adapted from the novel by Florence L. Barclay.

Credits: Director, Henry King.

THE MISTRESS OF THE WORLD. 1922. 6 reels each, except no. 4 which is 5 reels. From the novel by Carl Figdon. © Famous Players-Lasky Corp.

Credits: Director, Joe May.

1. The Dragon's Claw. © 5Mar22; LP17625.

2. The Race for Life. © 5Mar22; LP17626.

3. The City of Gold. © 5Mar22; LP17627.

4. Saved by Wireless. © 5Mar22; LP17628.

MRS. O'LEARY'S COW. (Terry Toons) Presented by E. W. Hammons. 1938. 580 ft., sd.

Credits: Paul Terry, Ed Donnelly; music, Philip A. Scheib.

MRS. PLUM'S PUDDING. 1915. 5 reels.

Credits: James Dayton & Eddie Lyons; production and scenario, Al E. Christie.

MRS. PRUNE'S BOARDING HOUSE. Joker. 1915. 1 reel.

Credits: James Dayton; producer, Allen Curtis.

MRS. RANDOLPH'S NEW SECRETARY. 1915. 1 reel.

MRS. ROMANA'S SCENARIO. 1914.

Credits: Edward J. Montagne.

Credits: Director, Hobart Henley; play, Agnes C. Johnston.

MRS. TEMPLE'S TELEGRAM. Paramount Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels. From the play by Frank Wyatt and William Morris.

Credits: Director, James Cruze; scenario, Elmer Harris.

MRS. UPTON'S DEVICE. 1913. 1 reel.

Credits: Director, James W. Castle.

MRS. VAN ALDEN'S JEWELS. 1915. 2 reels.

Credits: Director, Travers Vale.

MRS. WIGGS OF THE CABBAGE PATCH. Paramount. Presented by Adolph Zukor. 1919. 5 reels. Founded on the novel by Alice Hegan Rice and the dramatization by Anne Crawford Flexner.

Credits: Director, Hugh Ford; scenario, Eve Unsell.

MRS. WIGGS OF THE CABBAGE PATCH. Presented by Adolph Zukor. 1934. 9 reels, sd. From the play by Alice Hegan Rice and Anne Crawford Flexner.

Credits: Producer, Douglas MacLean; director, Norman Taurog; screenplay, William Slavens McNutt, Jane Storm.

MITCHELL LEWIS IN THE DEATH SHIP. 1928. 1 reel, sd.

THE MITE OF LOVE. 1919. 2 reels.

Credits: Director, George W. Terwilliger; story, Rachel Crothers; scenario, Calder Johnstone.

MITSI. SEE The Rose of Paris.

MITSI-ADAZI, NATURE'S WORKSHOP. 1937. 1 reel, sd.

THE MIX-UP AT MAXIMS. Nestor. 1915. 1 reel.

Credits: Producer, Eddie Lyons; scenario, Al. E. Christie.

A MIX-UP IN BLACK. 1916. 1,000 ft.

Credits: Florence Bolles; director, Will Louis.

A MIX-UP IN DRESS SUIT CASES. 1915. 2 reels.

Credits: Director, Lee Beggs; screenplay, Edward J. Montagne.

A MIX-UP IN MOVIES. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

Credits: Screenplay, Ruth M. Elmer.

MIXED BLOOD. Red Feather. 1916. 5 reels.

Credits: Director, Charles Swickard; story, Willard Mack; adaptation, J. Grubb Alexander.

MIXED BRIDES. (Stern Bros. Comedy) Century. 1926. 2 reels.

Credits: Director, Jess Robbins; story, Page Wright.

MIXED DOUBLES. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

MIXED FACES. 1922. 5 reels.

Credits: Director, Rowland V. Lee; story, Roy Norton; scenario, Paul Schofield.

MIXED FLATS. 1915. 1,000 ft.

MIXED KIDS. Nestor. 1916. 1 reel.

Credits: Al E. Christie; producer, Horace Davey.

MIXED MAGIC. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Director, Raymond Kane; story, Arthur Jarrett, Marcy Klauber.

MIXED MATRIMONY. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Frederick A. Palmer.

MIXED NUTS. Nestor. 1919. 1 reel.

Credits: Director, Roy Clements; scenario, C. B. Hoadley.

MIXED NUTS. (Hal Roach Comedy) (All Star Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, William Terhune.

MIXED POLICIES. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, David Freedman.

MIXED TALES. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Director, Lyons-Moran; story, Tom J. Geraghty, J. Grubb Alexander.

A MIXED UP ELOPEMENT. Nestor. 1915. Split reel.

Credits: Written and produced by A. E. Christie.

Credits: Director, Henry Otto.

MIXED WIVES. Nestor. 1919. 1 reel.

Credits: Arthur F. Statter; director, W. W. Beaudine.

M'LADY. 1931. 1 reel, sd.

Credits: Director, Mort Blumenstock; story, Rube Welch.

M'LISS. Pickford Film Corp. 1918. 5 reels. Based on the story by Bret Harte.

Credits: Director, Marshall Neilan; scenario, Frances Marion.

M'LISS. 1936. 7 reels, sd. From the story by Bret Harte.

Credits: Associate producer, Robert Sisk; director, George Nicholls, Jr.; screenplay, Dorothy Yost; editor, William Morgan; music director, Alberto Colombo.

M'LISS. SEE The Girl Who Ran Wild.

MOAN AND GROAN, INC. (Our Gang Comedies) Presented by Hal Roach. 1929. 2 reels, sd., b&w.

Credits: Production, story, and direction, Robert F. McGowan; story editor, H. M. Walker; film editor, Richard Currier.

MOANA. 1926. 7 reels.

Credits: Producer, Robert Flaherty.

MOANIN'. Trailer. 1936. 1 reel, sd.

MOANS AND GROANS. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1935. 542 ft., sd.

Credits: Frank Moser, Paul Terry.

THE MOB. SEE Homicide Squad.

THE MOBILIZING OF JOHANNA. SEE Johanna Enlists.

MOBY DICK. 1930. 9 reels, sd. From the novel by Herman Melville.

Credits: Director, Lloyd Bacon; screenplay and dialogue, J. Grubb Alexander; adaptation, Oliver H. P. Garrett.

MOBY DICK. SEE The Sea Beast.

MOCCASINS. Presented by Jesse J. Goldburg. 1925. 5 reels.

Credits: Director, Robert North Bradbury; story and continuity, George W. Pyper.

MOCKERY. 1927. 7 reels.

Credits: Production, story, and direction, Benjamin Christensen; continuity, Bradley King; film editor, John W. English.

Credits: William A. Brady.

THE MODEL COOK. Metro-Drew. 1916. 1 reel.

Credits: Ellis Parker Butler; producer, Sidney Drew.

MODEL 46. Nestor. 1916. 1 reel.

Credits: Director, Louis William Chaudet; story, Tom Gibson; scenario, Charles J. Wilson, Jr.

THE MODEL FROM MONTMARTRE. 1928. 6 reels. From the play "La Femme Nue" by Henry Bataille.

Credits: Producer and director, Leonce Perret.

MODEL GEORGE. (Let George Do It Series) (Stern Brothers Comedy) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Gus Meins.

THE MODEL HUSBAND. Victor. 1916. 2 reels.

Credits: Samuel Greiner; producer, Harry Myers.

THE MODEL HUSBAND. (Lyons-Moran-Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

A MODEL MADE. (Star Comedy) 1921. 1 reel.

Credits: Director, Vin Moore.

A MODEL MESSENGER. (Star Comedy) 1922. 1 reel.

A MODEL WIFE. 1915. 2 reels.

Credits: Director, Wilfrid North.

MODEL WOMEN. 1930. 1 reel, sd.

Credits: Director, Howard Bretherton; dialogue staged by Max E. Hayes.

A MODEL YOUNG MAN. 1914. 1 reel.

Credits: Director, James Young.

MODELING FOR MONEY. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd.; sepia. Based on the book by Carol Lynn [pseud.]

Credits: Director, David Miller; screenplay, Mauri Grashin, Mary Oakes.

MODELS AND ARTISTS. 1924. 2 reels.

Credits: Director, Eugene De Rue.

MODELS AND WIVES. 1931. 2 reels.

Credits: Director, Charles Lamont; story, Henry Johnson, Sidney Levee.

THE MODEL'S CONFESSION. 1918. 6 reels. Suggested by the story of Ruby M. Ayers.

Credits: Direction and scenario, Ida May Park.

MODELS IN MOTION FOR FREE HAND DRAWING. 1930. Under the direction of the Woodbury Training School in Applied Observation. 397 ft., 16 mm.

MODELS OF THE SURF. 1920. 1 reel.

MODERN ASPECTS OF JAPAN. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

MODERN BASKETBALL FUNDAMENTALS. (Eastman Classroom Films) 1935. 2 reels.

MODERN BUSINESS. 1930. 1 reel, sd.

A MODERN CINDERELLA. 1917. For the Fox Film Corp. 5 reels.

Credits: Director, John G. Adolfe; story and scenario, Florence Auer.

A MODERN CINDERELLA. 1932. 2 reels.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Burnet Hershey.

MODERN DANCES. 1914. 1 reel.

A MODERN DIAGNOSIS AND TREATMENT OF SYPHILIS. 1920.

A MODERN ENOCH ARDEN. Big U. 1915. 3 reels.

Credits: Producer, Burton King; scenario, W. M. Caldwell.

A MODERN ENOCH ARDEN. 1916. 4 reels.

Credits: Supervision, Mack Sennett; directors, Clarence G. Badger, Charles Avery.

MODERN FAIRYTALES. 1930. 1 reel.

MODERN FOOTBALL FUNDAMENTALS. 1934. 2 reels. Contents:—pt. 1. Drills for Individuals and Small Groups.—pt. 2. Group and Team Drill.

Credits: Director, Harry G. Kipke.

A MODERN GIRL. SEE The Man Hunt.

A MODERN HERCULES. Rolma Films, Inc. 1916. 1 reel.

Credits: Frank Jackson.

A MODERN HERO. Presented by Warner Bros. Pictures, Inc. and the Vitaphone Corp. 1934. 7 reels. Based on the novel by Louis Bromfield.

Credits: Director, G. W. Pabst; screenplay, Gene Markey, Kathryn Scola.

MODERN HOME. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Director, William Watson; story, David Freedman.

A MODERN HORSE. 1913. 1 reel.

MODERN INVENTIONS. 1937. 1 reel.

MODERN JERUSALEM. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

MODERN LOVE. 1918. 6 reels.

Credits: Director, Robert Leonard; story, Mae Murray, Robert Leonard.

MODERN LOVE. Jewel. 1929. 6 reels.

Credits: Director, Arch Heath; story and continuity, Beatrice Van.

A MODERN MADONNA. SEE The Forgotten Law.

MODERN MADRID. (Around the World with Burton Holmes) 1930. 1 reel, sd.

Credits: Burton Holmes.

MODERN MARINERS. (Sport Pictorial, no. 13) 1921. 1 reel.

MODERN MARRIAGE. 1923. 6,331 ft. Adapted from the novel "Lady Varley" by Derek Vane.

Credits: Director, Lawrence Windom; adaptation, Dorothy Farnum.

MODERN MATRIMONY. 1923. 5 reels.

Credits: Written and directed by Victor Heerman.

MODERN METHODS. (The Color Parade) 1939. 10 min., sd., color.

Credits: Director, Ira Genet; commentator, Dwight Weist.

MODERN MOTHERHOOD. 1934. 6 reels.

Credits: Director, Dwain Esper; story, Gardner Bradford.

MODERN MOTHERS. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Philip Rosen; story, Peter Milne; film editor, Ben Pivar.

A MODERN MUSKETEER. 1917. 5 reels. Based upon "D'Artagnan of Kansas" by F. R. Lyle, Jr.

Credits: Director, Allan Dwan.

MODERN OIL REFINING. (Ford Educational Library. Technical) Ford Motion Picture Laboratories. 1925. 1 reel.

A MODERN PAUL. 1916. 3 reels.

Credits: Producer, Melvin Mayo.

A MODERN PRISCILLA. SEE Bobby Folsom, A Modern Priscilla.

A MODERN RED RIDING HOOD. (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1935. 539 ft., sd.

Credits: Frank Moser, Paul Terry; music, Philip A. Scheib.

MODERN RHYTHM. (Sound Sportlight) 1929. 1 reel, sd.

Credits: Jack Eaton.

MODERN ROMANCE. Rolma Photo Plays, Inc. 1917. 1 reel.

Credits: Harry Mainhall; scenario, Lowell R. Stark.

A MODERN SALOME. 1920. 6 reels. Suggested by the poem "Salome" by Oscar Wilde.

Credits: Written and directed by Leonce Perret.

A MODERN SAMSON. 1914. 1 reel.

Credits: J. Edward Hungerford.

A MODERN THELMA. 1916. 5 reels.

Credits: Adapted and produced by John G. Adolfi.

MODERN TIMES. Released through United Artists. 1936. 10 reels, sd.

Credits: Written and directed by Charles Chaplin; music director, Alfred Newman; music, Charles Chaplin.

MODERN TOKYO. (A James A. FitzPatrick Traveltalk) 1936. 838 ft., sd., color.

Credits: Compiled by James A. FitzPatrick.

THE MOHAWK VALLEY. 1927. 1,008 ft.

THE MOHICAN'S DAUGHTER. 1922. 5 reels. Adapted from the novel "The Story of Jess Uck" by Jack London.

Credits: Producer and director, S. E. V. Taylor.

THE MOJAVE KID. 1927. 5 reels.

Credits: Director, Robert North Bradbury; story and continuity, Oliver Drake.

MOLD AND YEAST. 1930. 1 reel.

MOLECULAR THEORY OF MATTER. 1932. 1 reel.

Credits: Narrative, Hermann I. Schlesinger, Harvey B. Lemon.

MOLINOFF. SEE Along Came Youth.

MOLLY AND I. 1920. 5 reels.

Credits: Director, Howard M. Mitchell; story, Frank R. Adams; scenario, Isabel Johnston.

MOLLY AND I. SEE My Unmarried Wife.

MOLLY AND ME. 1929. 8 reels.

Credits: Director, Albert Ray; story, H. R. Durant; adaptation, Lois Lesson.

MOLLY ENTANGLED. Pallas. 1917. 5 reels.

Credits: Director, Robert Thornby; scenario, Edith Kennedy.

MOLLY MOO-COW AND RIP VAN WINKLE. (Rainbow Parade Cartoon, no. 3) RKO Radio release. 1935. 1 reel.

Credits: Directors, Burt Gillett, Tom Palmer.

MOLLY MOO-COW AND ROBINSON CRUSOE. (Rainbow Parade) 1936. 1 reel.

Credits: Directors, Burt Gillett, Tom Palmer.

MOLLY MOO-COW AND THE BUTTERFLIES. (Burt Gillett's Rainbow Parade) 1935. 1 reel, sd.

Credits: Directors, Burt Gillett, Tom Palmer.

MOLLY MOO-COW AND THE INDIANS. (Rainbow Parade) Distributed by RKO Radio Pictures. 1935. 8 min.

Credits: Supervision, Burt Gillett; directors, Burt Gillett, Tom Palmer.

MOLLY O'. 1921. 8 reels.

