Motion pictures, 1912-1939: Catalog of Copyright Entries

Library of Congress. Copyright Office

LA LA LUCILLE. 1920. 5 reels. From the stage play by Fred Jackson.

Credits: Director, Lyons-Moran.

Credits: Director, Thomas Bentley; scenario, Kenelm Foss.

Credits: Director, E. Mason Hopper.

LACQUER & PEARLS. (UFA Oddity) 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

LACTOGEN. The Bray Studios. 1928. 1 reel.

A LAD AN' A LAMP. (Our Gang Comedy) 1932. 2 reels.

Credits: Producer and director, Robert McGowan.

A LAD AND HIS LAMP. (Fable, no. 405) 1929. 1 reel.

Credits: Paul Terry.

THE LAD AND THE LION. 1917. 5 reels. From the story by Edgar Rice Burroughs.

Credits: Director, Alfred Green.

A LAD IN BAGDAD. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Cal Howard, Cal Dalton; story, Dave Monahan; animation, Volney White; music director, Carl W. Stalling.

THE LADDER JINX. 1922. 6 reels.

Credits: Director, Jess Robbins; story, Edgar Franklin; adaptation, David Kirkland.

THE LADDER OF FORTUNE. Rex. 1915. 2 reels.

Credits: John Clymer; director, Clem Easton.

THE LADDER OF LIES. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels.

Credits: Director, Tom Forman; story, Harold Vickers; scenario, Edith Kennedy.

LADDIE. Released by F. B. O. 1926. 6,931 ft. From the novel by Gene Stratton-Porter.

Credits: Director, James Leo Meehan; adaptation, Jeanette Porter Meehan.

LADDIE. 1935. 7 reels, sd. From the novel by Gene Stratton-Porter.

Credits: Producer, Pandro S. Berman; director, George Stevens; screenplay, Ray Harris, Dorothy Yost; editor, James Morley; music director, Roy Webb.

LADDIE; a New Version of the Celebrated Edison Drama. 1914. 2 reels.

Credits: Director, George A. Lessey.

LADDIE BE GOOD. 1927. 4,155 ft.

Credits: Production and story, Bill Cody; director, Ben Cohn; continuity, L. V. Jefferson; editor, Fred Burnworth.

LADIES AT PLAY. 1926. 7 reels.

Credits: Sam Janney; producer, Alfred E. Green; scenario, Carey Wilson.

LADIES BEWARE. 1927. 5 reels. From the story "Jack of Diamonds" by Fred Jackson.

Credits: Director, Charles Giblyn; adaptation, J. G. Hawks; continuity, Enid Hibbard.

LADIES CHOICE. 1929. 2 reels.

Credits: Director, Neal Burns.

LADIES CRAVE EXCITEMENT. Presented by Nat Levine. 1935. 7 reels, sd.

Credits: Supervision, Armand Schaefer; director, Nick Grinde; original story, John Rathmell; screenplay, Wellyn Totman, Scott Darling; film editor, Joseph Lewis.

LADIES' DAY. (A Grantland Rice Sportlight) 1927. 1 reel.

Credits: Producer, John L. Hawkinson.

LADIES DAY. (Bill Corum, no. 5) 1936. 1 reel.

LADIES FIRST. 1918. 2 reels.

Credits: Director, Ray Grainger.

LADIES IN DISTRESS. 1938. 7 reels, sd.

Credits: DorÉ Schary; associate producer, Harry Grey; director, Gus Meins; screenplay, Dorrell and Stuart McGowan; film editor, Ernest Nims; music director, Alberto Colombo.

LADIES IN LOVE. 1936. 8,695 ft., sd. Based on the play by Ladislaus Bus-Fekete.

Credits: Director, Edward H. Griffith; screenplay, Melville Baker; music director, Louis Silvers.

LADIES LAST. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, George Stevens; dialogue, H. M. Walker; editor, Richard Currier.

LADIES LOVE BRUTES. 1930, sd., 10 reels. From the play "Pardon My Glove" by Zoe Akins.

Credits: Director, Rowland V. Lee; adaptation, Waldemar Young, Herman J. Mankiewicz.

LADIES LOVE DANGER. 1935. 7 reels, sd.

Credits: Director, H. Bruce Humberstone; story, Ilya Zorn; screenplay, Samson Raphaelson; adaptation, Robert Ellis, Helen Logan.

LADIES LOVE HATS. (An Educational Star Personality Comedy) Presented by E. W. Hammons. 1935. 1,768 ft., sd. From the story "High Hats" by Roy L. McCardell.

Credits: Producer, Al Christie; screen adaptation, William Watson, Arthur Jarrett.

A LADIES' MAN. 1922. 3 reels.

Credits: Director, Hunt Stromberg.

THE LADIES' MAN. 1928. 2 reels, lavender.

Credits: Director, Harry Delf; story, Harold Atteridge; adaptation, Ben Holmes.

LADIES' MAN. 1931. 8 reels, sd. From the novel by Rupert Hughes.

Credits: Director, Lothar Mendes; screenplay, Herman J. Mankiewicz.

LADIES MUST DRESS. 1927. 6 reels.

Credits: Story and direction, Victor Heerman; scenario, Reginald Morris.

LADIES MUST EAT. (Handy Andy Series, no. 4) 1929. 2 reels.

Credits: Supervision, John A. Waldron; director, Harry Edwards; story, Harry McCoy, Robert Eddy; film editor, William Hornbeck.

LADIES MUST LIVE. 1921. 8 reels. From the novel by Alice Duer Miller.

Credits: Adapted and directed by George Loane Tucker.

LADIES MUST LOVE. 1933. 8 reels, sd.

Credits: Director, E. A. DuPont; screenplay, John Francis Larkin.

LADIES MUST PLAY. 1930. 7 reels, sd.

Credits: Director, Raymond Cannon; assistant director, David Selman; story, Paul Hervey Fox; adaptation, Dorothy Howell; dialogue, Jo Swerling; dialogue director, Lucile Gleason; film editor, Gene Milford.

LADIES NIGHT IN A TURKISH BATH. 1928. 7 reels.

Credits: Charlton Andrews, Avery Hopwood; director, Edward Cline; adaptation, Henry McCarty, Gene Towne.

LADIES NOT ALLOWED. (Lambs Gambol Series, no. 1) 1932. 2 reels.

Credits: Written and directed by Joseph Santley; musical director, Frank Tours; music, Percy Wenrich.

LADIES OF LEISURE. 1926. 6 reels.

Credits: Director, Thomas Buckingham; story and continuity, Albert Lewin.

LADIES OF LEISURE. 1930. 10 reels, sd. Adapted from the David Belasco stage play "Ladies of the Evening" by Milton Herbert Gropper.

Credits: Producer, Harry Cohn; director, Frank R. Capra; adaptation and dialogue, Jo Swerling; film editor, Maurice Wright.

LADIES OF THE BIG HOUSE. 1931. 8 reels, sd. From the play by Ernest Booth.

Credits: Director, Marion Gering; screenplay, Louis Weitzenkorn; additional dialogue, William Slavens McNutt, Grover Jones.

LADIES OF THE EVENING. SEE Ladies of Leisure.

LADIES OF THE JURY. 1932. 7 reels, sd. From the play by John Frederick Ballard.

Credits: Producer, William Le Baron; director, Lowell Sherman; dialogue, Salisbury Field; adaptation, Marion Dix; additional dialogue, Eddie Welch; film editor, Charles Kimball.

LADIES OF THE JURY. SEE We're on the Jury.

LADIES OF THE MOB. 1928. 7 reels.

Credits: Producer and director, William A. Wellman; story, Ernest Booth; screenplay, John Farrow; adaptation, Oliver H. P. Garrett.

LADIES OF THE NIGHT CLUB. 1928. 7 reels, sd.

Credits: Director, George Archainbaud; story, Ben Grauman Kohn; continuity, Houston Branch, John Francis Natteford; titles, Paul Perez; editor, L. R. Brown.

LADIES PREFERRED. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

LADIES SHOULD LISTEN. Presented by Adolph Zukor. 1934. 7 reels, sd. From the play by Alfred Savoir and Guy Bolton.

Credits: Producer, Douglas MacLean; director, Frank Tuttle; screenplay, Claude Binyon, Frank Butler; adaptation, Guy Bolton.

LADIES THAT PLAY. Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

LADIES TO BOARD. 1924. 6 reels.

Credits: Director, J. C. Blystone; story, William Dudley Pelley; scenario, Donald W. Lee.

THE LADIES WAR. 1914. 1 reel.

Credits: Director, Wilfrid North.

THE LADIES WORLD. SEE

What Happened to Mary.

Who Will Marry Mary?

THE LADY. First National. 1925. 8 reels. Based on the A. H. Woods stage play by Martin Brown.

Credits: Producer, Frank Borzage; screen version, Frances Marion.

THE LADY. SEE The Secret of Madame Blanche.

LADY AND GENT. 1932. 9 reels, sd.

Credits: Grover Jones, William Slavens McNutt; director, Stephen Roberts.

THE LADY AND THE GLOVE. 1913.

Credits: Director, Frederick Thomson.

THE LADY AND THE MOB. 1939. 7 reels, sd.

Credits: Associate producer, Fred Kohlmar; director, Ben Stoloff; story, George Bradshaw, Price Day; screenplay, Richard Maibaum, Gertrude Purcell; film editor, Otto Meyer.

LADY AUDLEY'S SECRET. 1915. 5 reels. Adapted from the novel by M. E. Braddon.

Credits: Pictured by Marshall Farnum; adaptation, Mary Asquith.

LADY AVERAGE. SEE Meet the Missus.

LADY BAFFLES AND DETECTIVE DUCK. Powers. 1915. 1 reel each. Title varies: no. 6, 1915, has title "The Mysterious Lady Baffles and Detective Duck." © Universal Film Mfg. Co., Inc.

Credits: Gale Henry; producer, Allen Curtis; scenario, Clarence C. Badger.

1. The Great Egg Robbery. © 21May15; LP5349.

2. The Sign of the Sacred Safety Pin. © 3Jun15; LP5458.

3. The 18 Carrot Mystery. © 16Jun15; LP5572.

4. Baffles Aids Cupid. © 1Jul15; LP5721.

5. At the Signal of the Three Socks. © 13Jul15; LP5814.

6. Saved by a Scent. © 27Jul15; LP5935.

7. The Dread Society of the Sacred Sausage. © 12Aug15; LP6082.

8. The Ore Mystery. © 22Sep15; LP6438.

9. When the Wets Went Dry. © 6Oct15; LP6572.

10. The Lost Roll. © 20Oct15; LP6724.

11. Kidnapping the King's Kids. © 17Nov15; LP6980.

LADY BARBERS. 1920. 1 reel.

LADY BARNACLE. Rolfe. 1917. 5 reels. Adapted from the story by Edgar Franklin [pseud. of Edgar Franklin Stearns].

Credits: Director, John H. Collins; scenario, June Mathis.

LADY BE CAREFUL. Presented by Adolph Zukor. 1936. 8 reels. Based on a play by Kenyon Nicholson and Charles Robinson.

Credits: Director, Theodore Reed; screenplay, Dorothy Parker, Alan Campbell, Harry Ruskin.

LADY BE GOOD. 1928. 7 reels. From the musical comedy by Guy Bolton, Fred Thompson, and George Gershwin.

Credits: Director, Richard Wallace; adaptation and continuity, Adelaide Heilbron, Jack Wagner.

LADY BEHAVE! 1938. 8 reels.

Credits: Associate producer, Albert E. Levoy; director, Lloyd Corrigan; original story, Joseph Krumgold; screenplay, Joseph Krumgold, Olive Cooper; film editor, William Morgan; music director, Alberto Colombo.

A LADY BELLHOP'S SECRET. Fox Film Corp. 1919. 2 reels.

LADY BY CHOICE. 1934. 8 reels.

Credits: Associate producer, Robert North; director, David Burton; story, Dwight Taylor; screenplay, Jo Swerling; film editor, Viola Lawrence.

LADY CLARE. 1912. 1 reel. Based on the poem by Alfred, Lord Tennyson.

THE LADY CONSENTS. 1936. 9 reels, sd.

Credits: Associate producer, Edward Kaufman; director, Stephen Roberts; story, P. J. Wolfson; screenplay, P. J. Wolfson, Anthony Veiller; music director, Roy Webb.

THE LADY DOCTOR OF GRIZZLY GULCH. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

THE LADY ESCAPES. 1937. 5,560 ft., sd. Based on the novel and play "My Second Wife" by Eugene Heltai.

Credits: Director, Eugene Forde; screenplay, Don Ettlinger; music, Samuel Kaylin.

LADY ESMERELDA'S PREDICAMENT. SEE Lost in Limehouse.

THE LADY FARE. 1929. 2 reels, sd.

Credits: Director, William Watson; story, Octavus Roy Cohen.

THE LADY FIGHTS BACK. 1937. 7 reels, sd. From the novel "Heather of the High Hand" by Arthur Stringer.

Credits: Associate producer, Edmund Grainger; director, Milton Carruth; screenplay, Brown Holmes, Robert T. Shannon.

LADY FOR A DAY. 1933. 10 reels, sd. From the story by Damon Runyon.

Credits: Director, Frank Capra; screenplay and dialogue, Robert Riskin; film editor, Gene Havlick.

LADY FREDERICK. SEE The DivorceÉ.

Credits: Producer and director, Stuart Paxton; adaptation and continuity, J. Grubb Alexander.

THE LADY FROM LONGACRE. 1921. 5 reels.

Credits: Director, George E. Marshall; story, Victor Bridges; scenario, Paul Schofield.

LADY FROM NOWHERE. 1936. 6 reels.

Credits: Producer, Irving Briskin; director, Gordon Wiles; story, Ben G. Kohn; screenplay, Fred Niblo, Jr., Arthur Strawn, Joseph Krumgold; film editor, James Sweeney.

THE LADY FROM THE SEA. Big U. 1916. 1 reel.

Credits: Produced, directed, and written by Raymond Wells.

THE LADY IN BLACK. 1935. 2 reels.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George J. Bennett.

THE LADY IN ERMINE. First National. Presented by Asher, Small and Rogers. 1927. 7 reels. From the operetta by Rudolph Schanzer and Ernst Welisch.

Credits: Director, James Flood; screenplay, Benjamin Glazer.

THE LADY IN ERMINE. SEE Bride of the Regiment.

A LADY IN LOVE. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels.

Credits: Director, Walter Edwards; story, Harriet Ford, Caroline Duer; scenario, Alice Eyton.

A LADY IN RED. (Merrie Melodies) 1936. 1 reel.

Credits: Animation, Bob McKimson, Ben Clopton.

THE LADY IN SCARLET. 1935. 7 reels.

Credits: Director, Charles Lamont; story, Arthur Hoerl; screenplay, Robert Ellis, Helen Logan.

A LADY IN THE LIBRARY. 1916. 1 reel.

Credits: Producer, Sidney Drew.

THE LADY IN THE LIBRARY. Falcon Features. 1917. 4 reels. Based on the story by Frederick Orin Bartlett.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Edgar Jones; scenario, Lela Leibrand.

THE LADY IN THE MORGUE. 1938. 8 reels. From the novel by Jonathan Latimer.

Credits: Producer, Irving Starr; director, Otis Garrett; original story, Jonathan Latimer; screenplay, Eric Taylor, Robertson White; film editor, Ted Kent.

THE LADY IS WILLING. 1934. 7 reels, sd.

Credits: Director, Gilbert Miller; story, Louis Verneuil; screenplay, Guy Bolton; film editor, Otto Ludwig.

THE LADY KILLER. 1915. 1 reel.

Credits: Director, Norval MacGregor.

THE LADY KILLER. Metro-Rolma. Rolma Films, Inc. 1916. 1 reel.

Credits: Edward McWade; director, William Quirk.

THE LADY KILLER. 1931. 1 reel.

LADY KILLER. 1933. 8 reels, sd. From a story "Finger Man" by Rosalind Keating Shaffer.

Credits: Director, Ray Del Ruth; screenplay, Ben Markson, Lilie Hayward.

THE LADY LIES. 1929. 7,004 ft., sd. From the play by John Meehan.

Credits: Director, Hobart Henley; dialogue director, John Meehan; screen adaptation, Garrett Fort.

A LADY LION. 1928. 2 reels, b&w, blue sequences.

Credits: Director, Mark Sandrich; story and scenario, Arthur Greenlaw.

LADY LUCK. 1936. 7 reels, sd.

Credits: Director, Charles Lamont; story, Dorrell and Stuart McGowan; screenplay, John W. Kraft.

LADY LUCK. SEE Gambling Ship.

LADY LUCK'S HUSBAND. 1937. 30 min.

THE LADY OBJECTS. 1938. 7 reels, sd.

Credits: Producer, William Perlberg; director, Erle C. Kenton; screenplay, Gladys Lehman, Charles Kenyon; film editor, Al Clark; music director, Morris Stoloff.

A LADY OF CHANCE. 1929. 8 reels, sd., b&w. From the story, "Little Angel" by Leroy Scott.

Credits: Producer and director, Robert Z. Leonard; scenario, A. P. Younger; adaptation, Edmund Goulding; film editor, Margaret Booth.

THE LADY OF DREAMS. 1915. 2 reels.

THE LADY OF LYONS. SEE In the Name of Love.

THE LADY OF PERFUME. SEE Should a Wife Forgive?

A LADY OF QUALITY. Universal Jewel. 1923. 8 reels. From the novel by Frances Hodgson Burnett.

Credits: Director, Hobart Henley; scenario, Arthur Ripley, Marian Ainslee.

THE LADY OF RED BRUTE. 1919. 6 reels.

Credits: Supervision, Thomas H. Ince; director, Victor L. Schertzinger; story, C. Gardner Sullivan.

THE LADY OF SCANDAL. 1930. 8 reels, sd., b&w. From the play "The High Road" by Frederick Lonsdale.

Credits: Director, Sidney Franklin; scenario, Hans Kraly; dialogue adaptation, Claudine West, Edwin Justus Mayer; film editor, Margaret Booth.

LADY OF SECRETS. 1936. 8 reels, sd.

Credits: Producer, B. P. Schulberg; director, Marion Gering; story, Katherine Brush; screenplay, Joseph Anthony, Zoe Akins; film editor, Viola Lawrence; music director, Howard Jackson.

THE LADY OF SHALOTT. 1915. 1 reel.

Credits: Director, C. J. Williams.

THE LADY OF THE CYCLAMEN. 1915. 2 reels.

Credits: Director, Edward J. LeSaint.

THE LADY OF THE HAREM. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 5,717 ft. Adapted from the play "Hassan" by James Elroy Flecker.

Credits: Director, Raoul Walsh; scenario, James T. O'Donohoe.

THE LADY OF THE LIGHTHOUSE. 1915. 3 reels.

Credits: Producers, Harry Lambart; George Ridgewell.

LADY OF THE NIGHT. Presented by Louis B. Mayer. 1925. 6 reels.

Credits: Director, Monta Bell; story, Adela Rogers St. Johns; scenario, Alice D. G. Miller; film editor, Ralph Dawson.

LADY OF THE PAVEMENTS. 1929. 9 reels. From the story, "La Paiva" by Karl Vollmoeller.

Credits: Director, D. W. Griffith; scenario and adaptation, Sam Taylor.

THE LADY OF THE PHOTOGRAPH. 1917. 5 reels.

Credits: Director, Ben Turbett; story, Henry Albert Phillips; scenario, Paul Sloane.

THE LADY OF THE SNOWS. 1915. 3 reels.

Credits: Edith Ogden Harrison.

LADY OF THE TROPICS. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., b&w.

Credits: Producer, Sam Zimbalist; director, Jack Conway; screenplay, Ben Hecht; film editor, Elmo Veron; music score, Franz Waxman.

THE LADY OF VICTORIES. Presented by Herbert T. Kalmus. 1928. 2 reels, color.

Credits: Supervision, Samuel Bischoff; director, William R. Neill; story, Leon Abrams; editor, Aubrey Scotto.

THE LADY OR THE TIGERS. Released through General Film Co. 1914. 1 reel.

Credits: Director, Thomas Persons.

LADY! PLEASE! (Educational's Comedies) 1932. 20 min., sd.

Credits: Director, Del Lord.

LADY RAFFLES. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, R. William Neill; story, Earl Hudson; film editor, Arthur Roberts.

LADY RAFFLES RETURNS. Gold Seal. 1916. 2 reels.

Credits: Written and produced by Grace Cunard, Francis Ford.

THE LADY REFUSES. 1931. 8 reels, sd.

Credits: Associate producer, Bertram Millhauser; director, George Archainbaud; original story, Robert Milton, Guy Bolton; screenplay, Wallace Smith.

LADY ROBINHOOD. Released by F. B. O. 1925. 6 reels.

Credits: Director, Ralph Ince; story, Clifford Howard, Burke Jenkins.

LADY ROSE'S DAUGHTER. Paramount-Artcraft. Presented by Adolph Zukor. 1920. 5 reels. From the novel by Mrs. Humphry Ward.

Credits: Director, Hugh Ford; scenario, Burns Mantle.

LADY SMITH. SEE Palm Springs.

A LADY SURRENDERS. 1930. 10 reels. From "Sincerity" by John Erskine.

Credits: Director, John M. Stahl.

A LADY TO LOVE. 1930. 10 reels, sd., b&w. Based on a play by Sidney Howard.

Credits: Producer and director, Victor Seastrom; dialogue continuity, Sidney Howard; film editor, Conrad A. Nervig.

LADY TUBBS. Presented by Carl Laemmle. 1935. 7 reels, sd. From the novel by Homer Croy.

Credits: Associate producer, L. L. Ostrow; director, Alan Crosland; screenplay, Barry Trivers; editorial supervision, Maurice Pivar; film editor, Murray Seldeen.

LADY VARLEY. SEE Modern Marriage.

THE LADY WHO DARED. Trailer. 1930. 1 reel.

THE LADY WHO DARED. 1931. 7 reels, sd. Based on "The Devil's Playground" by Kenneth J. Saunders.

Credits: Director, William Beaudine; screen version, Forrest Halsey, Kathryn Scola.

THE LADY WHO LIED. Presented by Edwin Carewe. 1925. 8 reels. Based on "Snakebite" by Robert Hichens.

Credits: Director, Edwin Carewe; adaptation, Lois Leeson; scenario adaptation by Lois Zellner, Madge Tyrone.

THE LADY WHO PLAYED FIDELE. SEE The Scarlet Saint.

LADY WINDERMERE'S FAN. 1925. 8 reels. From the play by Oscar Wilde.

Credits: Producer and director, Ernst Lubitsch; adaptation, Julien Josephson.

LADY WITH A BADGE. SEE Stranded.

LADY WITH A PAST. 1932. 9 reels, sd. From the novel by Harriet Henry.

Credits: Producer, Charles R. Rogers; director, Edward H. Griffith; screenplay, Horace Jackson; film editor, Charles Craft; music director, Arthur Lange.

LADY YOU SLAY ME. 1930. 1 reel, sd.

Credits: Director, Louis McDermott.

THE LADYKINS. 1921. 1 reel.

THE LADY'S FROM KENTUCKY. 1939. 8 reels., sd.

Credits: Producer, Jeff Lazarus; director, Alexander Hall; story, Rowland Brown; screenplay, Malcolm Stuart Boylan; film editor, Harvey Johnston.

A LADY'S MORALS. 1920. 10 reels, sd., b&w.

Credits: Director, Sidney Franklin; story, Dorothy Farnum; scenario, Hans Kraly, Claudine West; dialogue, John Meehan, Arthur Richman; film editor, Margaret Booth; music and lyrics, Carrie Jacobs Bond, Oscar Straus, Herbert Stothart, Clifford Grey, Arthur Freed, Harry Woods.

A LADY'S NAME. 1918. 5 reels. From the play by Cyril Harcourt.

Credits: Julia Crawford Ivers; director, Walter Edwards.

A LADY'S PROFESSION. 1933. 7 reels, sd.

Credits: Director, Norman McLeod; story, Nina Wilcox Putnam; screenplay, Walter DeLeon, Malcolm Stuart Boylan.

A LADY'S TAILOR. Paramount-Mack Sennett. 1919. 2 reels.

Credits: Directors, Earle Kenton, Ray Grey.

LAFITTE THE PIRATE. SEE The Buccaneer.

THE LAIR OF CHANG-HOW. (The Vagabond Series, no. 4) 1930. 1 reel, sd.

Credits: Tom Terriss.

THE LAIR OF THE WOLF. Butterfly. 1917. 5 reels.

Credits: E. Magnus Ingleton; director and producer, Charles Swickard.

THE LAKE GENEVA CAMP OF THE Y. M. C. A., LAKE GENEVA, WIS. 1912. 1 reel.

LAKE LOUISE. 1917. 1 reel.

LAKE MAGGIORE. (Paramount-Burton Holmes Travel Picture) 1922. 1 reel.

LAKE TAHOE. 1936. 1 reel, sd.

LAKME. SEE A Brahmin's Daughter.

LALAPALOOSA. (Headliner, no. 1) 1936. 16 min., sd.

Credits: Producer, Lee Marcus; director, Jean W. Yarbrough; story, Charles Roberts, Buddy Doyle; film editor, Edward Mann; music director, Roy Webb.

LAMA TEMPLE; Gift of Vincent Bendix to Chicago. (A Century of Progress) 1933. 100 ft.

THE LAMB. 1915. 5 reels. Adapted from the novel "The Man and the Test" by Granville Warwick.

Credits: Adaptation, W. C. Cabanne.

LAMBCHOPS. SEE Burns and Allen in Lambchops.

LAMBS ALL STAR GAMBOL NO. 3. 1932. 2 reels, sd.

Credits: Director, Joseph Santley; story, Harry Clarke, Clyde North; music director, Frank Tours.

LAMBS WILL GAMBLE. Winkler. 1930. 1 reel, sd. Adapted from George Herriman's cartoon character.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

LAME BRAINS. (Blue Ribbon Comedies, no. 1) Presented by Joe Rock. 1925. 2 reels.

LAME BRAINS AND LUNATICS. 1918. 1 reel.

Credits: Montgomery, Rock; director, J. A. Howe.

LAME DOG INN. SEE The Roadhouse Murder.

THE LAMPLIGHTER. 1921. 5 reels. From the book by Maria Cummins.

Credits: Director, Howard M. Mitchell.

THE LAMPLIGHTER. (An Oswald Cartoon) 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele; artists, Ray Fahringer, Ted Dubois.

LAMPOONS. (Goldwyn-Bray Comic) International Film Service Co., Inc. 1920. 1 reel.

Credits: Director, Burton F. Gillette.

LAMPOONS. SEE

All for the Love of a Girl.

A Doctor Should Have Patience.

The First Man to the Moon.

A Fitting Gift.

The Great Umbrella Mystery.

Happy Hooldini.

His Last Legs.

Knock on the Window, the Door Is in a Jamb.

One Good Turn Deserves Another.

Shimmie Shivers.

Smokey Smokes.

Turn to the Right Leg.

LAMPOONS and A FISH STORY. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and APOLLO. (Golden-Gray Comic) 1920. 1 reel.

LAMPOONS and HIS COUNTRY COUSIN. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and HUNTING BIG GAME. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and THE DUMMY. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and THE FLY GUY. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and THE LAST ROSE OF SUMMER. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and THE PRIZE DANCE. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and THE ROTTISERIE BROTHERS. (Goldwyn-Bray Comic) International Film Service Co., Inc. 1920. 1 reel.

Credits: Director, Grim Natwick.

LAMPOONS and THE SPONGE MAN. (Goldwyn-Bray Comic) 1920. 1 reel.

THE LANCASHIRE QUEEN. SEE Prowlers of the Sea.

THE LANCER SPY. 1937. 7,600 ft., sd.

Credits: Director, Gregory Ratoff; story, Marthe McKenna; screenplay, Philip Dunne; music director, Arthur Lange.

THE LAND ABOVE THE CLOUDS. Imp. 1916. Split reel.

THE LAND BEYOND THE LAW. Presented by Charles R. Rogers. 1927. 7 reels.

Credits: Director, Harry J. Brown; story, Marion Jackson.

LAND BEYOND THE LAW. 1937. 6 reels, sd.

Credits: Director, B. Reeves Eason; story, Marion Jackson; screenplay, Luci Ward, Joseph K. Watson; music and lyrics, M. K. Jerome, Jack Scholl.

THE LAND BEYOND THE SUNSET. 1912. 1 reel.

THE LAND NOBODY KNOWS. (Rambling Reporter Series) 1931. 1 reel, sd.

LAND O' COTTON. (Fables, no. 396) 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

LAND O' FANCY. SEE Felix the Cat in Land o' Fancy.

THE LAND OF ADVENTURE. 1915. 3 reels.

Credits: Written and directed by Harry Beaumont.

THE LAND OF BENGAL. (Magic Carpet of Movietone) 1934. 1 reel, sd.

THE LAND OF BUDDHA, AS SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

THE LAND OF COFFEE. Presented by The National Federation of Coffee Growers of Colombia. 1934. 3 reels.

THE LAND OF CONTENTMENT. (Lowell Thomas' Magic Carpet of Movietone) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Lowell Thomas.

LAND OF ENCHANTMENT. Bray Pictures Corp. (Rambling Reporter Series) 1931. 1 reel, sd.

Credits: Narrative, J. Guy Swafford.

A LAND OF ETERNAL SUMMER. 1927. 1 reel.

THE LAND OF EVANGELINE. (World on Parade, no. 3) 1935. 1 reel.

Credits: Text, Harold McCracken.

LAND OF FIGHTING MEN. 1938. 6 reels, sd.

Credits: Producer, Maurice Conn; director, Alan James; original story, Stanley Roberts; screenplay, Joseph O'Donnell; film editor, Richard G. Wray.

THE LAND OF GANDHI. (Vagabond Adventure Series) The Van Beuren Corp. 1932. 1 reel.

Credits: Supervision, Elmer Clifton; narration, Gayne Whiteman.

THE LAND OF GENGHIS KHAN. (Along the Road to Romance on the Magic Carpet of Movietone) 1936. 1 reel, sd.

Credits: Producer, Truman Talley; narrator, Lowell Thomas; editor, Lew Lehr.

THE LAND OF HARMONY. SEE

Bartram and Saxton in the Land of Harmony.

Plantation Trio in Land of Harmony.

THE LAND OF HOPE. 1921. 5 reels.

Credits: Director, Edward H. Griffith; story, Robert Milton, Frederic and Fanny Hatton; scenario, Fred Myton, Robert Milton, Frederic and Fanny Hatton.

LAND OF INCA MEMORIES. (Paramount Color Cruises) 1939. 1 reel, sd., color.

Credits: Produced and photographed by Palmer Miller, Curtis F. Nagel; narrator. Gene Hamilton.

THE LAND OF INCENSE. SEE Sweet Dynamite, The Land of Incense and Memories.

THE LAND OF JAZZ. 1920. 5 reels.

Credits: Story, Barbara La Marr Deely, Jules Furthman; adaptation and direction, Jules Furthman.

THE LAND OF LONG AGO. 1930. 1 reel, sd.

THE LAND OF LONG SHADOWS. 1917. 65 min.

Credits: Written and directed by W. S. Van Dyke.

THE LAND OF MISSING MEN. 1930. 6 reels, sd.

Credits: Written and directed by J. P. McCarthy.

THE LAND OF OPPORTUNITY. Presented by Lewis J. Selznick. 1920. 2 reels.

Credits: Producer, Ralph Ince; scenario, Lewis Allen Browne.

THE LAND OF PROMISE. 1917. 6 reels. Based on a story by W. Somerset Maugham.

Credits: Director, Joseph Kaufman; scenario, Charles E. Whittaker.

THE LAND OF PROMISE. SEE The Canadian.

THE LAND OF SAMSON. (Pilgrimage to Palestine) Presented by the Holy Land Film Co. 1928. 1 reel.

Credits: F. J. Romell.

THE LAND OF THE EAGLE. (Vagabond, no. 7) 1935. 1 reel, sd.

Credits: Text, Russell Spaulding; narration, Alois Havrilla.

THE LAND OF THE FREE. SEE One More American.

LAND OF THE INCAS. (A FitzPatrick Traveltalk) 1937. 1 reel, sd., color.

Credits: Photographer, Winton C. Hoch; music score, Jack Shilkret.

LAND OF THE KANGAROO. SEE E. M. Newman's Land of the Kangaroo.

LAND OF THE LAWLESS. 1927. 5 reels.

Credits: Wallace Smith; director, Tom Buckingham; adaptation, P. Fejos.

LAND OF THE MAGYAR. (E. M. Newman Colortour Adventure) 1937. 1 reel.

Credits: Dialogue, Ira Genet; narrator, Basil Ruysdael.

LAND OF THE MAHARAJAS. (A FitzPatrick Traveltalk) 1931. 1 reel, sd.

THE LAND OF THE MAPLE LEAF. (Along the Road to Romance on the Magic Carpet of Movietone) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; narrator, Ed Thorgersen; editor, Lew Lehr.

LAND OF THE MIDNIGHT SUN. (Merrie Melody) 1939. 1 reel, sd.

Credits: Story, Melvin Millar; animation, Charles McKimson.

LAND OF THE MIDNIGHT SUN. SEE E. M. Newman's Land of the Midnight Sun.

LAND OF THE SILVER FOX. Warner Bros.-Vitaphone. 1928. 7 reels, sd.

Credits: Director, Ray Enright.

LAND OF THE SILVER FOX. Trailer. 1928. 1 reel, sd.

THE LAND OF THE SKY BLUE DAUGHTERS. 1930. 2 reels.

Credits: Director, Lewis Foster; story, E. V. Durling, Johnnie Grey.

THE LAND OF THE UNBORN CHILDREN. 1923. 1 reel.

THE LANDING OF THE PILGRIMS; a Dramatic Adaptation of the Settling of Plymouth, Mass. 1915. 1,000 ft.

Credits: Director, Langdon West.

LANDING THE HOSE REEL. (Chronicles of Bloom Center) 1915. 3 reels.

THE LANDLOPER. Yorker Film Corp. 1918. 5 reels. Adapted from the novel by Holman Day.

Credits: Director, George Irving; scenario, John B. Clymer; adaptation, Fred J. Balshofer.

THE LANDLORD. 1922. 2 reels.

Credits: Director, Earle Kenton.

LANDMARKS OF EARLY EXPLORATIONS AND SETTLEMENTS IN NORTH AMERICA. (Ford Educational Library, History, v. 2, pts. 1 & 2) Ford Motion Picture Laboratories. 1921. 1 reel each.

LANDMARKS OF FRANCE. Victor. 1917. 1/4 reel.

LANDMARKS OF THE AMERICAN REVOLUTION. (Ford Educational Library, History, v. 2) Ford Motion Picture Laboratories. 1920. 2 reels.

LANDON'S LEGACY. Broadway Universal. 1915. 5 reels.

Credits: Story, Meredith Nicholson; scenario, Walter Woods.

THE LANE THAT HAD NO TURNING. 1922. 5 reels. From the novel by Sir Gilbert Parker.

Credits: Director, Victor Fleming; adaptation, Sir Gilbert Parker, Eugene Mullin.

A LANGUAGE ALL MY OWN. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks Lokey.

THE LANGUAGE OF THE DUMB. 1915. 1,000 ft.

LAPLAND. SEE A Ramble Through the Swedish National Park.

LARCENY ON THE AIR. 1937. 6 reels.

Credits: Producer, Nat Levine; director, Irving Pichel; original story, Richard English; screenplay, Endre Bohem, Richard English.

A LARGER INCOME FOR YOU. (Educational Film Service, v. 17) 1930. 1 reel.

THE LARIAT KID. Universal Jewel. 1929. 6 reels.

Credits: Director, Reaves Eason; story, Buckleigh Fritz Oxford; continuity, Jacques Jaccard, Sylvia Bernstein.

THE LARRIMORE CASE. 1916. 3 reels.

LARRY CEBALLOS' REVUE IN CRYSTAL CAVE CAFE. 1928. 1 reel, sd.

LARRY CEBELLOS' ROOF GARDEN REVUE. 1928. 1 reel, sd.

LARRY CEBELLOS' UNDERSEA REVUE. 1928. 1 reel.

LARRY CLINTON AND HIS ORCHESTRA. (Melody Master) 1938. 11 min., sd.

Credits: Director, Lloyd French.

LARRY CLINTON AND HIS ORCHESTRA. (Melody Master) 1939. 10 min., sd.

Credits: Director, Joseph Henabery.

LARRY O'NEILL, GENTLEMAN. Imp. 1915. 2 reels.

Credits: W. A. Lathrop; producer, H. C. Easton.

Credits: Robert North Bradbury, Frank Howard Clark.

LASCA. 1919. 5 reels. From the poem by Frank Desprez.

Credits: Director, Norman Dawn; adaptation, E. P. Heath.

LASCA. SEE Lasca of the Rio Grande.

LASCA OF THE RIO GRANDE. 1931. 6 reels. Based on the poem "Lasca" by Frank Desprez.

Credits: Director, Edward Laemmle; story, Tom Reed; screenplay, Randall Faye.

LASCO. SEE The Mad Stampede.

THE LASH. 1916. 5 reels.

Credits: Director, James A. Young; story, Paul West; scenario, George D. Proctor; James A. Young.

THE LASH. 1927. 1 reel.

Credits: Hal Crane; director, Bryan Foy.

THE LASH. 1930. 79 min., sd. Based on the story "Adios" by Lanier Bartlett and Virginia Stivers Bartlett.

Credits: Producer, Frank Lloyd; screen version and additional dialogue, Bradley King.

THE LASH OF PINTO PETE. 1924. 5 reels.

Credits: Director, Francis Ford.

THE LASH OF POWER. 1917. 5 reels.

Credits: J. Grubb Alexander, Fred Myton; director, Harry Solter.

THE LASH OF THE PENITENTES. 1936. 7 reels, sd.

Credits: Director, Harry J. Revier; story, Roland C. Price; screenplay, Zelma Carrol.

LASH OF THE WHIP. 1924. 5 reels.

Credits: Written and directed by Francis Ford.

LA SHNAPS, INC. 1930. 2 reels, sd.

Credits: Screen direction, Mort Blumenstock; dialogue direction, Max E. Hayes.

LASSEN VOLCANIC NATIONAL PARK. 1936. 1 reel, sd.

LASSOING A LION. 1914. 1 reel.

Credits: Director, Thomas Santschi.

THE LAST ACT. Rex. 1915. 1 reel.

Credits: Dwight Cleveland; producer, Ben Wilson.

THE LAST ACT. 1916. 5 reels.

Credits: C. Gardner Sullivan, Thomas H. Ince.

THE LAST ADAM. SEE Dr. Bull.

THE LAST ADVENTURE. 1916. 3 reels.

Credits: E. B. Heinenger; director, E. H. Calvert.

THE LAST ASSIGNMENT. SEE Fighting Coward.

THE LAST BOTTLE. (Paramount-Flagg Comedy) 1919. 2 reels.

Credits: Director, Paul Harrison; story, James Montgomery Flagg.

LAST BUT NOT LEASED. 1931. 1 reel.

LAST CAMP ON THE PAPAGIO RIVER. SEE Roosevelt Brazilian Expedition.

THE LAST CARD. 1921. 6 reels. From the story "Dated" by Maxwell Smith.

Credits: Producer, Bayard Veiller; scenario, Molly Parro; adaptation, Mary O'Hara.

Credits: Producer, Harold Shaw.

Credits: Story, William E. Wing.

THE LAST CIGARETTE. (The Perils of the Secret Service, no. 1) Imp. 1917. 2 reels. Founded on the Yorke Norroy Stories by George Bronson Howard.

Credits: Director, George Bronson Howard; scenario, Luther Reed.

THE LAST COMMAND. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 8,154 ft.

Credits: Director, Josef von Sternberg; story, Lajos Biro; screenplay, John F. Goodrich.

THE LAST DANCE. (Aesop's Sound Fable Cartoon) 1931. 727 ft.

THE LAST DAYS OF POMPEII. 1935. 10 reels, sd.

Credits: Producer, Merian O. Cooper; director, Ernest B. Schoedsack; original story, James Ashmore Creelman, Melville Baker; screenplay, Ruth Rose; collaboration on adaptation, Boris Ingster; editor, Archie F. Marshek; music, Roy Webb.

THE LAST DOGIE. Educational Pictures. Presented by E. W. Hammons. 1933. 983 ft., sd.

Credits: Director, William Watson; story, Arthur Jarrett; editor, Sam Citron; musical arrangements, Max Terr.

THE LAST DOOR. Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Ralph Ince, W. B. Foster; director, William P. S. Earle; scenario, Edward J. Montagne.

THE LAST EDITION. Released by F. B. O. 1925. 7 reels.

Credits: Producer and director, Emory Johnson; story and continuity, Emilie Johnson.

THE LAST EXPRESS. 1938. 7 reels, sd. From the novel by Baynard Kendrick.

Credits: Producer, Irving Starr; director, Otis Garrett; screenplay, Edmund L. Hartmann, film editor, Maurice Wright.

THE LAST FLIGHT. 1931. 8 reels, sd. Based on the novel "Single Lady" by John Monk Saunders.

Credits: Director, Wilhelm Dieterle; screenplay, John Monk Saunders; continuity, Byron Morgan.

THE LAST FRONTIER. Released by Producers Distributing Corp. Presented by John C. Flinn. 1926. 8 reels. From the novel by Courtney Ryley Cooper.

Credits: Director, George B. Seitz; screenplay, Will M. Ritchey.

THE LAST FRONTIER. RKO-Van Beuren. 1932. 2 reels each, sd. From the story by Courtney Ryley Cooper.

Credits: Directors, Spencer Gordon Bennet, Thomas L. Story; continuity and dialogue, George Plympton, Robert F. Hill; film editor, Thomas Malloy.

1. The Black Ghost Rides. © 5Sep32; LP3273.

2. The Thundering Herd. © 9Sep32; LP3299.

3. The Black Ghost Strikes. © 16Sep32; LP3300.

4. The Fatal Shot. © 23Sep32; LP3301.

5. Clutching Sands. © 30Sep32; LP3302.

6. The Terror Trail. © 8Oct32; LP3347.

7. Doomed. © 14Oct32; LP3376.

8. Facing Death. © 21Oct32; LP3373.

9. Thundering Doom. © 28Oct32; LP3374.

10. The Life Line. © 4Nov32; LP3447.

11. Driving Danger. © 11Nov32; LP3448.

12. The Black Ghost's Last Ride. © 18Nov32; LP3449.

THE LAST GANGSTER. 1937. 8 reels, sd., b&w.

Credits: Director, Edward Ludwig; original story, William A. Wellman, Robert Carson; screenplay, John Lee Mahin; film editor, Ben Lewis; music score, Edward Ward.

THE LAST GENTLEMAN. 1934. 8 reels, sd. From a play by Katharine Clugston.

Credits: Director, Sidney Lanfield; screenplay, Leonard Praskins.

THE LAST HOUR. (Rothapfel Unit Programme, reel 2) 1919. Split reel. Suggested by the ElÉgie by Massenet.

THE LAST HOUR. Presented by Edward Sloman. 1923. 7 reels. From the story "Blind Justice" by Frank R. Adams in Munsey's Magazine.

Credits: Director, Edward Sloman.

THE LAST INDIAN. (Terry Toons) Presented by E. W. Hammons. 1938. 585 ft., sd.

Credits: Paul Terry, Connie Rasinski; music, Philip A. Scheib.

THE LAST LAUGH. Presented by Carl Laemmle. Released by Universal. 1925. 7 reels.

Credits: Director, F. W. Murman; story, Carl Mayer.

THE LAST LEAF. 1917. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Ashley Miller; adaptation, A. Van Buren Powell.

THE LAST LIFE. SEE Felix the Cat in The Last Life.

THE LAST MAIL. (Cubby Bear Cartoons) (Aesop's Sound Fables) 1933. 1 reel.

Credits: Mannie Davis.

THE LAST MAN. 1916. 5 reels.

Credits: Producer, William Wolbert.

THE LAST MAN. 1932. 7 reels, sd.

Credits: Director, Howard Higgin; screenplay, Keene Thompson, Francis Faragoh; film editor, Gene Havlick.

THE LAST MAN ON EARTH. 1924. 7 reels, b&w, tinted sequences.

Credits: Director, Jack Blystone; story, John D. Swain; scenario, Donald W. Lee.

THE LAST MILE. KBS Film Co., Ltd. Presented by E.W. Hammons. 1932. 9 reels, sd. From the play "The Last Mile" by John Wexley which was originally registered for copyright under the title "All the World Wondered" by Eli John Wexler.

Credits: Director, Sam Bischoff; screenplay, Seton I. Miller.

THE LAST MOMENT. Presented by J. Parker Read, Jr. 1923. 6 reels.

Credits: Producer, J. Parker Read, Jr.; story, Jack Boyle; scenario, J. Clarkson Miller.

THE LAST MOMENT. 1928. 6 reels.

Credits: Written and directed by Paul Fejos.

THE LAST NIP. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by John Hohenvest.

THE LAST NOSE OF SUMMERS. (The Beauty Parlor Series, no. 3) Released by F. B. O. 1927. 2 reels.

Credits: Director, Arvid E. Gilstrom; story, H. C. Witwer; adaptation, Tom McNamara; continuity, Jean Dupont; supervising editor, James Wilkinson.

THE LAST OF HIS PEOPLE. 1919. 5 reels.

Credits: Director, Robert Worth Bradbury; story, Robert Worth Bradbury, Howard Clark.

THE LAST OF MRS. CHEYNEY. 1929. 7 reels, si. From the play by Frederick Lonsdale.

Credits: Director, Sidney Franklin; continuity, Hans Kraly, Claudine West; film editor, Conrad A. Nervig.

THE LAST OF MRS. CHEYNEY. 1937. 10 reels, sd., b&w. From the play by Frederick Lonsdale.

Credits: Producer, Lawrence Weingarten; director, Richard Boleslawski; screenplay, Leon Gordon, Samson Raphaelson, Monckton Hoffe; film editor, Frank Sullivan; music score, William Axt.

Credits: Director, Cassano; scenario, Prof. Giompini, Vittorio Pollastri.

THE LAST OF THE DUANES. 1919. 7 reels.

Credits: Director, J. Gordon Edwards; story, Zane Grey; scenario, Charles Kenyon.

THE LAST OF THE DUANES. 1924. 7 reels.

Credits: Director, Lynn Reynolds; story, Zane Grey; scenario, Edward J. Montagne.

THE LAST OF THE DUANES. 1930. 6 reels, sd.

Credits: Director, Alfred Werker; story, Zane Grey; adaptation and dialogue, Ernest Pascal.

THE LAST OF THE HARGROVES. 1914. 1 reel.

Credits: Lee Arthur; director, John H. Collins.

THE LAST OF THE LONE WOLF. 1930. 7 reels. From the story by Louis Joseph Vance.

Credits: Producer, Harry Cohn; director, Richard Boleslavsky; assistant director, C. C. Coleman; adaptation, John T. Neville; continuity, Dorothy Howell; dialogue, James Whittaker; dialogue director, Stuart Walker; film editor, Dave Berg.

Credits: Written and produced by Sydney M. Goldin.

THE LAST OF THE MOE HIGGINS. 1931. 892 ft., sd.

Credits: Written and directed by Eddie Buzzell.

THE LAST OF THE MOHICANS. 1920. 6 reels. From the story by James Fenimore Cooper.

Credits: Directors, Maurice Tourneur, Clarence L. Brown; scenario, Robert Dillon.

THE LAST OF THE MOHICANS. Presented by Harry M. Goetz. Released thru United Artists. 1936. 10 reels, sd. Adapted from the story by James Fenimore Cooper.

Credits: Producer, Edward Small; director, George B. Seitz; screenplay, Phillip Dunne; adaptation, John Balderston, Paul Perez, Daniel Moore; film editor, Jack Dennis; music director, Nathaniel Shilkret.

THE LAST OF THE MORGANS. Laemmle. 1916. 2 reels. From a story "Memories," by Constance Crowley and Arthur Maude.

Credits: Scenario and direction, William V. Mong.

THE LAST OF THE NIGHT RIDERS. Bison. 1917. 2 reels.

Credits: Director, Hugh Hoffman; story, Jack Cunningham, Grant Carpenter; scenario, Carl R. Coolidge.

THE LAST OF THE OLD MILL. SEE A Woman Scorned.

LAST OF THE PAGANS. 1935. 8 reels, sd., b&w.

Credits: Producer, Philip Goldstone; director, Richard Thorpe; original story and screenplay, John Villiers Farrow; film editor, Martin G. Cohn; music score, Nat W. Finston.

THE LAST OF THE STILLS. 1915. 1 reel.

Credits: Producer, Burton L. King; story, Marc E. Jones.

THE LAST OF THE TROUBADOURS. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Dave Smith; adaptation, F. H. Buckley.

THE LAST OUTLAW. 1919. 2 reels.

Credits: Director, Jack Ford; story, Evelyn Campbell; scenario, H. Tipton Steck.

THE LAST OUTLAW. 1923. 2 reels.

THE LAST OUTLAW. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6,032 ft.

Credits: Director, Arthur Rosson; story, Richard Allen Gates; adaptation, J. Walter Ruben; scenario, John Stone, J. Walter Ruben.

THE LAST OUTLAW. 1936. 8 reels, sd.

Credits: Associate producer, Robert Sisk; director, Christy Cabanne; original story, John Ford, E. Murray Campbell; screenplay, John Twist, Jack Townley; editor, George Hively; music director, Alberto Colombo.

THE LAST OUTPOST. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Producer, E. Lloyd Sheldon; directors, Louis Gasnier, Charles Barton; story, F. Britten Austin; screenplay, Philip MacDonald; adaptation, Frank Partos, Charles Brackett; film editor, Jack Dennis.

THE LAST PARADE. 1931. 9 reels, sd.

Credits: Producer, Jack Cohn; director, Erle C. Kenton; story, Casey Robinson; screenplay and dialogue, Dorothy Howell; film editor, Gene Havelick.

THE LAST PAYMENT. Paramount. 1921. 6 reels.

Credits: Director, George Jacoby; screenplay, John Brennert, George Jacoby.

THE LAST PERFORMANCE. Jewel. 1929. 7 reels.

Credits: Director, Paul Fejos; story, James Ashmore Creelman.

Credits: Producer, David Hepburn.

THE LAST REBEL. 1915. 2,000 ft.

Credits: Written and produced by George W. Terwilliger.

THE LAST RIDE. 1931. 6 reels.

Credits: Director, Duke Worne; story and dialogue, Arthur Hoerl.

THE LAST ROSE. 1915. 2,000 ft.

Credits: Producer, Arthur V. Johnson.

THE LAST ROSE OF SUMMER. SEE Lampoons.

THE LAST ROUND-UP. 1934. 7 reels, sd. From the novel "The Border Legion" by Zane Grey.

Credits: Producer, Harold Hurley; director, Henry Hathaway; screenplay, Jack Cunningham.

THE LAST SCENE OF ALL. 1913. 1 reel.

Credits: Maurice Lewis; director, Ashley Miller.

THE LAST SENTENCE. 1916. 5 reels. Adapted from the book by Maxwell Gray [pseud. of Mary Gleed Tuttiett].

Credits: Director, Ben Turbett; picturization, Edward H. Griffith.

THE LAST STAND. (Pioneer Kid Series) 1930. 2 reels.

Credits: Director, Jack Nelson.

THE LAST STAND. 1938. 6 reels.

Credits: Producer, Trem Carr; director, Joseph H. Lewis; original story, Harry O. Hoyt; screenplay, Harry O. Hoyt, Norton S. Parker; film editor, Charles Craft.

THE LAST STRAW. 1920. 5 reels.

Credits: Scenario and direction, Charles Swickard; story Harold Titus.

THE LAST STRAW. 1931. 1 reel.

THE LAST STRAW. (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1934. 508 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

Credits: Director, J. Cullen Landis; film editor, Richard Carver; music director, Samuel Benavie.

THE LAST TRAIL. 1921. 7 reels, b&w, tinted sequences.

Credits: Director and adaptation, Emmett J. Flynn; scenario, Paul Schofield, Jules Furthman.

THE LAST TRAIL. 1927. 6 reels. From the novel by Zane Grey.

Credits: Director, Lewis Seiler; scenario, John Stone.

THE LAST TRAIL. 1933. 5,450 ft., sd. From the story by Zane Grey.

Credits: Director, James Tinling; screenplay, Stuart Anthony; editor, Barney Wolf.

THE LAST TRAIN FROM MADRID. Presented by Adolph Zukor. 1937. 8 reels, sd.

Credits: Producer, George M. Arthur; director, James Hogan; story, Paul Hervey Fox, Elsie Fox; screenplay, Louis Stevens, Robert Wyler; editor, Everett Douglas; music director, Boris Morros.

THE LAST TRAP. SEE The Dark Hour.

THE LAST WALTZ. Ufa, Berlin. 1927. 7 reels. From the musical comedy by Oscar Strauss.

Credits: Supervision, Charles A. Whittaker; director, Arthur Robison; adaptation, Alice Duer G. Miller.

THE LAST WARNING. Jewel. A Carl Laemmle special. 1928. 8 reels. From the play by Thomas F. Fallon.

Credits: Director, Paul Leni; adaptation, Alfred A. Cohn, Robert F. Hill, J. G. Hawks.

THE LAST WARNING. Crime Club. 1938. 7 reels, sd. From the novel "The Dead Don't Care" by Jonathan Latimer.

Credits: Producer, Irving Starr; director, Al Rogell; screenplay, Edmund L. Hartmann.

THE LAST WARNING. SEE The House of Fear.

THE LAST WILDERNESS. 1934. 5 reels, sd.

Credits: Dialogue, Gayne Whitman.

THE LAST WILL. 1914. 2 reels.

Credits: Director, Ulysses Davis.

THE LAST WORD. Presented by William Fox. 1927. 2 reels.

Credits: Director, Thomas Buckingham; story, Mabel Herbert Urner; scenario, Frances Hyland.

THE LAST YARD. (Rockne Football, reel 1) 1930. 1 reel, sd., color.

Credits: Terry Ramsaye.

A LASTING LESSON. 1915. 1 reel.

THE LATE CHRISTOPHER BEAN. SEE

Christopher Bean.

Her Sweetheart.

THE LATE MR. JONES. 1913.

Credits: Director, James Young.

THE LATEST ADDITION TO THE U. S. NAVY, THE SUPERDREADNOUGHT NEW YORK, LAUNCHED AT N. Y. NAVY YARD. 1912. 1 reel.

THE LATEST FROM PARIS. 1928. 8 reels, sd., b&w.

Credits: Producer and director, Sam Wood; story and scenario, A.P. Younger; titles, Joe Farnham; film editor, Basil Wrangell.

THE LATEST IN PANTS. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Lyons, Moran.

THE LATEST IN VAMPIRES. Victor. 1916. 2 reels.

Credits: Harry Ditmar; producer, Harry C. Myers.

LATHERED TRUTH. Victor. 1916. 2 reels.

Credits: Norbert Lusk; producer, Harry C. Myers.

LATIN HI-HATTIN. Mentone. 1938. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Sands & Wilson; orchestrations, Jack Schaindlin.

LATIN RHYTHM. Presented by RKO Radio Pictures, Inc. 1938. 1 reel, sd.

Credits: Supervision, Harold Godsoe; director, Milton Schwarzwald; orchestrator, Jack Schaindlin.

LAUGH AND GET RICH. 1931. 8 reels.

Credits: Associate producer, Douglas MacLean; direction and screenplay, Gregory La Cava; story, Douglas MacLean; additional dialogue, Ralph Spence.

THE LAUGH BACK. (Red Star Comedy) 1930. 2 reels.

Credits: Director, Stephen Roberts; story, Nick Barrows, Sidney Levee.

LAUGH CLOWN LAUGH. 1928. 8 reels, sd., b&w. From the play by David Belasco and Tom Cushing.

Credits: Producer and director, Herbert Brenon; screenplay, Elizabeth Meehan; titles, Joe Farnham; film editor, Marie Halvey.

LAUGH IT OFF. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Walton Butterfield.

LAUGH IT OFF. 1939. 7 reels, sd.

Credits: Producer and director, Albert S. Rogell; original story, Lee Loeb, Mortimer Braus; screenplay, Harry Clork, Lee Loeb, film editor, Milton Carruth; music director, Charles Previn.

THE LAUGH OF SCORN. Big U. 1916. 1 reel.

Credits: William Addison Lathrop; director, Ben Wilson.

A LAUGH OR TWO. SEE Brown & Whitaker.

LAUGHING AT DANGER. 1924. 6 reels.

Credits: Director, James W. Horne; story and continuity, Frank H. Clark.

LAUGHING AT DEATH. 1929. 6 reels.

Credits: Director, Wallace W. Fox; story and continuity, Frank Howard Clark; film editor, Della King.

LAUGHING AT FATE. (Adventures of the Newsreel Cameraman) 1937. 1 reel, sd.

LAUGHING AT LIFE. Presented by Nat Levine. 1933. 7 reels, sd.

Credits: Direction and original story, Ford Beebe; adaptation, Prescott Chaplin, Thomas Dugan; film editors, Ray Snyder, Joe Kane; music director, Lee Zahler.

LAUGHING AT TROUBLE. 1936. 5,880 ft., sd. Based on a play by Adelyn Bushnell.

Credits: Director, Frank R. Strayer; screenplay, Robert Ellis, Helen Logan; music, Samuel Kaylin.

LAUGHING BILL HYDE. 1918. 6 reels. From the story by Rex Beach.

Credits: Director, Hobart Henley.

LAUGHING BOY. 1934. 8 reels, sd. From the novel by Oliver La Farge.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke; screenplay, John Cotton, John Lee Mahin; film editor, Blanche Sewell; music score, Herbert Stothart.

LAUGHING GAS. Century. 1920. 2 reels.

Credits: Written and directed by Thomas Buckingham.

LAUGHING GAS. 1922. 2 reels.

Credits: Director, Erle Kenton.

LAUGHING GAS. Presented by Samuel V. Grand. 1923. 2 reels.

Credits: Director, Reggie Morris.

LAUGHING GAS. (A Flip the Frog Cartoon) 1931. 1 reel.

LAUGHING GRAVY. 1931. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

LAUGHING IRISH EYES. 1936. 8 reels, sd.

Credits: Supervision, Colbert Clark; director, Joseph Santley; original story, Sidney Sutherland, Wallace Sullivan; screenplay, Olive Cooper, Ben Ryan, Stanley Rauh; film editor, Murray Seldeen; music supervision, Harry Grey; music and lyrics, Sam Stept, Sidney Mitchell.

THE LAUGHING LADY. 1929. 8 reels, sd. From the play by Alfred Sutro.

Credits: Director, Victor Schertzinger; adaptation, Bartlett Cormack, Arthur Richman.

THE LAUGHING LADY. SEE A Society Scandal.

LAUGHING SINNERS. 1931. 8 reels, sd., b&w. Adapted from the play "Torch Song" by Kenyon Nicholson.

Credits: Director, Harry Beaumont; additional dialogue, Edith Fitzgerald; continuity, Bess Meredyth; film editor, George Hively.

LAUGHING WITH JOHN P. MEDBURY AMONG THE NORDICKS. (A Walter Futter Novelty) Columbia. 1934. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

LAUGHING WITH JOHN P. MEDBURY AT STRANGE CHAMPIONSHIPS. (A Walter Futter Novelty) Columbia. 1935. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

LAUGHING WITH JOHN P. MEDBURY IN AFRICA. (Walter Futter's Travelaughs, C-224) Presented by Columbia Pictures Corp. 1931. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury; film editor, David Miller.

LAUGHING WITH JOHN P. MEDBURY IN HOLLYWOOD. 1935. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

LAUGHING WITH JOHN P. MEDBURY IN INDIA. (A Walter Futter Novelty) Columbia. 1934. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

LAUGHING WITH JOHN P. MEDBURY IN MOROCCO. (A Walter Futter Novelty) Columbia. 1933. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

LAUGHING WITH JOHN P. MEDBURY IN SOUTH AMERICA. 1933. 1 reel, sd.

Credits: Written and spoken by John P. Medbury.

LAUGHING WITH JOHN P. MEDBURY IN THE OLD DAYS. (Walter Futter Novelty) Columbia. 1935. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

LAUGHING WITH JOHN P. MEDBURY IN THE ORIENT. 1933. 1 reel, sd.

Credits: Written and spoken by John P. Medbury.

LAUGHING WITH MEDBURY IN ABYSSINIA. (Walter Futter's Travelaughs) 1932. 1 reel.

Credits: Producer, Walter Futter; written and spoken by John P. Medbury; film editor, David Miller.

LAUGHING WITH MEDBURY IN MANDALAY. (Walter Fuller's Travelaughs) 1932. 1 reel.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury; film editor, David Miller.

LAUGHING WITH MEDBURY IN RENO. (Walter Futter's Travelaugh) 1931. 1 reel, sd.

Credits: Producer, Walter Futter; written and spoken by J. P. Medbury; film editor, David Miller.

5. © title, descr. & 715 prints, 11Feb37; MU7157.

6. © title, descr. & 988 prints, 11Feb37; MU7156.

Volume 4, 1938.