Credits: Director, F. Richard Jones; story, Mack Sennett; scenario, Mary Hunt, Fred Stowers; film editor, Allen McNeil.

MOLLY O' PIGTAIL ALLEY. SEE Sally in Our Alley.

MOLLY OF THE FOLLIES. 1919. 5 reels.

Credits: Director, Edward Sloman; story, Peter Clark McFarlane.

MOLLY PICON, THE CELEBRATED CHARACTER COMEDIENNE. 1929. 1 reel, sd.

MOLLY THE DRUMMER BOY. 1914. 1 reel. An adaptation of the novel by Harriet T. Comstock.

Credits: Director, George A. Lessay.

THE MOLLYCODDLE. 1920. 6 reels.

Credits: Director, Victor Fleming; story, Harold McGrath; scenario, Tom J. Geraghty.

MOLLY'S MALADY. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Al E. Christie.

THE MOMENT BEFORE DEATH. 1915. 1,000 ft.

Credits: Producer, Wilbert Melville.

A MOMENT OF MADNESS. 1914. 1 reel.

Credits: John Hardin; director, Langdon West.

THE MOMENT OF VICTORY. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; adaptation, George H. Plympton.

MOMENTS OF CHARM. Presented by Adolph Zukor. 1938. 1 reel, sd., color.

Credits: Director, Leslie Roush; continuity, Justin Herman; editor, Robert Blauvelt.

MOMENTS OF CHARM OF 1940. (A Paramount Headliner) 1939. 1 reel, sd., color.

Credits: Producer and director, Leslie Roush; continuity, Justin Herman; film editor, Robert Blauvelt.

MOMENTS OF MIMICRY. SEE Roger Williams in Moments of Mimicry.

MON HOMME. SEE Shadows of Paris.

Credits: Scenario and production, RenÉ Plaissety.

THE MONA LISA. Educational Film Exchanges, Inc. Presented by Eugene H. Roth. 1926. 2 reels, color.

Credits: Written and directed by Arthur Maude.

MONA LISA. SEE Veiled Picture.

THE MONARCH OF THE GLEN. U. F. A. 1927. 1 reel.

Credits: Editor, Edward Bowes.

MONARCHS OF THE FIELD. (Grantland Rice Sportlight) 1930. 1 reel, sd.

Credits: Jack Eaton.

Credits: Narrative by Herbert Williams; narrator, Jules Labert.

Credits: Producer and scenario, James Keane.

MONEY. 1914. 2 reels.

MONEY AND MYSTERY. Bison. 1917. 2 reels.

Credits: Director, Henry McRae; story, Robert von Saxmar; scenario, Jack Cunningham.

MONEY AT WORK. Presented by Banking's Living Magazine. 1939. 2-1/4 reels, sd.

Credits: Producer, William O. Hurst; editor, William R. Kuhns; narrator, Basil Ruysdael.

MONEY BALKS. (Barney Google Series, no. 4) 1928. 2 reels.

Credits: Director, Charles Diltz; story, E. V. Durling, B. Ross.

THE MONEY BOX. SEE Our Relations.

THE MONEY CORRAL. 1919. 5 reels.

Credits: Director, Lambert Hillyer; story, William S. Hart, Lambert Hillyer.

Credits: Producer, Maurice Elvey.

MONEY ISN'T EVERYTHING. 1918. 5 reels. Based on the magazine story "Beauty To Let" by Fred Jackson.

Credits: Director, Edward Sloman.

THE MONEY LENDERS. Bison. 1916. 2 reels.

Credits: Producer, Henry McRae; story, Wright Roberts; scenario, F. M. Wiltermood, Henry McRae.

MONEY MAD. 1918. 5 reels.

Credits: Lois Zellner; director, Hobart Henley.

MONEY MADNESS. Butterfly. 1917. 5 reels.

Credits: Director, Henry McRae; story, Frank H. Spearman; scenario, William Parker.

MONEY MAGIC. 1917. 5 reels. From the novel by Hamlin Garland.

Credits: Director, William Holbert; adaptation, A. Van Buren Powell.

THE MONEY MASTER. 1915. 5 reels. Founded on the play "The Battle" by Cleveland Moffett.

THE MONEY MASTER. SEE A Wise Fool.

MONEY MEANS NOTHING. 1934. 7 reels, sd. Suggested by the play "The Cost of Living" by William Anthony McGuire.

Credits: Producer, Ben Verschleiser; director, Christy Cabanne; story and screenplay, Frances Hyland.

THE MONEY MILL. 1917. 5 reels.

Credits: Roy L. McCardell; director, John Robertson; adaptation, A. Van Buren Powell.

A MONEY MIX-UP. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine.

MONEY! MONEY! MONEY! 1915. 1,000 ft.

MONEY! MONEY! MONEY! Presented by B. P. Schulberg. 1922. 5 reels.

Credits: Director, Tom Forman; story, Larry Evans; adaptation, Hope Loring.

MONEY! MONEY! MONEY! Snappy. 1928. 1 reel.

Credits: Director, Doran Cox; story and continuity, George H. Plympton.

MONEY, MONEY, MONEY WITH HOMER MASON AND MARGUERITE KEELER. 1930. 1 reel.

MONEY ON YOUR LIFE. Presented by E. W. Hammons. 1938. 1,664 ft., sd.

Credits: Director, William Watson; story, M. Lewis, T. McKnight.

MONEY TALKS. 1919. 2 reels.

Credits: Director, Fred Fishback.

MONEY TALKS. 1926. 6 reels. From the story by Rupert Hughes.

Credits: Director, Archie Mayo; adaptation, Jessie Burns, Bernard Vorhaus; film editor, Ben Lewis.

MONEY TO BURN. 1916. 2 reels.

Credits: Director, E. H. Calvert; story, Delos Avery.

MONEY TO BURN. 1922. 5 reels. From the story "Cherub Devine" by Sewell Ford.

Credits: Director, Roland V. Lee; scenario, Jack Strumwasser.

MONEY TO BURN. Gotham. Presented by Sam Sax. 1926. 6 reels. From the novel by Reginald Wright Kauffman.

Credits: Supervision, Renaud Hoffman; director, Walter Lang; adaptation and continuity, James Bell Smith.

MONEY TO LOAN. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1939. 2 reels, sd., b&w.

Credits: Director, Joe Newman; original story and screenplay, John C. Higgins; film editor, Harry Komer.

MONEY'S MERCILESS MIGHT. 1913. 3 reels.

MONEY'S MOCKERY. Laemmle. 1917. 2 reels.

Credits: E. M. Ingleton; director, Douglas Gerrard.

THE MONGOLS OF CENTRAL ASIA. 1929. 1 reel.

Credits: Edited by Dept. of Anthropology, Harvard University.

MONGRELS. 1918. 2 reels.

Credits: Supervision, Henry Lehrman; director, Jack White.

A MONKEY BELLHOP. Universal Jewel. 1921. 2 reels.

Credits: Written and directed by Harry Burns.

MONKEY BUSINESS. 1915. 1,000 ft.

MONKEY BUSINESS. (Sunshine Comedy) 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Edward F. Cline.

MONKEY BUSINESS. (Earl Hurd Comedy) (Pen and Ink Vaudeville) Educational. 1925. 1 reel.

MONKEY BUSINESS. 1931. 6,947 ft., sd.

Credits: Director, Norman McLeod; story, S. J. Perelman, Will B. Johnstone; additional dialogue, Arthur Sheekman.

MONKEY BUSINESS IN AFRICA. 1931. 22 min., sd.

Credits: Director, Max Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

MONKEY DOODLES. Presented by Foy Productions, Ltd. 1931. 1 reel, sd.

Credits: Director, Gus Meins; editor, William Austin.

THE MONKEY FARM. 1923. 2 reels.

Credits: Directors, Louis Seiler, Clyde Carruth.

A MONKEY HERO. Universal Jewel. 1921. 2 reels.

Credits: Written and directed by Harry Burns.

MONKEY-HULA. (A Sunkist Comedy) 1927. 2 reels.

Credits: Producer, Al Nathan.

MONKEY LOVE. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, Ernest Smythe.

MONKEY LOVE. (Fables, no. 385) 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

MONKEY LOVE. (Color Rhapsody) Presented by Columbia Pictures Corp. 1935. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

MONKEY MEAT. (Paul Terry-Toons) 1930. 1 reel.

Credits: Frank Moser, Paul Terry.

MONKEY MELODIES. (A Walt Disney Comic) Presented by Columbia Pictures Corp. 1930. 1 reel, sd.

A MONKEY MIXUP. 1923. 2 reels.

Credits: Directors, Louis Seller, Clyde Carruth.

A MONKEY MOVIE STAR. Universal Jewel. 1921. 2 reels.

Credits: Written and directed by Harry Burns.

THE MONKEY ROMEO. 1924. 2 reels.

Credits: Director, Louis Seiler.

THE MONKEY SCHOOLMASTER. Universal Jewel. 1921. 2 reels.

Credits: Written and directed by Harry Burns.

MONKEY SHINES. (Harold Highbrow Series) Snappy. 1927. 1 reel.

Credits: Director, Doran Cox; story, James Madison; continuity, George H. Plympton.

MONKEY SHINES. (A Daphne Pollard Comedy) 1932. 2 reels.

Credits: Director, Philip Whitman; story, Francis J. Martin, Vernon Smith.

MONKEY SHINES. (Paramount Varieties) 1934. 1 reel, sd.

Credits: Story, John A. Haesaler.

MONKEY STUFF. Universal Special. 1919. 2 reels.

Credits: Written and directed by W. S. Campbell.

THE MONKEY TALKS. 1927. 6 reels. From the stage play by RenÉ Fauchois.

Credits: Director, Raoul Walsh; scenario, L. G. Rigby.

MONKEY WRETCHES. (An Oswald Cartoon) Snappy. 1935. 1 reel.

Credits: Director, Walter Lantz; story and lyrics, Walter Lantz, Victor McLeod; animation, Manuel Moreno, Lester Kline, Fred Kopietz, Bill Mason.

MONKEYS AND APES. 1933. 1 reel.

THE MONKEY'S PAW. 1923. 5 reels. Based on the story by W. W. Jacobs.

Credits: Director, Manning Haynes; adaptation, Lydia Hayward.

THE MONKEY'S PAW. 1932. 6 reels, sd. From the story by William Wymark Jacobs and the play by Louis N. Parker.

Credits: Producer, David O. Selznick; director, Wesley Ruggles; screenplay, Graham John; film editor, Charles L. Kimball; music director, Max Steiner.

MONKEYS PREFER BLONDES. (Sunkist Comedy) 1926. 2 reels.

Credits: Director, Edward I. Luddy.

MONKS A LA MODE. 1923. 2 reels.

Credits: Directors, Louis Seller, Clyde Carruth.

MONNA VANNA. Bison. 1916. 3 reels. From the drama by Maurice Maeterlinck.

MONNA VANNA. 1923. 9 reels, b&w, tinted sequences. Based on the drama by Maurice Maeterlinck.

Credits: Director, Richard Eichberg.

MONOMANIA. 1917. 1 reel.

Credits: Story and script, W. M. Hannon.

THE MONROE DOCTRINE. Warner Bros. 1939. 16 min., color.

Credits: Director, Crane Wilbur; original screenplay, Charles L. Tedford.

MONSIEUR BEAUCAIRE. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 10 reels. From the novel by Booth Tarkington and the play by Booth Tarkington and Evelyn Greenleaf Sutherland.

Credits: Producer and director, Sidney Olcott; screenplay, Forrest Halsey.

MONSIEUR BEAUCAIRE. SEE Monte Carlo.

MONSIEUR DON'T CARE. 1924. 2 reels.

Credits: Producer, Joe Rock; story, Monte Brice, Lou Lipton.

MONSIEUR SANS GENE. SEE One Rainy Afternoon.

THE MONSTER. 1925. 7 reels. Based on the play by Crane Wilbur.

Credits: Producer, Roland West; scenario, Willard Mack, Albert G. Kenyon; titles, C. Gardner Sullivan; film editor, A. Carle Palm.

THE MONSTER AND THE GIRL. 1914.

Credits: Director, Alice BlachÉ.

MONTAGUE LOVE IN CHARACTER STUDIES. 1928. 1 reel.

MONTAGUE THE MAGNIFICENT. 1937. 1,641 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

MONTANA MOON. 1930. 10 reels, sd., b&w.

Credits: Producer and director, Malcolm St. Clair; original story and continuity, Sylvia Thalberg, Frank Butler; dialogue, Joe Farnham; film editor, Carl L. Pierson; music and lyrics, Nacio Herb Brown, Arthur Freed.

MONTANA OF THE RANGES. Mustang. 1925. 2 reels.

Credits: Director, John O'Brien; story and continuity, William Lester.

THE MONTANA STATE FAIR. 1913. 1 reel.

MONTE CARLO. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

MONTE CARLO. 1926. 7 reels.

Credits: Director, Christy Cabanne; story, Carey Wilson; adaptation and scenario, Alice D. G. Miller; film editor, William Levanway.

MONTE CARLO. 1930. 8,077 ft., sd. From "Die Blaue KÜste" by Hans Mueller and an episode of "Monsieur Beaucaire" by Booth Tarkington and E. G. Sutherland.

Credits: Producer and director, Ernst Lubitsch; screen story, Ernest Vajda; additional dialogue, Vincent Lawrence; lyrics and music, Leo Robin, Richard A. Whiting, W. Franke Harling.

MONTE CARLO MADNESS. 1931. 7 reels.

Credits: Director, Hanns Schwarz; story, Hans Muller, Franz Schulz; dialogue, Rowland Leigh.

MONTE CARLO NIGHTS. 1934. 7 reels, sd. Suggested by the story "Numbers of Death" by E. Phillips Oppenheim.

Credits: Producer, Paul Malvern; director, William Nigh; screenplay, Norman Houston.

MONTE CRISTO. 1922. 10 reels, b&w, tinted sequences. From the story "The Count of Monte Cristo" by Alexandre Dumas.

Credits: Director, Emmett J. Flynn; scenario, Bernard McConville.

MONTMARTRE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels. Adapted from the play "The Flame" by Hans MÜller.

Credits: Director, Ernest Lubitsch; edited and titled by Hector Turnbull.

MONTMARTRE MADNESS. Released by Music Hall Vanities. 1939. 1 reel, sd.

Credits: Producer and director, Arthur Dreifuss; music, Nathaniel Shilkret.

MONTMARTRE ROSE. 1929. 6 reels. Adapted from the story by Adeline Hendricks.

Credits: Director, Bernard F. McEveety; adaptation, Isadore Bernstein; screenplay, Jacques Jaccard, Sylvia Bernstein.

MONTY AND THE MISSIONARY. 1915.

MONTY OF THE MOUNTED. (Lupino Lane Comedies) 1927. 2 reels.

Credits: Director, Charles Lamont.

MOOCHING THROUGH GEORGIA. 1939. 2 reels, sd.

Credits: Director, Jules White; original screenplay, Clyde Bruckman.

THE MOON. 1936. 908 ft.

THE MOON BRIDE'S WEDDING. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1 reel.

Credits: Director, Monte Brice.

MOON OF ISRAEL. Sascha. 1927. 6,680 ft. Based on the novel by Sir Henry Rider Haggard.

Credits: Director, Michael Courtice; adaptation, Ladislaus Vajda; titles, Henry Rider Haggard.

MOON OVER HARLEM. 1939. 8 reels, sd.

Credits: Director, Edgar G. Ulmer; original story and dialogue, Mathew Mathews; screenplay, Sherle Castle.

MOON OVER MANHATTAN. (A Young Romance Comedy) Presented by E. W. Hammons. 1935. 1,544 ft., sd.

Credits: Producer, Al Christie; story, music, and lyrics, Charlie Williams, Marcy Klauber.

THE MOON RIDERS. 1920. 2 reels each.

Credits: Director, Reaves Eason, Albert Russell; story, William Pigott, Karl Coolidge, Albert Russell, George Hively, Theodore Wharton; scenario, George Hively, Albert Russell, Theodore Wharton.

MOONFLOWER. SEE Eve's Secret.

MOONGOLD. 1921. 3 reels.

Credits: Produced and directed by Will Bradley.

MOONLIGHT AND CACTUS. (Ideal Comedies) 1932. 2 reels.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

MOONLIGHT AND HONEYSUCKLE. 1921. 5 reels. From the play by George Scarborough.

Credits: Director, Joseph Henabery; scenario, Barbara Kent.

MOONLIGHT AND MELODY. Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Story, William Watson, Arthur Jarrett.

MOONLIGHT AND MONKEY BUSINESS. 1930. 2 reels, sd.

Credits: Producer, Lou Brock; direction, Mark Sandrich; continuity and dialogue, Mark Sandrich and Johnnie Grey; film editor, Ted Cheesman.

MOONLIGHT AND PRETZELS. 1933. 9 reels, sd.

Credits: Director, Karl Freund; story, Monte Brice, Arthur Jarrett; screenplay, Monte Brice, Sig Herzig.

MOONLIGHT AND ROMANCE. 1931. 1 reel, sd.

Credits: Director, Victor Heerman.

MOONLIGHT FANTASY. 1933. 1 reel.

MOONLIGHT FOLLIES. 1921. 5 reels.

Credits: Producer, King Baggott; story, Percival Wilde; scenario, A. P. Younger.

MOONLIGHT MURDER. 1936. 7 reels, sd., b&w. Suggested by the original story by Albert J. Cohen and Robert T. Shannon.

Credits: Producers, Lucien Hubbard, Ned Marin; director, Edwin L. Marin; screenplay; Florence Ryerson, Edgar Allan Woolf; film editor, Ben Lewis; music score, Herbert Stothart, Edward Ward.

MOONLIGHT ON THE PRAIRIE. 1935. 7 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, William Jacobs.

MOONLIGHT SILHOUETTES. (Organlogue, no. 9) 1931. 1 reel, sd.

Credits: Announcements, Norman Brokenshire.

THE MOON'S OUR HOME. Presented by Adolph Zukor. 1936. 9 reels, sd. Adapted from the serial by Faith Baldwin.

Credits: Producer, Walter Wanger; director, William A. Seiter; screenplay, Isabel Dawn, Boyce DeGaw; additional dialogue, Dorothy Parker, Alan Campbell.

MOONSHINE. Paramount-Arbuckle. 1918. 2 reels.

Credits: Director, Fatty Arbuckle.

MOONSHINE. 1929. 2 reels.

Credits: Director, S. Jay Kaufman; story, Arthur Hopkins.

MOONSHINE BLOOD. Special Big U. 1916. 1 reel.

Credits: Director, Allan Dwan; scenario, Jeanie MacPherson.

THE MOONSHINE MAID AND THE MAN. 1914. 1 reel.

Credits: Written and directed by Charles L. Gaskill.

THE MOONSHINE MENACE. 1921. 5 reels. From the novel "Judith of the Cumberlands" by Alice MacGowan.

Credits: Director, J. P. McGowan.

MOONSHINE VALLEY. 1922. 6 reels.

Credits: Director, Herbert Brenon; story, Mary Murillo; scenario, Mary Murillo, Herbert Brenon.

THE MOONSHINER'S DAUGHTER; or, ABROAD IN OLD KENTUCKY. (A Masquers Presentation) 1933. 2 reels, sd.

Credits: Supervision, Lou Brock; director, A. Ray; story, Walter Weems; film editor, John Lockert.

MOONSHINES AND JAILBIRDS. Rainbow. 1920. 2 reels.

Credits: Director, J. A. Howe.

MOONSTONE. 1934. 7 reels, sd. From the novel by Wilkie Collins.

Credits: Producer, Paul Malvern; director, Reginald Barker; adaptation, Adele Buffington; editor, Carl Pierson.

THE MOONSTONE OF FEZ. 1914. 2 reels.

Credits: Directors, Maurice Costello, Robert Gaillard.

A MOONY MARINER. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, William Watson; story and scenario, Hal K. Wells; titles, Al Martin.

THE MOOR. Presented by David P. Howells. 1922. 7 reels. Adapted from "Othello, the Moor of Venice" by Shakespeare.

MOORE POWER IN CALIFORNIA. 1920. 2 reels.

MOORISH SPAIN. (Vagabond Adventure Series) 1934. 1 reel, sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

THE MOOSE HUNT. (Mickey Mouse, no. 13) 1931. 1 reel.

MOOSE HUNTERS. (Walt Disney Mickey Mouse) 1937. 1 reel, sd.

MOOSE ON ISLE ROYALE, A MICHIGAN GAME PRESERVE. 1926. 1 reel.

THE MORAL CODE. 1917. 5 reels.

Credits: Story and direction, Ashley Miller.

Credits: Director, Romaine Fielding; story, Stanley Dark.

Credits: Director, Travers Vale; story, Earle Mitchell; scenario, Lucien Hubbard.

Credits: C. Gardner Sullivan.

THE MORAL FABRIC. 1916. 5 reels.

MORAL FIBRE. 1921. 6 reels.

Credits: Director, Webster Campbell; story, William Harrison Goadby; scenario, William B. Courtney.

THE MORAL LAW. 1918. 5 reels.

Credits: Director, Bertram Bracken; story, E. Lloyd Sheldon; scenario, Franklin Hall.

THE MORAL RIGHT. Imp. 1916. 2 reels.

Credits: Director, Douglas Gerrard; story, Harry Mann; scenario, Fred Myton.

THE MORAL SINNER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels. From the play "Leah Kleschna" by C. M. S. McLellan.

Credits: Director, Ralph Ince; scenario, J. Clarkson Miller.

Credits: Written and directed by Ivan Abramson.

MORALS. 1921. 5 reels. Adapted from the novel "The Morals of Marcus Ordeyne" by William J. Locke.

Credits: Director, William D. Taylor; adaptation, Julia Crawford Ivers.

MORALS FOR MEN. 1925. 8 reels. Suggested by the story "The Luck Serum" by Gouverneur Morris.

Credits: Director, Bernard Hyman; adapted and supervised by A. P. Younger; film editor, James C. McKay.

MORALS FOR WOMEN. 1931. 8 reels, sd.

Credits: Producer, Phil Goldstone; director, Mort Blumenstock; story, Frances Hyland; dialogue, Gene Lewis; editor, Martin G. Cohn.

THE MORALS OF HILDA. Red Feather. 1916. 5 reels.

Credits: Director, Lloyd B. Carleton; story H. C. Warnack; scenario, A. W. Coleway.

MORALS OF MARCUS. 1935. 7 reels. From the play by W. J. Locke.

Credits: Director, Miles Mander; adaptation, Guy Bolton, Miles Mander.

THE MORALS OF MARCUS ORDEYNE. SEE Morals.

MORAN. SEE Shake It Up.

MORAN OF THE LADY LETTY. 1922. 7 reels. Adapted from the novel by Frank Norris.

Credits: Director, George Melford; adaptation, Monte M. Katterjohn.

MORAN OF THE MARINES. 1928. 5,444 ft.

Credits: Director, Frank Strayer; story, Linton Wells; adaptation, Sam Mintz, Ray Harris; continuity, Agnes Brand Leahy.

MORE CONTACTS BUILD MORE SALES. 1930. 1 reel.

MORE DEADLY THAN THE MALE. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Director, Robert G. Vignola; story, Joseph Gollomb; scenario, Julia Crawford Ivers.

THE MORE EXCELLENT WAY. 1917. 5 reels. From the novel by Cyrus Townsend Brady.

Credits: Director, P. N. Vekroff; adaptation, Garfield Thompson.

THE MORE EXCELLENT WAY. 1920. 5 reels. From the novel by Cyrus Townsend Brady.

Credits: Director, Perry N. Vekroff; scenario, Garfield Thompson.

MORE GAS. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Seymour L. Bloom, Solly Ward; dialogue staged by Max E. Hayes.

MORE KITTENS. (A Walt Disney Silly Symphony) 1936. 1 reel, sd.

MORE MONEY THAN MANNERS. 1916. 1 reel.

Credits: Director, Lawrence Semon.

MORE PAY—LESS WORK. 1926. 6 reels, b&w, light amber sequences.

Credits: Director, Albert Ray; story, Peter B. Kyne; scenario, Rex Taylor.

MORE PEP. 1936. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson and Dave Hoffman.

Credits: Narrator, Lowell Thomas.

MORE QUALITY AT LOWER PRICES AND HOW. 1928. 1 reel.

MORE SALES—MORE PROFITS IN 1937. 1936. For Ice Refrigeration Bureau. Filmstrip, sd.

MORE SINNED AGAINST THAN USUAL. 1930. 2 reels.

MORE STATELY MANSIONS. SEE Twin Beds.

MORE THAN A SECRETARY. 1936. 8 reels, sd. "From Safari in Manhattan" by Matt Taylor.

Credits: Associate producer, Everett Riskin; director, Alfred E. Green; story, Ethel Hill, Aben Kandel; screenplay, Dale Van Every, Lynn Starling; film editor, Al Clark; music director, Morris Stoloff.

MORE THAN FRIENDS. 1915. 1 reel.

MORE TO BE PITIED THAN SCORNED. 1922. 6 reels. From the play by Charles E. Blaney.

Credits: Director, Edward LeSaint.

Credits: Director, Ernest C. Warde; story, Edgar Franklin; picturized by Ouida Bergere.

MORE TRUTH THAN POETRY. 1917. 5 reels.

Credits: Mme. Petrova; director, Burton L. King; scenario, Mrs. W. C. Clifton.

Credits: Producer, John L. Hawkinson.

MORGAN'S LAST RAID. 1929. 6 reels, b&w.

Credits: Director, Nick GrindÉ; story, Madeleine Ruthven, Ross B. Wills; continuity, Bradley King; film editor, William Le Vanway.

MORGAN'S RAIDERS. 1918. 5 reels.

Credits: Written and directed by Wilfred Lucas, Bess Meredyth.

MORGANSON'S FINISH. 1926. 7 reels. From the story by Jack London.

Credits: Director, Fred Windermere.

A MORMON MAID. 1917. 5 reels. From the story by Paul West.

Credits: Charles Sarver; producer, Robert Leonard.

THE MORMON TRAIL. (E. M. Newman's See America First Series, no. 8) 1935. 1 reel, sd.

Credits: Narrative, John B. Kennedy; editor, Bert Frank.

THE MORNING AFTER. Presented by Willard. 1938. 1 reel, sd.

MORNING GLORY. 1933. 8 reels, sd.

Credits: Producer, Pandro S. Berman; director, Lowell Sherman; play, Zoe Akins; screenplay, Howard J. Green; editor, William Hamilton; music, Max Steiner.

MORNING JUDGE. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Harry D'Arcy; film editor, Les Millbrook.

MORNING, NOON, AND NIGHT. (A Betty Boop Cartoon) 1933. 1 reel.

Credits: Director, Dave Fleischer.

MORNING, NOON, AND NIGHT CLUB. 1937. 1 reel.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, George Germanetti.

MORNING, NOON, AND NIGHT IN VIENNA, OVERTURE PLAYED BY THE VITAPHONE SYMPHONY ORCHESTRA, HERMAN HELLER CONDUCTING. 1927. 1 reel, sd.

MOROCCO. 1930. 8,237 ft., sd. From the play "Amy Jolly" by Benno Vigny.

Credits: Director, Joseph von Sternberg; adaptation, Jules Furthman; film editor, Sam Winston.

MOROCCO. (World on Parade, no. 4) 1936. 1 reel.

Credits: Russell Spalding.

MOROCCO MIRAGE. (Along the Royal Road to Romance on the Magic Carpet of Movietone) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

MOROCCO NIGHTS. 1934. 2 reels, sd.

Credits: Director, Eddie Cline; screenplay, Walter Weems, Jack Townling.

Adapted from the novel "The Wandering Jew" by Eugene Sue.

THE MORRISSEY AND MILLER NIGHT CLUB REVUE. 1928. 1 reel, sd.

Credits: Director, Bryan Foy.

LA MORT DU CYGNE. SEE Ballerina.

THE MORTAL SIN. 1917. 5 reels.

Credits: Written and directed by John T. Collins.

A MORTGAGE ON HIS DAUGHTER. L-Ko. 1915. 1 reel.

MORTGAGED AGAIN. Bluebird. 1926. 1 reel.

Credits: Director, W. Scott Darling.

THE MORTGAGED WIFE. 1918. 6 reels.

Credits: Frank H. Clark; director, Allen Holubar.

MORTMAIN. 1915. 1 reel.

Credits: Director, Theodore Marston.

MORTON DOWNEY IN AMERICA'S GREATEST COMPOSERS SERIES, FEATURING DAVE DREYER AND VINCENT LOPEZ AND ORCHESTRA. 1932. 2 reels.

Credits: Director, Monte Brice; story, William Rowland and Sig Herzig.

MORTON DOWNEY [IN] AMERICA'S GREATEST COMPOSERS SERIES, FEATURING LEW BROWN AND RAY HENDERSON. 1932. 2 reels.

Credits: Director, Monte Brice; story, William Rowland, Sig Herzig.

THE MOSCOW ART ENSEMBLE OF NEW YORK OFFER A RUSSIAN WEDDING CELEBRATION. 1927. 1 reel, sd.

MOSCOW, HEART OF SOVIET RUSSIA. (A FitzPatrick M. G. M. Traveltalk) 1932. 1 reel.

Credits: Compiler, James A. FitzPatrick; photographer, Frank A. Goodliffe.

MOSCOW MOODS. 1936. Presented by Adolph Zukor. 1 reel, sd.

Credits: Director, Fred Waller; editor, Leslie Roush; music arrangements, Yasha Bunchuk.

MOSCOW NIGHTS. SEE I Stand Condemned.

THE MOSQUE IN THE DESERT. SEE The Guerillas of Algiers.

MOSQUITO. (Out of the Inkwell) 1922. 1 reel.

Credits: Director, Dave Fleischer.

THE MOST DANGEROUS GAME. Presented by Radio Pictures. 1932. 7 reels, sd. From the story by Richard Connell.

Credits: Produced and directed by Ernest B. Schoedsack, Irving Pichel; screenplay, James Ashmore Creelman.

THE MOST FOR YOUR MONEY. 1937. For the Hudson Motor Car Co. Filmstrip, sd.

A MOST IMMORAL LADY. Vitaphone. 1929. 8 reels, sd. Based on the play by Townsend Martin.