1. © title, descr. & 132 prints, 23Mar38; MU8264.

LAUGHS IN THE LAW. (Pepper Pot, no. 4) 1933. 1 reel.

Credits: Director, Joseph Henabery; compiled by Dick Hyman.

LAUGHTER. 1930. 8 reels.

Credits: Director, H. D'Abbadie D'Arrast; story, H. D'Abbadie D'Arrast, Douglas Doty; dialogue, Donald Ogden Stewart.

LAUGHTER IN HELL. 1933. 7 reels.

Credits: Director, Edward L. Cahn; story, Jim Tully; screenplay, Tom Reed.

THE LAUNDRY. Big V. Presented by Albert E. Smith. 1920. 2 reels.

Credits: Written and directed by Charles Riesner.

LAUNDRY BLUES. 1930. 1 reel, sd.

Credits: John Foster, Mannie Davis.

THE LAUNDRY MAN. (Fables, no. 387) 1928. 1 reel.

THE LAUREL-HARDY MURDER CASE. Presented by Hal Roach. 1930. 3 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

THE LAUREL OF TEARS. 1915. 3 reels.

THE LAURELS AND THE LADY. SEE

Fools Paradise.

The Magnificent Lie.

THE LA VALLES IN A SPANISH SERENADE. 1928. 1 reel, sd.

THE LAVENDER BATH LADY. 1922. 5 reels.

Credits: Director, King Baggot; story, Shannon Fife; scenario, George Randolph Chester, Doris Schroeder.

LAVINIA COMES HOME. Laemmle. 1916. 2 reels.

Credits: Producer, William C. Dowlan; story, Isabel Ostrander; scenario, Leonora Ainsworth.

LAW AND JUSTICE. Big U. 1917. 1 reel.

LAW AND ORDER. 1917. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; adaptation, Harry Southwell.

LAW AND ORDER. 1932. 7 reels. From the novel by William R. Burnett.

Credits: Director, Edward L. Cahn; screenplay, Tom Reed; adaptation and dialogue, John Huston.

Credits: Producer, William Duncan.

THE LAW AND THE WOMAN. 1921. 7 reels. From the play "The Woman in the Case" by Clyde Fitch.

Credits: Director, Penryhn Stanlaws; scenario, Albert S. Le Vino.

LAW BEYOND THE RANGE. 1935. 6 reels, sd.

Credits: Director, Ford Beebe; story and screenplay, Lambert Hillyer; film editor, Ray Snyder.

THE LAW BRINGERS. SEE The Eternal Struggle.

THE LAW COMES TO TEXAS. 1939. 6 reels, sd.

Credits: Director, Joseph Levering; original screenplay, Nate Gatzert; film editor, Dwight Caldwell; music, Lee Zahler.

THE LAW DECIDES. 1916. 7 reels.

Credits: Directors, M. Bertsch, P. S. Earle.

LAW FOR TOMBSTONE. 1937. 6 reels, sd.

Credits: Producer, Buck Jones; director, Charles Jones; story, Charles M. Martin; screenplay, Frances Guihan.

THE LAW FORBIDS. Universal-Jewel. 1924. 6 reels.

Credits: Director, Jesse Robbins; story, Bernard McConville.

THE LAW IN HER HANDS. First National. 1936. 6 reels, sd.

Credits: Director, William Clemens; original story, George Bricker; screenplay, George Bricker, Luci Ward.

LAW IN THE SADDLE. (Ted Carson North Western Mounted Series) 1930. 2 reels.

Credits: Director, Josef Levigard; story and continuity, Basil Dickey.

THE LAW OF COMPENSATION. 1927. 6 reels.

Credits: Wilson Mizner; directors, Julius Steger, Joseph A. Golden; scenario, Edna G. Riley.

THE LAW OF FEAR. 1928. 4,769 ft.

Credits: Director, Jerome Storm; story, William Francis Dugan; screenplay, Ethel Hill.

THE LAW OF LIFE. Imp. 1915. 3 reels.

THE LAW OF LOVE. 1915. 2 reels.

Credits: Director, J. Farrell Macdonald.

THE LAW OF LOVE. Victor. 1915. 1 reel.

Credits: Director, Harry C. Myers.

THE LAW OF MEN. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, John Lynch; scenario, Ella Stuart Carson.

THE LAW OF THE LAND. Paramount Pictures. 1917. 5 reels. Based on the play by George Broadhurst.

Credits: Director, Maurice Tourneur.

THE LAW OF THE LAWLESS. 1923. 7 reels. From the Pictorial Review story by Konrad Bercovici.

Credits: Director, Victor Fleming; adaptation, E. Lloyd Sheldon, Edfrid Bingham.

THE LAW OF THE NORTH. 1917. 5 reels.

Credits: Scenario, Edward H. Griffith.

THE LAW OF THE NORTH. Paramount. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Director, Irvin V. Willat; story, John Lynch.

THE LAW OF THE NORTH. Mustang. 1926.

Credits: Director, George Hunter; story, Arthur Henry Gorden.

THE LAW OF THE OPEN. Powers. 1915. 1 reel.

Credits: Scenario and production, Sydney Ayres.

LAW OF THE PAMPAS. 1939. 8 reels, sd. Based on characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Nate Walt; original story and screenplay, Harrison Jacobs.

LAW OF THE PLAINS. 1938. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Maurice Geraghty; film editor, Gene Havlick; music director, Morris Stotoff.

THE LAW OF THE RANGE. 1928. 6 reels, sd., b&w.

Credits: Producer and director, William Nigh; story, Norman Houston; scenario, Richard Schayer; film editor, Dan Sharits.

LAW OF THE RANGER. 1937. 6 reels, sd.

Credits: Director, Spencer Gordon Bennet; story, Jesse A. Duffy, Joseph Levering; screenplay, Nate Gatzert; film editor, Dwight Caldwell.

LAW OF THE TEXAN. Coronet Pictures, Inc. 1938. 6 reels, sd.

Credits: Producer, Monroe Shaff; director, Elmer Clifton; original story and screenplay, Monroe Shaff, Arthur Hoerl; film editor, Charles Hunt.

LAW OF THE UNDERWORLD. 1938. 7 reels, sd. From the story "The Lost Game" and the Al H. Woods stage production by John B. Hymer and Samuel Shipman.

Credits: Producer, Robert Sisk; director. Lew Landers; screenplay, Bert Granet, Edmund L. Hartmann; editor, Ted Cheesman.

LAW OF THE WEST. 1932. 6 reels, sd.

Credits: Producer, Trem Carr; story, adaptation, and direction, Robert N. Bradbury.

THE LAW OF THE WILD. Mascot Master. Presented by Nat Levine. 1934. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Directors, Armand Schaefer, Breezy Eason; story, Ford Beebe, John Rathmell, Al Martin; screenplay, Sherman Loew, Breezy Eason; film editor, Earl Turner.

1. The Man Killer!

2. The Battle of the Strong.

3. The Cross-Eyed Goony.

4. Avenging Fangs.

5. A Dead Man's Hand.

6. Horse-Thief Justice.

7. The Death Stampede.

8. The Canyon of Calamity.

9. Robbers' Roost.

10. King of the Range.

11. Winner Take All!

12. The Grand Sweepstakes.

Credits: Holman Day.

THE LAW OF THE YUKON. 1920. 6 reels. From the poem "The Spell of the Yukon" by Robert W. Service.

Credits: Director, Charles Miller.

THE LAW OF WAR. SEE Woe to the Conqueror.

LAW OR LOYALTY. 1926. 5 reels.

Credits: Director, Lawson Haris; story, Robert S. Walker.

THE LAW RIDER. (Western Featurette) (A Texas Ranger Picture) 1927. 2 reels.

Credits: Director, Walter Fabian; story and continuity, George W. Pyper.

THE LAW RUSTLERS. 1923. 5 reels. From the story by W. C. Tuttle in Adventure Magazine.

Credits: Director, Lewis King.

Credits: Louis Reeves Harrison.

THE LAW WEST OF TOMBSTONE. 1938. 8 reels, sd.

Credits: Producer, Cliff Reid; director, Glenn Tryon; story, Clarence Upson Young; screenplay, John Twist, Clarence Upson Young; editor, George Crone; music director, Roy Webb.

THE LAW YOU CAN'T FORGET. SEE Sinners in Love.

LAWFUL LARCENY. Paramount. Presented by Adolph Zukor. 1923. 6 reels. From the stage play by Samuel Shipman.

Credits: Director, Allan Dwan; adaptation, John Lynch.

LAWFUL LARCENY. 1930. 7 reels, sd. From the play by Samuel Shipman.

Credits: Producer, William LeBaron; associate producer, Henry Hobart; director, Lowell Sherman; screenplay, Jane Murfin; film editor, Marie Halvey.

THE LAWLESS FRONTIER. (A Lone Star Western) 1935. 6 reels, sd.

Credits: Producer, Paul Malvern; direction, story and screenplay, Robert North Bradbury; editor, Carl Pierson.

LAWLESS LAND. 1936. 6 reels.

Credits: Producer, A. W. Hackel; director, Albert Ray; original story, adaptation, and screenplay, Andrew Bennison.

THE LAWLESS LEGION. Presented by Charles R. Rogers. 1929. 6 reels.

Credits: Director, Harry J. Brown; story, Bennett Cohn.

LAWLESS LOVE. 1918. 5 reels. From the story by Max Brand [pseud. of Frederick Faust].

Credits: Director, R. Thornby; scenario, Olga Printzlau.

Credits: Director, Neal Hart; story and adaptation, Neal Hart, Arthur Henry Gooden.

THE LAWLESS NINETIES. 1936. 6 reels, sd.

Credits: Supervision, Paul Malvern; director, Joseph Kane; original story, Joseph Poland, Scott Pembroke; screenplay, Joseph Poland; film editor, Lester Orlebeck.

LAWLESS RANGE. A Trem Carr production. 1935. 6 reels, sd.

Credits: Director, R. N. Bradbury; story and screenplay, Lindsley Parsons; editor, Carl Pierson.

LAWLESS RIDERS. 1935. 6 reels, sd.

Credits: Director, Spencer Gordon Bennet; story and screenplay, Nate Gatzert; film editor, Dwight Caldwell.

LAWLESS VALLEY. 1938. 6 reels, sd.

Credits: Producer, Bert Gilroy; director, David Howard; story, W. C. Tuttle; screenplay, Oliver Drake; editor, Frederick Knudtson; music director, Roy Webb.

A LAWMAN IS BORN. 1937. 7 reels, sd.

Credits: Producer. A. W. Hackel; director, Sam Newfield; original story, Harry F. Olmsted; screenplay and adaptation, George H. Plympton.

LAWS AND OUTLAWS. 1918. 1 reel.

Credits: Montgomery, Rock; director, J. A. Howe.

THE LAW'S DECREE. 1915. 3 reels.

THE LAW'S INJUSTICE. 1916. 3 reels.

Credits: Producer, Edward Sloman.

THE LAW'S LASH. 1928. 5 reels.

Credits: Director, Noel Mason Smith; story, George Pyper; continuity, Edward Meagher.

LAWYER BOLBEC AND HER HUSBAND. SEE The World at Her Feet.

LAWYER MAN. 1932. 8 reels. Based on the novel by Max Trell.

Credits: Director, William Dieterle; screenplay, Rian James, James Seymour.

THE LAWYER'S SECRET. Rex. 1916. 2 reels.

Credits: Director, George Cochrane; story, Hugh Weir; scenario, Harvey Gates.

THE LAWYER'S SECRET. 1931. 5,642 ft., sd. From the story by James Hilary Finn.

Credits: Directors, Louis Gasnier, Max Marcin; screenplay, Lloyd Corrigan, Max Marcin.

LAY OFF. (Star Comedy) 1919. 1 reel.

Credits: Director, Eddie Lyons, Lee Moran; story, J. Grubb Alexander, Tom J. Geraghty.

LAY ON, MACDUFF! (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Walter Graham; titles, Al Martin.

LAYING CORNER STONE OF UNIVERSITY IN TIFLIS. SEE Mataos II Entering Church in Tiflis.

LAZY DAYS. (A Hal Roach Comedy) (Our Gang Comedies) Presented by Hal Roach. 1929. 2 reels.

Credits: Production, direction and story, Robert F. McGowan; film editor, Richard Currier; story editor, H. M. Walker.

LAZY LIGHTNING. (Blue Streak Western) 1926. 5 reels.

Credits: Director, William Wyler; story, Harrison Jacobs.

LAZY RIVER. 1934. 8 reels, sd. From the play by Lea David Freeman.

Credits: Producer, Lucien Hubbard; director, George B. Seitz; screenplay, Lucien Hubbard; film editor, William LeVanway; music score, William Axt.

LAZY BONES. 1922. 2 reels.

Credits: Director, Jack Blystone.

LAZYBONES. 1925. 8 reels, b&w, tinted sequences. From the play by Owen Davis.

Credits: Director, Frank Borzage; scenario, Frances Marion.

LAZYBONES. 1934. 1 reel.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David Tendlar.

LEAD. 1930. 1 reel.

LEAD KINDLY LIGHT. SEE Irene Rich in Lead Kindly Light.

THE LEADER. (U.F.A. Oddity) 1929. 1 reel.

1936/37.

1938.

Volume 3, 1938.

3D. © title, descr. & 180 prints, 2Apr38; MU8296.

Volume 4, 1938.

1. title, descr. & 132 prints, 2Apr38; MU8297.

3. © title & descr. 26Oct38; 66 prints, 27Oct38; MU8840.

Volume 5, 1939.

1. © title, descr. & 77 prints, 15Mar39; MU9248.

2. © title & descr., 29Jun39; 66 prints, 1Jul39; MU9519.

THE LEADING LADY. 1913. 1 reel.

Credits: Director, Ned Finley.

LEADING LIZZIE ASTRAY. 1914. 1 reel.

Credits: Producer, Mack Sennett.

LEADING UP TO AN EASY CLOSE. 1937. For the Charis Corp. 1 reel, sd.

A LEAF FROM NATURE'S BOOK. SEE Open the Bars, Squirrel Food, and A Leaf from Nature's Book.

THE LEAGUE OF FRIGHTENED MEN. 1937. 7 reels, sd. From the Nero Wolfe Mystery by Rex Stout.

Credits: Associate producer, Edward Chodorov; director, Alfred E. Green; screenplay, Eugene Solow, Guy Endore; film editor, Gene Milford.

LEAH KLESCHNA. SEE

The Girl Who Came Back.

The Moral Sinner.

THE LEAK. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, William W. Beaudine.

THE LEAP. Bison. 1916. 2 reels.

Credits: Producer, Henry McRae; story, James MacGregor; scenario, Harvey Gates.

LEAP AND LOOK THEREAFTER. Joker. 1916. 1 reel.

Credits: Producer, Allen Curtis.

Credits: Director, Carlyle Blackwell; story, Raymond Schrock.

A LEAP YEAR TANGLE. Nestor. 1916. 1 reel.

Credits: Production and scenario, Al. E. Christie; story, Neal Burns.

LEAPING LIONS AND JAILBIRDS. Century. 1921. 2 reels.

Credits: Written and directed by William H. Watson.

LEAPING LOVE. (Hal Roach Comedy) 1929. 2 reels, sd.

Credits: Director, Warren H. Doane; story, Leo McCarey; film editor, Richard Currier.

LEAPING LUCK. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

Credits: Producer, John L. Hawkinson.

LEARN POLIKENESS. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, Nicholas Tafuri.

LEARNING AND GROWTH. (Yale Films of Child Development) 1935. 1 reel.

Credits: Producer, John L. Hawkinson.

LEARNING TO BE A FATHER. Powers. 1915. 1 reel.

Credits: J. Fleming Wilson; scenario and production, Jacques Jaccard.

LEARNING TO LOVE. First National. 1925. 7 reels.

Credits: Director, Sidney A. Franklin; story and adaptation, John Emerson, Anita Loos.

THE LEASE BREAKERS. 1931. 2 reels, sd.

Credits: Director, Al Ray; story, Corey Ford, Howard Dietz.

THE LEASE BREAKERS. 1932. 1 reel.

Credits: Director, Roy Mack.

LEATHER. 1929. 1 reel.

THE LEATHER GOODS LADY. 1915. 1,000 ft. Adapted from The Munsey Magazines.

THE LEATHER PUSHERS. Universal Jewel. Knickerbocker Photoplay Corp. 1922-24. 2 reels each. From the stories by H. C. Witwer published in Collier's. Title varies: no. 7-12, 1922-24, have title "The New Leather Pushers."

Credits: Direction, Harry A. Pollard; scenario, Harry A. Pollard, Harvey Thew.

1. Let's Go. © 10Jan22; LP17451.

2. Round Two. © 13Jan22; LP17452.

3. Payment Through the Nose. © 23Feb22; LP17578.

4. A Fool and His Money. © 17Mar22; LP17660.

5. The Taming of the Shrewd. © 31Mar22; LP17710.

6. Whipsawed. © 13Apr22; LP17760.

7. Young King Cole. © 23Nov22; LP18433.

8. He Raised Kane. © 1Dec22; LP18467.

9. Chickasha Bone Crusher. © 15Dec22; LP18527.

10. When Kane Met Abel. © 29Dec22; LP18546.

11. Strike Father, Strike Son. © 18Jan23; LP18596.

12. Joan of Newark. © 25Jan23; LP18618.

13. The Wandering Two. © 25Apr23; LP18920. (3 reels)

14. The Widower's Mite. © 4Jun23; LP19055.

15. Don Coyote. © 13Jun23; LP19107.

16. Something for Nothing. © 5Jul23; LP19180.

17. Columbia the Gem and the Ocean. © 18Jul23; LP19221.

18. Barnaby's Grudge. © 4Aug23; LP19286.

19. That Kid from Madrid. © 10Dec23; LP19702.

20. He Loops to Conquer. © 10Dec23; LP19703.

21. Girls will Be Girls. © 10Jan24; LP19823.

22. A Tough Tenderfoot. © 21Jan24; LP19845.

23. Swing Bad the Sailor. © 8Feb24; LP19904.

24. Big Boy Blue. © 27Feb24; LP19957.

THE LEATHER PUSHERS. 1930-31. 2 reels each. Based on the stories by H. C. Witwer. © Universal Pictures Corp.

Credits: Director, Albert Kelley; screenplay, Douglas Doty, Ralph Cedar, Harry Fraser; continuity and dialogue, Ralph Cedar, Harry Fraser.

1. Kid Roberts. © 21Aug30; LP1513.

2. Hammer and Tongs. © 4Aug30; LP1537.

3. The Knockout. © 18Sep30; LP1578.

4. The Come-Back. © 8Nov30; LP1710.

5. The Mardi Gras. © 29Nov30; LP1769.

6. All for a Lady! © 16Dec30; LP1820.

7. Framed! © 6Jan31; LP1867.

8. The Lady Killer. © 19Jan31; LP1902.

9. Kane Meets Abel. © 26Jan31; LP1929.

10. The Champion. © 18Feb31; LP1989.

LEATHERFACE. SEE Two Lovers.

THE LEATHERNECK. 1929. 8 reels.

Credits: Producer, Ralph Block; director, Howard Higgin; story and continuity, Elliott Clawson.

THE LEATHERNECKER. 1935. 1,534 ft., sd.

Credits: Written and directed by Arthur Ripley; screenplay, John Grey.

LEATHERNECKING. 1930. 79 min., sd. From the stage play "Present Arms" by Herbert Fields, Richard Rogers, and Lorenz Hart.

Credits: Associate producer, Louis Sarecky; director, Eddie Cline; screen adaptation, Alfred Jackson; continuity, Jane Murfin; musical director, Victor Baravalle.

THE LEATHERNECKS HAVE LANDED. 1936. 7 reels, sd.

Credits: Supervision, Ken Goldsmith; director, Howard Bretherton; original story, Wellyn Totman, James Gruen; screenplay, Seton I. Miller; editor, Robert Johns.

1. The Warpath. © title, descr. & 40 prints, 20Feb24; LU19936.

2. The Scarlet Trail. © title, descr. & 40 prints, 20Feb24; LU19937.

3. The Hawk's Eyes. © title, descr. & 50 prints, 20Feb24; LU19938.

4. The Paleface Law. © title, descr. & 38 prints, 18Apr24; LU20082.

5. Ransom. © title, descr. & 40 prints, 18Apr24; LU20083.

6. The Betrayal. © title, descr. & 40 prints, 18Apr24; LU20084.

7. Rivenoak's Revenge. © title, descr. & 40 prints, 18Apr24; LU20085.

8. Out of the Storm. © title, descr. & 40 prints, 18Apr24; LU20086.

9. The Panther. © title, descr. & 40 prints, 18Apr24; LU20087.

10. Mingo Torture. © title, descr. & 36 prints, 24Apr24; MU2522.

LEAVE 'EM LAUGHING. Presented by Hal Roach. 1928. 2 reels.

Credits: Supervision, Leo McCarey; director, Clyde Bruckman; story and production, Hal Roach; editor, Richard Currier.

LEAVE IT TO A DOG. SEE A Canine Matchmaker.

LEAVE IT TO DAD. (Mermaid Comedy) Presented by E. W. Hammons. 1933. 19 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Jack Townley, C. Edward Roberts.

LEAVE IT TO GERRY. 1924. 6 reels.

Credits: Director, Arvid E. Gillstrom; story, Adam Hull Shirk.

LEAVE IT TO ME. 1920. 5 reels.

Credits: Director, Emmett J. Flynn; story, Arthur Jackson; scenario, Jules Furthman.

LEAVE IT TO SUSAN. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, Clarence G. Badger; story, Rex Taylor, Irma Whipley Taylor.

LEAVE WELL ENOUGH ALONE. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Abner Mathews.

THE LEAVENWORTH CASE. 1923. 6 reels. From the novel by Anna Katharine Green.

Credits: Director, Charles Giblyn; scenario. Eve Stuyvesant.

THE LEAVENWORTH CASE. 1936. 7 reels, sd. Based on the novel by Anna Katharine Green.

Credits: Supervision, Ken Goldsmith; director, Lewis D. Collins; screenplay, Albert DeMond, Sidney Sutherland; film editor, Dan Milner.

LEAVES. (Biological Science Series) 1936. 1 reel, sd.

Credits: Clyde Fisher.

THE LEAVING OF LAWRENCE. 1915. 1 reel.

Credits: Written and produced by Giles R. Warren.

LEBEN UM LEBEN. SEE Life for a Life.

THE LEDGER OF LIFE. SEE Private Affairs.

LEE BLOUNT GOES HOME. Imp. 1916. 2 reels.

Credits: Harvey Gates; director, William Worthington.

LEE MORSE IN THE MUSIC RACKET. 1930. 1 reel.

Credits: Director, Neal Hart; story, Jane Hurrle, editor, Fred Burnsworth.

LEFT-HANDED LAW. 1937. 6 reels.

Credits: Director, Lesley Selander; story, Charles M. Martin; screenplay, Frances Guihan; editor, Bernard Loftus.

LEFT IN THE SOUP. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, William Beaudine.

LEFTOVER LADIES. 1931. 6,281 ft., sd. From an original article by Ursula Parrott.

Credits: Producer, Samuel Bischoff; director, Erle C. Kenton; dialogue and continuity, Robert R. Presnell; film editor, Arthur Huffsmith.

LEGAL ADVICE. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

THE LEGAL LIGHT. 1915. 1 reel.

Credits: Director, Tom Mix.

LEGAL MURDER. SEE Within the Limit of the Law.

LEGALLY DEAD. 1923. 6 reels.

Credits: Director, William Parke; story, Charles Furthman; scenario, Harvey Gates.

THE LEGEND OF HOLLYWOOD. Released by Producers Distributing Corp. 1924. 6 reels. Adapted from a story by Frank Condon.

Credits: Director, Renaud Hoffman; film editor, Glenn Wheeler.

THE LEGEND OF THE LEI. Treasure Chest. Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Story and narration, Norman Brokenshire.

THE LEGEND OF THE LONE TREE. 1914. 1 reel.

Credits: Archie R. Lloyd; director, Ulysses Davis.

THE LEGEND OF THE LORELEI. SEE Sirens.

THE LEGEND OF THE POISONED POOL. 1915. 1,000 ft.

Credits: Producer, Edward Sloman.

THE LEGEND OF THE WILLOW PLATE. 1917. 1 reel.

THE LEGION OF DEATH. 1918. 7 reels.

Credits: Director, Tod Browning; story and adaptation, June Mathis.

LEGION OF LOST FLYERS. 1939. 7 reels, sd.

Credits: Associate producer and original story, Ben Pivar; director, Christy Cabanne; screenplay, Maurice Tombragel; film editor, Maurice Wright.

THE LEGION OF MISSING MEN. 1937. 7 reels, sd.

Credits: Supervision, Charles Hutchinson; director, Hamilton MacFadden; story, Norman S. Hall; scenario and dialogue, Sherman L. Lowe, Harry D. Hoyt.

LEGION OF TERROR. 1936. 7 reels.

Credits: Director, C. C. Coleman, Jr.; original screenplay, Bert Granet; film editor, Al Clark.

THE LEGION OF THE CONDEMNED. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 7,415 ft.

Credits: Producer and director, William A. Wellman; story, John Monk Saunders; screenplay, John Monk Saunders, Jean de Limur.

THE LEGIONARY. SEE The Silent Lover.

LEGIONNAIRES IN PARIS. 1927. 6 reels.

Credits: Director, Arvid E. Gillstrom; story, Louis Sarecky; screenplay, Jefferson Moffitt.

LEGONG; DANCE OF THE VIRGINS. Presented by Bennett Pictures Corp. 1935. 6 reels, sd., color.

Credits: Producer and director, Henri de la Falaise; story told by Henri de la Falaise, Gaston Glass; photographer, William H. Green; editor, Edward Schroeder; music supervised by Abe Meyer; orchestra director, S. K. Wineland.

LEGRAND'S REVENGE. 1915. 2 reels.

Credits: Henry C. Rowland.

LEITH STEVENS AND THE SATURDAY NIGHT SWING CLUB ON THE AIR. (Melody Master) 1939. 10 min., sd.

Credits: Director, Lloyd French.

LEM HAWKINS' CONFESSION. 1935. 10 reels. Based upon the Stanfield murder case.

Credits: Produced, written, and directed by Oscar Micheaux.

THE LEMON. SEE Hugh Herbert.

THE LEMON DROP KID. Presented by Adolph Zukor. 1934. 8 reels, sd. From the story by Damon Runyon.

Credits: Producer, William LeBaron; director, Marshall Neilan; screenplay, Howard J. Green; additional dialogue, J. P. McEvoy.

LEMON MERINGUE. (Mr. Average Man Comedies) 1931. 2 reels, sd., b&w.

Credits: Story, adaptation, and direction, Harry Sweet; film editor, Walter Thompson.

LEMONADE AIDS CUPID. Joker. 1915. 1 reel.

Credits: Gale Henry; producer, Allen Curtis.

LEM'S COLLEGE CAREER. Nestor. 1916. 2 reels.

Credits: Written and produced by Al. E. Christie.

LENA. 1914. 2 reels.

Credits: Original scenario, Ellis Parker Butler.

LENA RIVERS. 1914. 5 reels.

LENA RIVERS. 1925. 9 reels. From the novel by Mary J. Holmes.

Credits: Directed by Whitman Bennett; adaptation, Dana Rust.

LENA RIVERS. Presented by Tiffany Pictures. 1932. 7 reels, sd. From the book by Mary J. Holmes.

Credits: Producer, Samuel Bischoff; director, Phil Rosen; adaptation and dialogue, Stuart Anthony, Warren B. Duff; film editor, Maurice Wright; supervising editor, Martin G. Cohn; music director, Val Burton.

LEND ME YOUR HUSBAND. 1924. 6 reels.

Credits: Director, William Christy Cabanne; story, Marguerite Gove; scenario, Raymond S. Harris.

LEND ME YOUR NAME. Yorke Film Corp. 1918. 5 reels. From the novel by Francis Perry Elliott.

Credits: Director, Fred J. Balshofer; adaptation, Fred J. Balshofer, John Clymer.

LENINGRAD—THE GATEWAY TO SOVIET RUSSIA. (Fitzpatrick-M. G. M. Traveltalk) 1932. 1 reel, sd.

Credits: Compiled by James A. Fitzpatrick; music, Nathaniel Shilkret; photographer, Frank Goodliffe.

LENNIE HEYTON & HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

LENSES. 1931. 985 ft.

LEO BEERS, WORLD RENOWNED WHISTLING SONGSTER. 1928. 1 reel, sd.

LEO CARRILLO IN THE FOREIGNER. 1928. 1 reel.

Credits: Director, Archie Mayo.

LEO CARRILLO IN THE HELL GATE OF SOISSONS. 1928. 1 reel, sd.

LEO CARRILLO, THE ITALIAN HUMORIST, IN A COMEDY MONOLOGUE, AT THE BALL GAME. 1927. 1 reel.

LEO CARRILLO, THE ITALIAN HUMORIST, IN AT THE BALL GAME. 1927. 1 reel.

LEO REISMAN AND HIS HOTEL BRUNSWICK ORCHESTRA IN RHYTHMS. 1929. 1 reel, sd.

LEON NAVARA AND HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

LEON VAVARA IN A PIANOLOGUE. 1927. 1 reel, sd.

LEONIE. 1913. 1 reel.

Credits: Bannister Merwin.

THE LEOPARD LADY. De Mille Pictures Corp. 1928. 7 reels. From the play by Edward Childs Carpenter.

Credits: Supervision, Bertram Millhauser; director, Rupert Julian; screenplay, Beulah Marie Dix; film editor, Claude Berkeley.

Credits: Producer, Lem B. Parker.

THE LEOPARD WOMAN. Associated Producers. 1920. 6 reels. From the story by Stewart Edward White.

Credits: Supervision, J. Parker Read, Jr.; director, Wesley Ruggles.

THE LEOPARDESS. Paramount. Presented by Adolph Zukor. 1923. 6 reels.

Credits: Director, Henry Kolker; story, Katharine N. Burt; scenario and adaptation, J. Clarkson Miller.

THE LEOPARD'S FOUNDLING. 1914. 2 reels.

Credits: Written and produced by Kathlyn Williams.

THE LEOPARD'S LAIR. 1915. 1 reel.

Credits: Director, E. A. Martin.

THE LEOPARD'S SPOTS. Released by F. B. O. 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

LERDO'S MEXICAN ORCHESTRA. 1929. 1 reel, sd.

LESS THAN KIN. 1918. 5 reels.

Credits: Director general, Cecil B. De Mille; story, Alice Duer Miller.

THE LESSON. 1918. 5 reels.

Credits: Direction and adaptation, Charles Giblyn; story, Virginia Terhune Van De Water.

A LESSON FOR SOMEBODY. 1916. 1 reel.

Credits: Elliott Flower; director, David Smith.

A LESSON FROM THE FAR EAST. Rex. 1915. 2 reels.

Credits: Director, Clem Easton.

A LESSON IN GOLF. (A Sport Champion Reel) 1932. 878 ft.

Credits: Director, Dudley Murphy.

A LESSON IN GOLF. SEE Alex Morrison.

A LESSON IN JEALOUSY. 1913. 1 reel.

Credits: Director, Harry Lambart.

A LESSON IN LABOR. 1916. 2 reels.

Credits: Director, Paul Powell.

A LESSON IN LOVE. 1931. 1 reel, sd.

Credits: J. P. Murray, Barry Trivers, Ben Oakland; director, Casey Robinson; staged by Max E. Hayes.

A LESSON IN PROPOSING. (Organlogue, no. 22) 1931. 1 reel, sd.

Credits: Narration, Norman Brokenshire.

A LESSON IN ROMANCE. 1915. 3 reels.

LESSON NUMBER ONE. 1929. 2 reels, b&w.

Credits: Director, James G. Parrott; story and scenario, Robert Benchley.

THE LESSON OF THE NARROW STREET. 1915. 1 reel.

Credits: Director, S. Rankin Drew.

LESSONS IN LOVE. First National. 1921. 72 min. From the play "Perkins" by Douglas Murray.

Credits: Director, Chet Withey; scenario, Grant Carpenter.

LEST WE FORGET. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

LEST WE FORGET. Presented by Screen Classics, Inc. 1918. 7 reels.

Credits: Written and directed by Leonce Perret.

LESTER ALLEN IN PARIS. 1931. 1 reel, sd.

Credits: Directors, Frank Cambria, Ray Cozine.

LET 'EM HAVE IT. United Artists. 1935. 12 reels, sd.

Credits: Director, Samuel Wood; story, Joseph Moncure March, Elmer Harris; additional dialogue, Al Boasberg.

LET 'ER BUCK. Gibson. 1925. 6 reels.

Credits: Director, Edward Sedgwick; story and scenario, Edward Sedgwick, Raymond L. Schrock.

LET 'ER BUCK. (A Grantland Rice Sportlight) 1930. 1 reel, sd.

Credits: John Eaton.

LET 'ER GO. 1920. 2 reels.

Credits: Director, James Davis.

LET 'ER GO, GALLEGHER. De Mille Pictures Corp. 1927. 6 reels.

Credits: Director, Elmer Clifton; story, Richard Harding Davis; adaptation and continuity, Elliott Clawson; film editor, Harold McLernon.

LET FIDO DO IT. 1919. 2 reels.

Credits: Director, Noel Smith.

LET FREEDOM RING. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., sepia.

Credits: Producer, Harry Rapf; director, Jack Conway; original story and screenplay, Ben Hecht; film editor, Frederick Y. Smith; music director, Arthur Lange.

LET IT BE ME. (Merrie Melody) 1936. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger.

LET IT RAIN. Paramount. 1927. 7 reels.

Credits: Director, Edward F. Cline; story and scenario, Wade Boteler, George J. Crone, Earle Snell.

LET KATIE DO IT. 1916. 5 reels. Adapted from the novel by Granville Warwick.

Credits: Scenario, Bernard McConville.

LET LOOSE. Mustang. 1926. 2 reels.

Credits: Story, W. C. Tuttle.

LET ME CALL YOU SWEETHEART. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, James H. Culhane, David Tendlar.

LET ME EXPLAIN. Presented by Al Christie. 1930. 2 reels, sd.

Credits: Director, A. Leslie Pearce; story, Kenyon Nicholson.

LET ME HAVE YOUR CATALOGUE—THEN WHAT? 1927. 1 reel.

LET NOT MAN PUT ASUNDER. 1924. 9 reels. Adapted from the novel by Basil King.

Credits: Director, J. Stuart Blackton; scenario, Charles L. Gaskill.

LET THEM LIVE! 1937. 8 reels, sd.

Credits: Associate producer, Edmund Grainger; director, Harold Young; story, Richard Wormser; screenplay, Bruce Manning, Lionel Houser; film editor, John Rawlins; music director, Lou Forbes.

LET US BE GAY. 1930. 8 reels, sd., b&w. From the play by Rachel Crothers.

Credits: Producer, Robert Z. Leonard; continuity and dialogue, Frances Marion; additional dialogue, Lucile Newmark; film editor, Basil Wrangel.

LET US LIVE. 1939. 7 reels, sd.

Credits: Director, John Brahm; story, Joseph F. Dinneen; screenplay, Anthony Veiller, Allen Rivkin; film editor, Al Clark; music director, Karol Rathaus.

LET WOMEN ALONE! Released by Producers Distributing Corp. 1925. 6 reels. From the story "On the Shelf" by Viola Brothers Shore.

Credits: Production and adaptation, Frank Woods; director, Paul Powell.

LETITIA. 1916. 3 reels.

Credits: Gordon Arthur Smith; producer, Harry Davenport; picturized by Joseph F. Poland.

LET'S ALL SING LIKE THE BIRDIES SING. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Thomas Johnson.

LET'S BE FASHIONABLE. 1920. 5 reels.

Credits: Director, Lloyd Ingraham; story, Mildred Considine; adaptation, Luther Reed.

LET'S BE OPTIMISTIC. (Organlogue, no. 7) 1931. 1 reel, sd.

Credits: Announcements, Brokenshire.

LET'S BE RITZY. 1934. 8 reels.

Credits: Director, Edward Ludwig; story, William Anthony McGuire; screenplay, Harry Sauber, Earle Snell.

LET'S CELEBRAKE. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, William Henning.

LET'S DANCE. 1933. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, George N. Burns.

LET'S DANCE. (A Miniature) 1936. 1 reel, sd.

Credits: Director, David Miller.

LET'S DO THINGS. 1931. 3 reels, sd., b&w.

Credits: Director, Hal Roach; dialogue, H. M. Walker; editor, Richard Currier.

LET'S EAT. (An Oswald Comedy) Snappy. 1932. 1 reel.

LET'S ELOPE. Paramount. Presented by Thomas H. Ince. 1919. 5 reels. From the play "The Naughty Wife" by Fred Jackson.

Credits: Supervision, Thomas H. Ince; director, John S. Robertson; scenario, Katherine Reed.

LET'S ELOPE. SEE Betty and Jerry Browne in Let's Elope.

LET'S FALL IN LOVE. 1934. 7 reels, sd.

Credits: Director, David Burton; story and screenplay, Herbert Fields; film editor, Gene Milford; music and lyrics, Harold Arlen, Ted Koehler; music director, Constantin Bakaleinikoff.

LET'S FIGHT. Nestor. 1918. 1 reel.

Credits: Director, Ben Wilson; story, William Wing.

LET'S GET A DIVORCE. 1918. 5 reels. Based on the play "DivorÇons" by Victorien Sardou.

Credits: Director, Charles Gyblin; adaptation, John Emerson, Anita Loos.

LET'S GET MARRIED. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. Adapted from "The Man from Mexico" by H. A. Du Souchet.

Credits: Director, Gregory LaCava; screenplay, J. Clarkson Miller; adaptation, Luther Reed.

LET'S GET MARRIED. 1937. 7 reels, sd.

Credits: Director, Alfred E. Green; story, A. H. Z. Carr; screenplay, Ethel Hill; film editor, Al Clark; music director, Morris Stoloff.

LETS GET MOVIN'. 1936. 1 reel, sd.

LET'S GO. 1923. 6 reels.

Credits: Director, William K. Howard; story and scenario, Keene Thompson.

LET'S GO. (A Color Rhapsody) (Scrappy) Released by Columbia Pictures Corp. 1937. 684 ft., sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

LET'S GO. SEE Fast Life.

LET'S GO COMMERCIAL. 1937. For Ice Refrigeration Bureau. Filmstrip, sd.

LET'S GO GALLAGHER. Released by F. B. O. 1925. 5 reels.

Credits: Directors, Robert De Lacey, James Gruen; story and continuity, Percy Heath, James Gruen.

LET'S GO LATIN. 1937. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky; editor, Leslie Roush.

LET'S GO NATIVE. 1930. 6,787 ft., sd.

Credits: Director, Leo McCarey; story, George Marion, Jr., Percy Heath.

LET'S GO PLACES. 1929. 6,442 ft.

Credits: Director, Frank Strayer; editor, Al De Gaetano.

LET'S HAVE ADVENTURE. Presented by Elmer Clifton. 1934. 2 reels.

Credits: Director, Alfred E. Smalley; story, Jack Natteford; editor, Anthony Martenelli.

LET'S IMAGINE. (Organlogue, no. 6) 1931. 1 reel, sd.

Credits: Voice, Campbell.

LET'S LIVE TONIGHT. 1935. 7 reels, sd.

Credits: Director, Victor Schertzinger; story, Bradley King; screenplay, Gene Markey; film editor, Gene Milford.

LET'S LOOK AHEAD. 1937. For the Ice Refrigeration Bureau. Filmstrip, sd.

LET'S MAKE A MILLION. Presented by Adolph Zukor. 1936. 7 reels, sd. Based on a story by Lawrence Pohle and Thomas Ahearn.

Credits: Producer, Harold Hurley; director, Raymond McCarey; screenplay, Robert Yost, Manuel Seff.

LET'S MAKE A NIGHT OF IT. 1937. 7 reels, sd. Adapted from the play "The Silver Spoon" by Hendrik N. Ege.

Credits: Director, Walter C. Mycroft; screenplay, Hugh Brooke; adaptation, F. McGrew Willis; music director, Harry Acres; music and lyrics, Michael Carr, Jimmy Kennedy, Ray Noble, Allan Murray.

LET'S PLAY. (Slim Summerville Comedy) 1931. 19 min.

Credits: Director, Stephen Roberts; story, Francis J. Martin, James Mulhauser.

LET'S PLAY KING. SEE Forbidden Adventure.

LET'S PLAY POST OFFICE. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvas, Eddie Moran.

LET'S RING DOORBELLS. 1935. 1 reel, sd.

Credits: Story, Art Davis; animation, Sid Marcus.

LET'S STAY SINGLE. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Rube Welch.

LET'S TALK IT OVER. 1934. 7 reels.

Credits: Director, Kurt Neumann; story, Dore Schary, Lewis Foster; screenplay and dialogue, John Meehan, Jr.

LET'S TALK IT OVER. 1936. For Gooderham & Worts, Ltd. 1 reel, sd.

LET'S TALK SHOP. 1936. Filmstrip, sd.

LET'S TALK TURKEY. (The Rambling Reporter Series) 1930. 1 reel, sd.

Credits: Narrative by Malcolm La Prade; musical arrangement, Tom Griselle.

LET'S TALK TURKEY. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1939. 882 ft., sd., b&w.

Credits: Director, Felix E. Feist; story, Thornton Sargent; screenplay, Robert Lees, Fred Rinaldo; film editor, Philip Anderson.

LET'S TRY AGAIN. 1934. 7 reels. From the play "Sour Grapes" by Vincent Lawrence.

Credits: Associate producer, Myles Connolly; adaptation and direction, Worthington Miner; music director, Max Steiner; editor, Ralph Dietrich.

LET'S USE A HELPER. 1934. Filmstrip.

LET'S YOU AND HIM FIGHT. (A Popeye the Sailor Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, William Sturm.

THE LETTER. 1929. 5,868 ft. Adapted from the stage play by W. Somerset Maugham.

Credits: Director, Jean De Limur; adaptation, Garrett Fort.

THE LETTER BOX. 1930. 1 reel.

LETTER OF INTRODUCTION. 1938. 11 reels.

Credits: Director, John M. Stahl; original story, Bernice Boone; screenplay, Sheridan Gibney, Leonard Spigelgass; music director, Charles Previn.

THE LETTER THAT NEVER CAME OUT. 1914. 1 reel.

Credits: W.T. Nichols; director, Charles J. Brabin.

A LETTER TO DADDY. 1915. 1 reel.

A LETTER TO UNCLE SAM. 1913. 1 reel.

Credits: Arthur Lenox.

LETTERS. 1930. 1 reel, sd.

LETTERS ENTANGLED. 1915. 2 reels.

LETTY. SEE Loves of Letty.

LETTY LYNTON. 1932. 9 reels, sd., b&w. From the novel by Marie Belloc Lowndes.

Credits: Producer and director, Clarence Brown; adaptation, Wanda Tuchock; dialogue and continuity, John Meehan.

THE LEVEL. 1914. 1 reel.

Credits: Director, Ulysses Davis.

THE LEVEL. 1915. 1,000 ft.

LEVY'S SEVEN DAUGHTERS. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

LEW FIELDS IN 23 ... SKIDOO. 1930. 1 reel.

LEW TYLER'S WIVES. Presented by J. G. Bachmann. 1926. 70 min. From the novel by Wallace Irwin.

Credits: Director, Harley Knoles; adaptation, Eugene Clifford, Arthur Hoerl.

THE LEWIS AND CLARK EXPEDITION. SEE The Louisiana Purchase and the Lewis and Clark Expedition. 1920.

LEWIS-MUNN WRESTLING BOUT SPECIAL. 1925. 2 reels.

THE LIAR. 1918. 5 reels.

Credits: Director, E. Lawrence; scenario, Adeline Leitzbach.

THE LIAR BIRD. (Krazy Kat) 1928. 1 reel.

Credits: Producer, Charles B. Mintz; animation, Ben Harrison, Manny Gould.

LIBELED LADY. 1936. 10 reels, sd., b&w.

Credits: Producer, Laurence Weingarten; director, Jack Conway; story, Wallace Sullivan; screenplay, Maurine Watkins, Howard Emmett Rogers, George Oppenheimer; film editor, Frederick Y. Smith; music score, William Axt.

LIBERATED JERUSALEM. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

THE LIBERATION OF SWITZERLAND. SEE William Tell.

THE LIBERATOR. SEE Maciste in The Liberator Series.

THE LIBERTINE. 1916. 6 reels.

Credits: Directors, Julius Steger, Joseph A. Golden.

LIBERTY. Universal Special. 1916. 2 reels each, except no. 1 which is 3 reels. © Universal Film Mfg. Co., Inc.

Credits: W. B. Pearson; production, story and adaptation, Jacques Jaccard; directors, Jacques Jaccard, Henry McRae.

1. The Fangs of the Wolf. © 4Aug16; LP8875.

2. Riding with Death. © 7Aug16; LP8886.

3. American Blood. © 15Aug16; LP8941.

4. Dead or Alive. © 24Aug16; LP8998.

5. Love and War. © 1Sep16; LP9043.

6. The Desert of Lost Souls. © 11Sep16; LP9092.

7. Liberty's Sacrifice. © 19Sep16; LP9146.

8. Clipped Wings. © 23Sep16; LP9175.

9. Trapped. © 5Oct16; LP9249.

10. The Human Target. © 13Oct16; LP9309.

11. A Daughter of Mars. © 6Nov16; LP9468.

12. For the Flag. © 11Nov16; LP9494.

13. Strife and Sorrow. © 11Nov16; LP9495.

14. A Modern Joan of Arc. © 11Nov16; LP9496.

15. The Flag of Truce. © 15Nov16; LP9532.

16. Court-Martialled. © 22Nov16; LP9588.

17. A Trail of Blood. © 28Nov16; LP9621.

18. The Wolf's Nemesis. © 2Dec16; LP9646.

19. An Avenging Angel. © 12Dec16; LP9716.

20. A Daughter of the U. S. A. © 16Dec16; LP9773.

LIBERTY. 1929. 2 reels, sd., b&w.

Credits: Direction, supervision, and story, Leo McCarey; editor, William Terhune.

LIBERTY BELLES. 1914.

A LIBERTY LOAN APPEAL. SEE Charles Chaplin in A Liberty Loan Appeal.

THE LIBRARY OF CONGRESS. (The Washington Parade, no. 4) 1939. 1 reel, sd.

Credits: Narrative, Jack Kofoed; narrator, Basil Ruysdael; editor, Harry Foster.

LICKETY SPLIT. (Mermaid Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

A LICKPENNY LOVER. 1926. 2 reels. A jazz version of the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, "Bunny" Dull; adaptation, Mark Sandrich, Edward P. Moran.

THE LIE. Artcraft. Famous Players Film Co. 1918. 5 reels. Based on the play by Henry Arthur Jones.

Credits: Director, J. Searle Dawley; scenario, Charles Maigne.

THE LIE SUBLIME. Big U. 1916. 2 reels.

Credits: Harry Dittmar; producer, Henry Otto; directors, King Baggott, Bennett Molter.

THE LIE THAT FAILED. Released through General Film Co. 1918. 15 min.

Credits: Edward T. Lowe, Jr.; director, Arthur Berthelet.

LIEBE IM RING (LOVE IN THE RING). 1930. 8 reels.

Credits: Regie, Reinhold SchÜnzel; writing and production management, Max Glass.

LIEBES INTRIGUEN. SEE Love Intrigues.

DER LIEBLING VON WIEN. 1930. 9 reels, sd.

Credits: Director, Geza von Bolvary; scenario, Walter Reisch; music, Robert Stolz.

DAS LIED IST AUS (THE SONG IS OVER). 1930. 10 reels.

Credits: Walter Reisch; director, Geza von Bolvary; music and musical direction, Robert Stolz.

THE LIEUTENANT GOVERNOR. 1915. 2 reels. Adapted from the Smart Set Magazine.

Credits: Producer, Lem B. Parker.

LIFE. 1921. 5 reels. A picturization of the drama by Thompson Buchanan and William A. Brady.

Credits: Director, Travers Vale.

THE LIFE AND LOVES OF BEETHOVEN. 1938. 8 reels, sd.

Credits: Story and direction, Abel Gance; dialogue, Steve Passeur.

LIFE AND MOVING PICTURES. L-Ko. 1915. 2 reels.

LIFE AND TRAINING IN UNITED STATES NAVY. 1916. 1 reel.

A LIFE AT STAKE. Victor. 1915. 2 reels.

Credits: Written and produced by Jacques Jaccard.

LIFE BEGINS. 1932. 72 min. Based on the play by Mary McDougal Axelson.

Credits: Directors, James Flood, Elliott Nugent; adaptation and dialogue, Earl Baldwin; film editor, George Marks.

LIFE BEGINS AT FORTY. 1935. 7,200 ft., sd. Suggested by the book by Walter B. Pitkin.

Credits: Director, George Marshall; screenplay, Lamar Trotti; dialogue, Robert Quillen; music director, Samuel Kaylin.

LIFE BEGINS FOR ANDY PANDA. (A Walter Lantz Cartune) (A Walter Lantz Andy Panda) 1939. 1 reel, sd., color.

LIFE BEGINS IN COLLEGE. 1937. 11 reels, sd. Suggested by a series of stories by Darrell Ware.

Credits: Director, William A. Seiter; screenplay, Karl Tunberg, Don Ettlinger; music director, Louis Silvers.

LIFE BEGINS WITH LOVE. 1937. 7 reels, sd.

Credits: Director, Raymond B. McCarey; story, Dorothy Bennett; screenplay, Thomas Mitchell, Brown Holmes; film editor, Viola Lawrence; music director, Morris Stoloff.

A LIFE CHASE. 1916. 3 reels.

LIFE DANCES ON (UN CARNET DE BAL). 1938. 11 reels, sd.

Credits: Scenario and direction, Julien Duvivier; dialogue, Henri Jeanson, Jean Sarment, Bernard Zimmer; English titles, John Primi, Herman G. Weinberg; music, Jaubert.

THE LIFE GUARD. 1915. 1 reel.

LIFE HESITATES AT 40. (Charley Chase Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, Charles Parrott, Harold Law; film editor, William Ziegler.

THE LIFE HISTORY OF A SILK WORM. 1915.

LIFE HISTORY OF THE BULLFROG. 1931. 1 reel.

LIFE HISTORY OF THE MOSQUITO: AËDES AEGYPTI. 1929. 1 reel.

LIFE IN A CIRCUS. SEE In the Den of Lions.

LIFE IN LAPLAND; The Vanishing Race of the Laplanders. 1938. 1 reel, sd.

Credits: Story and dialogue, Leonard Clairmont; narrator, John Martin.

LIFE IN SOMETOWN, U. S. A. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Buster Keaton; screenplay, Carl Dudley, Richard Murphy; narrator, Carey Wilson.

A LIFE IN THE BALANCE. Imp. 1915. 2 reels.

LIFE IN THE HOLY LAND. SEE Palestine, the Jewish Return from Exile.

LIFE IN THE LATIN QUARTER. SEE La BohÈme.

LIFE IN THE RAW. 1933. 5,750 ft., sd.

Credits: Director, Louis King; screenplay, Stuart Anthony; editor, Barney Wolf.

LIFE IN THE SAHARA. 1932. 1 reel.

THE LIFE INSURANCE PROGRAM. (Educational Film Service, v. 25) 1931.

THE LIFE LINE. 1915. 2 reels.

Credits: Producer, Arthur Johnson.

THE LIFE LINE. Paramount-Artcraft. Presented by Maurice Tourneur. 1919. 6 reels. Based on the melodrama "The Romany Rye" by George R. Sims.

Credits: Adaptation, Charles Everard Whittaker.

THE LIFE MASK. 1918. 6 reels. Based on the novel by Alice Muriel Livingston Williamson.

Credits: Director, Frank H. Crane; scenario, L. Case Russell.

THE LIFE OF ABRAHAM LINCOLN. 1915. 2 reels.

Credits: James Oppenheim.

THE LIFE OF CHRIST. SEE The Life of Our Savior.

THE LIFE OF EDWARD. 1937. 1 reel. 8 & 16 mm. Based on incidents in the life of Edward VIII of Great Britain.

THE LIFE OF EMILE ZOLA. 1937. 13 reels, sd.

Credits: Director, William Dieterle; story, Heinz Herald, Geza Herczeg; screenplay, Norman Reilly Raine, Heinz Herald, Geza Herczeg; music, Max Steiner.

THE LIFE OF JIMMY DOLAN. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1933. 9 reels, sd. Based on a play by Bertram Milhauser and Beulah Marie Dix.

Credits: Director, Archie Mayo; screenplay, David Boehm, Erwin Gelsey.

Credits: Conceived and visualised by Rex Wilson.

THE LIFE OF RILEY. 1927. 7 reels.

Credits: Producers, William Beaudine, E. M. Asher; director, William Beaudine; story, Mann Page; adaptation, Howard J. Green; continuity, Curtis Benton.

LIFE OF THE FROG. 1915. 380 ft.

Credits: Raymond L. Ditmars.

THE LIFE OF THE PARTY. 1920. 5 reels. From the Saturday Evening Post story by Irvin S. Cobb.

Credits: Director, Joseph Henabery; scenario, Walter Woods.

THE LIFE OF THE PARTY. 1930. 8 reels, sd.

Credits: Director, Roy Del Ruth; story, Melville Crossman, screenplay and dialogue, Arthur Caesar.

LIFE OF THE PARTY. Trailer. 1930. 1 reel.

LIFE OF THE PARTY. Educational Films Corp. of America. Presented by E. W. Hammons. Distributed by Fox Film Corp. 1935. 827 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Marcy Klauber, Charlie Williams.

THE LIFE OF THE PARTY. 1937. 9 reels, sd.

Credits: Producer, Edward Kaufman; director, William A. Seiter; story, Joseph Santley; screenplay, Bert Kalmar, Harry Ruby, Viola Brothers Shore; editor, Jack Hively; music director, Roy Webb.

LIFE OF THE SALAMANDER. 1915. 1/2 reel.

THE LIFE OF VERGIE WINTERS. 1934. 9 reels, sd. From the story by Louis Bromfield.

Credits: Producer, Pandro S. Berman; director, Alfred Santell; screenplay, Jane Murfin; editor, George Hively; music, Max Steiner.

THE LIFE SAVER. 1913. 1 reel.

Credits: Director, Wilfred North.

LIFE SAVERS. 1928. 1 reel.

Credits: Edited and titled by Beth Brown.

LIFE SAVING AND RESUSCITATION. SEE First Aid, Life Saving, and Resuscitation.

THE LIFE STORY OF DR. SAMUEL A. MUDD. SEE The Prisoner of Shark Island.

Credits: Written and produced by William Duncan.

THE LIFERS OF THE PARTY. 1937. 2 reels, sd.

Credits: Director, Roy Mack; story, Burnet Hershey.

LIFE'S CHANGING TIDE. 1915. 1 reel.

LIFE'S CROSSROADS. Presented by Samuel Zierler. 1928. 5,355 ft.

Credits: Director, Edgar Lewis; story and scenario, Eloise Macie Lewis.

LIFE'S CRUCIBLE. 1914. 1,000 ft.

Credits: Producer, Thomas Santschi.

LIFE'S DARN FUNNY. 1921. 6 reels. Adapted from the story "Caretakers Within" by Christine Jope Slade.

Credits: Producer, Dallas M. Fitzgerald; adaptation, Mary O'Hara, Arthur D. Ripley.

LIFE'S FLAT MOMENTS. Presented by Goodrich. 1938. 1 reel, sd.

LIFE'S FURROW. Laemmle. 1915. 1 reel.

Credits: Scenario, George Edwardes Hall.

LIFE'S GREATEST GAME. Released by F. B. O. 1924. 7 reels.

Credits: Director, Emory Johnson; story, Emilie Johnson.

LIFE'S GREATEST PROBLEM. Presented by J. Stuart Blackton. 1919. 6 reels.

Credits: Director and producer, J. Stuart Blackton; story and scenario, Anthony Paul Kelly.

LIFE'S LAST LAUGHS. 1934-35. 1 reel each, sd. © Columbia Pictures Corp.

Credits: Collected and produced by Carl Stearns Clancy; narrator, Arthur Hale.

[1] © 20Sep34; MP4997.

2. © 13Oct34; MP5079.

3. © 9Nov34; MP5096.

4. © 16Dec34; MP5178.

5. © 31Dec34; MP5222.

6. © 1Feb35; MP5385.

LIFE'S LITTLE PROBLEMS. Issue no. 1. 1935. 945 ft.

Credits: Director, William Watson; story and dialogue, George T. Eggleston.

LIFE'S MAELSTROM. Big U. 1916. 2 reels.

Credits: Murdock MacQuarrie; director. Jay Hunt.

LIFE'S PENDULUM. Special Imp. 1917. 2 reels.

Credits: Producer, Robert Leonard.

LIFE'S PITFALLS. 1915. 3,000 ft.

Credits: Edward E. Kidder; director, George Ridgwell.

LIFE'S SHADOWS. 1916. 5 reels.

Credits: Written and produced by William Nigh.

LIFE'S SHOP WINDOW. 1914. For Fox Film Corp. 5 reels. Adapted from the book and play by Victoria Cross [pseud. of Vivian Cory].

Credits: Synopsis, Mary Asquith.

LIFE'S STREAM. 1914. 1 reel.

LIFE'S WHIRLPOOL. Presented by B. A. Rolfe. 1917. 5 reels.

Credits: Written and directed by Lionel Barrymore.

LIFE'S YESTERDAYS. 1915. 2 reels.

Credits: Director, Lorimer Johnston.

THE LIFTED VEIL. Presented by B. A. Rolfe. 1917. 5 reels. From the novel by Basil King.

Credits: Director, George D. Baker; adapted by Albert Shelby Le Vino.

LIFTING THE BAN OF COVENTRY. 1915. 3 reels.

Credits: Director, Wilfrid North.

THE LIGHT. 1919. 5 reels.

Credits: Director, J. Gordon Edwards; story, Luther Reed, Brett Page; scenario, Charles Kenyon, Adrian Johnson.

LIGHT. (General Science) 1937. Filmstrip, 40 frames.

THE LIGHT AT DUSK. 1916. 6 reels.

Credits: Director, Edgar Lewis.

LIGHT CAVALRY OVERTURE. 1927. 1 reel.

Credits: Music, Franz Von SuppÉ; conductor, Herman Heller.

THE LIGHT FANTASTIC. (Star Personality Comedy) Presented by E. W. Hammons. 1935. 1,604 ft., sd.

Credits: Producer, Al Christie; story, Charlie Williams, Marcy Klauber.

LIGHT FINGERS. 1929. 7 reels, sl., sd.

Credits: Producer, Harry Cohn; director, Joseph E. Henabery; story, Alfred Henry Lewis; screenplay, John Francis Natteford.

LIGHT HEARTS AND LEAKING PIPES. Rainbow. 1920. 2 reels.

Credits: Director, Billy Watson.

LIGHT HEAVYWEIGHT CHAMPIONSHIP BOXING CONTEST BETWEEN MELIO BETTINA, OF BEACON, NEW YORK, CHAMPION, AND BILLY CONN, OF PITTSBURGH, PA., LEADING CONTENDER, HELD JUNE 13, 1939, AT MADISON SQUARE GARDEN, NEW YORK. © 1939. Sd., b&w, 35 mm.

LIGHT HOUSEKEEPING. (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

LIGHT HOUSE KEEPING. (A Krazy Kat Cartoon) 1932. 1 reel. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison; producer, Charles Mintz; animation, Al Eugster, Preston Blair; musical score, Joe De Nat.

LIGHT IN DARKNESS. 1917. 5 reels. From the story by Peter B. Kyne.

Credits: Direction and adaptation, Alan Crosland.

THE LIGHT IN THE CLEARING. Hodkinson Pictures. 1921. 7 reels. From the novel by Irving Bacheller.

Credits: Producer and director, T. Hayes Hunter.

THE LIGHT IN THE DARK. 1922. 7 reels.

Credits: Director, Clarence Brown; scenario, William Dudley Pelley, Clarence Brown.

LIGHT O' LOVE. 1915. 2 reels.

THE LIGHT OF HAPPINESS. 1916. For the Metro program. 5 reels.

Credits: Produced and written by John H. Collins.

LIGHT OF INDIA. Presented by Herbert T. Kalmus. 1929. 2 reels, color. Based upon an incident of the Sepoyi rebellion in India.

Credits: Producer, Herbert T. Kalmus; director, Elmer Clifton; story, Aubrey Scotto; screenplay, Jack Cunningham.

THE LIGHT OF LOVE. Special Laemmle. 1917. 1 reel.

Credits: Director, Ben Horning; story. Hector V. Sarno; scenario, A. F. Statter.

THE LIGHT OF VICTORY. 1919. 5 reels.

Credits: Director, William Wolbert; story, George C. Hull; scenario, Waldemar Young.

THE LIGHT OF WESTERN SKIES. 1930. 6,312 ft., sd. Based on the novel by Zane Grey.

Credits: Director, Otto Brower, Edwin H. Knoft; adaptation, Grover Jones, William Slavens McNutt; film editor, Jane Loring.

THE LIGHT OF WESTERN STARS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,859 ft. From the novel by Zane Grey.