Credits: Director, John Griffith Wray.

A MOST IMMORAL LADY. Trailer. 1929. 1 reel.

THE MOST POPULAR GIRL IN THE WORLD. 1924. 1 reel.

MOST PRECIOUS THING IN LIFE. 1934. 7 reels, sd.

Credits: Director, Lambert Hillyer; story, Travis Ingham; screenplay, Ethel Hill, Dore Schary; film editor, Robert Carlisle.

THE MOTH. 1917. 6 reels. From the novel by William Dana Orcutt.

Credits: Director, Edward Jose; scenario, John B. Clymer, Harry A. Hoyt.

THE MOTH. 1934. 7 reels, sd.

Credits: Supervision, Al Alt; director, Fred Newmeyer, Jr.; original story, Joseph O'Donnell.

MOTH AND THE FLAME. (A Walt Disney Silly Symphony) 1938. 1 reel, sd.

THE MOTH AND THE SPIDER. (Paul Terry Toons) Educational. Presented by E. W. Hammons. 1935. 542 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

Credits: Director, Maurice Tourneur.

MOTHER. Released by F. B. O. 1927. 7 reels. Suggested by the novel by Kathleen Norris.

Credits: Director, J. Leo Meehan; adaptation and continuity, Dorothy Yost.

THE MOTHER. SEE The Poverty of Riches.

MOTHER AND WIFE. 1914. 1 reel.

Credits: Ben Wilson.

THE MOTHER CALL. Big U Thanksgiving Special. 1916. 1 reel.

Credits: Director, Ruth Ann Baldwin; story, Lynn Reynolds.

MOTHER CAREY'S CHICKENS. 1938. 8 reels, sd. From the novel by Kate Douglas Wiggin and the play by Kate Douglas Wiggin and Rachel Crothers.

Credits: Producer, Pandro S. Berman; director, Rowland V. Lee; screenplay, S. K. Lauren, Gertrude Purcell; editor, George Hively; music director, Frank Tours.

Credits: Written and directed by Ivan Abramson.

MOTHER GOOSE GOES HOLLYWOOD. (A Walt Disney Silly Symphony) 1938. 1 reel, sd.

MOTHER GOOSE IN A 16TH CENTURY THEATRE. 1912. 1 reel.

MOTHER GOOSE IN SWINGTIME. (A Color Rhapsody) Presented by Columbia Pictures Corp. 1939. 1 reel, sd., color.

Credits: Director, Manny Gould; animation, Ben Harrison; music, Joe De Nat.

MOTHER GOOSE LAND. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall, Seymour Kneitel.

MOTHER GOOSE MELODIES. (Silly Symphony Cartoon, no. 17) 1931. 1 reel.

THE MOTHER HEART. 1914. 2 reels.

Credits: Producer, Colin Campbell.

THE MOTHER HEART. 1921. 5 reels.

Credits: Director, Howard M. Mitchell; scenario, Frank Howard Clark.

MOTHER HEN'S HOLIDAY. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1937. 640 ft., sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

MOTHER-IN-LAW'S DAY. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; story and direction, Harry Sweet; film editor, John Link.

THE MOTHER INSTINCT. 101 Bison. 1915. 3 reels.

Credits: Producer, Wilfred Lucas; story, Mrs. Haines W. Reed; scenario, Bess Meredyth.

Credits: Producer, A. Ambrosio.

MOTHER KNOWS BEST. 1928. 9 reels, lavender. From the book by Edna Ferber.

Credits: Director, J. G. Blystone; scenario, Marion Orth.

MOTHER LODE. SEE Yellow Dust.

Credits: Producer, Maurice Elvey; scenario, Kenelm Foss.

MOTHER LOVE AND THE LAW. 1917. 7 reels.

Credits: Director, George A. Siegmann.

MOTHER MACHREE. Presented by William Fox. 1927. 7 reels, tinted sequences.

Credits: Director, John Ford; story, Rida Johnson Young; scenario, Gertrude Orr.

MOTHER O' MINE. Released by Associated Producers, Inc. 1921. 7 reels. Adapted from "The Octopus" by Charles Belmont Davis.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; adaptation, C. Gardner Sullivan.

MOTHER O'DAY. SEE The City That Never Sleeps.

Credits: Adapted and produced by George Loane Tucker.

A MOTHER OF DARTMOOR. SEE The Mother's Influence.

THE MOTHER OF HIS CHILDREN. 1920. 5 reels.

Credits: Director, E. Le Sainte; story, Barbara LaMarr Deely; scenario, Charles Wilson.

MOTHER OF MINE. 1917. 5 reels.

Credits: Written and directed by Rupert Julian; scenario, E. J. Clawson.

MOTHER OF PEARL. 1915. 1,000 ft.

THE MOTHER OF SEVEN. 1914. 1 reel.

Credits: Producer, Norval MacGregor.

MOTHER PIN A ROSE ON ME. 1929. 1 reel, sd.

Credits: Director, Dave Fleischer; story, Max Fleischer.

MOTHER PLUTO. (Walt Disney Silly Symphony) 1936. 1 reel.

MOTHERHOOD. 1915. 3 reels.

Credits: Director, Lloyd B. Carleton.

MOTHERHOOD. 1917. 5 reels. Picturization of a play by Frederic Arnold Kummer.

Credits: Producer and director, Frank Powell.

Credits: Adaptation, Lita Lawrence.

Credits: Director, Leonard Fischer; scenario, Frederic L. Wheeler.

MOTHER'S ANGEL, IN QUEST OF A MINNIE, AND MEMORIES. 1920. 2 reels.

Credits: Written and directed by Ward Lascelle.

A MOTHER'S ATONEMENT. Rex. 1915. 3 reels.

Credits: Producer, Joseph De Grasse; scenario, Ida May Parke.

MOTHER'S BABY BOY. 1914. 400 ft.

MOTHER'S BIRTHDAY. 1915. 1 reel.

Credits: Producer, Burton L. King; scenario, Marie W. Felner.

MOTHER'S BOY. 1929. 8 reels.

Credits: Producer, Robert T. Kane; director, Bradley Barker; story and dialogue, Gene Markey.

MOTHERS CRY. First National and Vitaphone. 1930. 8 reels, sd. From the novel by Helen Grace Carlisle.

Credits: Director, Hobart Henley; adaptation and additional dialogue, Lenore J. Coffee.

MOTHER'S GUIDING HAND. Special Laemmle. 1916. 1 reel.

MOTHER'S HOLIDAY. (Cameo Comedies) 1932. 1 reel.

Credits: Director, William Goodrich; story, Walter Catlett.

MOTHERS-IN-LAW. Presented by B. P. Schulberg. 1923. 90 min.

Credits: Producer and director, Louis T. Gasnier; story, Frank Dazey, Agnes Christine Johnston; adaptation, Olga Printzlau.

Credits: Adapted and produced by George Loane Tucker.

MOTHER'S LAZY BOY. 1913. 1 reel.

Credits: Mark Swan.

MOTHER'S MILLIONS. 1931. 9 reels. Based on the stage play by Howard McKent Barnes.

Credits: Director, James Flood; adaptation and screenplay, Winifred Dunn.

MOTHER'S MILLIONS. 1931. 9 reels. Based on the stage play by Howard McKent Barnes.

Credits: Director, James Flood; adaptation and screenplay, Winifred Dunn.

Credits: Produced and directed by Louis Marcanton, Rene Hervil.

Credits: Directors, Dallas M. Fitzgerald, William S. Davis.

Credits: Director, Edward JosÉ.

MOTHER'S ROSES. 1915. 3 reels.

Credits: Director, Theodore Marston.

A MOTHER'S SECRET. 1918. 5 reels.

Credits: Director, Douglas Gerrard; story, Lois Zelnor; scenario, Doris Schroeder.

A MOTHER'S SIN. 1918. 5 reels.

Credits: Director, Thomas R. Mills; story, Hilda M. Sharp; scenario, Edward J. Montagne.

A MOTHER'S WAY. 1914. 1 reel.

MOTHS. 1931. 1 reel, sd.

Credits: Narrative, Clyde Fisher.

MOTHS. SEE Her Greatest Love.

A MOTION TO ADJOURN. 1921. 6 reels. From the Saturday Evening Post story by Peter B. Kyne.

Credits: Producer, Ben Wilson; scenario, and direction, Roy Clements.

MOTIVE FOR REVENGE. 1935. 7 reels, sd.

Credits: Supervision, Larry Darmour; director, Burt Lynwood; screenplay, Stuart Anthony; editor, Dwight Caldwell; music, Lee Zahler.

MOTOR MAD. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Producer, Jack White; written and directed by Norman Taurog.

MOTOR MADNESS. 1937. 7 reels.

Credits: Director, D. Ross Lederman; screenplay, Fred Niblo, Jr., Grace Neville; film editor, Byrd Robinson.

MOTOR MANIACS. (Adventures of the Newsreel Cameraman) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr.

MOTOR MAT AND HIS FLIV. (A Sullivan Cartoon) Powers. 1916. 3/4 reel.

Credits: Drawings by Otz Messmer.

MOTOR TROUBLE. (Stern Bros. Comedy) Century. 1926. 2 reels.

Credits: Director, Percy Pembroke.

THE MOTOR BOAT DEMON. Presented by William Fox. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Jess Robbins; story, Richard Harding Davis; scenario, Henry Johnson.

MOTOR BOAT MAMAS. Presented by Mack Sennett. 1928. 2 reels.

Credits: Producer, Mack Sennett; supervision, John A. Waldron; director, Harry Edwards; story, Earle Rodney, Jefferson Moffitt.

MOTORBOATING. 1917. 1 reel.

Credits: Thomas J. Gray; director, Chester M. DeVonde.

MOTORCYCLE COSSACKS. (An Oddity) 1934. 802 ft., sd., b&w.

Credits: Director, Antonio Samaniego; explanatory remarks, Pete Smith.

A MOTOR CYCLE ELOPEMENT. 1915. 1 reel.

Credits: Director, C. Jay Williams.

MOTORCYCLE MANIA. (A Sports Champion Picture) 1933. 1 reel, sd., b&w.

Credits: Director, Jack Cummings; explanatory remarks, Pete Smith.

MOTORING. SEE Harry Tate in Motoring.

MOTORING MAMAS. (Tired Business Man Series, no. 6) Mack Sennett, Inc. 1929. 2 reels.

Credits: Supervision, John A. Waldron; director, Phil Whitman; story, Jefferson Moffitt, Phil Whitman; film editor, William Hornbeck.

MOULDERS OF MEN. Released by F. B. O. 1927. 7 reels.

Credits: Director, Ralph Ince; story, John Chapman Hilder; adaptation, J. G. Hawks; continuity, Dorothy Yost.

MOULIN ROUGE. 1929. 9 reels.

Credits: Director, E. A. Dupont.

MOULIN ROUGE. Presented by Joseph M. Schenck. 1934. 8 reels, sd.

Credits: Producer, Darryl F. Zanuck; director, Sidney Lanfield; story and screenplay, Nunnally Johnson, Henry Lehrman; film editor, Lloyd Nosier; music director, Alfred Newman.

MOUNT CARMEL. (Pilgrimage to Palestine) Presented by The Holy Land Film Company. 1929. 1 reel.

THE MOUNT MARUNGA MYSTERY. SEE The Blue Mountains Mystery.

MT. RAINIER. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1921. 1 reel.

MOUNT RAINIER. (Ford Educational Library, Regional Geography of United States) Ford Motion Picture Laboratories. 1922. 1 reel.

Credits: Produced and directed by Piero Antonio Gariazzo, Armando Vay.

MOUNT VERNON. (World on Parade, no. 8) 1937. 1 reel.

Credits: Text, Harold McCracken; narrator, Alois Havrilla.

MOUNTAIN BLOOD. Big U. 1916. 1 reel.

Credits: Fred Burns; director, George Cochrane.

MOUNTAIN BUILDING. Produced by Erpi Picture Consultants, Inc., in cooperation with the University of Chicago and the National Park Service. 1935. 1 reel, sd.

Credits: Carey Croneis.

MOUNTAIN EARS. (A Color Rhapsody) Presented by Columbia Pictures Corp. 1939. 1 reel, sd., color.

Credits: Director, Manny Gould; animation, Ben Harrison; music, Joe DeNat.

A MOUNTAIN EUROPA. SEE A Cumberland Romance.

MOUNTAIN JUSTICE. Rex. 1915. 2 reels.

Credits: Producer, Jos. De Grasse; story, Julius G. Furthmann; scenario, Ida May Park.

MOUNTAIN JUSTICE. 1930. 6 reels, sd.

Credits: Director, Harry J. Brown; story, Bennett Cohen.

MOUNTAIN JUSTICE. 1936. 10 reels.

Credits: Director, Michael Curtiz; original screenplay, Norman Reilly Raine, Luci Ward.

THE MOUNTAIN LAW. 1914. 2,000 ft.

MOUNTAIN LION. SEE The Cougar.

MOUNTAIN MADNESS. 1920. 5 reels.

Credits: Director, Lloyd Carleton; story, Anna Alice Chapin.

Credits: Director, Reaves Eason.

MOUNTAIN MELODIES. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

A MOUNTAIN MELODY. Rex. 1915. 1 reel.

Credits: Producer, Joseph De Grasse; scenario, Maude Thomas.

MOUNTAIN MELODY. (A Song Hit Story) Educational Films Corp. of America. Presented by E. W. Hammons. 1934. 920 ft., sd.

Credits: Supervision, Al Christie; director, William Watson; story, Bert Granet; editor, Sam Citron; musical supervision, Ferde GrofÉ.

MOUNTAIN MOLLY O. Mustang. 1926. 2 reels.

Credits: Director, John O'Brien; story, Joseph Lorne Kelly; continuity, William Lester.

MOUNTAIN MUSIC. 1933. 2 reels.

Credits: Producer, Warren Doane; director, W. P. Hackney; story, B. Vernon Smith; editor, Walter Waddell.

MOUNTAIN MUSIC. Presented by Adolph Zukor. 1937. 8 reels, sd.

Credits: Producer, Benjamin Glazer; director, Robert Florey; story, McKinlay Kantor; screenplay, John C. Moffitt, Duke Atteberry, Russel Crouse, Charles Lederer; editor, Eda Warren; music director, Boris Morros; music and lyrics, Sam Coslow.

MOUNTAIN RHYTHM. 1939. 6 reels, sd.

Credits: Associate producer, Harry Grey; director, B. Reeves Eason; original story, Connie Lee; screenplay, Gerald Geraghty; film editor, Lester Orlebeck; music supervision, Raoul Kraushaar.

A MOUNTAIN ROMANCE. (Terry Toons) Presented by E. W. Hammons. 1938. 591 ft., sd.

Credits: Paul Terry, Mannie Davis; music, Philip A. Scheib.

A MOUNTAIN TRAGEDY. Bison. 1916. 2 reels.

Credits: Calder Johnstone; producer, George Cochrane.

THE MOUNTAIN WOMAN. 1921. 6 reels. From the novel "A Pagan of the Hills" by Charles Neville Buck.

Credits: Director, Charles Giblyn; scenario, Ashley T. Locke.

THE MOUNTAINEERS. 1913. 1 reel.