Credits: Director, William K. Howard; screenplay, George C. Hull, Lucien Hubbard.

A LIGHT ON TROUBLED WATERS. 1913. 1 reel.

Credits: Monte M. Katterjohn.

THE LIGHT THAT FAILED. Presented by Jesse L. Lasky. 1923. 7 reels. From the novel by Rudyard Kipling.

Credits: Producer and director, George Melford; adaptation, F. McGrew Willis, Jack Cunningham.

THE LIGHT TO LEEWARD. SEE Homeward Bound.

LIGHT WAVES AND THEIR USES. Erpi Picture Consultants, Inc. 1938. 1 reel.

LIGHT WINES AND BEARDED LADIES. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Jules White; story, Henry Johnson, Hewlett Benjamin.

THE LIGHT WITHIN. 1918. 6 reels.

Credits: Director, Larry Trimble; story, L. Case Russell.

A LIGHT WOMAN. Flying A. 1920. 6 reels. From the poem by Robert Browning.

Credits: Director, George L. Cox; scenario, George L. Cox, Sidney Algier.

A LIGHTBEARER. 1916. 3 reels.

Credits: Charles J. McGuirk.

THE LIGHTED LAMP. Black Cat. 1918. 29 min.

Credits: Edward T. Lowe, Jr.; director, Arthur Berthelet.

THE LIGHTER THAT FAILED. Presented by Hal Roach. 1927. 2 reels.

Credits: Director, James Parrott; editor, Richard Currier.

THE LIGHTHOUSE BY THE SEA. 1915. 3 reels.

Credits: Written and directed by Joseph Byron Totten.

THE LIGHTHOUSE BY THE SEA. 1924. 7 reels. From the play by Owen Davis.

Credits: Director, Mal St. Clair; adaptation, Darryl Francis Zanuck.

LIGHTHOUSE LOVE. (Mack Sennett Talking Sound Picture) 1932. 2 reels.

Credits: Director, Michael Delmer.

LIGHTNIN'. 1925. 8 reels. From the play by Frank Bacon.

Credits: Director, John Ford; story, Winchell Smith, Frank Bacon; scenario, Frances Marion.

LIGHTNIN'. 1930. 8,500 ft. Based on John Golden's production of the play by Winchell Smith and Frank Bacon.

Credits: Director, Henry King; screen adaptation, S. N. Behrman, Sonya Levien; editor, Louis Loeffler.

LIGHTNIN' BILL CARSON. 1936. 7 reels.

Credits: Producers, Sig Neufeld, Leslie Simmonds; director, Sam Newfield; original story and continuity, Arthur Durlan.

LIGHTNIN' CRANDALL. 1937. 6 reels.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, E. B. Mann; adaptation, Charles F. Royal.

LIGHTNING. 1927. 7 reels. Suggested by the story by Zane Grey.

Credits: Director, James C. McKay; adaptation, John Francis Natteford.

LIGHTNING BRYCE. 1919. 2 reels each. © National Film Corp. of America.

Credits: Director, Paul C. Hurst; story, Joe Brandt; scenario, Harvey Gates.

1. The Scarlet Moon. © 8Oct19; LP14297.

2. Wolf Nights. © 8Oct19; LP14298.

3. Perilous Trails. © 8Oct19; LP14299.

LIGHTNING EXPRESS. 1930. 2 reels each, sd. Suggested by the story "Whispering Smith Rides" by Frank H. Spearman. © Universal Pictures Corp.

Credits: Director, Henry MacRae.

1. A Shot in the Dark. © 30Apr30; LP1268.

2. A Scream of Terror. © 30Apr30; LP1269.

3. Dangerous Rails. © 30Apr30; LP1270.

4. The Death Trap. © 17Jun30; LP1365.

5. Tower of Terror. © 17Jun30; LP1366.

6. A Call for Help. © 20Jun30; LP1368.

7. The Runaway Freight. © 27Jun30; LP1405.

8. The Show Down. © 30Jun30; LP1406.

9. The Secret Survey. © 8Jul30; LP1413.

10. Cleared Tracks. © 17Jul30; LP1424.

THE LIGHTNING FLYER. 1931. 6 reels.

Credits: Director, William Nigh; adaptation and dialogue, Barry Barringer; film editor, James Sweeney.

Credits: Scenario, John Francis Natteford.

1. The Conspiracy.

2. Life or Liberty.

3. The Deadly Discovery.

4. In the Trap.

5. The Impossible Escape.

6. The Thousandth Chance.

7. The Mysterious Island.

8. The Walls of Doom.

9. The Unexpected Happens.

10. A Woman's Wit.

© Hurricane Film Corp. (J. F. Natteford, author); no. 1, 2, title, descr. & 205 prints, 2Feb26; LU22353; no. 3-5, title, descr. & 323 prints, 1Mar26; LU22477; no. 6-10, title, descr. & 517 prints, 10May26; LU22707.

LIGHTNING LARIATS. Released by F. B. O. 1927. 5 reels.

Credits: George Worthing; director, Robert DeLacy; scenario, F. A. E. Pine.

LIGHTNING LOVE. 1923. 2 reels.

Credits: Written and directed by Larry Semon and Jimmy Davis.

1. The Ebony Block. © title, descr. & 51 prints, 26Dec18; LU13181.

2. The Counterplot. © title, descr. & 44 prints, 26Dec18; LU13182.

3. Underworld Terrors. © title, descr. & 37 prints, 26Dec18; LU13183.

4. Through the Doors of Steel. © title, descr. & 42 prints, 26Dec18; LU13184.

5. The Brass Key. © title, descr. & 36 prints, 26Dec18; LU13185.

6. The Mystic Box. © title, descr. & 37 prints, 26Dec18; LU13186.

7. Meshes of Evil. © title, descr. & 27 prints, 26Dec18; LU13187.

8. Cave of Dread. © title, descr. & 24 prints, 26Dec18; LU13188.

9. Falsely Accused. © title, descr. & 30 prints, 26Dec18; LU13189.

10. The Baited Trap. © title, descr. & 23 prints, 26Dec18; LU13190.

11. The Bars of Death. © title, descr. & 26 prints, 26Dec18; LU13191.

12. Hurled into Space, © title, descr. & 40 prints, 26Dec18; LU13192.

13. The White Roses. © title, descr. & 41 prints, 10Jan19; LU13249.

14. Cleared of Guilt. © title, descr. & 32 prints, 10Jan19; LU13250.

15. Wu Fang Atones. © title, descr. & 48 prints, 23Jan19; LU13299.

THE LIGHTNING RIDER. 1924. 6 reels.

Credits: Producer, Hunt Stromberg; director, Lloyd Ingraham; story, Shannon Fife; adaptation, Doris Dorn; editor, Laurence Creutz.

LIGHTNING SPEED. 1928. 6 reels.

Credits: Story, continuity, and direction, Robert North Bradbury.

LIGHTNING STRIKES TWICE. 1934. 7 reels, sd.

Credits: Associate producer, Lee Marcus; director, Ben Holmes; original story, Marion Dix, Ben Holmes; screenplay, Joseph A. Fields, John Grey; editor, Arthur Roberts; music director, Roy Webb.

LIGHTS, ACTION, LUCAS! Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman; film editor, John Primi.

THE LIGHTS OF NEW YORK. 1916. 5 reels.

Credits: Director, Van Dyke Brooke.

THE LIGHTS OF NEW YORK. 1922. 6 reels, b&w, tinted sequences.

Credits: Direction and scenario, Charles J. Brabin.

LIGHTS OF NEW YORK. 1928. 7 reels, sd.

Credits: Director, Bryan Foy; story and scenario, Hugh Herbert, Murray Roth.

LIGHTS OF NEW YORK. SEE Conrad Nagel [in] Vitaphone Trailer Announcement, Lights of New York.

LIGHTS OF OLD BROADWAY. Cosmopolitan. 1925. 7 reels. Based on the play "Merry Wives of Gotham" by Laurence Eyre.

Credits: Producer, Monta Bell; adaptation, Carey Wilson.

LIGHTS OF THE DESERT. 1922. 5 reels.

Credits: Director, Harry Beaumont; story, Gladys E. Johnson; scenario, Paul Schofield.

LIGHTS OUT. Released by Film Booking Offices of America. 1923. 7 reels.

Credits: Director, Al Santell; story, Paul Dickey, Mann Page; adaptation, Rex Taylor.

LIGHTS OUT. (Warren Doane Comedy) 1932. 2 reels.

Credits: Director, James W. Horne; story, Vernon Smith, J. A. Howe.

A LIGHTWEIGHT LOVER. Sunshine. 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Roy Del Ruth.

LIKE BABES IN THE WOOD. Victor. 1917. 2 reels.

Credits: Director, George Cochrane; story and scenario, Karl R. Coolidge.

LIKE KNIGHTS OF OLD. 1912. 1 reel.

LIKE WILDFIRE. Butterfly. 1917. 5 reels. From the story "The Ten Cent Lady" by Louis Weltzenkorn.

Credits: Director, Stuart Paton; scenario, Karl R. Coolidge.

L'IL AN JIL. 1936. 536 ft., sd.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

Credits: Producer, Harold Shaw.

LILAC TIME. Presented by John McCormick. 1928. 11 reels. Based on the play by Jane Cowl and Jane Murfin.

Credits: Producer and director, George Fitzmaurice; scenario, Carey Wilson; adaptation, Willis Goldbeck.

LILIES OF THE FIELD. Presented by Corinne Griffith Productions, Inc. 1924. 9 reels. From the play by William Hurlburt.

Credits: Director, John Francis Dillon.

LILIES OF THE FIELD. 1930. 7 reels, sd.

Credits: Director, Alexander Korda.

LILIES OF THE FIELD. Trailer. 1930. 1 reel, sd.

LILIES OF THE STREETS. Belban. Released by F. B. O. 1925. 7 reels.

Credits: Director, Joseph Levering; story, Elizabeth J. Monroe; scenario, Harry Chandlee.

LILIOM. 1930. 8,300 ft., sd.

Credits: Director, Frank Borzage; editor, Margaret Clancy.

LILLIAN BERNARD AND FLO HENRIE, THE FEMALE VAN AND SCHENCK OF SONGLAND, BLACKBIRDS ARE BLUEBIRDS NOW [and others]. (Movietone Act) 1929. 1 reel, sd.

LILLIAN CROMWELL AND TY PARVIS. 1927. 1 reel.

LILLIAN ROTH AND HER PIANO BOYS. 1929. 1 reel, sd.

Credits: Director, Robert Florey.

LILLIAN'S DILEMMA. 1914. 2 reels.

Credits: Director, Wilfrid North.

LILLIAN'S HUSBANDS. 1915. 3 reels.

Credits: Producer, Wilfrid North.

LILLY TURNER. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1933. 7 reels, sd. Based on a play by Philip Dunning and George Abbott.

Credits: Director, William A. Wellman; screenplay, Gene Markey, Kathryn Scola.

THE LILT OF LOVE. Laemmle. 1915. 1 reel.

Credits: L. V. Jefferson; producer, William C. Dowlan.

THE LILY. 1926. 7 reels, b&w, tinted sequences. From the play by Pierre Wolff and Gaston Leroux.

Credits: Director, Victor Schertzinger; scenario, Eve Unsell.

THE LILY AND THE ROSE. 1915. 5 reels. Adapted from the novel "Mrs. Billie" by Granville Warwick.

Credits: Adaptation, Paul Powell.

LILY CHRISTINE. 1932. 7 reels. From the novel by Michael Arlen.

Credits: Director, Paul Stein; adaptation and scenario, Robert Gore-Browne; dialogue, Michael Arlen.

A LILY IN BOHEMIA. 1915. 1 reel.

Credits: Director, Wilfrid North.

THE LILY OF POVERTY FLAT. 1915. 5 reels. Based on the poems "Her Letter," "His Answer," and "Her Last Letter" by Bret Harte.

LILY OF THE DUST. 1924. 6,811 ft. From a novel by Hermann Sudermann and a play by Edward Sheldon.

Credits: Director, Dimitri Buchowetzki.

THE LILY OF THE VALLEY. 1914. 3 reels.

Credits: Producer, Colin Campbell.

LILY OF THE VALLEY. 1914. 2 reels.

Credits: Director, Wilfrid North.

A LIMB OF SATAN. Gold Seal. 1917. 3 reels.

Credits: Elizabeth Mahoney; director, Ruth Stonehouse.

LIMBERGER'S VICTORY. 1915. 1,000 ft.

Credits: Written and produced by Edwin McKim.

LIMBERLEGS. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

A LIMBURGER CYCLONE. 1916. 2 reels.

Credits: Director general, I. G. Blystone; director, J. Howe.

LIME JUICE NIGHTS. (Dane Arthur Series, no. 6) 1931. 2 reels.

Credits: Story and direction, Lewis R. Foster; dialogue and continuity, Johnnie Grey.

LIMEHOUSE BLUES. Presented by Adolph Zukor. 1934. 7 reels, sd.

Credits: Producer, Arthur Hornblow, Jr.; director, Alexander Hall; original story, Arthur Phillips; screenplay, Arthur Phillips, Cyril Hume; music and lyrics, Sam Coslow.

LIMEHOUSE POLLY. SEE Shanghaied.

LIMESTONE AND MARBLE. 1927. 1 reel.

THE LIMITED MAIL. 1925. 7 reels. From the play by Elmer E. Vance.

Credits: Director, George Hill; scenario, Darryl Francis Zanuck, George Hill.

LIMOUSINE LOVE. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervising director, Leo McCarey; director, Fred L. Guiol; titles, H. M. Walker; editor, Richard Currier.

THE LIMOUSINE MYSTERY. Victor. 1916. 2 reels. Adapted from the story by Leslie T. Peacocke.

Credits: Producer, Lucius Henderson; adaptation, Catherine Carr.

THE LIMPING MAN. 1932. 6 reels. Adapted from the novel by Will Scott.

Credits: Director, John Orton.

LIMPY. SEE When a Fellow Needs a Friend.

LIN MCLEAN. SEE A Woman's Fool.

LINCOLN. 1929. 1 reel.

Credits: Terry Ramsaye.

THE LINCOLN HIGHWAYMAN. 1919. 5 reels.

Credits: Scenario and direction, Emmett J. Flynn; story, Paul Dickey; adaptation, Jules Furthman.

LINCOLN IN THE WHITE HOUSE. 1939. 20 min., sd., color.

Credits: Director, William McGann; original screenplay, Charles L. Tedford.

LINCOLN THE LOVER. 1914. 1 reel.

Credits: Director, Ralph Ince.

Credits: Director, Bess V. Ehrmann.

LINCOLN'S GETTYSBURG ADDRESS; [Lincoln] Impersonated and Interpreted by Lincoln Caswell. 1927. 1 reel.

LINDA. Presented by Willis Kent. 1928. 7 reels.

Credits: Producer and director, Mrs. Wallace Reid; story, Margaret Prescott Montague; screenplay, Wilfred Noy; adaptation, Maxine Alton, Frank O'Connor; titles, Ruth Todd; editor, Edith Wakeling.

DIE LINDENWIRTIN VOM RHEIN (THE INN AT THE RHINE). 1930. 10 reels.

Credits: Musical play, Siegfried Philippi; song texts, Fritz Rotter.

THE LINE RUNNERS. 1919. 2 reels.

Credits: Director, Norman Dawn; story, Arthur H. Gooden.

THE LINE RUNNERS. Mustang. 1925. 2 reels.

Credits: Story, Arthur H. Gooden.

THE LINE-UP. 1913. 1 reel.

Credits: Director, William Humphrey.

THE LINE-UP. 1934. 7 reels, sd.

Credits: Director, Howard Higgin; story and screenplay, George Waggner; film editor, Jack Rawlins.

LINE'S BUSY. (Star Comedy) 1921. 1 reel.

Credits: Story and direction, Craig Hutchinson.

LINE'S BUSY. 1924. 2 reels.

Credits: Written and directed by Billy West.

THE LINE'S BUSY. 1932. 2 reels.

Credits: Director, Leslie Pearce; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, John Grey.

LINGERIE. 1928. 6 reels.

Credits: Director, George Melford; continuity, John Francis Natteford; editor, Byron Robinson.

LINKED TOGETHER. 1912. 500 ft.

THE LION AND THE HOUSE. 1932. 2 reels, sd.

Credits: Director, Babe Stafford.

THE LION AND THE LAMB. 1931. 8 reels, sd. From the novel by E. Phillips Oppenheim.

Credits: Producer, Harry Cohn; director, George B. Seitz; adaptation and dialogue, Matt Taylor; film editor, Gene Milford.

Credits: Producer, Barry O'Neil.

THE LION AND THE MOUSE. Presented by Albert E. Smith. 1919. 6 reels. Adapted from the stage success by Charles Klein.

Credits: Supervision, Albert E. Smith; director, Tom Terriss.

THE LION AND THE MOUSE. 1928. 7 reels.

Credits: Director, Lloyd Bacon; story, Charles Klein; adaptation, Robert Lord.

THE LION HUNT. U. F. A., Germany. 1927. 1 reel.

Credits: Editor, Edward Bowes.

THE LION HUNT. (Terry Toons) Presented by E. W. Hammons. 1938. 1 reel, sd.

Credits: Paul Terry, Mannie Davis, music, Philip A. Scheib.

A LION HUNT WITH JAY BRUCE. 1928. 1 reel.

THE LION HUNTER. 1914. 1 reel.

Credits: Director, E. A. Martin.

A LION IN THE HOUSE. 1919. 2 reels.

LION LOVE. 1925. 2 reels.

Credits: Director, Benjamin Stoloff; story, Murray Roth.

Credits: Director, Albert Russell.

1. The Flames of Hate. © 12Nov19; LP14425.

2. The Rope of Death. © 14Nov19; LP14431.

3. The Kidnappers. © 25Nov19; LP14474.

4. A Devilish Device. © 31Dec19; LP14628.

5. In the Lion's Den. © 31Dec19; LP14641.

6. The House of Horrors. © 31Dec19; LP14666.

7. Doomed. © 30Jan20; LP14698.

8. The Dungeon of Despair. © 9Feb20; LP14730.

9. Sold into Slavery. © 9Feb20; LP14729.

10. The Perilous Plunge. © 16Feb20; LP14753.

11. At the Mercy of Monsters. © 19Feb20; LP14768.

12. The Jaws of Destruction. © 28Feb20; LP14806.

13. When Hell Broke Loose. © 4Mar20; LP14853.

14. Desperate Deeds. © 11Mar20; LP14885.

15. The Furnace of Fury. © 18Mar20; LP14911.

16. The Relentless Renegades. © 26Mar20; LP14934.

17. In Cruel Clutches. © 1Apr20; LP14951.

18. In the Nick of Time. © 10Apr20; LP14995.

LION PAWS AND LADY FINGERS. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

A LION SPECIAL. 1919. 2 reels.

Credits: Director, Jim Davis.

THE LION TAMER. (Amos 'n' Andy, no. 2) 1934. 1 reel, sd.

Credits: Animation, George Stallings.

THE LION TRAP. SEE Midnight Madness.

LIONEL ATWILL IN THE ACTOR'S ADVICE TO HIS SON. (Movietone Number) 1928. 1 reel, sd.

Credits: Director, Thomas H. Chalmers.

A LION'S ALLIANCE. Century. 1920. 2 reels.

Credits: Written and directed by Fred Fishback.

LIONS AND LADIES. 1919. 2 reels.

Credits: Director, Frank Griffin.

THE LION'S BREATH. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey; story, Ruth Snyder; scenario, Al. E. Christie.

THE LION'S CLAWS. Universal Special. 1918. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Blaine Pearson; directors, Jacques Jaccard, Harry Harvey.

1. A Woman's Honor. © 1Mar18; LP12140.

2. Beasts of the Jungle. © 1Mar18; LP12141.

3. The Net of Terror. © 18Mar18; LP12195.

4. A Woman's Scream. © 27Mar18; LP12239.

5. The Secret Document. © 9Apr18; LP12287.

6. The Dungeon of Terror. © 18Apr18; LP12319.

7. Quicksand. © 29Apr18; LP12355.

8. Into the Harem. © 7May18; LP12397.

9. The Human Pendulum. © 14May18; LP12422.

10. The Escape Thru the Flames. © 17May18; LP12437.

11. Caught in the Coils. © 3Jun18; LP12499.

12. The Spies' Cave. © 13Jun18; LP12553.

13. In Disguise. © 22Jun18; LP12599.

14. Hell Let Loose. © 25Jun18; LP12604.

15. The Bridge of the Beast. © 2Jul18; LP12626.

16. The Jungle Pool. © 12Jul18; LP12657.

17. The Well of Horror. © 22Jul18; LP12681.

18. The Doom of Rej Hari. © 27Jul18; LP12711.

THE LION'S DEN. 1919. 5 reels.

Credits: Story, Frederick Orin Bartlett; adaptation and direction, George D. Baker.

THE LION'S FRIEND. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1934. 1 reel, sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

LION'S JAWS AND KITTEN'S PAWS. Century. 1920. 2 reels.

Credits: Written and directed by W. H. Watson.

THE LION'S LAIR. 1917. 2 reels.

Credits: Story and direction, W. B. Pearson; scenario, George Hively.

THE LION'S MATE. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, Emma Bell.

THE LION'S ROAR. 1928. 2 reels, sd.

Credits: Story and direction, Mack Sennett.

THE LION'S WARD. Bison. 1915. 3 reels.

Credits: Producer, Norval McGregor; scenario, James Dayton.

THE LION'S WAY. SEE King of the Jungle.

LIPTON AND TERRELL IN THE HUMAN MUSIC BOX. 1928. 1 reel.

LIQUID DYNAMITE. Rex. 1915. 1 reel.

Credits: Producer, Cleo Madison; story, Joe King; scenario, Olga P. Clark.

Credits: Written and directed by A. M. Kennedy.

LISTEN CHILDREN. (Hamilton Comedies) 1928. 2 reels.

Credits: Written and directed by Norman Taurog.

LISTEN, DARLING. 1938. 8 reels, sd., b&w. From the story by Katherine Brush.

Credits: Producer, Jack Cummings; director, Edwin L. Marin; screenplay, Elaine Ryan, Anne Morrison Chapin; film editor, Blanche Sewell; music score, William Axt; music director, Georgie Stoll.

LISTEN LADY. (Columbia-Victor Gems) 1929. 1 reel, sd.

Credits: Director, Basil Smith.

LISTEN LENA. (Educational-Mermaid Comedy) 1927. 2 reels.

Credits: Production and supervision. Jack White; director, Clem Beauchamp.

LISTEN SISTER. (Lupino Lane Comedies) 1928. 2 reels.

Credits: Director, James Jones.

LISTEN TO FREEZIN! 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; story and direction, Al. Boasberg; film editor, Edward Mann.

LISTEN TO LUCAS. Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Milton Hocky.

LISTENING IN. 1935. 1 reel, sd.

THE LITTLE ACCIDENT. 1930. 9 reels, sd. & si. From the play by Floyd Dell and Thomas Mitchell.

Credits: Director, William James Craft; screenplay and adaptation, Gladys Lehman.

LITTLE ACCIDENT. 1939. 8 reels, sd. Developed from the play by Floyd Dell and Thomas Mitchell.

Credits: Producer and director, Charles Lamont; screen story, Paul Yawitz; original screenplay, Paul Yawitz, Eve Greene; film editor, Frank Gross.

THE LITTLE ADVENTURESS. De Mille Pictures Corp. Presented by John C. Flinn. Released by Producers Distributing Corp. 1927. 7 reels. From the play "The Dover Road" by A. A. Milne.

Credits: Producer and director, William De Mille; adaptation and continuity, Clara Beranger.

THE LITTLE ADVENTURESS. 1938. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, Michael L. Simmons, Paul Jarrico; screenplay, Michael L. Simmons; film editor, Al Clark; music director, Morris Stoloff.

THE LITTLE AFFAIR. SEE Der Kleine Seitensprung.

LITTLE ALIENS. SEE The New Teacher.

THE LITTLE AMERICAN. 1917. 6 reels.

Credits: Director, Cecil B. De Mille; story, Jeanie MacPherson.

LITTLE ANGEL. SEE A Lady of Chance.

THE LITTLE ANGEL OF CANYON CREEK. 1914. 5 reels.

Credits: Director, Rollin S. Sturgeon.

LITTLE ANNIE ROONEY. 1925. 10 reels.

Credits: Story, Catherine Hennessey.

LITTLE ANNIE ROONEY. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer; animation, Seymour Kreitel, Berny Wolf.

A LITTLE ATLANTIS. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

THE LITTLE BANTAMWEIGHT. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., color.

Credits: Hugh Harman, Rudolf Ising.

LITTLE BEAU PORKY. (Looney Tunes) 1936. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Frank Tash; animation, Robert Bentley, Nelson Demorest; music director, Carl W. Stalling.

LITTLE BEEZER. Presented by Foy Productions, Ltd. 1931. 1 reel, sd.

Credits: Harry Sauber; director, Bryan Foy; editor, William Austin.

THE LITTLE BIG HOUSE. 1930. 2 reels, sd.

Credits: Director, Sig Neufeld.

LITTLE BIG SHOT. 1935. 8 reels, sd.

Credits: Director, Michael Curtiz; story, Harrison Jacobs; screenplay, Jerry Wald, Julius J. Epstein, Robert Andrews; dialogue director, Frank McDonald; film editor, Jack Killifer; music and lyrics, Mort Dixon, Allie Wrubel; music director, Leo F. Forbstein.

THE LITTLE BIG TOP. (Frolics of Youth) Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Director, Alf Goulding; story Glen Lambert.

LITTLE BILLY IN NO QUESTIONS ASKED. 1930. 1 reel.

LITTLE BILLY, THE FLAMING YOUTH. 1929. 1 reel; sd.

LITTLE BILLY'S SCHOOL DAYS. 1916. 1 reel.

A LITTLE BIRD TOLD ME. (Burt Gillett's Toddle Tales) Released by RKO Radio. 1934. 1 reel.

Credits: Directors, Burt Gillett, James Tyer.

A LITTLE BIT OF EVERYTHING. SEE Eddie Quillan and Family in A Little Bit of Everything.

A LITTLE BIT OF FLUFF. SEE Skirts.

LITTLE BLONDE IN BLACK. Laemmle. 1915. 2 reels.

Credits: Scenario and production, Robert Leonard; story, Julius G. Furthmann.

LITTLE BLUE BLACKBIRD. (A Walter Lantz Cartune) 1938. 1 reel.

Credits: Director, Patrick Lenihan; story, Victor McLeod; animation, Merle Gilson, Verne Harding.

LITTLE BO-PEEP. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; directors, Noel and Richard Smith.

A LITTLE BOSS. 1919. 5 reels.

Credits: Director, David Smith; story, Rida Johnson Young; scenario, John B. Clymer.

LITTLE BOY BLUE. 1916. 1 reel. From the poem by Eugene Field.

Credits: Production and adaptation, Rupert Julian.

LITTLE BOY BLUE. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1933. 530 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Phillip A. Scheib.

LITTLE BOY BLUE. (Miniature) 1936. 1 reel, sd., b&w. Based on the poem by Eugene Field.

Credits: Director, Harold S. Bucquet.

THE LITTLE BOY SCOUT. 1917. 5 reels.

Credits: Director, Francis J. Grandon; story, Charles Sarver.

THE LITTLE BROADCAST. 1933. 1 reel, sd.

A LITTLE BROTHER OF THE RICH. Broadway U. 1915. 5 reels. Based on the book by Joseph Medill Patterson.

Credits: Producer, Otis Turner; adaptation, Hobart Bosworth.

A LITTLE BROTHER OF THE RICH. 1919. 6 reels. From the novel by Joseph Medill Patterson.

Credits: Scenario and direction, Lynn F. Reynolds.

LITTLE BROTHER OF THE WILD. (A Bray Nature Special) Presented by Bray Studios. 1927. 1 reel.

LITTLE BROTHER RAT. (Merrie Melodies) 1939. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Charles M. Jones; story, Rich Hogan; animation. Bob McKimson; music director, Carl W. Stalling.

THE LITTLE BROWN MOLE. Black Cat. 1916. 31 min.

Credits: Edward T. Lowe, Jr.; director, Charles E. Ashley.

THE LITTLE BROWN RUG. SEE Falling Water Valley.

LITTLE BROWNIE'S BRAVERY. Powers. 1916. 1 reel.

Credits: L. Caulfield; director, C. S. Elfelt.

LITTLE BUCK CHEESER. 1937. 1 reel, sd., color.

Credits: Hugh Harman, Rudolf Ising.

THE LITTLE BUCKAROO. Released by F. B. O. Pictures Corp. 1928. 5 reels.

Credits: Director, Louis King; story and continuity, Frank Howard Clark.

THE LITTLE BUCKAROO. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1938. 574 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

THE LITTLE BUGLER. 1914. 1 reel.

Credits: Director, R. T. Thornby.

LITTLE CAESAR. First National and Vitaphone. 1930. 8 reels, sd. Based on the novel by W. R. Burnett.

Credits: Director, Mervyn LeRoy; screen version and dialogue, Francis Edwards Faragoh; continuity, Robert N. Lee.

THE LITTLE CAPTAIN. 1914. 1 reel.

Credits: Director, Tefft Johnson.

LITTLE CHAMPS. (News World of Sports) 1936. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

LITTLE CHEESER. (Happy Harmonies) 1936. 1 reel, sd., color.

Credits: Hugh Harman, Rudolph Ising.

THE LITTLE CHEVALIER. 1917. 4 reels. Based on the novel by M. E. M. Davis.

Credits: Director, Alan Crosland; scenario, E. Clement d'Art.

LITTLE CHURCH AROUND THE CORNER. 1923. 6 reels. From the play by Marion Russell.

Credits: Director, William A. Seiter; original story, continuity, and adaptation, Olga Printzlau.

THE LITTLE CLOWN. 1921. 5 reels. From the play by Avery Hopwood.

Credits: Director, Thomas N. Heffron; scenario, Eugene B. Lewis.

THE LITTLE COLONEL. 1935. 7,345 ft., sd. Based on the novel by Annie Fellows Johnston.

Credits: Director, David Butler; screenplay and adaptation, William Conselman; music, Arthur Lange.

LITTLE COMRADE. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels. Adapted from "The Two Benjamins" by Juliet Wilbor Tompkins.

Credits: Director, Chester Withey; scenario, Alice Eyton.

LITTLE COMRADE. SEE On Dangerous Ground.

LITTLE COVERED WAGON. 1930. 2 reels.

Credits: Director, Sig Neufeld.

LITTLE DADDY. (Our Gang Comedies) Presented by Hal Roach. 1931. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

THE LITTLE DEARS. National Film Corp. of America. Presented by Smiling Bill Parsons. 1920. 2 reels.