Credits: Bannister Merwin.

MOUNTAINS OF MANHATTAN. Gotham. Presented by Sam Sax. 1927. 6 reels.

Credits: Production manager, Glenn Belt; director, James P. Hogan; story and continuity, Herbert C. Clark; film editor, Edith Wakeling.

THE MOUNTEBANK. SEE The Side Show of Life.

MOUNTED FURY. Presented by George W. Weeks. 1931. 5,876 ft.

Credits: Supervision, Roy Davidge; director, Stuart Paton; story and continuity, Betty Burbridge.

MOUNTED POLICE QUINTETTE IN THE NORTHERN PATROL. 1928. 1 reel.

THE MOUNTED STRANGER. 1930. 6 reels. From the story "The Ridin' Kid from Powder River" by Henry H. Knibbs.

Credits: Director, Arthur Rosson.

THE MOUSE EXTERMINATOR. (A Phantasy Cartoon) Presented by Columbia Pictures Corp. 1939. 589 ft., sd.

Credits: Story, Allen Rose; animation, Harry Love; music, Joe De Nat.

THE MOUSE TRAPPER. (Tom Howard Comedies) 1932. 12 min.

Credits: Director, Aubrey Scotto; story, Warren Murray; dialogue staged by Max E. Hayes.

THE MOUSE'S BRIDE. 1928. 1 reel.

Credits: Paul Terry, John Foster.

THE MOUTH OF THE DRAGON. SEE The Perfect Flapper.

THE MOUTHPIECE. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 9 reels. From the play by Frank Collins.

Credits: Directors, James Flood, Elliott Nugent; screenplay, Joseph Jackson; adaptation and dialogue, Earl Baldwin.

MOVE ALONG. (Hamilton Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

MOVE OVER. 1917. Nestor. 1 reel.

Credits: Produced and directed by Roy Clements; story, Frederick A. Palmer.

A MOVIE BUG. 1920. 1 reel.

Credits: Director, Vin Moore; story, Maynard Laswell.

MOVIE CRAZY. 1932. 10 reels.

Credits: Director, Clyde Bruckman; story, Agnes Christine Johnston, John Grey, Felix Adler; screenplay and dialogue, Vincent Lawrence.

MOVIE DAZE. (Hal Roach All Star Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, William Terhune.

MOVIE FANS. 1920. 2 reels.

Credits: Supervision and photoplay, Mack Sennett; director, Earl Kenton.

MOVIE FANS. 1923. 2 reels.

A MOVIE FANTASY. 1923. 1 reel.

A MOVIE HERO. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

THE MOVIE HOUND. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

MOVIE MAD. (A Flip the Frog Cartoon) 1931. 1 reel.

A MOVIE MAD MAID. 1924. 2 reels.

Credits: Director, Al Herman.

MOVIE MADNESS. Century. 1926. 2 reels.

Credits: Director, Francis Corby; story, Tad Ross.

THE MOVIE MAN. SEE Charles Rogers in The Movie Man.

MOVIE—MANIA. 1937. 2 reels, sd.

Credits: Director, Joseph Henabery.

MOVIE MANIACS. 1936. 2 reels, sd.

Credits: Producer, Jules White; director, Del Lord; story and screenplay, Felix Adler; film editor, William Lyon.

MOVIE MELODIES ON PARADE. 1936. Presented by Adolph Zukor. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky and Fred Rath.

MOVIE MEMORIES. The Vitaphone Corp. 1934. 1 reel, sd.

Credits: Dialogue, Jack Henley, Glen Lambert; editor, Bert Frank.

MOVIE MEMORIES. (Pepper Pot Novelty) 1935. 1 reel.

Credits: Walter Anthony; dialogue, Ralph Staub.

MOVIE MILESTONES. (Paramount Varieties) Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Commentary, Bert Enis; narrator, Norman Brokenshire.

MOVIE MILESTONES; no. 2. (Paramount Varieties) 1936. 1 reel.

Credits: Commentary, H. A. Woodmansee; narrator, Alois Havrilla.

A MOVIE MIX-UP. (Star Comedy) 1922. 1 reel.

Credits: Story, scenario, and direction, Craig Hutchinson.

A MOVIE MUSIC COURSE ON THE HAWAIIAN GUITAR. 1929. 1 reel.

A MOVIE MUSIC COURSE ON THE HAWAIIAN VIOLIN. 1929. 1 reel.

MOVIE NIGHT. (Hal Roach Comedy) 1929. 2 reels, b&w.

Credits: Director, Lew Foster; story, Leo McCarey; titles, H. M. Walker; editor, Richard Currier.

MOVIE PHONEY NEWS. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; director, Alex Lovy; story, Victor McLeod, Win Smith; animation, LaVerne Harding, George Dane.

THE MOVIE QUEEN. Nestor. 1919. 1 reel.

Credits: Story, Harry Wulze.

A MOVIE RIOT. 1919. 2 reels.

Credits: Director, C. Hutchinson.

A MOVIE ROMANCE. SEE A Girl's Folly.

MOVIE SIDESHOW. (Paramount Varieties) Presented by Adolph Zukor. 1935. 1 reel, sd.

A MOVIE STAR. 1916. 2 reels.

MOVIE STRUCK. (Star Comedy) 1921. 1 reel.

Credits: Director, Ward Hayes.

MOVIE STRUCK. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

MOVIE-TOWN. 1931. 17 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

THE MOVIE TRAIL. 1921. 2 reels.

Credits: Producer, Charles Thompson; story and scenario, George Morgan.

A MOVIE TRIP THROUGH FILM LAND. 1921. 2 reels.

MOVIELAND. (Lupino Lane Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

THE MOVIES. (Hamilton Comedies) 1925. 2 reels.

Credits: Director, William Goodrich.

MOVIES AS THEY SHOULDN'T BE. SEE Goodness Gracious.

MOVIETONE FOLLIES OF 1929. SEE William Fox Movietone Follies of 1929.

MOVIETONE FOLLIES OF 1930. 1930. 7,522 ft., sd.

Credits: Associate producer, A.L. Rockett; director, Benjamin Stoloff; story and dialogue, William K. Wells; editor, Clyde Carruth.

MOVIETONE NEWS. 1937-39. 1 reel each, unless otherwise indicated, sd. For preceding issues SEE Fox Movietone News.

Volume 19, 1936/37.

Volume 20, 1937/38.

Volume 21, 1938/39.

Volume 22, 1939/40.

MOVING. 1917. 1 reel.

Credits: Producer, Harry Jackson; story, Thomas J. Gray.

MOVING DAY. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Eddie Lyons, Lee Moran; scenario, Frederick A. Palmer.

MOVING DAY. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Albert Ray; story, Mabel Herbert Urner; adaptation, Catherine Carr.

MOVING DAY. (Walt Disney Mickey Mouse) 1936. 1 reel.

MOVING DAY. SEE Frank Hunter and Company in Moving Day.

THE MOVING FINGER. Rex. 1916. 1 reel.

Credits: Constance Crawley and Arthur Maude; director, Donald MacDonald.

MOVING MELODIES. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

MOVING MELODIES. (A Pepper Pot) 1935. 10 min., sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

THE MOVING PICTURE COWBOY. 1914. 2,000 ft.

Credits: Written and produced by Tom Mix.

MOVING VANITIES. 1939. 17 min., sd.

Credits: Producer, Bert Gilroy; director, Louis Brock; story, Berne Giler; film editor, Les Millbrook.

MUCH MYSTERY. (Mermaid Comedies) 1926. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

A MUCH NEEDED LESSON. 1915. 1 reel.

A MUCH NEEDED REST. National Film Corp. of America. Presented by Capitol Comedies. 1920. 2 reels.

Credits: Written and directed by Mark Goldaine.

MUCH OBLIGED. Black Cat. 1917. 29 min.

Credits: Director, Fred E. Wright; story, Edward T. Lowe, Jr.

MUCHLY MARRIED. Joker. 1916. 1 reel.

Credits: Producer, Allen Curtis; scenario, Aaron E. Bishop.

MUD AND MATRIMONY. 1915. Split reel.

MUD AND SAND. 1923. 3 reels.

Credits: Director, Gil Pratt.

THE MUD LARK. SEE The Purchase Price.

THE MUD TURTLE. SEE City Girl.

MUDDLED UP. Bluebird. 1925. 1 reel.

Credits: Director, Richard Smith.

A MUDDY BRIDE. 1921. 2 reels.

MUDDY WATERS. SEE Headline Shooter.

MUFF. 1914. 1 reel.

Credits: Producer, Norval MacGregor.

MUGGINS. Victor. 1916. 1 reel.

Credits: Producer, Clifford S. Elfelt; story, Harvey Gates; scenario, Fred Myton.

MULE MATES. Joker. 1917. 1 reel.

Credits: Director, William Beaudine; story and scenario by Jack Cunningham.

MULES AND MORTGAGES. 1919. 2 reels.

Credits: Direction and story, Jay A. Howe.

THE MULE'S DISPOSITION. (Unnatural History Comedy) 1926. 1 reel.

Credits: Director, Walt Lantz.

MULHALL'S GREAT CATCH. Released by F. B. O. 1926. 5 reels.

Credits: Director, Harry Garson; story, Gerald Beaumont; screen adaptation, Rex Taylor; continuity, Jefferson Moffitt.

THE MUMMY. 1923. 2 reels.

Credits: Director, Norman Taurog.

THE MUMMY. 1932. 8 reels.

Credits: Director, Karl Freund; story, Nina Wilcox Putnam, Richard Schayer; screenplay, John L. Balderston.

MUMMY LOVE. (Blue Ribbon Comedy) 1926. 2 reels.

Credits: Producer, Joe Rock.

MUMMY'S BOYS. 1936. 68 min., sd.

Credits: Producer, Lee Marcus; director, Fred Guiol; story, Jack Townley, Lew Lipton; screenplay, Jack Townley, Philip G. Epstein, Charles Roberts; editor, John Lockert; music director, Roy Webb.

MUMPS. Victor. 1915. 1 reel.

MUM'S THE WORD. Star Comedy. 1918. 1 reel.

Credits: Producers and directors, Eddie Lyons, Lee Moran; story, Leslie T. Peacocke.

MUM'S THE WORD. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine; story, Harry Wulze.

MUM'S THE WORD. 1927. 2 reels, b&w.

Credits: Director, Eugene J. Forde; story, Louis Breslow, Arthur Greenlaw.

THE MUNICIPAL BAND WAGON. 1932. 1 reel, sd.

Credits: Director, Roy Mack.

A MUNICIPAL REPORT. SEE I Will Repay.

A MUNITIONS WORKER'S CURSE. Nestor. 1917. 1 reel.

Credits: Craig Hutchinson; scenario, C. B. Hoadley.

MURDER. (U. F. A. Oddity) U. F. A. 1928. 1 reel.

Credits: Edited and titled by Edward Bowes.

MURDER. (U. F. A. Oddity) UFA. 1929. 1 reel.

Credits: Edited and titled by Edward Bowes.

MURDER. 1930. 10 reels, sd. From the story "Enter Sir John" by Clarence Dane [pseud. of Winifred Ashton] and Helen Simpson.

Credits: Director, Alfred Hitchcock; scenario, Alma Reville; film edited by Rene Harrison under the supervision of Emile de Ruelle.

MURDER AT DAWN. 1932. 6 reels, sd.

Credits: Director, Richard Thorpe; story, continuity, and dialogue, Barry Barringer.

MURDER AT GLEN ATHOL. 1935. 7 reels. From the story by Norman Lippincott.

Credits: Director, Frank R. Strayer; adaptation and screenplay, John W. Kraft.

MURDER AT MIDNIGHT. 1931. 7 reels, sd.

Credits: Producer, Phil Goldstone; director, Frank Strayer; story, W. Scott Darling, Frank Strayer; dialogue, W. S. Darling; editor, John Rawlins.

MURDER AT THE BRIDGE TABLE. (Ely Culbertson in My Bridge Experiences) 1933. 2 reels, sd.

Credits: Supervision, Lou Brock; director, Sam White.

MURDER AT THE VANITIES. 1934. 10 reels, sd. Based on the play by Earl Carroll and Rufus King.

Credits: Producer, E. Lloyd Sheldon; director, Mitchell Leisen; screenplay, Carey Wilson, Joseph Gollomb; dialogue, Sam Hellman; music, Arthur Johnston.

MURDER BY AN ARISTOCRAT. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1936. 7 reels.

Credits: Director, Frank McDonald; story, Mignon G. Eberhart; screenplay, Luci Ward, Roy Chanslor.

MURDER BY THE CLOCK. 1931. 6,684 ft., sd. From the story by Rufus King and the play by Charles Beahan.

Credits: Director, Edward Sloman; adaptation, Henry Myers.

MURDER GOES TO COLLEGE. Presented by Adolph Zukor. 1937. 8 reels, sd. Based on the novel by Kurt Steel [pseud. of Rudolph Kagey].

Credits: Director, Charles Riesner; screenplay, Brian Marlow, Robert Wyler, Eddie Welch; film editor, Edward Dmytryk.

MURDER IN A CHINESE THEATRE. SEE Mad Holiday.

MURDER IN GREENWICH VILLAGE. 1937. 7 reels, sd.

Credits: Director, Albert S. Rogell; story, Robert T. Shannon; screenplay, Michael L. Simmons; film editor, Dick Fantl; music director, Morris Stoloff.

MURDER IN SWINGTIME. 1937. 1 reel, sd.

Credits: Director, Arthur Dreifuss; story, dialogue, and dialogue direction, Edna Edson; music score, Rose Di Maggio.

MURDER IN THE CLOUDS. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 7 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Roy Chanslor, Dore Schary.

MURDER IN THE FLEET. 1935. 7 reels, sd.

Credits: Producer, Lucien Hubbard; director and original story, Edward Sedgwick; screenplay, Frank Wead, Joe Sherman; film editor, Conrad Nervig.

MURDER IN THE GILDED CAGE. SEE The Secret Witness.

MURDER IN THE PRIVATE CAR. 1934. 7 reels, sd., b&w. From the play "The Rear Car" by Edward E. Rose.

Credits: Producer, Lucien Hubbard; director, Harry Beaumont; screenplay, Ralph Spence, Edgar Allan Woolf, Al Boasberg; adaptation, Harvey Thew; film editor, William S. Gray.

MURDER IN THE SURGERY. SEE Mystery of the White Room.

MURDER IN TRINIDAD. 1934. 6,800 ft., sd. From the novel by John W. Vandercook.

Credits: Director, Louis King; screenplay, Seton I. Miller; music director, Samuel Kaylin; editor, Al DeGaetano.

MURDER IN YOUR EYES. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvas, Eddie Moran.

MURDER IS NEWS. 1939. 6 reels, sd.

Credits: Director, Leon Barsha; story, Theodore A. Tinsley; screenplay, Edgar Edwards.

THE MURDER MAN. 1935. 7 reels, sd., b&w.

Credits: Producer, Harry Raph; director, Tim Whelan; story, Tim Whelan, Guy Bolton; screenplay, Tim Whelan, John C. Higgins; film editor, James E. Newcom.

THE MURDER OF DR. HARRIGAN. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels, sd.

Credits: Director, Frank MacDonald; story, Mignon G. Eberhart; screenplay, Peter Milne, Sy Bartlett; dialogue, Charles Belden.

THE MURDER OF STEVEN KESTER. SEE Green Eyes.

MURDER ON A BRIDLE PATH. 1936. 66 min., sd. From the novel by Stuart Palmer.

Credits: Associate producer, William Sistrom; directors, Edward Killy, William Hamilton; screenplay, Dorothy Yost, Thomas Lennon, Edmund North, James Gow; editor, Jack Hively; music director, Roy Webb.

MURDER ON A HONEYMOON. 1935. 8 reels, sd. From the novel "The Puzzle of the Pepper Tree" by Stuart Palmer.

Credits: Producer, Kenneth MacGowan; director, Lloyd Corrigan; screenplay, Seton I. Miller, Robert Benchley; music director, Albert Colombo; editor, William Morgan.

MURDER ON DIAMOND ROW. Presented by Alexander Korda. Released through United Artists. 1937. 8 reels, sd. From "The Squeaker" by Edgar Wallace.

Credits: Director, William K. Howard; screenplay, Edward O. Berkman; scenario, Bryan Wallace; editors, Jack Dennis, Russell Lloyd; music score, Miklos Rozsa; music director, Muir Mathieson.

MURDER ON SUNSET BOULEVARD. SEE The Sunset Strip Case.

MURDER ON THE BLACKBOARD. 1934. 7 reels, sd. From the Mystery Magazine serial by Stuart Palmer.

Credits: Associate producer, Kenneth MacGowan; director, George Archainbaud; screenplay, Willis Goldbeck; editor, Archie F. Marshek; music director, Max Steiner.

MURDER ON THE CAMPUS. 1934. 7 reels, sd. Adapted from the novel "The Campanile Murders" by Whitman Chambers.

Credits: Director, Richard Thorpe; continuity, Andrew Moses.

THE MURDER ON THE ROOF. 1930. 6 reels. From the story by Edward Doherty.

Credits: Producer, Harry Cohn; director, George B. Seitz; adaptation and dialogue, F. Hugh Herbert.

MURDER WILL OUT. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

MURDER WILL OUT. First National and Vitaphone. 1930. 7 reels, sd. Adapted from the story "The Purple Hieroglyph" by Murray Leinster [pseud. of William Fitzgerald Jenkins].

Credits: Director, Clarence Badger; adaptation, J. Grubb Alexander.

MURDER WILL OUT. Trailer. 1930. 1 reel, sd.

MURDER WITH PICTURES. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Producer, A. M. Botsford; director, Charles Barton; story, George Harmon Coxe; screenplay, John C. Moffitt, Sidney Salkow.

MURDER WITH RESERVATIONS. (Broadway Brevity) 1938. 20 min., sd.

Credits: Director, Roy Mack; story, Cyrus Wood, Jack Henley.

MURDERED BY MISTAKE. 1916. 2 reels.

Credits: Supervision, J. G. Blystone; director, Craig Hutchinson.

Credits: Adaptation, Sol. A. Rosenberg.

MURDERS IN THE RUE MORGUE. 1932. 6 reels. Based on the story by Edgar Allan Poe.

Credits: Director, Robert Florey.

MURDERS IN THE ZOO. 1933. 7 reels, sd.

Credits: Philip Wylie, Seton I. Miller; director, Edward Sutherland.

MURPHY AND THE MERMAIDS. 1914. 1 reel.

MUSCLE MARVELS. (A Grantland Rice Sportlight) Presented by AmÉdÉe J. Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

MUSCLES. (Eastman Classroom Films. Health Series. Physiology) Made in Cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology. 1931. 981 ft.

MUSCLES AND MERRIMENT. 1915. 1/2 reel.

THE MUSEUM. 1930. 1 reel.

MUSH AGAIN. (Sunny Jim Talkie) 1929. 2 reels, sd.

Credits: Director, Harold Beaudine.

MUSH AND MILK. (A Hal Roach Our Gang Comedy) 1933. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; editor, Louis McManus.

MUSHROOMS. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story, Dolph Singer, Jack Henley.

MUSIC AND FLOWERS. Mentone. 1938. 2 reels, sd.

Credits: Supervision, Harold Godsoe; director, Milton Schwarzwald; dialogue, Sands & Wilson; orchestrations, Jack Schaindlin.

MUSIC & MODELS. Mentone. 1938. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

THE MUSIC BOX. (A Hal Roach Subject) Presented by Hal Roach. 1932. 3 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

MUSIC BY MORGAN. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky.

MUSIC FIENDS. Presented by William Fox. 1929. 3 reels.

Credits: Director, Harry Sweet; story and scenario by Clark & McCullough; film editor, Albert C. Dripps.

MUSIC FOR MADAME. 1937. 8 reels, sd.

Credits: Producer, Jesse L. Lasky; director, John Blystone; original story, Robert Harari; screenplay, Gertrude Purcell, Robert Harari; music director, Nathaniel Shilkret.

MUSIC FROM THE STARS. Educational Films Corp. of America. Treasure Chest. Presented by E. W. Hammons. 1938. 1 reel, sd.

Credits: Producer, B. E. Norrish; director, Gordon Sparling.

MUSIC-GLORIFIED, CLASSIFIED, AND MORTIFIED. SEE Coscia and Verdi in Music-Glorified, Classified, and Mortified.

THE MUSIC GOES 'ROUND. 1936. 9 reels, sd.

Credits: Director, Victor Schertzinger; story, Sidney Buchman; screenplay, Jo Swerling; film editor, Gene Milford; music director, Howard Jackson.

MUSIC HATH CHARMS. Metro-Drew. 1917. 1 reel.

Credits: Ruth Lloyd Kinney; written and produced by Mr. and Mrs. Drew.

MUSIC HATH CHARMS. (Oswald Rabbit) 1936. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod.

MUSIC HATH CHARMS. SEE Ann Codee and Frank Orth in Music Hath Charms.

MUSIC HATH CHARMS—NOT. 1914. 1 reel.

Credits: Producer, Harry Jackson.

MUSIC HATH HARMS. (A Paramount-Christie Talking Play) 1929. 2 reels.

Credits: Director, Walter Graham; story, Octavus Roy Cohen; screen adaptation, Alfred A. Cohn.

MUSIC IN FLATS. 1915. 1 reel.

Credits: Howard Lester; director, Charles Ranson.

MUSIC IN THE AIR. 1934. 7,474 ft., sd.

Credits: Director, Joe May; screenplay, Howard I. Young, Billie Wilder; continuity, Robert Liebmann; music director, Louis de Francesco.

MUSIC IN YOUR HAIR. (Hal Roach Musical Comedy) 1934. 2 reels, sd.

Credits: Director, Charles Parrott; film editor, Louis McManus.

MUSIC IS MAGIC. Presented by Fox Film. 1935. 6,000 ft., sd. Based on play by Gladys Unger and Jesse Lasky, Jr.

Credits: Director, George Marshall; screenplay, Edward Eliscu, Lou Breslow; music director, Samuel Kaylin.

MUSIC LAND. (Walt Disney Silly Symphony) 1935. 1 reel.

THE MUSIC LESSON. (A Flip the Frog Cartoon) 1932. 1 reel, sd.

MUSIC MADE SIMPLE. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Roy Rowland.

THE MUSIC MAKERS. SEE Willie and Eugene Howard in The Music Makers.

THE MUSIC MASTER. Presented by William Fox. 1927. 8 reels. From the David Belasco play written for the stage by Charles Klein.

Credits: Director, Allan Dwan; adaptation, Philip Klein.

MUSIC, MUSIC EVERYWHERE. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; script, Milton Hocky, Fred Rath; music, Clyde Lucas.

MUSIC OVER BROADWAY. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath; music, George Hall.

THE MUSIC RACKET. SEE Lee Morse in The Music Racket.

THE MUSIC SHOP. SEE Dick Henderson in The Music Shop.

MUSIC THROUGH THE YEARS. 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

MUSIC TO MY EARS. 1932. 1 reel, sd.

Credits: Director, Roy Mack.

MUSIC WILL TELL. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Jean W. Yarbrough, Richard English; film editor, Les Millbrook.

MUSIC WITH A SMILE IN THE HAPPY FELTON STYLE. (Melody Master) 1938. 10 min., sd.

Credits: Director, Lloyd French.

MUSICAL AIRWAYS. Mentone. 1936. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

THE MUSICAL BARBER. 1916. 1 reel.

Credits: Producer, Edmond Stratton.

MUSICAL CHARMERS. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

MUSICAL COCKTAIL. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, George M. Arthur.

THE MUSICAL DOCTOR. 1932. 1 reel, sd.

Credits: Director, Ray Cozine; story and music, Samuel Timberg, Samuel Lerner.

MUSICAL FARMER. (Mickey Mouse, no. 27) 1932. 1 reel.

MUSICAL FASHIONS. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; script, Milton Hocky, Fred Rath; music, Ina Ray Hutton.

A MUSICAL JOURNEY TO SOUTH AMERICA. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

MUSICAL JUSTICE. 1931. 1 reel, sd.

Credits: Director, Aubrey Scott; story and music, Samuel Lerner, Samuel Timberg.

MUSICAL MADNESS. Joker. 1916. 1 reel.

Credits: Harry Wulze; director, William Beaudine.

MUSICAL MEMORIES. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

MUSICAL MOMENTS. SEE The Four Synco-Pets in Musical Moments.

MUSICAL MOODS. SEE Horace Heidt and His Californians in Musical Moods.

MUSICAL MOUNTAINEERS. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Harold Walker.

A MUSICAL OPERATION. 1937. 2 reels, sd.

Credits: Director, Roy Mack.

THE MUSICALE. SEE Al Trahan in The Musicale.

A MUSICALE MELANGE. SEE The Kjerulf's Mayfair Quintette in A Musicale Melange.

MUSS 'EM UP. 1936. 8 reels, sd. From the novel by James Edward Grant.

Credits: Producer, Pandro S. Berman; director, Charles Vidor; screenplay, Erwin Gelsey; editor, Jack Hively; music director, Roy Webb.

MUSSOLINI SPEAKS. 1933. 7 reels.

Credits: Described and interpreted by Lowell Thomas; edited and compiled by Jack Cohn.

MUSTACHES AND BOMBS. 1915. 1 reel.

MUSTANG PETE'S PRESSING ENGAGEMENT. 1915. 1 reel.

MUTINY. Imp. 1916. 1 reel.

Credits: Ben Cohn; producer, Jay Hunt.

MUTINY. 1917. 5 reels.

Credits: Written and directed by Lynn F. Reynolds.

THE MUTINY. C. E. Shurtleff, Inc. 1920. 6 reels. From the story "The Mutiny of the Elsinore" by Jack London.

Credits: Director, Edward Sloman; adaptation, Albert Shelby Le Vino.

MUTINY AHEAD. 1935. 7 reels, sd.

Credits: Producer, Larry Darmour; director, Tommy Atkins; original story, Stuart Anthony.

MUTINY AIN'T NICE. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

MUTINY IN THE BIG HOUSE. 1939. 9 reels, sd.

Credits: Associate producer, Grant Withers; director, William Nigh; original story, Martin Mooney; screenplay, Robert D. Andrews; film editor, Russell Schoengarth.

MUTINY IN THE JUNGLE. 1915. 1 reel.

Credits: Producer, Frank Beal.

THE MUTINY OF THE ELSINORE. SEE The Mutiny.

MUTINY ON THE BLACKHAWK. 1939. 8 reels, sd.

Credits: Associate producer, Ben Pivar; director, Christy Cabanne; original story, Ben Pivar; screenplay, Michael L. Simmons; film editor, Maurice Wright.

MUTINY ON THE BODY! 1939. 2 reels, sd.

Credits: Director, Charley Chase; original screenplay, Elwood Ullman, Searle Cramer.

MUTINY ON THE BOUNTY. 1935. 13 reels, sd., b&w. From the novel by Charles Nordhoff and James Norman Hall.

Credits: Producer and director, Frank Lloyd; screenplay, Talbot Jennings, Jules Furthman, Carey Wilson; film editor, Margaret Booth; musical score, Herbert Stothart.

MUTTS. Presented by Century Comedies. 1922. 2 reels.

Credits: Director, Fred Hibbard.

MUTTS AND MOTORS. 1918. 1 reel.

Credits: Scenario and direction, Lawrence Semon.

MUTTS TO YOU. 1938. 2 reels, sd.

Credits: Director, Charley Chase; story and screenplay, Elwood Ullman, Al Giebler.

THE MUTUAL MAN. 1933. 2 reels.

Credits: Directors, Hal Skelly, Barney Rogan; story, W. Carey Duncan, Hal Skelly.

A MUTUAL UNDERSTANDING. 1913. 1 reel.

Credits: J. H. Landau.

MY AMERICAN WIFE. Presented by Jesse L. Lasky. 1923. 6 reels. Based on the story by Hector Turnbull.

Credits: Monte M. Katterjohn; producer and director, Sam Wood.

MY AMERICAN WIFE. Presented by Adolph Zukor. 1936. 8 reels, sd. Based on the story "The Old Timer" by Elmer Davis.

Credits: Producer, Albert Lewis; director, Harold Young; screenplay, Virginia Van Upp.

MY ARTISTICAL TEMPERATURE. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Abner Matthews.

MY BABY DOLL. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

MY BABY JUST CARES FOR ME. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

MY BAG O' TRIX. SEE Trixie Friganza in My Bag o' Trix.

MY BAREFOOT BOY. (Post Nature Pictures) 1921. 1 reel.

MY BEST GIRL. 1915. 5 reels. From the play by Channing Pollock and Rennold Wolf.

MY BEST GIRL. 1927. 9 reels. From the story by Kathleen Norris.

Credits: Director, Sam Taylor; screenplay, Allen McNeil, Tim Whelan; adaptation, Hope Loring.

MY BILL. First National. 1938. 7 reels. From the play "Courage" by Tom Barry.

Credits: Director, John Farrow; screenplay, Vincent Sherman, Robertson White.

MY BOY. First National. 1921. 5 reels.

Credits: Directors, Victor Heerman, Albert Austin; editor, Irene Morra.

MY CHILD. SEE Mon P'tit.

MY COUNTRY 'TIS OF THEE. 1916. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

MY COUSIN. Artcraft. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Director, Edward JosÉ; story and scenario, Margaret Turnbull.

MY DAD. 1922. 6 reels.

Credits: Director, Cliff Smith; story, Walter Richard Hall; scenario, E. Richard Schayer.

MY DEAR MISS ALDRICH. 1937. 8 reels, sd., b&w.

Credits: Director, George B. Seitz; original story and screenplay, Herman J. Mankiewicz; film editor, William S. Gray; music score, David Snell.

MY DOG PAL. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

MY ERROR! (Mirthquake, no. 28) 1924. 2 reels.

Credits: Director, Eugene De Rue.

MY FOUR YEARS IN GERMANY. 1918. 9 reels. Based on the book by James W. Gerard.

Credits: Director, William Nigh; adaptation, Charles A. Logue.

MY FRIEND FROM INDIA. 1914. 3 reels.

MY FRIEND FROM INDIA. De Mille Pictures Corp. 1927. 6 reels. From the play by H. A. de Souchet.