Credits: Director, William A. Seiter; story, Robert McGowan.

THE LITTLE DECEIVER. 1915. 3 reels.

Credits: H. S. Sheldon.

THE LITTLE DETECTIVE. 1915. 1,000 ft.

Credits: Director, Stuart Paton; story and scenario, Emma Bell Clifton.

THE LITTLE DIVORCEE. 1930. 2 reels, sd.

Credits: Director, Sig Neufeld.

THE LITTLE DOLLS' DRESSMAKER. 1915. 2 reels.

Credits: Director, Wilfrid North.

Credits: Director, Harley Knoles; story, Julia Burnham.

LITTLE DUTCH MILL. 1934. 1 reel, sd.

Credits: Animation, Willard Bowsky, David Fendlar.

THE LITTLE DUTCH PLATE. (Merrie Melodies) 1936. 1 reel.

Credits: Animation, Paul Smith, Bob Clampett; music, Norman Spencer.

THE LITTLE DUTCH TULIP GIRL, 1929. 1 reel. From the book by Madeline Brandeis.

LITTLE EGYPT. 1920. 1 reel.

LITTLE EGYPT MALONE. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, W. E. Mair.

THE LITTLE EOHIPPUS. SEE Bransford in Arcadia.

LITTLE EVA ASCENDS. 1922. For S-L (Arthur Sawyer and Herbert Lubin) Pictures. 5 reels. From the Saturday Evening Post story by Thomas Beer.

Credits: Producer and director, George D. Baker.

LITTLE EVE EDGARTON. 1916. 5 reels. From the novel by Eleanor Hallowell Abbott.

Credits: Directed and adapted by Robert Z. Leonard.

THE LITTLE FAT RASCAL. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Vin Moore.

LITTLE FELLER. (An Oddity) 1934. 732 ft., sd., b&w.

Credits: E. A. Brininstool; director, Jack Cummings.

Credits: Director, Charles Hutchison; adaptation, Frederick Chapin.

A LITTLE FLAT IN THE TEMPLE. SEE Devotion.

THE LITTLE FLOWER OF JESUS, SAINT THÉRÈSE OF LISIEUX. 1938. 9 reels. Based on her autobiography "The Story of a Soul."

Credits: Director, Georges Chaperot.

THE LITTLE FOOL. Presented by C. E. Shurtleff, Inc. 1921. 6 reels. From the novel "The Little Lady of the Big House" by Jack London.

Credits: Director, Philip E. Rosen; scenario, Mary Parro, Edward Lowe, Jr.

THE LITTLE 'FRAID LADY. 1920. 6 reels. From the novel "The Girl Who Lived in the Woods" by Marjorie Benton Cooke.

Credits: Director, John G. Adolfi; screenplay, Joseph W. Farnham.

THE LITTLE FRAUD. Victor. 1916. 1 reel.

Credits: Elizabeth R. Carpenter; producer, Lucius Henderson.

THE LITTLE FRENCH GIRL. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 5,628 ft. From the novel by Anne Douglas Sedgwick.

Credits: Producer, Herbert Brenon; screenplay, John Russell.

LITTLE FRIEND. 1934. 9 reels, sd. Based on the novel by Ernst Lothar.

Credits: Associate producer, Robert Stevenson; direction and adaptation, Berthold Viertel; scenario and dialogue, Margaret Kennedy, Christopher Isherwood; film editor, Ian Dalrymple.

THE LITTLE GAME HUNTER. (Aesop Fable, 413) 1929. 1 reel.

Credits: Paul Terry.

THE LITTLE GIANT. Universal-Jewel. 1925. 7 reels.

Credits: Director, William Nigh; story, Hugh McNair Kahler.

THE LITTLE GIANT. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels, sd.

Credits: Director, Roy Del Ruth; original screenplay, Robert Lord, Wilson Mizner.

A LITTLE GIRL IN A BIG CITY. 1925. 6 reels. From the play by James K. MacCurdy.

Credits: Director, Burton King; supervision, Lon Young; scenario and continuity, Victoria Moore.

THE LITTLE GIRL NEXT DOOR. 1916. 6 reels.

THE LITTLE GIRL NEXT DOOR. 1923. 6 reels.

Credits: Director, W. S. Van Dyke; story, Louis Weadock.

THE LITTLE GIRL OF THE ATTIC. Laemmle. 1915. 2 reels.

Credits: Producer, Frank Lloyd; scenario, Calder Johnstone.

THE LITTLE GIRL THAT HE FORGOT. 1914. 5 reels.

THE LITTLE GIRL WITH BIG IDEAS. 1934. 3 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvas, Eddie Moran, Cyrus Wood.

THE LITTLE GOLDFISH. (An M-G-M Cartoon) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer, Rudolph Ising; music, Scott Bradley.

THE LITTLE GRAY MOUSE. Imp. 1916. 2 reels.

Credits: Catherine Carr; producer, J. Winthrop Kelley.

THE LITTLE GREY MOUSE. 1920. 5 reels. From the story by Barbara La Marr Deely.

Credits: Director, James Patrick Hogan.

THE LITTLE GYPSY. 1915. 5 reels.

Credits: Producer, Oscar Apfel; adaptation, Mary Murillo, Oscar Apfel.

LITTLE HIAWATHA. (Walt Disney Silly Symphony) 1937. 1 reel, sd., color.

THE LITTLE HOBO. 1914. 1 reel.

Credits: Producer, Oscar Eagle.

THE LITTLE INDIAN WEAVER. 1929. 1 reel.

Credits: Director, Oscar Apfel; story, H. S. Sheldon; scenario, Clara S. Beranger.

THE LITTLE IRISH GIRL. 1926. 7 reels. From the story "The Grifters" by C. D. Lancaster.

Credits: Director, Roy Del Ruth; adaptation, Darryl Francis Zanuck.

LITTLE ITALY. 1921. 5 reels.

Credits: Director, George Terwilliger; story, Frederic and Fanny Hatton.

LITTLE JACK HORNER. (Strange As It Seems) Screen Classics, Inc. 1937. 1 reel, sd.

Credits: John Hix; supervision and direction, Leonard M. Poole; music, Lee Zahler.

LITTLE JACK LITTLE. 1934. 1 reel, sd.

LITTLE JACK LITTLE & ORCHESTRA. 1936. 1 reel, sd.

Credits: Director, Joseph Henabery.

THE LITTLE JACK LITTLE REVUE. 1934. 1 reel, sd.

THE LITTLE JADE CASKET. SEE Le Coffret de Jade.

LITTLE JOHNNY JONES. 1923. 7 reels. Based on the dramatico-musical composition by George M. Cohan.

Credits: Directors, Arthur Rosson and Johnny Hines; adaptation, Raymond L. Schrock.

LITTLE JOHNNY JONES. Vitaphone. 1929. 8 reels. From the play by George M. Cohan.

Credits: Director, Mervyn LeRoy; screen version, Adelaide Heilbron, Eddie Buzzell.

LITTLE JOHNNY JONES. Trailer. 1929. 1 reel.

A LITTLE JOURNEY. 1927. 7 reels. From the play by Rachel Crothers.

Credits: Producer and director, Robert Z. Leonard; screenplay, Albert Lewin; film editor, William LeVanway.

LITTLE JOURNEYS IN SCENIC JAPAN. Powers. 1916. 1/2 reel.

LITTLE JOURNEYS IN THE FROZEN NORTH; NOME, ALASKA. Powers. 1916. 1/2 reel.

LITTLE KAINTUCK. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

THE LITTLE KING. SEE

Art for Art's Sake.

The Cactus King.

Jolly Good Felons.

Pals.

A Royal Good Time.

Sultan Pepper.

THE LITTLE LADY ACROSS THE WAY. Imp. 1915. 2 reels.

Credits: M. B. Havey; producer, Matt Moore.

THE LITTLE LADY OF THE BIG HOUSE. SEE The Little Fool.

LITTLE LAMBY. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

LITTLE LEDNA. SEE Big Time.

LITTLE LION HUNTER. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Charles M. Jones; story, Robert Givens; animation, Philip Monroe; music director, Carl W. Stalling.

LITTLE LORD FAUNTLEROY. 1921. 10 reels. From the novel by Frances Hodgson Burnett.

Credits: Directors, Alfred E. Green, Jack Pickford; scenario, Bernard McConville.

LITTLE LORD FAUNTLEROY. Released through United Artists. 1936. 97 min., sd. From the novel by Frances Hodgson Burnett.

Credits: Producer, David O. Selznick; director, John Cromwell; screenplay, Hugh Walpole; film editor, Hal C. Kern; music score, Max Steiner.

THE LITTLE LOST SHEEP. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1939. 636 ft., sd.

Credits: Story, Allen Rose; animation, Harry Love, Louie Lilly; music, Joe De Nat.

LITTLE LOST SISTER. 1917. 5 reels.

Credits: Director, Alfred Green; story, Virginia Brooks.

THE LITTLE MADONNA. 1914. 1 reel.

Credits: Director, Ulysses Davis.

THE LITTLE MAESTRO. (A Tabloid Musical) 1937. 1 reel, sd., b&w.

Credits: Director, Joseph Sherman; screenplay, Jean Plannette.

LITTLE MAN WHAT NOW? Presented by Carl Laemmle. 1934. 10 reels, sd. From the novel by Hans Fallada [pseud. of Rudolf Ditzen].

Credits: Director, Frank Borzage; screenplay, William Anthony McGuire; film editor, Milton Carruth.

LITTLE MARIANA'S TRIUMPH. (Star Featurette) 1917. 2 reels.

Credits: Director, Marshall Stedman; story, J. B. Shillingford; scenario, Nan Blair.

THE LITTLE MASCOT. Rex. 1916. 2 reels.

Credits: H. C. Matthews.

THE LITTLE MATCH GIRL. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1937. 756 ft., sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

LITTLE ME. 1937. 20 min., sd.

Credits: Cyrus Wood, Jack Henley; director, Roy Mack.

LITTLE MEENA'S ROMANCE. 1916. 5 reels.

Credits: Director, Paul Powell; story, F. M. Pierson.

LITTLE MEN. Presented by Nat Levine. 1934. 8 reels, sd. Based on the novel by Louisa May Alcott.

Credits: Supervision, Ken Goldsmith; director, Phil Rosen; screenplay, Gertrude Orr; editor, Joseph Kane; music director, Hugo Riesenfeld.

LITTLE MICKEY GROGAN. Released by F. B. O. Pictures Corp. 1927. 6 reels.

Credits: Director, Leo Meehan; original story, Arthur Guy Empey; continuity, Dwight Cummins; adaptation, Dorothy Yost.

THE LITTLE MINISTER. 1921. 6 reels. From the novel and play by Sir James M. Barrie.

Credits: Director, Penrhyn Stanlaws; adaptation, Edfrid Bingham.

THE LITTLE MINISTER. 1921. 6 reels. From the novel by James M. Barrie.

Credits: Director, David Smith; scenario, C. Graham Baker, Harry Dittmar.

THE LITTLE MINISTER. 1934. 11 reels, sd. Based on the novel by Sir James M. Barrie.

Credits: Producer, Pandro S. Berman; director, Richard Wallace; screenplay, Jane Murfin, Sarah Y. Mason, Victor Heerman; additional scenes, Mortimer Offner, Jack Wagner; editor, William Hamilton; music, Max Steiner.

THE LITTLE MINISTER. SEE The Story of the Little Minister.

LITTLE MISS BLUEBEARD. SEE Miss Bluebeard.

LITTLE MISS BOUNTIFUL. 1914. 1 reel.

Credits: Written and produced by Walter Clarke Bellows.

LITTLE MISS BROADWAY. 1938. 6,435 ft., sd.

Credits: Director, Irving Cummings; original screenplay, Harry Tugend, Jack Yellen; music director, Louis Silvers.

LITTLE MISS BY-THE-DAY. SEE The Stolen Kiss.

LITTLE MISS EVERYBODY. SEE Zelda Santley, Little Miss Everybody.

LITTLE MISS FORTUNE. 1917. 5 reels.

Credits: Director, Joseph Levering; story, Clarence J. Harris.

LITTLE MISS HAPPINESS. 1916. For the Fox Film Corp. 5 reels.

Credits: Director, John G. Adolfi; original story and scenario, Clarence J. Harris.

LITTLE MISS HAWKSHAW. 1921. 5 reels, b&w, tinted sequences.

Credits: Story and direction, Carl Harbaugh.

LITTLE MISS HOLLYWOOD. Century. 1923. 2 reels.

LITTLE MISS HOOVER. Paramount. Presented by Adolph Zukor. 1918. 5 reels. From the novel "The Golden Bird" by Maria Thompson Daviess.

Credits: Director, John S. Robertson; scenario, Adrian Gil-Spear.

LITTLE MISS MAKE-BELIEVE. 1914. 1 reel.

LITTLE MISS MARKER. 1934. 9 reels, sd. From a story by Damon Runyon.

Credits: Producer, B. P. Schulberg; director, Alexander Hall; screenplay, William R. Lipman, Sam Hellman, Gladys Lehman; music, Ralph Rainger, Leo Robin.

LITTLE MISS MISCHIEF. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

LITTLE MISS MISCHIEF. The Vitaphone Corp. 1934. 1 reel, sd.

Credits: Director, Howard Milton; editor, Bert Frank.

LITTLE MISS NO-ACCOUNT. 1918. 5 reels.

Credits: Director, William P. S. Earle; story, Edward P. Smaney; scenario, A. Van Buren Powell.

LITTLE MISS NOBODY. 1917. 5 reels.

Credits: Alfred Solman, Robert F. Roden; director, Harry Millarde; scenario, John C. Brownell.

LITTLE MISS NOBODY. 1936. 6,620 ft., sd. Based on the story "The Matron's Report" by Frederick Hazlitt Brennan.

Credits: Director, John Blystone; screenplay, Lou Breslow, Paul Burger, Edward Eliscu; music director, Samuel Kaylin.

LITTLE MISS OPTIMIST. 1917. 5 reels.

Credits: Director, Robert Thornby; scenario, Gardiner Hunting.

LITTLE MISS REBELLION. Paramount. 1920. 5 reels.

Credits: Director, George Fawcett; story, Harry Carr; scenario, Wells Hastings.

LITTLE MISS ROUGHNECK. 1938. 6 reels, sd.

Credits: Director, Aubrey Scotto; story, Fred Niblo, Jr., Grace Neville; screenplay, Fred Niblo, Jr., Grace Neville, Michael L. Simmons; film editor, James Sweeney; music director, Morris Stoloff.

LITTLE MISS SMILES. 1922. 5 reels.

Credits: Director, Jack Ford; story, Myra Kelly; adaptation, Jack Strumwasser, Dorothy Yost; scenario, Dorothy Yost.

LITTLE MISS THOROUGHBRED. 1938. 8 reels.

Credits: Director, John Farrow; story, Albert DeMond; screenplay, Albert DeMond, George Bricker.

THE LITTLE MISSIONARY. Black Cat. 1917. 28 min.

Credits: Edward T. Lowe, Jr.; director, Richard Foster Baker.

LITTLE MR. FIXER. Laemmle. 1915. 1 reel.

Credits: Story, M. De La Parelle; scenario and production by Frank Lloyd.

LITTLE MOCCASINS. Bison, 1917. 2 reels.

Credits: Harvey Gates; director, Millard K. Wilson.

A LITTLE MORE. SEE The Gilded Highway.

LITTLE MOTHER. (Hal Roach Our Gang Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Production, direction, and story, Robert McGowan; editor, Richard Currier.

THE LITTLE MOTHER OF THE HILLS. SEE Fate's Boomerang.

LITTLE MOTH'S BIG FLAME. (A Color Rhapsody) Released by Columbia Pictures Corp. 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; director, Sid Marcus; animation, Art Davis, Herb Rothwill; music, Joe de Nat.

LITTLE NEW NEW YORK. (Vagabond-Ace High Series, no. 3) Presented by RKO Radio Pictures. 1935. 1 reel, sd.

LITTLE NOBODY. (Betty Boop Cartoon) 1936. 1 reel, sd.

LITTLE NOR'WESTER. Victor. 1915. 3 reels.

Credits: Elaine Sterne; producer, Lucius Henderson.

LITTLE OL' BOSKO AND THE CANNIBALS. 1937. 1 reel, sd., color.

Credits: Hugh Harman, Rudolph Ising.

LITTLE OL' BOSKO AND THE PIRATES. 1937. 731 ft., sd., color.

Credits: Hugh Harman, Rudolph Ising.

LITTLE OL' BOSKO IN BAGDAD. 1937. 1 reel, sd., color.

Credits: Hugh Harman, Rudolf Ising.

LITTLE OLD NEW YORK. 1923. 11 reels. Adapted from the play by Rida Johnson Young.

Credits: Adaptation, Luther Reed.

LITTLE OLD NEW YORK. (Do You Remember) 1932. 1 reel.

Credits: Miller and Lehr.

THE LITTLE ORPHAN. 1917. 5 reels.

Credits: Director, Jack Conway; scenario, Bess Meredyth, E. J. Clawson.

LITTLE ORPHAN ANNIE. 1932. 7 reels, sd. Based upon a comic strip of Harold Gray and Al Lowenthal.

Credits: Executive producer, David O. Selznick; director, John Robertson; screenplay, Wanda Tuchock, Tom McNamara; music director, Max Steiner.

LITTLE ORPHAN ANNIE. Presented by Adolph Zukor. 1938. 6 reels, sd. Based on the comic strip character as created by Harold Gray.

Credits: Director, Ben Holmes; story, Samuel Ornitz, EndrÉ Bohem; screenplay, Budd Wilson Schulberg, Samuel Ornitz.

A LITTLE OUIJA WORK. 1918. 1 reel.

Credits: Director, Graham Baker; story, A. Van Buren Powell.

LITTLE PANCHO VANILLA. (Merrie Melodies) 1938. 1 reel, sd.

Credits: Story, Ted Pierce; animation, Bob McKimson.

LITTLE PAPA. (Hal Roach Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

THE LITTLE PARISIAN LAGARDERE. SEE The Hunchback.

LITTLE PARTNER. Universal Special: 1916. 3 reels.

Credits: Director, William Worthington; story, James Dayton; scenario, Calder Johnstone.

LITTLE PATRIOT. SEE The Volunteer.

LITTLE PEOPLE. (An Oddity) 1935. 1 reel, sd., b&w.

Credits: Director, Harold S. Bucquet; story, John C. Higgins.

LITTLE PEOPLE IN FUR. 1915.

Credits: Raymond L. Ditmar.

THE LITTLE PEST. Bluebird. 1926. 1 reel.

Credits: Director, Jay Belasco.

THE LITTLE PEST. 1931. 1 reel.

Credits: Dick Heumor.

LITTLE PIONEER. (Broadway Brevity) 1937. 19 min., sd., color.

Credits: Director, Bobby Connolly; original story and screenplay, Anthony Coldeway.

THE LITTLE PIRATE. Butterfly. 1917. 5 reels.

Credits: Director, Elsie Jane Wilson; story, Nora Shannon; scenario, Elliott J. Clawson.

A LITTLE PRINCESS. 1917. 5 reels. Adapted from the novel by Frances Hodgson Burnett.

Credits: Director, Marshall Neilan; adaptation, Frances Marion.

THE LITTLE PRINCESS. 1939. 8,644 ft., sd. Based on the novel by Frances Hodgson Burnett.

Credits: Director, Walter Lang; screenplay, Ethel Hill, Walter Ferris; music director, Louis Silvers.

THE LITTLE PRINCESS OF SONGS. SEE Sylvia Froos in The Little Princess of Songs.

A LITTLE PRIVACY. SEE Fighting Mad.

THE LITTLE PROSPECTOR. 1915. 1 reel.

THE LITTLE RANGER. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; screenplay, Hal Law, Robert McGowan.

THE LITTLE RASCAL. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

THE LITTLE REBEL'S SACRIFICE. Big U. 1917. 1 reel.

Credits: Director, Francis Ford.

THE LITTLE RED HEN. 1934. 1 reel, sd.

LITTLE RED RIDING HOOD. 1917. 500 ft.

LITTLE RED RIDING HOOD, 1921. 1 reel.

Credits: Mrs. J. C. Blanton (Elma Osborn Blanton).

LITTLE RED RIDING HOOD. (A Dinky Doodle Cartoon) 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

LITTLE RED RIDING HOOD. Special Century. Presented by Julius Stern. 1925. 2 reels.

Credits: Director, Alf Goulding.

THE LITTLE RED SCHOOLHOUSE. 1923. 6 reels.

Credits: Director, John G. Adolfi; scenario, James Hamilton.

THE LITTLE RED SCHOOLHOUSE. 1936. 7 reels, sd.

Credits: Director, Charles Lamont; story and screenplay, Paul Perez.

LITTLE RED WALKING HOOD. (Merrie Melodies) 1937. 1 reel.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Cal Howard; animation, Irven Spence; music score, Carl W. Stalling.

LITTLE ROBINSON CRUSOE. 1924. 6 reels.

Credits: Supervision, Jack Coogan, Sr.; story and scenario, Willard Mack; editor, Irene Morra.

LITTLE ROVER. (Color Rhapsody) Presented by Columbia Pictures Corp. 1935. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

THE LITTLE RUBE. (Dorothy Devore Comedy) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

THE LITTLE RUNAWAY. 1918. 5 reels.

Credits: Director, William P. S. Earle; story, Paul West; scenario, George H. Plympton.

THE LITTLE RUNAWAYS. 1915. 1 reel.

THE LITTLE SALESLADY. 1915. 1,000 ft.

Credits: Mark Swan; director, Edward C. Taylor.

THE LITTLE SAMARITAN. 1916. 2 reels.

Credits: Harry Beaumont.

THE LITTLE SAVAGE. 1924. 2 reels.

Credits: Director, Ernst Laemmle; story and scenario, George Morgan.

THE LITTLE SAVAGE. 1929. 6 reels.

Credits: Director, Louis King; story and continuity, Frank Howard Clark; film editor, George Marsh.

THE LITTLE SCAPEGOAT. 1915. 1 reel.

THE LITTLE SHEPHERD OF BARGAIN ROW. 1916. 5 reels. From the novel by Howard McKent Barnes.

THE LITTLE SHEPHERD OF KINGDOM COME. 1920. 6 reels. From the novel by John Fox, Jr.

Credits: Director, Wallace Worsley; scenario, Elliott Clawson.

THE LITTLE SHEPHERD OF KINGDOM COME. Presented by Richard A. Rowland. 1928. 8 reels. Based on the novel by John Fox, Jr.

Credits: Producer and director, Alfred Santell; adaptation and continuity, Bess Meredyth.

THE LITTLE SHERIFF. 1914. 1 reel.

Credits: Director, George C. Stanley; story, H. J. Thurston, H. H. Staley.

LITTLE SHOES. 1917. 5 reels.

Credits: Eleanor M. Ingram; director, Arthur Berthelet; arranged by Edward T. Lowe, Jr.

LITTLE SINNER. (Hal Roach Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

THE LITTLE SLAVEY. 1915. 1 reel.

THE LITTLE SNOB. 1928. 6 reels.

Credits: Director, John G. Adolfi; story, Edward T. Lowe, Jr.; adaptation, Robert Lord.

A LITTLE SOAP AND WATER. (Betty Boop Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Edward Nolan.

LITTLE SPECK IN GARNERED FRUIT. 1917. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice; adaptation, Will Courtney.

THE LITTLE STRANGER. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Dave Tendlar, Eli Brucker.

THE LITTLE STRATEGIST. (Paula Blackton's Country Life Stories) 1917. 2 reels.

Credits: Director, J. Stuart Blackton.

THE LITTLE STRAW WIFE. 1915. 3 reels.

Credits: Margaret Belle Houston.

THE LITTLE SWISS WOOD-CARVER. 1929. 1 reel. From the book by Madeline Brandeis.

THE LITTLE TEACHER. 1915.

Credits: Producer, Mack Sennett.

THE LITTLE TERROR. 1917. 5 reels.

Credits: Written and directed by Rex Ingram.

LITTLE TOUGH GUYS IN SOCIETY. 1938. 8 reels, sd.

Credits: Producer, Max Golden; director, Erle C. Kenton; original screenplay, Edward Eliscu, Mortimer Offner; film editor, Bernard W. Burton.

LITTLE TOUGH MICE. (A Walter Lantz Cartune) 1939. 1 reel.

Credits: Director, Alex Lovy; story, Vic McLeod; animation, Dick Marion, Ralph Somerville.

THE LITTLE TRAIL. (Krazy Kat Cartoon) Winkler. 1930. 1 reel, sd. Adapted from George Herriman's famous cartoon characters.

Credits: Animation, Ben Harrison, Manny Gould; musical score, Joe De Nat.

THE LITTLE TRESPASSER. 1915. 1 reel.

Credits: Director, C. J. Williams.

THE LITTLE UPSTART. Laemmle. 1915. 3 reels.

Credits: Harvey Gates; producer, E. J. LeSaint.

A LITTLE VOLUNTEER. 1916. 3 reels.

Credits: H. S. Sheldon; director, L. C. Windom.

THE LITTLE WANDERER. 1920. 5 reels.

Credits: Director, Howard M. Mitchell; story and scenario, Denison Clift.

THE LITTLE WARRIOR. Mustang. 1926. 2 reels.

Credits: Director, John B. O'Brien; story and scenario, William Lester.

THE LITTLE WHITE GIRL. (Do Children Count?) 1917. 25 min.

Credits: Charles Mortimer Peck; director, Richard Foster Baker.

LITTLE WHITE LIES. 1933. 1 reel, sd.

Credits: Director, Glen Lambert; story, A. Dorian Otvos, Jack Henley.

THE LITTLE WHITE SAVAGE. 1919. 5 reels.

Credits: Director, Paul Powell; story, Francis Nimmo Green; scenario, Waldemar Young.

THE LITTLE WHITE VIOLET. Victor. 1915. 2 reels.

Credits: Olga Printzlau Clark; producer, Lucius G. Henderson.

THE LITTLE WIDOW. 1919. 1,913 ft.

Credits: Supervision, Mack Sennett; directors, Mal St. Clair, Bert Roach.

LITTLE WILDCAT. 1922. 5 reels.

Credits: Director, David Divad; story, Gene Wright.

THE LITTLE WILDCAT. 1928. 7 reels, sd.

Credits: Director, Ray Enright; story, Gene Wright; adaptation, Edward T. Lowe, Jr.

THE LITTLE WILDCAT. Announcement Trailer. 1928. 1 reel.

LITTLE WOMEN. Paramount-Artcraft Special. Presented by William A. Brady. 1919. 6 reels. From the story by Louisa M. Alcott.

Credits: Director, Harley Knoles; scenario, Anne Maxwell.

LITTLE WOMEN. 1933. 12 reels, sd. From the novel by Louisa M. Alcott.

Credits: Associate producer, Kenneth MacGowan; director, George Cukor; screenplay, Sarah Y. Mason, Victor Heerman; editor, Jack Kitchin.

THE LITTLE YELLOW HOUSE. 1928. 7 reels. From the novel by Beatrice Burton Morgan.

Credits: Director, Leo Meehan; adaptation, Dorothy Yost; continuity, Charles Kerr.

THE LITTLEST DIPLOMAT. 1938. 2 reels.

Credits: Story and direction, Bobby Connolly; screenplay, George Bricker.

THE LITTLEST MAGDALENE. 1916. 3 reels.

Credits: Watkins Eppes Wright; director, Burton George.

THE LITTLEST REBEL. 1935. 6,618 ft., sd. From the play by Edward Peple.

Credits: Director, David Butler; screenplay, Edwin Burke; music director, Cyril Mockridge.

THE LITTLEST SCOUT. (Country Life Series) 1919. 5 reels.

Credits: Written and directed by Paula Blackton.

LIVE AND LEARN. (Manhattan Comedies) 1930. 2 reels, sd.

Credits: Producer, E. B. Derr; director, Fred Guiol; story, Monte Carter, Fred Guiol; film editor, John Link; music director, Josiah Zuro.

LIVE AND LET LIVE. 1921. 6 reels.

Credits: Written and directed by William Christy Cabanne; adaptation, H. Tipton Steck.

LIVE AND LET LIVE. Ford Motion Picture Laboratories. 1922. [Produced] in cooperation with Detroit Police Department. 1 reel.

LIVE COWARDS. (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

THE LIVE GHOST. (Hal Roach Comedy) (Laurel and Hardy Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Charles Rogers; film editor, Louis McManus.

LIVE, LOVE, AND LEARN. 1937. 8 reels, sd., b&w. Suggested by a story by Helen Grace Carlisle.

Credits: Producer, Harry Rapf; director, George Fitzmaurice; original story, Marion Parsonnet; screenplay, Charles Brackett, Cyril Hume, Richard Maibaum; film editor, Conrad A. Nervig; music score, Edward Ward.

LIVE NEWS. (Tuxedo Comedies) 1927. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

THE LIVE WIRE. Presented by C. C. Burr. 1925. 8 reels. From "The Game of Light" by Richard Washburn Child.

Credits: Director, Charles Hines.

A LIVE WIRE HICK. 1920. 5 reels. From "New York Luck" by Charles T. and Frank Dazey.

Credits: Director, Henry King.

LIVE WIRES. 1921. 5 reels.

Credits: Director, Edward Sedgwick; story, Edward Sedgwick, Charles E. Cooke; scenario. Jack Strumwasser.

LIVE WIRES. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Alfred T. Goulding.

LIVE WIRES AND LOVE SPARKS. 1916. 3 reels.

LIVES IN PERIL. (Your True Adventures) 1939. 11 min., sd.

Credits: Director, Joseph Henabery; screenplay, Burnet Hershey.

THE LIVES OF A BENGAL LANCER. Presented by Adolph Zukor. 1935. 11 reels, sd. From the book by Francis Yeats-Brown.

Credits: Producer, Louis D. Lighton; director, Henry Hathaway; screenplay, Waldemar Young, John L. Balderston, Achmed Abdullah; adaptation, Grover Jones, William Slavens McNutt.

LIVES OF THE JUNGLE. 1915. 1 reel.

Credits: Producer, L. W. Chaudet; scenario, Emma Bell.

THE LIVID FLAME. 1914. 2,000 ft.

Credits: Producer, F. J. Grandon.

THE LIVING BOOK OF NATURE. 1917. 1 reel.

THE LIVING CELL. 1929. 1 reel.

THE LIVING CORPSE. SEE The Weakness of Man.

LIVING DANGEROUSLY. Presented by Associated British Picture Corp., Ltd. 1936. 6 reels, sd. Adapted from the play by Reginald Simpson and Frank Gregory.

Credits: Director, Herbert Brenon; scenario, Dudley Leslie, Marjorie Deans; additional dialogue, Geoffrey Kerr; film editor, Flora Newton.