Credits: Supervision, F. McGrew Willis; director, E. Mason Hopper; adaptation and continuity, Rex Taylor; film editor, James Morley.

MY FRIEND, THE DEVIL. 1922. 8 reels.

Credits: Director, Harry Millarde; story, George Ohnet; scenario, Paul H. Sloane.

MY FRIEND THE MONKEY. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Frank Endres.

MY GAL SAL. (Screen Song Series) 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Max Fleischer.

MY GIRL SALLY. (A Van Ronkel Comedy) 1935. 2 reels, sd.

Credits: Director, Alf Goulding; story, Raymond Cannon, Al Rondell.

MY GOODNESS. 1920. 2 reels.

Credits: Supervision and photoplay, Mack Sennett; director, Noel Smith.

MY GRANDFATHER'S CLOCK. (A Colortone Musical Comedy) 1934. 2 reels, sd., color.

Credits: Direction, screenplay, and lyrical continuity, Felix E. Feist; original story, Richard Goldstone.

MY GREEN FEDORA. (Merrie Melodie, no. 7) Released by Vitaphone. 1935. 1 reel, sd., b&w.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Robert Clampett, Charles Jones; music, Bernard Brown.

MY HAREM. (Ideal Talking Comedies) 1930. 20 min., sd.

Credits: Director, Stephen Roberts.

MY HEART IS CALLING. Gaumont British Picture Corp., Ltd., London. Released by Gaumont-British Distributors, Ltd. 1934. 7 reels. Adapted from a Cine-Alliance production.

Credits: Associate producer, Ivor Montagu; director, Carmine Gallone; original story, Ernst Marischka; scenario, Richard Benson; adaptation and dialogue, Sidney Gilliat; editor, Herbert Kemplen; musical director, Louis Levy.

MY HERO. 1922. 2 reels.

Credits: Directors, Eddie Lyons, Eugene De Rue; scenario, Bob McGowan.

MY HERO. 1922. 2 reels.

Credits: Director, Jack Blystone.

MY HERO. 1930. 1 reel.

MY HUSBAND. SEE The Story of Vernon and Irene Castle.

Credits: Director, J. Stuart Blackton.

MY HUSBAND'S WIFE. 1918. For Fox Film Corp. 2 reels.

Credits: Story, scenario, and direction, Harry Lehrman.

MY HUSBAND'S WIVES. 1924. 5 reels, b&w, tinted sequences.

Credits: Director, Maurice Elvey; story, Barbara La Marr; scenario, Dorothy Yost.

MY KID. (Juvenile Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

MY KINGDOM FOR A HEARSE. (Karnival Komedies, no. 7) 1928. 2 reels.

Credits: Producer, Larry Darmour; director, Albert Herman; story, E. V. Durling, W. H. Woodmansee.

MY LADY FRIENDS. 1921. 6 reels. From the stage play by Emile Nyitray and Frank Mandel.

Credits: Director, Lloyd Ingraham; adaptation, Rex Taylor.

MY LADY OF WHIMS. 1925. 7 reels. From the story "Protecting Prue" by Edgar Franklin [pseud. of Edgar Franklin Stearns].

Credits: Director, Dallas M. Fitzgerald; scenario, Doris Schroeder.

MY LADY'S ANKLE. (Star Comedy) 1920. 1 reel.

Credits: Director, Robert Anderson; story, Bernard McConville; scenario, Doris Schroeder.

MY LADY'S DRESS. SEE Blind Wives.

MY LADY'S GARDEN. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1934. 562 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

MY LADY'S GARTER. Paramount-Artcraft. 1920. 5 reels. From the novel by Jacques Futrelle.

Credits: Director, Maurice Tourneur; scenario, Lloyd Lonergan.

MY LADY'S LATCHKEY. First National. 1921. 5 reels. From the novel "The Second Latchkey" by C. N. and A. M. Williamson.

Credits: Director, Edwin Carewe; scenario, Finis Fox.

MY LADY'S MILLIONS. Laemmle. 1916. 2 reels.

Credits: John C. Brownell; producer, Hobart Henley.

MY LADY'S PAST. 1929. 9 reels, si. & sd.

Credits: Director, Albert Ray; story and continuity, Frances Hyland; dialogue, Frederic and Fanny Hatton; music score, Hugo Riesenfeld.

MY LADY'S SLIPPER. 1916. 5 reels.

Credits: Director, Ralph Ince.

MY LIPS BETRAY. 1933. 7,177 ft., sd. From the play "Der Komet" by Attila Orbok.

Credits: Director, John Blystone; screenplay, Hans Kraly, Jane Storm; dialogue, S. N. Behrman; editor, Alex Troffey.

MY LITTLE BOY. 1917. 5 reels.

Credits: Director, Elsie Jane Wilson; story, Rupert Julian; scenario, Elliott J. Clawson.

MY LITTLE BROTHER. 1924. 1 reel.

Credits: Director, William Watson.

MY LITTLE BUCKAROO. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; story, Ted Pierce; animation, Bob McKimson; music score, Carl W. Stalling.

MY LITTLE FELLER. 1937. 2 reels, sd.

Credits: Director, Charles Lamont; screenplay, Ewart Adamson.

MY LITTLE SISTER. 1919. 5 reels.

Credits: Scenario and direction, K. Buel; story, Elizabeth Robins.

MY LORD OF THE DOUBLE B. SEE The Lady From Hell.

MY LOST ONE. 1915. 3 reels.

Credits: Director, Harry Handsworth.

MY LUCKY STAR. 1938. 7,574 ft., sd.

Credits: Associate producer, Harry Joe Brown; director, Roy Del Ruth; story, Karl Tunberg, Don Ettlinger; screenplay, Harry Tugend, Jack Yellen; film editor, Allen McNeil; music director, Louis Silvers.

MY MADONNA. 1915. 5 reels. From "The Spell of the Yukon, and Other Verses" by Robert W. Service.

MY MAN. 1924. 7 reels. Adapted from the story "A Tale of Red Roses" by George Randolph Chester.

Credits: Director, David Smith; scenario, Donald Buchanan.

MY MAN. 1928. 12 reels.

Credits: Director, Archie L. Mayo; story, Mark Canfield; adaptation, Robert Lord.

MY MAN GODFREY. 1936. 10 reels, sd. Based on the novel by Eric Hatch.

Credits: Producer and director, Gregory La Cava; screenplay, Eric Hatch, Morrie Ryskind; film editor, Ted Kent.

MY MARRIAGE. 1936. 6,213 ft., sd.

Credits: Director, George Archainbaud; original screenplay, Frances Hyland; music director, Samuel Kaylin.

MY MEMORIES OF VERNON CASTLE. SEE The Story of Vernon and Irene Castle.

MY MISTAKE. 1922. 2 reels.

Credits: Directors, Eddie Lyons, Eugene DeRue; scenario, Bob McGowan.

MY MISTAKE. (The Excuse Maker Series) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Sam Newfield; story, William Anthony.

MY MUMMY'S ARMS. 1934. 2 reels, sd.

Credits: Director, Ralph Straub; story, Jack Henley, Justin Herman.

MY NEIGHBOR'S WIFE. 1926. 6 reels.

Credits: Director, Clarence Geldert; story, James Oliver Curwood.

MY OFFICIAL WIFE. 1914. 5 reels.

Credits: Director, James Young; picturized by Marguerite Bertsch.

MY OFFICIAL WIFE. 1926. 8 reels. From the play by A. C. Gunter.

Credits: Director, Paul L. Stein; adaptation, Graham C. Baker.

MY OLD DUTCH. Broadway Universal. 1915. 5 reels.

Credits: Arthur Shirley, Albert Chevalier; producer, Larry Trimble.

MY OLD DUTCH. Universal Jewel. 1926. 8 reels. From the play by Arthur Shirley and Albert Chevalier.

Credits: Director, Laurence Trimble.

MY OLD KENTUCKY HOME. Released by American Releasing Corp. 1922. 7 reels.

Credits: Producer and director, Ray C. Smallwood; original story, Anthony Paul Kelly.

MY OLD KENTUCKY HOME. Released through Monogram Pictures Corp. 1938. 8 reels, sd.

Credits: Producer, E. B. Derr; director, Lambert Hillyer; original story and screenplay, John T. Neville; film editor, Finn Ulback; music director, Abe Meyer.

MY OWN PAL. 1926. 6 reels, tinted.

Credits: Director, J. G. Blystone; story, Gerald Beaumont; scenario, Lillie Hayward.

MY OWN UNITED STATES. Frohman Amusement Corp. Presented by William L. Sherrill, Screen Classics, Inc. 1918. 8 reels.

Credits: Director, John W. Noble; story, Anthony Paul Kelly.

MY PAL. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

MY PAL. 1925. 5 reels.

Credits: Director, Ward Hayes; story, Robert Walker, Ward Hayes.

MY PAL PAUL. (Walter Lantz Cartoon) 1930. 1 reel, sd.

MY PAL THE KING. 1932. 6 reels.

Credits: Director, Kurt Neumann; story, Richard Schayer; screenplay, Jack Natteford, Tom J. Crizer.

MY PAL THE PRINCE. (Greatest Composer Series) 1933. 2 reels, sd.

Credits: Director, Monte Price; story, Sig Herzig.

MY PAST. Warner Bros. & Vitaphone. 1931. 8 reels. Based on the novel "Ex-mistress" by Dora Macy [pseud. of Grace (Perkins) Oursler].

Credits: Director, Roy Del Ruth; screen adaptation and dialogue, Charles Kenyon.

MY PEOPLE. SEE Willie and Eugene Howard in My People.

MY PONY BOY. 1929. 1 reel.

Credits: Director, Dave Fleischer.

MY POP. 1938. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

MY SALOMY LIONS. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

MY SECOND WIFE. SEE The Lady Escapes.

MY SIN. 1931. 8 reels, sd. Based on a play by Fred Jackson.

Credits: Direction and adaptation, George Abbott; screenplay, Owen Davis, Adelaide Heilbron.

MY SON. Presented by Edwin Carewe. 1925. 7 reels. An adaptation of the play by Martha Stanley.

Credits: Adaptation, Finis Fox.

MY SON IS A CRIMINAL. 1939. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; original screenplay, Arthur T. Horman; film editor, Gene Havlick.

MY SONG FOR YOU. 1934. 7 reels, sd.

Credits: Associate producer, Jerome Jackson; director, Maurice Elvey; scenario, Richard Benson; dialogue, Austin Melford; editor, Charles Freud; music director, Louis Levy.

MY STARS. (Tuxedo Comedies) 1926. 2 reels.

Credits: Written and directed by William Goodrich.

MY SWEDIE. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, Harry Beaudine; story, Sig Hersig.

MY TIME IS YOUR TIME. 1936. 1 reel.

MY TOMBOY GIRL. Victor. 1915. 2 reels.

Credits: Written and produced by Harry C. Myers.

MY UNMARRIED WIFE. 1917. 5 reels. Adapted from the book "Molly and I" by Frank R. Adams.

Credits: Director, George A. Siegmann; adaptation, Doris Schroeder.

Credits: Producer, Mack Sennett.

MY VALET. 1916. 3 reels.

MY WEAKNESS. 1933. 6,737 ft., sd.

Credits: Direction and continuity, David Butler; story and dialogue, B. G. De Sylva; editor, Irene Morra.

MY WEST. 1931. 1 reel.

Credits: Director, Robert C. Bruce.

MY WIFE. (Columbia-Victor Gems) 1929. 1 reel, sd.

Credits: Director, Basil Smith.

MY WIFE AND I. 1925. 7 reels. From the story by Harriet Beecher Stowe.

Credits: Director, Millard Webb; adaptation, Millard Webb, Julien Josephson.

MY WIFE, THE ADVENTURESS. SEE Meine Frau die Hochstaplerin.

MY WIFE'S GONE TO THE COUNTRY. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

MY WIFE'S JEWELRY. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Eddie Cantor; dialogue staged by Edward D. Dowling.

MY WIFE'S RELATIONS. Presented by Joseph M. Schenck. 1922. 2 reels.

Credits: Written and directed by Buster Keaton and Eddie Cline.

MY WIFE'S RELATIVES. 1939. 7 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Gus Meins; original story, Dorrell and Stuart McGowan; screenplay, Jack Townley; film editor, Ernest Nims; music director, Cy Feuer.

MY WILD IRISH ROSE. 1922. 7 reels. From the play "The Shaughraun" by Dion Boucicault.

Credits: Director, David Smith; adaptation, C. Graham Baker, Harry Dittmar.

MY WOMAN. 1933. 8 reels, sd.

Credits: Director, Victor Schertzinger; story and screenplay, Brian Marlow; music, Victor Schertzinger.

MYRA MEETS HIS FAMILY. SEE The Husband Hunter.

MYRT AND MARGE. 1933. 7 reels, sd.

Credits: Director, Al Boasberg; screenplay, Beatrice Banyard.

MYRTLE, THE MANICURIST. 1916. 3 reels.

Credits: Director, Harry Davenport.

LES MYSTÈRES DE PARIS. SEE The Mysteries of Paris.

MYSTERIES OF MAH JONG. 1924. 2 reels.

THE MYSTERIES OF MYRA. Wharton, Inc. 1916. 2 reels each, except no. 1 which is 3 reels. © International Film Service, Inc.

Credits: Story, Hereward Carrington, Charles W. Goddard.

THE MYSTERIES OF PARIS. SEE The Secrets of Paris.

THE MYSTERIOUS AVENGER. 1936. 6 reels, sd.

Credits: Director, David Selman; story, Peter B. Kyne; screenplay, Ford Beebe; film editor, Richard Cahoon.

THE MYSTERIOUS BEAUTY. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

THE MYSTERIOUS BLACK BOX. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

MYSTERIOUS CEYLON. SEE E. M. Newman's Mysterious Ceylon.

THE MYSTERIOUS CITY. (Dorsey Educational) Powers. 1917. 1/2 reel.

Credits: Director, Fred Wright; story, Charles Davey; scenario, Roy Somerville.

MYSTERIOUS CONTRAGRAV. Gold Seal. 1915. 2 reels.

Credits: Written and produced by Henry McRae.

MYSTERIOUS CROSSING. 1936. 6 reels, sd.

Credits: Associate producer, Val Paul; director, Arthur Lubin; story, Fred MacIsaacs; screenplay, Jefferson Parker, John Grey; film editor, Bernard W. Burton; music director, Charles Previn.

THE MYSTERIOUS DANCER. SEE Folly of Ambition.

THE MYSTERIOUS DR. FU MANCHU. 1929. 8 reels, si., 7,663 ft., sd.

Credits: George Marion, Jr.; director, Rowland V. Lee; story, Sax Rohmer [pseud. of Arthur Sarsfield Ward]; screenplay, Florence Ryerson, Lloyd Corrigan; film editor, George Nicholls, Jr.

THE MYSTERIOUS IRON RING. Gold Seal. 1917. 3 reels.

Credits: Director, Jack Wells; story, Jeanette Benedict.

THE MYSTERIOUS ISLAND. 1929. 10 reels, sd., color. From the book by Jules Verne.

Credits: Direction and screenplay, Lucien Hubbard; film editor, Carl L. Pierson; music, Martin Broones, Arthur Lange.

THE MYSTERIOUS JUG. (An Oswald Cartoon) 1937. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele.