THE LIVING DEAD. Alliance Films. 1934. 7 reels, sd. From a play by Wallace Geoffrey.

Credits: Director, Thomas Bentley; adaptation and scenario, Frank Miller; film editor, Walter Stokvis.

THE LIVING DEATH. SEE The Weakness of Man.

LIVING JEWELS. (Struggle to Live Series, no. 6) 1936. 1 reel.

THE LIVING LIE. Laemmle. 1916. 3 reels.

Credits: Producer, Leon D. Kent; scenario, F. McGrew Willis.

LIVING NATURAL HISTORY. 1925-27. 1 reel each. © Raymond Lee Ditmars.

1. Anthropoid Apes. © 30Apr25; MP2971.

2. New World Monkeys. © 30Apr25; MP2972.

3. Old World Monkeys. © 30Apr25; MP2973.

4. Cat Animals. © 30Apr25; MP2974.

5. Bears. © 30Apr25; MP2975.

6. Canines and Smaller Carnivores. © 30Apr25; MP2976.

7. Miscellaneous Carnivores, Seals. © 30Apr25; MP2977.

8. Smaller Rodents. © 30Apr25; MP2978.

9. The Larger Rodents. © 30Apr25; MP2979.

10. The Prairie Dog and the Beaver. © 30Apr25; MP2980.

11. Deer. © 30Apr25; MP2981.

12. Bovines, Sheep, Goats, and Antelopes. © 30Apr25; MP2982.

13. Miscellaneous Ungulates, Giraffes, Hippos, Camels, and Wild Swine. © 30Apr25; MP2983.

14. Odd Toed Ungulates and Elephants. © 30Apr25; MP2984.

15. Chiroptera, Insectivora, Edentata. © 30Apr25; MP2985.

16. Marsupials, Kangaroos, and Opossums. © 30Apr25; MP2986.

17. Australian Marsupials, Monotremes. © 30Apr25; MP2987.

18. Perching Birds and Birds of Prey. © 30Apr25; MP2988.

19. Aquatic Birds, Pelicans, Cormorants, Anseriformes. © 30Apr25; MP2989.

20. Miscellaneous Birds. © 30Apr25; MP2990.

21. Various Orders and Wingless Types. © 30Apr25; MP2991.

22. The Viperine Serpents. © 30Apr25; MP2992.

23. The Larger Serpents. © 30Apr25; MP2993.

24. New and Old World Harmless Serpents. © 30Apr25; MP2994.

25. Colubrine Poisonous Serpents. © 30Apr25; MP2995.

26. New World Lizards. © 30Apr25; MP2996.

27. Old World Lizards. © 30Apr25; MP2997.

28. Crocodilians, Turtles and Tortoises. © 30Apr25; MP2998.

29. Toads and Frogs. © 30Apr25; MP2999.

30. The Tailed Amphibians. © 30Apr25; MP3000.

31. Insects, Neuroptera, Odonata, Homoptera. © 30Apr25; MP3001.

32. Insects, Hemiptera, Orthoptera. © 30Apr25; MP3002.

33. Insects, Coleoptera, Lepidoptera. © 30Apr25; MP3003.

34. Transformations of Butterflies and Moths. © 30Apr25; MP3004.

35. Moths. © 30Apr25; MP3005.

36. Hymenoptera and Diptera. © 30Apr25; MP3006.

37. Millipedes, Centipedes, and Spiders. © 30Apr25; MP3007.

38. American Web Spinning Spiders. © 30Apr25; MP3008.

39. The Depths of the Sea. Episode A. © 29Sep27; MP4342.

40. The Depths of the Sea. Episode B. © 29Sep27; MP4343.

41. The Depths of the Sea. Episode C. © 29Sep27; MP4344.

42. The Depths of the Sea. Episode D. © 29Sep27; MP4345.

THE LIVING NECKLACE. SEE In a Serpent's Coils.

LIVING ON LOVE. 1937. 61 min., sd. From a novel by John Wells.

Credits: Director, Lew Landers; screenplay, Franklyn Coen; editor, Harry Marker.

LIVING ON VELVET. Presented by First National Productions Corp. and the Vitaphone Corp. 1935. 8 reels.

Credits: Producer and director, Frank Borzage; story and screenplay, Jerry Wald, Julius Epstein.

THE LIVING PIN. SEE La Vivante Épingle.

LIZA ANN. SEE In Walked Mary.

LIZZIE AND THE BEAUTY CONTEST. Nestor. 1915. 2 reels.

Credits: Scenario and production. Al. E. Christie.

LIZZIE BREAKS INTO THE HAREM. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

LIZZIE STRATA. 1933. 1 reel.

Credits: Supervision, direction, and dialogue, Albert De Mond.

LIZZIE'S LINGERING LOVE. 1916. 3 reels.

LIZZIE'S SHATTERED DREAMS. 1915. 1 reel.

LIZZIE'S WATERLOO. Nestor. 1919. 1 reel.

Credits: Director, P. C. Hartigan; story, Orin C. Jackson; scenario, Walker H. Newman.

LIZZIE'S WATERY GRAVE. 1915. 1 reel.

THE LLANO KID. 1939. 8 reels, sd. Based on the story "Double-Dyed Deceiver" by O. Henry [pseud. of William Sydney Porter].

Credits: Producer, Harry Sherman; director, Edward D. Venturini; screenplay, Wanda Tuchock.

LLOYD'S OF LONDON. 1936. 10,650 ft., sd.

Credits: Director, Henry King; story, Curtis Kenyon; screenplay, Ernest Pascal, Walter Ferris; music director, Louis Silvers.

LO, THE POOR INDIAN. 1914. 1 reel.

Credits: Carlton S. King; director, C. Jay Williams.

Credits: Scenario, Gilson Willets.

LOADED DICE. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Josephine Dodge; continuity, Carl Krusada.

THE LOADED DOOR. 1922. 5 reels.

Credits: Director, Harry Pollard; story, Ralph Cummins; scenario, George Hively.

LOAFERS AND LOVERS. 1920. 2 reels.

Credits: Story and direction, Melville Brown.

THE LOAN SHARK KING. 1914. 1 reel.

Credits: Director, Van Dyke Brooke.

LOBO, THE DOG OF DOGS. 1930. 1 reel.

LOCAL BOY MAKES GOOD. 1931. 7 reels, sd. Suggested by the play "The Poor Nut" by J. C. Nugent and Elliott Nugent.

Credits: Director, Mervyn LeRoy; adaptation, Robert Lord, Raymond Griffith, Ray Enright.

LOCAL COLOR. 1913. 2 reels.

Credits: Director, Ned Finley.

LOCAL COLOR. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

LOCAL COLOR. Black Cat. 1917. 29 min.

Credits: Director, Harry Beaumont; story, Charles J. McGuirk.

LOCAL TALENT. (A Life Cartoon Comedy) 1927. 1 reel.

Credits: Director, Tefft Johnson.

THE LOCKED DOOR. United Artists. Presented by Joseph M. Schenck. 1929. 8 reels, sd. Based on the play "The Sign on the Door" by Channing Pollock.

Credits: Producer and director, George Fitzmaurice; scenario, C. Gardner Sullivan; dialogue, George Scarborough.

LOCKED DOORS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels.

Credits: Written and adapted by Clara Beranger.

THE LOCKED HOUSE. 1914. 1 reel.

Credits: Director, George D. Baker.

LOCKED IN. 1915. 1 reel.

Credits: Producer, George Nicholls; story, Frank X. Finnegan.

LOCKED LIPS. 1920. 5 reels.

Credits: Director, William C. Dowlan; story, Clifford Howard; scenario, Violey Clark.

LOCKED OUT. Metro-Drew. 1917. 1 reel.

Credits: Blanche King; producer, Sidney Drew.

LOCKED OUT. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Dick Smith.

LOCKED OUT. SEE The Girl in His Room.

LOCKS AND BONDS. (Kennedy, no. 4) 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, George Jeske; film editor, John Lockert.

LOCO LUCK. (Blue Streak Western) 1926. 5 reels. From the story "The Eyes Win" by Alvin J. Neitz.

Credits: Director, Clifford S. Smith.

THE LODGE IN THE WILDERNESS. 1926. 6 reels. From the novel by Sir Gilbert Parker.

Credits: Director, Henry McCarty.

LODGE NIGHT. 1930. 1 reel.

LODGE NIGHT. 1937. 2 reels, sd.

Credits: Associate producer, Jules White; director, Preston Black; story and screenplay, Ewart Adamson; film editor, Charles Hochberg.

LODGINGS FOR TWO. 1915. Split reel.

Credits: Pomeroy Owen; director, Charles Ranson.

A LOFTY MARRIAGE. Presented by Century Comedies. 1924. 2 reels.

THE LOG OF THE BREMEN. SEE Winging West.

LOGGING ALONG. 1936. 1 reel.

Credits: Written and compiled by DeLeon Anthony; commentator, Eddie Acuff.

LOIS WILSON AND EDWARD EVERETT HORTON IN MISS INFORMATION; WITH ALLAN SEARS. 1928. 1 reel.

Credits: Hugh Herbert; director, Bryan Foy.

LOLA. SEE Without a Soul.

LOLA, THE RAT. 1914. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillord.

LOMBARDI, LTD. Presented by Screen Classics, Inc. 1919. 7 reels. From the Oliver Morosco stage success by Frederic and Fanny Hatton.

Credits: Director general, Maxwell Karger; director, Jack Conway; adaptation and scenario, June Mathis.

LON OF LONE MOUNTAIN. Rex. 1915. 1 reel.

Credits: Producer, Joseph De Grasse; scenario, Ida May Park.

LONDON. Paramount. Presented by British National Pictures, Ltd. 1927. 5,584 ft.

Credits: Director, Herbert Wilcox; original story, Thomas Burke.

LONDON. (Eastman Classroom Films) 1935. 1 reel.

LONDON AFTER MIDNIGHT. 1927. 7 reels, sd., b&w. From Tod Browning's original story "The Hypnotist."

Credits: Producer and director, Tod Browning; scenario, Waldemar Young; film editor, Harry Reynolds; titles, Joe Farnham.

LONDON BY NIGHT. 1937. 7 reels, sd., b&w. From a play by Will Scott.

Credits: Producer, Sam Zimbalist; director, William Thiele; screenplay, George Oppenheimer; film editor, George Boemler; music score, William Axt.

LONDON—CITY OF TRADITION. (James A. FitzPatrick's Traveltalks) 1932. 1 reel.

Credits: Photographer, Frank Goodliffe.

THE LONE AVENGER. World Wide. Presented by E. W. Hammons. 1933. 61 min., sd.

Credits: Director, Alan James; story and continuity, Forrest Sheldon, Betty Burbridge.

THE LONE BANDIT. Presented by Empire Film Distributors. 1935. 6 reels, sd.

Credits: Supervision, Robert Curwood; director, J. P. McGowan; story, Buck Parsons; continuity, Ralph Cusumano.

THE LONE CHANCE. 1924. 5 reels, b&w., tinted sequences.

Credits: Director, Howard Mitchell; story, Frederick Jackson; scenario, Charles Kenyon.

LONE COWBOY. 1933. 8 reels. Suggested by Will James' Book.

Credits: Written and directed by Paul Sloane; adaptation, Agnes Brand Leahy, Bobby Vernon.

THE LONE EAGLE. Universal Jewel. 1927. 6 reels.

Credits: Director, Emory Johnson; original story, Howard Blanchard; adaptation, Emilie Johnson; continuity, John Clymer.

LONE GAME. 1915. 1,000 ft.

Credits: Mary Rider; director, Edward C. Taylor.

THE LONE HAND. 1919. 2 reels.

Credits: Director, George Holt; story, Arthur Gooden.

THE LONE HAND. 1922. 5 reels.

Credits: Director, Reeves Eason; story, Ralph Cummins; scenario, A. P. Younger.

LONE HAND SAUNDERS. Released by F.B.O. 1926. 6 reels.

Credits: Director, B. Reeves Eason; story, Frank M. Clifton; scenario, Del Andrews.

THE LONE HORSEMAN. 1922. 5 reels.

Credits: Written and directed by Fred Caldwell.

LONE LARRY. Bison. 1917. 2 reels.

Credits: Director, Henry McRae; story, Grant Carpenter; scenario, Helen Starr.

LONE LARRY. 1924. 2 reels.

THE LONE MOUNTIE. (Krazy Kat) Presented by Columbia Pictures Corp. 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love, Louie Lilly; music, Joe de Nat.

THE LONE PRAIRIE. Mustang. 1926. 2 reels.

Credits: Director, Lew Collins; story, Phelps Decker; continuity, George Morgan.

THE LONE RANGER. 1920. 2 reels.

Credits: Director, Mack V. Wright; story, Louis D. Lighton; scenario, Hope Loring.

THE LONE RANGER. (Western Featurette) 1927. 2 reels.

Credits: Director, Walter Fabian; story and continuity, Arthur Henry Gooden.

THE LONE RANGER. 1938. 2 reels each, sd. Based on the serial by Fran Striker.

Credits: Associate producer, Sol C. Siegel; directors, William Witney, John English; original screenplay, Barry Shipman, Franklyn Adreon, Ronald Davidson, Lois Eby, George Worthington Yates; music director, Alberto Colombo; film editors, Helene Turner, Edward Todd.

THE LONE RANGER. SEE Lone Ranger Rides Again.

THE LONE RANGER RIDES AGAIN. 1939. 2 reels each, sd. Based on the radio serial "The Lone Ranger" by Fran Striker.

Credits: Associate producer, Robert Beche; directors, William Witney, John English; original screenplay, Franklyn Adreon, Ronald Davidson, Sol Shor, Barry Shipman; film editors, Helene Turner, Edward Todd; music director, William Lava.

1. The Lone Ranger Returns.

2. Masked Victory.

3. The Black Raiders Strike.

4. The Cavern of Doom.

5. Agents of Deceit.

6. The Trap.

7. Lone Ranger at Bay.

8. Ambush.

9. Wheels of Doom.

10. The Dangerous Captive.

11. Death Below.

12. Blazing Peril.

13. Exposed.

14. Besieged.

15. Frontier Justice.

THE LONE RIDER. 1929. 2 reels.

Credits: Director, Walter Fabian.

THE LONE RIDER. Beverly Pictures Corp. 1930. 6 reels, sd.

Credits: Director, Louis King; story, Frank H. Clark; adaptation and dialogue, Forest Sheldon; film editor, Jimmy Sweeney.

THE LONE ROUND-UP. 1924. 2 reels.

Credits: Director, Ernst Laemmle; story and continuity, Arthur H. Gooden.

THE LONE SHARK. (Krazy Kat cartoon) 1929. 1 reel.

Credits: Animation, Ben Harrison, Manny Gould.

THE LONE STAR. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story and continuity, William Lester.

LONE STAR PIONEERS. 1939. 6 reels, sd.

Credits: Director, Joseph Levering; original screenplay, Nate Gatzert; film editor, Dwight Caldwell.

THE LONE STAR RANGER. 1919. 6 reels. Based on the novel by Zane Grey.

Credits: Director, J. Gordon Edwards; scenario, Charles Kenyon.

THE LONE STAR RANGER. 1923. 6 reels, b&w., tinted sequences. Based on the story by Zane Grey.

Credits: Direction and scenario, Lambert Hillyer.

THE LONE STAR RANGER. Presented by William Fox. 1929. 7 reels, sd. Based on the story by Zane Grey.

Credits: Producer, A. F. Erickson; scenario, Seton I. Miller; dialogue, John Hunter Booth.

THE LONE STAR STRANGER. 1931. 960 ft., sd.

Credits: William K. Wells; director, Eddie Buzzell.

THE LONE STAR TRAIL. 1936. 1 reel, sd.

THE LONE STARVED RANGER. 1931. 2 reels.

Credits: Director, Harold Schwartz; story and dialogue, Mauri Grashin, Lloyd French, Harold Schwartz.

THE LONE STRANGER AND PORKY. (Looney Tunes) 1938. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Robert Clampett; animation, I. Ellis, Robert Cannon; music director, Carl W. Stalling.

THE LONE WOLF. Selznick-Pictures. 1917. 8 reels. From the novel by Louis Joseph Vance.

Credits: Producer and director, Herbert Brenon; scenario, George Edwards Hall.

THE LONE WOLF IN PARIS. 1938. 7 reels. Based on a story by Louis Joseph Vance.

Credits: Director, Albert S. Rogell; screenplay, Arthur T. Horman; film editor, Otto Meyer; music director, Morris Stoloff.

THE LONE WOLF RETURNS. 1926. 6 reels. From the novel by Louis Joseph Vance.

Credits: Director, Ralph Ince.

THE LONE WOLF RETURNS. 1936. 7 reels, sd. From the novel by Louis Joseph Vance.

Credits: Director, Roy William Neill; screenplay, Joseph Krumgold, Bruce Manning, Lionel Houser; film editor, Viola Lawrence.

THE LONE WOLF SPY HUNT. 1939. 8 reels, sd. Based on a story by Louis Joseph Vance.

Credits: Director, Peter Godfrey; screenplay, Jonathan Latimer; editor, Otto Meyer; music director, M. W. Stoloff.

THE LONE WOLF'S DAUGHTER. 1929. 7 reels.

Credits: Producer, Jack Cohn; director, Albert S. Rogell; story, Louis Joseph Vance; screenplay, Seigfried Herzig.

THE LONELIES. 1916. 1 reel.

Credits: Director, Wilfrid North.

LONELINESS. SEE A Woman Alone.

THE LONELY FISHERMAN. 1915. 1,000 ft.

Credits: Written and produced by Wilbert Melville.

Credits: Producer, Fred W. Huntley.

LONELY LAPLAND. (U. F. A. Oddity) 1928. 1 reel.

LONELY LOVERS. 1915. 2 reels.

Credits: Director, E. A. Martin.

THE LONELY PRINCESS. 1913. 1 reel.

Credits: Director, Maurice Costello.

A LONELY ROAD. 1913. 1 reel.

Credits: Y. Spinner.

THE LONELY ROAD. First National. Presented by B. P. Schulberg. 1923. 6 reels.

Credits: Director, Victor L. Schertzinger; story, Charles Logue; adaptation, Lois Zellner.

THE LONELY TRAIL. 1936. 6 reels.

Credits: Producer, Nat Levine; supervision, Paul Malvern; director, Joseph Kane; original story, Bernard McConville; screenplay, Bernard McConville, Jack Natteford.

LONELY WIVES. 1931. 10 reels, sd., b&w. From the stage success by A. H. Woods.

Credits: Producer, E. B. Derr; director, Russell Mack; story and dialogue, Walter DeLeon; film editor, Joseph Kane; musical direction, Francis Gromon.

LONESOME. Jewel. 1928. 7 reels.

Credits: Director, Paul Fejos; story, Mann Page; adaptation and continuity, Edward T. Lowe, Jr.

LONESOME BABIES. (A Skylark Comedy) 1928. 2 reels.

Credits: Story and direction, Robert B. McKenzie.

THE LONESOME CHAP. 1917. 5 reels.

Credits: Director, E. J. Le Saint; story, Emma Rochelle Williams; scenario, Harvey Gates.

LONESOME GHOSTS. (A Walt Disney Mickey Mouse) 1937. 1 reel, sd.

THE LONESOME GIRL. (James Montgomery Flagg's Girls You Know) 1918. 1 reel.

Credits: Director, Jack Eaton.

LONESOME HEARTS AND LOOSE LIONS. 1919. 2 reels.

Credits: Director, W. H. Watson.

LONESOME HOUSE. Big U. 1916. 1 reel.

Credits: Producer, George Cochrane; story and scenario, Calder Johnstone; theme, D. M. Robinson.

LONESOME LADIES. 1927. 6 reels.

Credits: Producer, Ray Rockett; director, Joseph Henabery; story, Lenore Coffee; scenario, Winifred Dunn.

LONESOME LUCK. 1923. 2 reels.

Credits: Director, William Craft; story and scenario, George Pyper.

THE LONESOME ROAD. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Dave Smith; adaptation, Will Courtney.

THE LONESOME TRAIL. 1914. 1,000 ft. Based on the book by B. M. Bower [pseud. of Bertha Muzzy Sinclair].

Credits: Producer, Colin Campbell.

LONESOME TRAILER. 1936. 2 reels, sd.

Credits: Director, Ralph Staub; story and screenplay, Joe Traub.

LONESOMENESS. Laemmle. 1916. 1 reel.

Credits: Written and produced by Lynn Reynolds.

THE LONG AND SHORT OF IT. 1913. 1 reel.

Credits: Charles M. Seay.

THE LONG CHANCE. Broadway Universal. 1915. 6 reels.

Credits: Producer, Ed. LeSaint; story, Peter B. Kyne; scenario, Harvey Gates.

THE LONG CHANCE. 1918. 5 reels. From the novel by Peter B. Kyne.

Credits: Director, E. J. LeSaint; scenario, Harvey Gates.

THE LONG CHANCE. 1922. 5 reels. From the story by Peter B. Kyne.

Credits: Director, Jack Conway; scenario, Ray Shrock.

THE LONG COUNT. (Krazy Kat) 1928. 1 reel. Based on cartoons by George Herriman.

Credits: Ben Harrison, Manny Gould; producer, Charles B. Mintz.

THE LONG GREEN TRAIL. Black Cat. 1917. 30 min.

Credits: H. Tipton Steck; director, Harry Beaumont.

LONG HOSE. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Sig Herzig.

Credits: Technical director, John E. Roberts; story by the surgical director of the clinic; titles, David R. Solomon.

LONG LIVE THE KING. 1923. 10 reels. Based on the story by Mary Roberts Rinehart.

Credits: Director, Victor Schertzinger; scenario, Eve Unsell; adaptation, C. Gardner Sullivan, Eve Unsell.

THE LONG, LONG TRAIL. 1929. 6 reels. From the novel "The Ramblin' Kid" by Earl W. Bowman.

Credits: Director, Arthur Rosson; continuity, Howard Green.

LONG LOST FATHER. 1934. 7 reels, sd. From the novel by G. B. Stern.

Credits: Associate producer, Kenneth MacGowan; director, Ernest B. Schoedsack; screenplay, Dwight Taylor; editor, Paul Weatherwax; music director, Max Steiner.

LONG PANTS. Harry Langdon Corp. 1927. 6 reels.

Credits: Director, Frank Capra; story, Arthur Ripley; adaptation, Robert Eddy.

THE LONG SEARCH. Special Big U. 1916. 1 reel.

LONG SHOT. Presented by Franklyn Warner. 1939. 7 reels, sd.

Credits: Associate producer and director, Charles Lamont; original story, Harry Beresford, George Callaghan; screenplay, Ewart Adamson; editor, Bernard Loftus; music director, Hal Findley.

THE LONG TRAIL. 1917. 5 reels.

Credits: Director, Howell Hansell; story, Eve Unsell.

THE LONG WAY. 1914. 3 reels. An adaptation from the novel by Mary Imlay Taylor.

Credits: Director, Charles J. Brabin.

THE LONG WHITE TRAIL. 1918. Split reel.

THE LONGER VOYAGE. 1915. 1 reel.

Credits: Ruby Ayres.

THE LONGEST NIGHT. 1936. 5 reels, sd., b&w. From the novel "The Whispering Window" by Cortland Fitzsimmons.

Credits: Producers, Lucien Hubbard, Samuel Marx; director, Errol Taggart; screenplay, Robert Andrews; film editor, Robert J. Kern; music score, Edward Ward.

LOOK AT THE FIGURES. 1936. For the Charis Corp. 1 reel.

LOOK FOR THE SILVER LINING. 1934. 3 reels, sd. Based on Ziegfeld's musical comedy "Sally" by Jerome Kern and Guy Bolton.

Credits: Director, Roy Mack; adaptation, Cyrus Wood.

THE LOOK OF EAGLES. SEE Kentucky.

LOOK OUT. (Cameo Comedy) 1925. 1 reel.

LOOK OUT BELOW. (A Fistical Culture Comedy) 1926. 2 reels.

Credits: William H. Cook; director, Albert Herman; adaptation and titles, Joseph Basil.

LOOK OUT BELOW. (Educational-Jack White Talking Comedy) 1929. 18 min. sd.

Credits: Supervision, Jack White; director, Stephen Roberts.

LOOK OUT—BUSTER! (Stern Brothers Comedy) 1926. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Gus Meins.

LOOK OUT FOR LOVE. 1938. 8 reels, sd.

Credits: Producer and director, Herbert Wilcox; story, Ray Lewis; scenario, Florence Tranter, Monckton Hoffe; editor, Fred Wilson.

LOOK PLEASANT. (Stern Brothers Comedy) (Let George Do It Series) 1928. 2 reels. From the cartoons by George McManus.

Credits: Director, Gus Meins.

LOOK PLEASANT PLEASE. (Star Comedy) 1921. 1 reel.

Credits: Producer, Craig Hutchinson; scenario, Scott Darling.

LOOK YOUR BEST. 1923. 6 reels.

Credits: Direction and continuity, Rupert Hughes.

LOOKING DOWN. Century. 1924. 2 reels.

Credits: Written and directed by Jess Robbins.

LOOKING 'EM OVER. Nestor. 1917. 1 reel.

Credits: Director, Ray Clements; story, Eddie Lyons, Lee Moran; scenario, Frederick A. Palmer.

LOOKING FOR A CAMP SITE. SEE Roosevelt Brazilian Expedition.

LOOKING FOR TROUBLE. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Robert North Bradbury; story, Stephen Chalmers; scenario, George Hively.

LOOKING FOR TROUBLE. Presented by Joseph M. Schenck. Released through United Artists. 1934. 8 reels, sd.

Credits: Producer, Darryl F. Zanuck; director, William Wellman; story, J. R. Bren; screenplay, Leonard Praskins, Elmer Harris; film editor, Pete Fritch; music director, Alfred Newman.

LOOKING FOR TROUBLE. (Adventures of the Newsreel Cameraman) 1936. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr.

LOOKING FORWARD. 1933. 9 reels, sd., b&w. From the play "Service" by C. L. Anthony [pseud. of Dorothy Gladys Smith].

Credits: Producer and director, Clarence Brown; screenplay, Bess Meredyth; film editor, Hugh Wynn.

THE LOOMIS TWINS OFFER: A. TELLIN' THE BIRDS [and others]. 1927. 1 reel.

LOONEY LIONS AND MONKEY BUSINESS. Century. 1919. 2 reels.

Credits: Director, Vin Moore.

A LOONEY LOVE AFFAIR. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; story, Neal Burns; scenario, Al. Christie.

LOONY BALLOONISTS. 1936. 605 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

LOOPING THE LOOP. UFA. 1929. 6,676 ft., si. & 6,769 ft., sd.

Credits: Director, Arthur Robinson; screenplay, Arthur Robinson, Robert Liebmann.

LOOPS! MY DEAR. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Bert Gilroy; story, Harry Sweet, Hugh Cummings, Burgess Bell; film editor, Floyd Knudtson.

LOOSE ANKLES. Trailer. 1929. 1 reel, sd.

LOOSE ANKLES. 1930. 7 reels, sd. From the play by Sam Janney.

Credits: Director, Ted Wilde; continuity and dialogue, Gene Towne.

LOOSE CHANGE. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Harold Beaudine; story, Sig Herzig.

LOOSE ENDS. 1930. 9 reels, sd. From the play by Dion Titheradge.

Credits: Director, Norman Walker; film edited by S. Simmonds under the supervision of Emile de Ruelle.

LOOSE LIONS. Century. 1920. 2 reels.

Credits: Written and directed by William H. Watson.

LOOSE LIONS AND FAST LOVERS. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

LOOSE NUTS. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, Hal Conklin.

LOOSE RELATIONS. 1933. 20 min.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Ewart Adamson.

LOOSER THAN LOOSE. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

LOOT. 1919. 6 reels. Based on the story by Arthur Somers Roche.

Credits: Director, William C. Dowlan; scenario, Violet Clark; editor, Frank Lawrence, Violo Mallory.

LOOT. SEE Gray Ghost.

THE LOOTERS. (Western Featurette) 1928. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Basil Dickey.

LORD AND LADY ALGY. 1919. 6 reels. Founded on the play by R. C. Carton [pseud. of Richard Claude Critchett].

Credits: Director, Harry Beaumont.

LORD BARRINGTON'S ESTATE. Victor. 1915. 3 reels.

Credits: Produced by William C. Dowlan; story by Leonora Dowlan; scenario by James Dayton.

LORD BYRON ON BROADWAY. 1930. 9 reels, sd., b&w. From the novel by Nell Martin.

Credits: Directors, William Nigh, Harry Beaumont; dialogue and continuity, Crane Wilbur, Willard Mack; film editor, Anne Bauchens; music, Nacio Herb Brown.

LORD CHUMLEY. 1914.

LORD CHUMLEY. SEE Forty Winks.

LORD JEFF. Presented by Metro-Goldwyn-Mayer. 1938. 9 reels, sd., b&w.

Credits: Producer, Frank Davis; director, Sam Wood; story, Bradford Ropes, Val Burton, Endre Bohem; screenplay, James Kelvin McGuinness; film editor, Frank E. Hull; music score, Edward Ward.

LORD JIM. Paramount. 1925. 7 reels. From the story by Joseph Conrad.

Credits: Producer and director, Victor Fleming; screenplay, George C. Hull.

LORD JOHN'S JOURNAL. Gold Seal. 1915-16. 3 reels each, except no. 1 which is 4 reels. © Universal Film Mfg. Co., Inc.

Credits: Robert Lusk; producer, Edward J. LeSaint; story, C. N. Williamson, A. M. Williamson; scenario and adaptation, Harvey Gates.

1. Lord John in New York. © 6Dec15; LP7161.

2. The Gray Sisterhood. © 28Dec15; LP7308.

3. Three-Fingered Jenny. © 24Jan16; LP7492.

4. The Eye of Horus. © 21Feb16; LP7684.

5. The League of the Future. © 27Mar16; LP7927.

THE LORDS OF HIGH DECISION. Red Feather. 1916. 5 reels. Adapted from the novel by Meredith Nicholson.

Credits: Adaptation, William H. Lippert.

THE LORD'S REFEREE. SEE The Blue Eagle.

THE LORELEI. 1913. 1 reel. Adapted from the song and legend.

THE LORELEI. (Paul Terry-Toons) 1931. 6 min., sd.

Credits: Frank Moser, Paul Terry.

LORELEI. SEE Sirens of the Sea.

THE LORELEI MADONNA. 1915. 3 reels.

Credits: Director, Rollin S. Sturgeon.

LORENZINO DE' MEDICI. 1935. 10 reels, sd.

Credits: Screenplay, G. Smith; music, U. Mancini.

LORNA DOONE. 1915. 2 reels.

LORNA DOONE. 1922. 8 reels. From the story by R. D. Blackmore.