THE MYSTERIOUS KISS. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, Eddie Moran, Cyrus Wood, A. Dorian Otvos.

THE MYSTERIOUS LADY. 1928. 9 reels, b&w. Based on the novel "War in the Dark" by Ludwig Wolff.

Credits: Director, Fred Niblo; continuity, Bess Meredyth; film editor, Margaret Booth.

THE MYSTERIOUS LADY BAFFLES AND DETECTIVE DUCK. SEE Lady Baffles and Detective Duck.

THE MYSTERIOUS LODGER. 1914.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE MYSTERIOUS MISS TERRY. Paramount Pictures Corp. Presented by Adolph Zukor. 1917. 5 reels.

Credits: Director, J. Searle Dawley; story, Gelett Burgess.

THE MYSTERIOUS MISS X. 1939. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Gus Meins; original story, George W. Yates; screenplay, Olive Cooper; film editor, Lester Orlebeck; music director, Cy Feuer.

MYSTERIOUS MR. DAVEY. 1914. 1 reel.

Credits: Director, William Drew.

MYSTERIOUS MR. MOTO. 1938. 5,672 ft., sd. Based on the character "Mr. Moto" created by John P. Marquand.

Credits: Director, Norman Foster; original screenplay, Philip McDonald, Norman Foster; music director, Samuel Kaylin.

THE MYSTERIOUS MR. TILLER. 1917. 5 reels.

Credits: Elliott J. Clawson; director, Rupert Julian.

THE MYSTERIOUS MR. WONG. 1935. 7 reels, sd. Suggested by the story "The Twelve Coins of Confucius" by Harry Stephen Keeler.

Credits: Supervision, George Yohalem; director, William Nigh; screenplay, Nina Howatt; adaptation. Lew Levinson; editor, Jack Ogilvie.

THE MYSTERIOUS MRS. M. 1917. 5 reels. From the story by Thomas Edgelow in Love Stories Magazine.

Credits: Director, Lois Weber.

MYSTERIOUS MOSE. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Ted Sears.

THE MYSTERIOUS MYSTERY. 1932. 2 reels, sd.

Credits: Director, Eddie Cline; story, H.O. Kusell.

A MYSTERIOUS NIGHT. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Zion Myers.

THE MYSTERIOUS OUTLAW. Big U. 1917. 1 reel.

Credits: Direction and story, Fred A. Kelsey; scenario, Karl R. Coolidge.

THE MYSTERIOUS PACKAGE. 1914. 1 reel.

Credits: Ethel Browning; director, Charles M. Seay.

THE MYSTERIOUS PILOT. 1937-38. 2 reels each, except no. 1 which is 3 reels, sd. From the novel "The Silver Hawk" by William Byron Mowery. © Columbia Pictures Corp. of California, Ltd.

Credits: Director, Spencer Gordon Bennet; continuity, George Rosener, George M. Merrick.

THE MYSTERIOUS RIDER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels. From the story by Zane Grey.

Credits: Director, John Waters; continuity, Fred Myton, Paul Gangelin.

THE MYSTERIOUS RIDER. 1933. 6 reels. From the story by Zane Grey.

Credits: Director, Fred Allen; screenplay, Harvey Gates, Robert N. Lee.

THE MYSTERIOUS RIDER. Presented by Adolph Zukor. 1938. 8 reels, sd. From the novel by Zane Grey.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay, Maurice Geraghty.

THE MYSTERIOUS STRANGER. 1920. 2 reels.

Credits: Written and directed by Jess Robbins.

THE MYSTERIOUS STRANGER. 1925. 2 reels.

Credits: Director, Roy Del Ruth.

THE MYSTERIOUS WITNESS. 1923. 4,850 ft. From the story "The Stepsons of Light" by Eugene Manlove Rhodes.

Credits: Director, Seymour Zeliff.

THE MYSTERY BOX. 1922. 1 reel.

Credits: Written and directed by J. A. Norling.

Credits: Written and directed by Alvin J. Neitz.

THE MYSTERY CLUB. Universal Jewel. 1926. From the novel by Arthur Somers Roche.

Credits: Director, Herbert Blache.

THE MYSTERY GIRL. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels. From the story "Green Fancy" by George Barr McCutcheon.

Credits: Director, William C. De Mille; adaptation, Marion Fairfax.

MYSTERY HOUSE. 1937. 6 reels. From a novel by Mignon G. Eberhart.

Credits: Director, Noel Smith; screenplay, Sherman L. Lowe, Robertson White.

THE MYSTERY IN THE NORTH CASE. 1917. 2 reels.

Credits: Victoria Norton; director, Brinsley Shaw; adaptation, Halmar Walton Bergman.

MYSTERY LINER. 1934. 7 reels, sd. From the story "The Ghost of John Holling" by Edgar Wallace.

Credits: Supervision, Paul Malvern; director, William Nigh; screenplay, Wellyn Totman.

THE MYSTERY MAN. 1935. 67 min., sd.

Credits: Director, Raymond McCarey; original story, Tate Finn; screenplay, John Krafft, Rollo Lloyd; adaptation, William A. Johnston; editor, Carl Pierson.

THE MYSTERY MANSION. 1928. 2 reels, b&w, blue sequences.

Credits: Written and directed by Harry Delf.

Credits: Directors, F. W. Sittenham, W. S. Davis; story and scenario, Arthur B. Reeve, John W. Grey.

Prologue, The Road to Yesterday.

1. The Hypnotic Clue.

2. The Fires of Fury.

3. The War of Wills.

4. The Fumes of Fear.

5. Thought Waves.

6. A Halo of Help.

7. The Nether World.

8. The Mystery Mind.

9. Dual Personality.

10. Hounds of Hate.

11. The Sleepwalker.

12. The Temple of the Occult.

13. The Binding Ray.

14. The Water Cure.

15. The Gold of the Gods.

MYSTERY MOUNTAIN. Presented by Nat Levine. 1934. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Supervision, Victor Zobel; directors, Otto Brower, B. Reeves Eason; original story, Sherman Lowe, Barney Sarecky, B. Reeves Eason; continuity, Ben Cohen, Armand Schaefer; film editors, Earl Turner, Walter Thompson.

1. The Battler.

2. The Man Nobody Knows.

3. The Eye That Never Sleeps.

4. The Human Target.

5. Phantom Outlaws.

6. The Perfect Crime.

7. Tarzan the Cunning.

8. The Enemy's Stronghold.

9. The Fatal Warning.

10. The Secret of the Mountain.

11. Behind the Mask.

12. The Judgement of Tarzan.

THE MYSTERY OF BRAYTON COURT. 1914. 1 reel.

Credits: Director, Maurice Costello, Robert Gaillard.

MYSTERY OF COMPARTMENT C. (True Detective Stories of Celebrated Cases) 1931. 2 reels, sd. From the records of Nick Harris.

Credits: Producer and director, Spencer Gordon Bennet; adaptation, George R. Rogan.

THE MYSTERY OF DEAD MAN'S ISLE. 1915. 1 reel.

Credits: Producer, Giles R. Warren; scenario, James Oliver Curwood.

MYSTERY OF EDWIN DROOD. Presented by Carl Laemmle. 1935. 9 reels, sd. From the story by Charles Dickens.

Credits: Producer, Carl Laemmle, Jr; director, Stuart Walker; screenplay, John L. Balderston, Gladys Unger; adaptation, Leopold Atlas, Bradley King; film editor, Edward Curtiss.

THE MYSTERY OF HENRI VILLARD. 1915. 2 reels.

THE MYSTERY OF LAKE LETHE. 1917. 1 reel.

Credits; Frank Lawrence, Tom Bret; director, Rollin S. Sturgeon.

MYSTERY OF LIFE; a Drama of Evolution As Told by Clarence Darrow. 1931. 8 reels, sd.

Credits: Director, George Cochrane; scenario, H. M. Parshley.

THE MYSTERY OF LOST RANCH. 1925. 5 reels.

Credits: Directors, Harry S. Webb, Tom Gibson; story, Bar Cross; continuity, George Hull.

THE MYSTERY OF MARRIAGE. 1931. 2 reels.

Credits: Scenario and direction, Mary Field.

THE MYSTERY OF MARY. 1915. 3 reels.

Credits: Director, Harry Lambart.

THE MYSTERY OF MR. WONG. 1939. 8 reels, sd. Based on the James Lee Wong stories by Hugh Wiley.

Credits: Associate producer, William T. Lackey; director, William Nigh; screenplay, Scott Darling; film editor, Russell Schoengarth.

THE MYSTERY OF MR. X. 1934. 9 reels, sd. From the novel by Philip MacDonald.

Credits: Producer, Lawrence Weingarten; director, Edgar Selwyn; adaptation, Philip MacDonald; screenplay, Howard Emmet Rogers; additional dialogue, Monckton Hoffe; film editor, Hugh Wynn.

MYSTERY OF MOTHERHOOD. 1938. 3 reels.

Credits: Technical narrator, M. Greewald.

THE MYSTERY OF MY LADY'S BOUDOIR. Gold Seal. 1916. 3 reels.

Credits: Director, Francis J. Grandon; scenario, Harry Dittmar.

THE MYSTERY OF NUMBER 47. Red Seal. 1917. 5 reels. From the novel by J. Storer Clouston.

Credits: Director, Otis B. Thayer.

THE MYSTERY OF ORCIVAL. 1916. 3 reels.

THE MYSTERY OF ROOM 13. 1915. 4,000 ft.

Credits: Lee Arthur; director, George Ridgwell.

THE MYSTERY OF THE BOULE CABINET. SEE In the Next Room.

THE MYSTERY OF THE EMPTY ROOM. 1915. 2 reels.

Credits; Director, Courtland Van Deusen.

THE MYSTERY OF THE HIDDEN HOUSE. 1914. 2 reels.

Credits: Director, Ulysses Davis.

THE MYSTERY OF THE HOODED HORSEMEN. Presented by Edward L. Alperson. 1937. 6 reels, sd.

Credits: Producer, Edward F. Finney; supervision, Lindsley Parsons; director, Ray Taylor; story and screenplay, Edmond Kelso.

THE MYSTERY OF THE JEWEL. SEE Il Mistero di Osiris.

THE MYSTERY OF THE LOCKED ROOM. Rex. 1915. 3 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

A MYSTERY OF THE MOUNTAINS. 1915. 2 reels.

THE MYSTERY OF THE RED BARN. SEE Maria Marten.

THE MYSTERY OF THE SEVEN CHESTS. Released through General Film Co. 1914. 2 reels.

Credits: Director, E. A. Martin.

THE MYSTERY OF THE SEVENTH SIN. (The Seven Deadly Sins, no. 7) 1917. 7 reels.

THE MYSTERY OF THE SILENT DEATH. 1915. 1 reel.

Credits: Edward T. Lowe, Jr.

THE MYSTERY OF THE SILVER SKULL. 1913. 2 reels.

Credits: Directors, Wilfrid North, Maurice Costello.

THE MYSTERY OF THE TAPESTRY ROOM. Big U. 1915. 3 reels.

Credits: Producer, Murdock MacQuarrie; story, George E. Hall; scenario, H. G. Stafford.

THE MYSTERY OF THE WAX MUSEUM. Presented by Warner Brothers Pictures, Inc. and the Vitaphone Corp. 1933. 78 min., sd., color. From the play by Charles S. Belden.

Credits: Director, Michael Curtiz; screenplay, Don Mullaly, Carl Erickson; film editor, George Amy.

MYSTERY OF THE WHITE ROOM. Crime Club. 1939. 6 reels, sd. From the novel "Murder in the Surgery" by James G. Edwards [pseud. of James William MacQueen].

Credits: Producer, Irving Starr; director, Otis Garrett; screenplay, Alex Gottlieb; film editor, Harry Keller.

THE MYSTERY OF THE WHITE ROSE. SEE Oda.

Credits: Produced, adapted, and directed by Emile Chautard.

THE MYSTERY OF THE YELLOW ROOM. 1919. 6,200 ft. Adapted from the story by Gaston Leroux.

Credits: Producer and director, Emile Chautard.

Credits: Director, Frances Ford; story, Elsie Van Name; scenario, John B. Clymer.

1. Bitter Bondage.

2. Lights Out.

3. Submarine Gardens.

4. The Lone Rider.

5. Blown to Atoms.

6. Single Handed.

7. Fire and Water.

8. Pirate Loot.

9. The Phantom House.

10. The Raid.

11. Bare Handed.

12. The Death Ride.

13. Brother Against Brother.

14. The Man Hunt.

15. The Thirteenth Card.

THE MYSTERY OF WEST SEDGWICK. 1913. Based on "The Gold Bag" by Carolyn Wells.

MYSTERY PLANE. 1939. 6 reels, sd.

Credits: Supervision, Paul Malvern; director, George Waggner; original story, Hal Forrest; screenplay, Paul Schofield, Joseph West.

MYSTERY RANCH. 1932. 4,900 ft., sd. From the novel "The Killer" by Stewart Edward White.

Credits: Director, David Howard; screenplay, Al Cohn; editor, Paul Weatherwax.

MYSTERY RANCH. 1934. 6 reels, sd.

Credits: Director, B. B. Ray; story, J. K. Henry; continuity, Rose Gordon; dialogue, Carl Krusada; editor, Fred Bain.

Credits: Director, Jack Nelson.

THE MYSTERY ROAD. 1921. 5 reels. From the novel by E. Phillips Oppenheim.

Credits: Director, Paul Powell; adaptation, Mary Hamilton O'Connor, Margaret Turnbull.

Credits: Directors, Harry Harvey, Francis Ford; story, Elsie Van Name; scenario, William Parker, Blaine Pearson.

THE MYSTERY SHIP. SEE Suicide Fleet.

THE MYSTERY SQUADRON. Mascot Master. Presented by Nat Levine. 1933. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Directors, Colbert Clark, David Howard; story, Sherman Lowe, Al Martin; screenplay, Barney Sarecky, Colbert Clark, David Howard, Wyndham Gittens; film editor, Earl Turner.

1. The Black Ace.

2. The Fatal Warning.

3. The Black Ace Strikes.

4. Men of Steel.

5. The Death Swoop.

6. Doomed.

7. Enemy Signals.

8. The Canyon of Calamity.

9. The Secret of the Mine.

10. Clipped Wings.

11. The Beast at Bay.

12. The Ace of Aces.

THE MYSTERY WOMAN. 1935. 6,550 ft., sd.

Credits: Director, Eugene Forde; story, Dudley Nichols, E. E. Paramore, Jr.; screenplay, Philip MacDonald; music, Samuel Kaylin.

THE MYSTIC. 1925. 7 reels.

Credits: Story, Tod Browning; scenario, Waldemar Young.

THE MYSTIC BALL. 1915. 2 reels.

Credits: Director, William Robert Daly.

Credits: Director, Richard Ridgely; story and play, Agnes Fletcher Bain.

MYSTIC INDIA. 1927. 1 reel.

THE MYSTIC ISLES. (Vagabond Adventure Series, no. 16) 1930. 1 reel, sd.

Credits: Elmer Clifton, Alfred Mannon.

MYSTIC SIAM. (Lowell Thomas' Magic Carpet of Movietone) 1939. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Lowell Thomas.

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