Credits: Producer and director, Maurice Tourneur; adaptation, Maurice Tourneur, Wyndham Gittens.

LORRAINE HOWARD AND FLORENCE NEWTON IN WEDDING BELLES. 1930. 1 reel, sd.

LORRAINE OF THE LIONS. Jewel. 1925. 7 reels.

Credits: Director, Frank Sedgwick; story, Isadore Bernstein, Karl Crusada.

LOS ANGELES EXAMINER. 1914. 1 reel.

LOS ANGELES—WONDER CITY OF THE WEST. (A FitzPatrick Traveltalk) 1935. 1 reel, sd.; color.

Credits: Compiler, James A. FitzPatrick; music, Nathaniel Shilkret; photographer, Wilfred E. Cline.

THE LOSER WINS. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein; continuity, Carl Krusada.

THE LOSING FIGHT. 1914. 1,000 ft.

Credits: Written and produced by Colin Campbell.

THE LOSING GAME. 1915. 3 reels.

LOSING WEIGHT. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

LOSING WEIGHT. 1920. 1 reel.

Credits: Director, Lawrence Semon; scenario, Lawrence Semon, Graham Baker.

THE LOSING WINNER. Victor. 1917. 2 reels.

Credits: Director, Carter De Haven; story, H. C. Warnack; scenario, Charles J. Wilson, Jr.

LOST, A PAIR OF SHOES. 1914. 1 reel.

Credits: Harry Beaumont.

LOST—A WIFE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,420 ft. From the adaptation by Clare Kummer of the play "Banco" by Alfred Savoir.

Credits: Producer, William De Mille; screenplay, Clara Beranger.

LOST AND FOUND. 1917. 2 reels.

Credits: Written and directed by Al Green.

LOST AND FOUND. SEE Dinky Doodle in Lost and Found.

LOST AND FOUND ON A SOUTH SEA ISLAND. 1923. 7 reels.

Credits: Director, R. A. Walsh; story, Carey Wilson; scenario, Paul Bern.

LOST AND FOUNDERED. (H. C. Witwer Record Breaker Series) 1930. 2 reels.

Credits: Director, Phil Whitman; story, John Gray, Scott Darling.

LOST AND FOUNDRY. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Abner Matthews.

LOST AND WON. Released by Paramount Pictures Corp. 1917. 5 reels.

Credits: Margaret Turnbull; producer, James Young; director general, Cecil B. De Mille; story, Channing Pollock, Rennold Wolf.

THE LOST APPETITE. Nestor. 1917. 1 reel.

Credits: Frederick A. Palmer, C. B. Hoadley; director, Louis William Chaudet.

THE LOST ART OF MINDING ONE'S BUSINESS. SEE The Reformers.

LOST AT SEA. 1926. 7 reels. Suggested by the story "The Mainspring" by Louis Joseph Vance.

Credits: Producer, Phil Goldstone; director, L. J. Gasnier; scenario, Esther Shulkin; film editor, James C. McKay.

LOST AT THE FRONT. Presented by John McCormick. 1927. 6 reels.

Credits: Director, Del Lord; story and production, Frank Griffin; scenario, Hampton Del Ruth.

Credits: Director, G. W. Pabst; music director, Wolfgang Zeller.

THE LOST BATTALION. 1919. 8 reels.

Credits: Scenario, Charles Logue.

THE LOST CHICK. (Happy Harmonies) 1935. 932 ft., sd., b&w.

Credits: Hugh Harman, Rudolph Ising.

THE LOST CHORD. 1924. 7 reels. Based on the song by Sir Arthur Sullivan.

Credits: Adapted and directed by Wilfred Noy.

Credits: Producer, William N. Selig; director, E. A. Martin; story, Frederic Chapin.

LOST CONTROL. Century. 1924. 2 reels.

THE LOST CORD. 1914. 1 reel.

Credits: Director, Wilfrid North.

THE LOST CORD. 1925. 1 reel.

Credits: Director, Dick Smith.

THE LOST DEED. 1913. 1 reel.

Credits: Alice M. Yolton.

LOST ECSTASY. SEE I Take This Woman.

THE LOST EMPRESS. SEE Secrets of the French Police.

Credits: Story, Frederick B. Bennett; adaptation, J. P. McGowan.

THE LOST GAME. SEE Law of the Underworld.

THE LOST GOD, SEE The Sea God.

LOST HORIZON. 1937. 14 reels, sd., b&w. From a novel by James Hilton.

Credits: Director, Frank Capra; screenplay, Robert Riskin; film editor, Gene Havlick; music director, Morris Stoloff; music score, Dimitri Tiomkin.

THE LOST HOUSE. SEE The Kid Sister.

LOST IN A BIG CITY. 1923. 8 reels.

Credits: Director, George Irving; story, N. S. Wood.

LOST IN A PULLMAN. 1927. 2 reels.

Credits: Director, Craig Hutchinson.

LOST IN BABYLON. Special Rex. 1916. 1 reel.

Credits: Harvey Gates; director, Millard K. Wilson.

LOST IN LIMEHOUSE; or, LADY ESMERELDA'S PREDICAMENT. (A Masquers Presentation) 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Otto Brower; story, Walter Weems, Harrington Reynolds; film editor, Sam White.

LOST IN MID OCEAN. 1914. 1 reel.

Credits: Director, Ulysses Davis.

LOST IN THE ARCTIC; a Photographic Record of the H. A. and Sidney Snow Expedition to the Far North. 1928. For Fox Film Corp. 6 reels, color.

Credits: Editor, Kenneth N. Hawks; titles, Malcolm Stuart Boylan.

LOST IN THE JUNGLE. SEE Dreamy Dud in Lost in the Jungle.

LOST IN THE LURCH. Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Craig Hutchinson.

LOST IN THE STRATOSPHERE. 1934. 7 reels, sd.

Credits: Producer, W. T. Lackey; director, Melville Brown; original story, Tristram Tupper; screenplay, Albert DeMond; editor, Carl Pierson.

LOST IN THE STREETS OF PARIS. Rex. 1917. 1 reel.

LOST IN TRANSIT. 1917. 5 reels.

Credits: Director, Donald Crisp; story, Kathlyn Williams; scenario, Gardiner Hunting.

THE LOST JUNGLE. Presented by Nat Levine. 1934. 7 reels, sd.

Credits: Directors, Armand Schaefer, David Howard; story, Sherman Lowe, Al Martin; screenplay, Colbert Clark, John Rathwell; editor, Earl Turner.

THE LOST JUNGLE. Presented by Nat Levine. 1934. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Supervision, Nat Levine; directors, Armand Schaefer, David Howard; story, Sherman Lowe, Al Martin; screenplay, Barney Sarecky, David Howard, Armand Schaefer, Wyndham Gittens; film editor, Earl Turner.

1. Noah's Ark Island.

2. Nature in the Raw.

3. The Hypnotic Eye.

4. The Pit of Crocodiles.

5. Gorilla Warfare.

6. The Battle of Beasts.

7. The Tiger's Prey.

8. The Lion's Brood.

9. Eyes of the Jungle.

10. Human Hyenas.

11. The Gorilla.

12. Take Them Back Alive.

A LOST LADY. 1924. 7 reels. Adapted from the novel by Willa Cather.

Credits: Director, Harry Beaumont; adaptation, Dorothy Farnum.

A LOST LADY. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1934. 7 reels, sd. From the story by Willa Cather.

Credits: Director, Alfred E. Green; screenplay, Gene Markey, Kathryn Scola; editor, Owen Marks.

THE LOST LAUGH. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Stephen Roberts.

THE LOST LODE. Bison. 1916. 2 reels.

Credits: Director, Henry McRae; story, J. B. Rice; scenario, William Parker.

THE LOST MELODY. 1914. 1 reel.

Credits: Director, Richard R. Ridgely.

THE LOST MESSENGER. 1915. 1 reel.

Credits: Producer, George O. Nicholls; story, Emma Bell.

THE LOST MILLIONAIRE. 1913. 1 reel.

Credits: Director, Ralph Ince.

LOST MONEY. 1919. 5 reels.

Credits: Director, E. Lawrence; story and scenario, Denison Clift.

LOST MOTION IN SELLING UNDER OLD TIME METHODS. 1917. 3 reels.

LOST ON DRESS PARADE. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice, adaptation, Fred R. Buckley.

THE LOST PATROL. 1934. 8 reels, sd. From the story "Patrol" by Philip MacDonald.

Credits: Associate producer, Cliff Reid; director, John Ford; screenplay, Dudley Nichols; adaptation, Garrett Fort; editor, Paul Weatherwax; music, Max Steiner.

THE LOST PRINCESS. 1919. 5 reels.

Credits: Scenario and direction, Scott Dunlap; story, J. Anthony Roach.

THE LOST RACE. (Romantic Journeys) Educational Pictures. Presented by E. W. Hammons. 1934. 765 ft., sd., color.

Credits: Producers, Howard C. Brown, Curtis F. Nagel.

THE LOST ROMANCE. 1921. 7 reels.

Credits: Edward Knoblock; director, William De Mille; scenario, Olga Printzlau.

A LOST SOUL. Bluebird. 1926. 1 reel.

Credits: Director, Harry Sweet.

Credits: Scenario, Donald I. Buchanan.

Credits: Director, Henry MacRae; story, Arthur Conan Doyle; screenplay, Ella O'Neill, George Plympton, Basil Dickey, George Morgan.

THE LOST SQUADRON. 1932. 9 reels.

Credits: Associate producer, Louis Sarecky; director, George Archainbaud; story, Dick Grace; screenplay, Wallace Smith; additional dialogue, Herman J. Mankiewicz, Robert S. Presnell; film editor, William Hamilton.

Credits: Scenario, Chester De Vonde, Augustin MacHugh.

LOST—THREE TEETH. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, Helen Jonas.

LOST TWENTY-FOUR HOURS. 1916. 3 reels.

Credits: W. A. Tremayne, Logan Fuller; director, L. C. Windom; scenario, H. S. Sheldon.

THE LOST WHIRL. (A Skylark Comedy) Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Glen Lambert; story, Glen Lambert, Frank Terry.

THE LOST WORLD. 1925. 10 reels. Based on the story by Sir Arthur Conan Doyle.

Credits: Director, Willis H. O'Brien.

A LOST WORLD. 1938. 1 reel. Scenes selected from the motion picture "The Lost World" based on a story by A. Conan Doyle.

THE LOST ZEPPELIN. 1929. 8 reels, si. & sd.

Credits: Director, Edward Sloman; story, John Francis Natteford; dialogue, Charles Kenyon; adaptation, Frances Hyland.

A LOT OF BOLONEY. (A McDougall Alley Comedy) Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Robert B. Wilcox.

A LOT OF BULL. (Star Comedy) 1922. 1 reel.

LOTS OF NERVE. Century. 1923. 2 reels.

THE LOTTERY BRIDE. United Artists. Presented by Joseph M. Schenck. 1930. 10 reels, sd.

Credits: Producer, Arthur Hammerstein; supervision, John W. Considine, Jr.; director, Paul L. Stein; original story, Herbert Stothart; adaptation, Horace Jackson; continuity and dialogue, Howard Emmett Rogers; editor, Robert J. Kern; music, Rudolph Frimi.

LOTTERY LOVER. 1935. 7,890 ft., sd.

Credits: Director, William Thiele; story, Siegfried M. Herzig, Maurice Hanline; screenplay, Franz Shulz, Billie Wilder; dialogue, Sam Hellman; music, Arthur Lange.

THE LOTTERY MAN. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Rida Johnson Young; director, James Cruze; scenario, Elmer Harris.

Credits: Original story, James B. Leong.

THE LOTUS EATER. First National. 1921. 7 reels.

Credits: Director, Marshall A. Neilan; story, Albert Payson Terhune; scenario, Marion Fairfax.

LOU HOLTZ IN IDLE CHATTER. 1930. 1 reel, sd.

LOU SELLS PAINT. 1937. For National Chemical Productions. Filmstrip.

LOU TALKS PAINT. 1937. For National Chemical Production. Filmstrip.

THE LOUD MOUTH. 1932. 2 reels, sd.

Credits: Director, Del Lord.

LOUD SOUP. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Lew Foster; story, Leo McCarey; editor, Richard Currier.

THE LOUDSPEAKER. 1934. 8 reels, sd.

Credits: Producer, W. T. Lackey; director, Joseph Santley; story and dialogue, Ralph Spence; screenplay, Albert E. DeMond; editor, Jack Ogilvie.

LOUIE THE FOURTEENTH. SEE Wife Savers.

LOUIS BERETTI. SEE Born Reckless.

LOUISE KLOSS, HARPIST, JEANNETTE ROGERS, FLUTIST, ANNA TIMNER, CELLIST, OFFER: A. SERENADE [and others]. 1927. 1 reel.

Credits: Director, Brian Foy.

LOUISE, QUEEN OF PRUSSIA (LUISE, KÖNIGIN VON PREUSSEN). 1931. 12 reels. From the novel "Luise" by Walter von Molo.

Credits: Director, Carl Froelich; scenario, Fred Hildenbrandt, Friedrich Raff, Julius Urgiss.

LOUISIANA. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels. Based on the novel by Frances Hodgson Burnett.

Credits: Director, Robert G. Vignola; scenario, Alice Eyton.

THE LOUISIANA PURCHASE AND THE LEWIS AND CLARK EXPEDITION. (Westward Movement, no. 3) 1920. 1 reel.

LOVE. Paramount. Presented by Joseph M. Schenck. 1919. 2 reels.

Credits: Fatty Arbuckle, Vincent Bryant; director, Fatty Arbuckle.

LOVE. 1920. 7 reels. Adapted from a story by R. Carol Kapleau.

Credits: Director, Wesley Ruggles; scenario, Louis Joseph Vance.

LOVE. 1924. 2 reels.

Credits: Director, Jess Robbins.

LOVE. 1928. 8 reels. From the novel "Anna KarÉnina" by Lyof N. Tolstoi.

Credits: Produced and directed by Edmund Goulding; continuity, Frances Marion; film editor, Hugh Wynn.

LOVE A LA MODE. (Educational-Mermaid Talking Comedy) 1930. 20 min., sd.

Credits: Director, Stephen Roberts.

LOVE AFFAIR. 1932. 7 reels. From the story by Ursula Parrott.

Credits: Director, Thornton Freeland; adaptation and dialogue, Jo Swerling; continuity, Dorothy Howell.

LOVE AFFAIR. 1939. 89 min., sd.

Credits: Producer and director, Leo McCarey; story, Mildred Cram, Leo McCarey; screenplay, Delmar Daves, Donald Ogden Stewart; editors, Edward Dmytryk, George Hively; music score, Roy Webb.

THE LOVE AFFAIR OF IMA KNUT. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, Otz Messmer.

LOVE AFLAME. Red Feather. 1917. 5 reels.

Credits: Direction and story, Raymond Wells; scenario, Fred Myton.

LOVE AMONG THE GEYSERS. 1912. 1,000 ft.

LOVE AMONG THE MILLIONAIRES. 1930. 6,910 ft., sd.

Credits: Director, Frank Tuttle; story, Keene Thompson; adaptation, Grover Jones, William Conselman; dialogue, Herman J. Mankiewicz; music, J. Wolfe Gilbert, Abel Baer.

LOVE AND A LIAR. Nestor. 1916. 1 reel.

Credits: Producer, S. Chaudet; story, Tom Gibson.

LOVE AND A SAVAGE. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

LOVE AND BLAZES. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Vin Moore.

LOVE AND BRASS BUTTONS. Nestor. 1916 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

LOVE AND BULLETS. 1916. 1 reel.

Credits: Written and directed by Clay M. Greene.

LOVE AND CURSES. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Ben Hardaway, Cal Dalton; story, Melvin Miller; animation, Herman Cohen; music director, Carl W. Stalling.

LOVE AND DOUGHNUTS. 1921. 2 reels.

Credits: Director, Roy Del Ruth.

LOVE AND GASOLINE. Century. 1920. 2 reels.

Credits: Director, Noel Smith.

LOVE AND GLORY. Universal Jewel. 1924. 7 reels.

Credits: Director, Rupert Julian; story, Perley Poore Sheehan, Robert H. Davis; scenario, Elliott Clawson, Rupert Julian.

LOVE AND HANDCUFFS. Powers. 1915. 1 reel.

Credits: Written and produced by Sydney Ayres.

LOVE AND HASH. 1914. 1 reel.

LOVE AND HATE. 1916. For Fox Film Corp. 6 reels.

Credits: Director, James Vincent; story, James R. Garey; scenario, Mary Murillo.

LOVE AND HISSES. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Ben Holmes; film editor, John Lockert.

LOVE AND HISSES. 1937. 7,609 ft., sd.

Credits: Director, Sidney Lanfield; story, Art Arthur; screenplay, Curtis Kenyon, Art Arthur; music, Louis Silvers.

Credits: Director, John Steppling.

LOVE AND LATHER. 1919. 2 reels.

Credits: Director, Gill Pratt; story, Montgomery and Rock.

LOVE AND LAVALIERES. 1918. 1 reel.

Credits: Montgomery, Rock; director, J. A. Howe.

LOVE AND LEARN. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 5,737 ft.

Credits: Produced and directed by Frank Tuttle; story, Doris Anderson; screenplay, Louise Long; adaptation, Florence Ryerson.

LOVE AND LIONS. 1925. 2 reels.

Credits: Director, Benjamin Stoloff; story, Murray Roth.

LOVE AND LOGS. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Walter Reed.

LOVE AND LOOT. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

LOVE AND ONIONS. Presented by E. W. Hammons. 1938. 1,718 ft., sd.

Credits: Director, William Watson; story, Billy K. Wells.

LOVE AND SAND. (Horace in Hollywood Series) Snappy. 1928. 1 reel.

Credits: Story and direction, Edward I. Luddy.

LOVE AND SOUR NOTES. L-Ko. 1915. 1 reel.

LOVE AND SWORDS. 1915. 1 reel.

Credits: Written and produced by Edward McKim.

LOVE AND THE DEVIL. 1929. 7 reels.

Credits: Director, Alexander Korda; story, Josef Lazslo, Leo Birinski.

LOVE AND THE DEVIL. Trailer. 1929. 1 reel, sd.

LOVE AND THE LAW. 1915. 1 reel.

Credits: Director, R. S. Sturgeon.

LOVE AND THE LAW. 1919. 6 reels. Based on the Saturday Evening Post story "The Troop Train" by William Hamilton Osborne.

LOVE AND THE LEOPARD. 1915. 1 reel.

Credits: Director, E. A. Martin.

Credits: Director, Tefft Johnson; story, Philip Lonergan.

LOVE AND TROUBLE. 1915. 1 reel.

LOVE AND TROUT. 1916. 1 reel.

Credits: Producer, John Robertson.

LOVE AND VACCINATION. Nestor. 1916. 1 reel.

Credits: Producer, Al. E. Christie; story, H. Wendell Phillips.

LOVE AND WAR. 1921. 2 reels.

Credits: Director, Al Herman.

LOVE AT FIRST FLIGHT. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Eddie Cline; story, Jefferson Moffitt, Earle Rodney; screen editor, William Hornbeck.

LOVE AT FIRST SIGHT. 1930. 1 reel.

THE LOVE AUCTION. 1919. 5 reels.

Credits: Director, E. Lawrence; story, May Edginton; scenario, Julia Burnham, Edmund Lawrence.

THE LOVE BANDIT. 1923. 6 reels. From the stage play by Charles E. Blaney and Norman Houston.

Credits: Director, Del Henderson; adaptation, Lewis Allen Browne.

THE LOVE BARGAIN. (Educational's Comedies) (Mermaid Comedies) 1931. 21 min., sd.

Credits: Director, Arvid E. Gillstrom; story, Florence Ryerson, Colin Clements.

LOVE BEFORE BREAKFAST. Presented by Carl Laemmle. 1936. 8 reels, sd. From the novel "Spinster Dinner" by Faith Baldwin.

Credits: Producer, Edmund Grainger; director, Walter Lang; screenplay, Herbert Fields; film editor, Maurice Wright; music director, Franz Waxman.

LOVE BEGINS AT TWENTY. First National Productions Corp. 1936. 58 min. From the play by Martin Flavin.

Credits: Director, Frank McDonald; screenplay, Tom Reed, Dalton Trumbo; film editor, Terry Morse.

THE LOVE BIRDS. (Joe Rock Comedy) 1923. 2 reels.

Credits: Director, Arvid E. Gillstrom.

LOVE BIRDS. Century. 1924. 2 reels.

Credits: Written and directed by Edw. I. Luddy.

LOVE BIRDS. 1929. 2 reels.

Credits: Edgar Allen Woolf; director, Ben Holmes.

LOVE BIRDS. 1934. 6 reels.

Credits: Producer, Carl Laemmle, Jr.; director, William A. Seiter; story, Clarence Marks, Dale Van Every; screenplay, Doris Anderson; film editor, Daniel Mandell.

THE LOVE BOAT. SEE Herman Timberg in The Love Boat.

THE LOVE BRAND. Presented by Carl Laemmle. 1923. 5 reels.

Credits: Director, Stuart Paton; story and scenario, Adrian Johnson.

THE LOVE BURGLAR. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels. From the play "One of Us" by Jack Lait.

Credits: Director, James Cruze; scenario, Walter Woods.

LOVE BUSINESS. (Our Gang Comedies) Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

THE LOVE CAPTIVE. Presented by Carl Laemmle. 1934. 7 reels, sd. From the play "The Humbug" by Max Marcin.

Credits: Associate producer, E. M. Asher; director, Max Marcin; screenplay, Karen de Wolf; film editor, Ted Kent.

THE LOVE CHARM. 1921. 5 reels.

Credits: Director, Thomas N. Heffron; story, Harvey O'Higgins; screenplay, Percy Heath.

LOVE COMES ALONG. 1930. 8 reels, sd. Based on the play "Conchita" by Edward Knoblock.

Credits: Director, Rupert Julian; screenplay, Wallace Smith; music, Oscar Levant, Sidney Clare; music director, Victor Baravalle.

LOVE COMES TO MOONEYVILLE. 1936. 2 reels, sd.

Credits: Director, Preston Black; story and screenplay, Ewart Adamson.

THE LOVE CRAZE. Nestor. 1918. 1 reel.

Credits: Director, Tefft Johnson; story, Maravene Thompson; scenario, George DuBois Proctor.

THE LOVE DEPARTMENT. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood.

THE LOVE DEPUTY. Mustang. 1926. 2 reels.

Credits: Director, Victor Nordlinger; story and scenario, William E. Oliver.

LOVE DETECTIVES. 1934. 2 reels, sd.

Credits: Director, Archie Gottler; screenplay, Edward Eliscu, Archie Gottler.

THE LOVE DOCTOR. 1917. 5 reels. From the story "Hashashin, the Indifferent" by George P. Dillenback.

Credits: Director, Paul Scardon.

THE LOVE DOCTOR. 1929. Si., & 5,503 ft., sd. Based on the play "The Boomerang" by Winchell Smith and Victor Mapes.

Credits: Director, Melville Brown; dialogue, Guy Bolton; adaptation, Guy Bolton, J. Walter Ruben.

THE LOVE DOPE. Rolma Films, Inc. 1917. 1 reel.

Credits: Jack Gorman.

LOVE DROPS. (Star Comedy) 1922. 1 reel.

LOVE 'EM AND FEED 'EM. Presented by Hal Roach. 1927. 2 reels.

Credits: Supervision, Leo McCarey; director, Clyde A. Bruckman; editor, Richard Currier.

LOVE 'EM AND LEAVE 'EM. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels. From the play by John Van Alstyne Weaver and George Abbott.

Credits: Associate producer, William Le Baron; director, Frank Tuttle; adaptation and screenplay, Townsend Martin.

Credits: Producers, John Emerson, Anita Loos; director, David Kirkland; technical director, Willard M. Reineck.

THE LOVE EXPERT. 1920. 6 reels.

Credits: Producers, John Emerson, Anita Loos; director, David Kirkland.

LOVE FEVER. Presented by Hal Roach. 1931. 2 reels, sd., b&w.

Credits: Director, Robert McGowan; dialog, H. M. Walker.

LOVE FINDS ANDY HARDY. Presented by Metro-Goldwyn-Mayer. 1938. 9 reels, sd., b&w. From the stories by Vivien R. Bretherton, based upon the characters created by Aurania Rouverol.

Credits: Director, George B. Seitz; screenplay, William Ludwig; film editor, Ben Lewis; music score, David Snell.

LOVE FINDS THE WAY. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, Maud Durbin Skinner.

LOVE, FIREWORKS, AND THE JANITOR. Joker. 1915. 1 reel.

Credits: Scenario and production, Archer McMackin.

LOVE FLIES IN THE WINDOW. SEE This Man Is Mine.

THE LOVE FLOWER. 1920. 7 reels. From the story "Black Beach" by Ralph Stock.

Credits: Producer and director, David Wark Griffith.

LOVE FROM A STRANGER. Released thru United Artists. 1937. 9 reels, sd. Based on a short story by Agatha Christie, from the play by Frank Vosper.

Credits: Producer, Max Schach; director, Rowland V. Lee; screenplay and dialogue, Frances Marion; editor, Howard McNeil; music, Benjamin Britten; music director, Boyd Neil.

THE LOVE GAMBLE. 1925. 6 reels. From the novel "Peggy of Beacon Hill" by Maysie Greig.

Credits: Director, Edward J. Le Saint; adaptation, Harry O. Hoyt.

THE LOVE GAMBLER. 1922. 5 reels.

Credits: Director, Joseph Franz; story, Lilian Bennet Thompson, George Hubbard; scenario, Jules Furthman.

THE LOVE GIRL. 1916. 5 reels.

Credits: Written and produced by Robert Z. Leonard.

LOVE GOES WEST. Presented by E. W. Hammons. 1938. 950 ft., sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy Klauber.

LOVE GOOFY. Educational. 1925. 2 reels.

Credits: Robert Hall; director, Gil Pratt.

LOVE, HATE, AND A WOMAN. 1921. 6 reels.

Credits: Story and direction by Charles T. Horan.

LOVE, HONOR AND—? 1919. 5 reels.

Credits: Director, Henry McRae Webster; story, Julia Burnham.

LOVE, HONOR. AND BEHAVE. First National. 1921. 5 reels.

Credits: Directors, Richard Jones, Erle Kenton.

LOVE, HONOR, AND BEHAVE. 1938. 7 reels. Based on a Saturday Evening Post story by Stephen Vincent Benet.

Credits: Director, Stanley Logan; screenplay, Clements Ripley, Michel Jacoby, Robert Buckner, Lawrence Kimble.

LOVE, HONOR, AND HE PAYS. 1932. 1 reel, sd.

Credits: Director, Eddie Buzzell; story, William K. Wells; film editor, James Sweeney.

LOVE, HONOR, AND OBEY. 1920. 6 reels. From the novel "The Tyranny of Weakness" by Charles Neville Buck.

Credits: Producers, Arthur Sawyer, Herbert Lubin; supervision, Maxwell Karger; director, Leander de Cordova; adaptation and scenario, Eugene Walter.

LOVE, HONOR, AND OH! BABY. (Manhattan Comedy) 1930. 2 reels, sd.

Credits: Daniel Kusell; produced and directed by George Lemaire; film editor, E. Pfitzenmeier.

LOVE, HONOR, AND OH BABY. 1933. 7 reels. From the play "Oh, Promise Me" by Bertram Robinson and Howard Lindsay.

Credits: Director, Eddie Buzzell.

THE LOVE HOUR. 1925. 7 reels.

Credits: Gregory Rogers; scenario, Bess Meredyth.

LOVE HUNGRY. 1928. 6 reels, b&w.

Credits: Director, Victor Heerman; story and scenario, Randall H. Faye.

LOVE IN A BUNGALOW. 1937. 7 reels, sd.

Credits: Associate producer, E. M. Asher; director, Raymond B. McCarey; original story, Eleanore Griffin, William Rankin; screenplay, Austin Parker, Karen DeWolf, James Mulhauser.

Credits: Director, Dell Henderson; scenario, Wallace C. Clifton.

LOVE IN A HURRY. (A Young Romance Comedy) Educational Films Corp. of America. Distributed by Fox Film Corp. Presented by E. W. Hammons. 1935. 1,481 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett and William Watson.

LOVE IN A POND. (Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Mannie Davis.

LOVE IN ARMOR. 1915.

Credits: Producer, Mack Sennett.

LOVE IN ARMS. Presented by E. W. Hammons. 1937. 1,644 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

LOVE IN BLOOM. Presented by Adolph Zukor. 1935. 9 reels.

Credits: Producer, Benjamin Glazer; director, Elliott Nugent; original screenplay, Frank R. Adams; adaptation, J. P. McEvoy, Keene Thompson; additional dialogue, John P. Medbury; music and lyrics, Mack Gordon, Harry Revel.

LOVE IN EXILE. Capitol. 1936. 6 reels, sd. Adapted from the novel "His Majesty's Pyjamas" by Gene Markey.

Credits: Director, Alfred L. Werker; screenplay, Roger Burford, Ernest Betts; dialogue, Herman Manciewitz; editor, E. B. Jarvis; music, Benjamin Frankel; music director, Boyd Neel.

LOVE IN SEPTEMBER. Presented by E. W. Hammons. 1936. 1,842 ft., sd.

Credits: Director, Eddie Cline; story, Leon D'Usseau; music, Albert von Tilzer; music director, Edward J. Kay.

LOVE IN SUSPENSE. Joker. 1916. 1 reel.

Credits: Karl Coolidge; director, William W. Beaudine.

LOVE IN TENTS. 1933. 2 reels, sd.

Credits: Director, Lynn Shores; story, David Freedman, Max Hayes.

LOVE IN THE DARK. 1922. 6 reels.

Credits: Producer, Harry Beaumont; story, John Moroso; scenario, J. G. Hawkes.

LOVE IN THE DESERT. 1929. 6,365 ft.

Credits: Louis A. Sarecky; director, George Melford; screenplay, Harvey Thew; film editor, Mildred Richter.

Credits: Producer, Oscar Eagle.

LOVE IN THE MUD. SEE Carnival Queen.

LOVE IN THE RING. SEE Liebe im Ring.

LOVE IN THE ROUGH. 1930. 10 reels, sd., b&w. From the play "Spring Fever" by Vincent Lawrence.

Credits: Director, Charles F. Riesner; adaptation, Sarah Y. Mason; dialogue, Joe Farnham, Robert E. Hopkins; film editor, Basil Wrangell; lyrics and music, Dorothy Fields, Jimmy McHugh.

LOVE IN THE SUBURBS. 1931. 2 reels, sd.

Credits: Director, Ray Cozine; story, Paul Gerard Smith; adaptation, E. K. Nadel; dialogue staged by Max E. Hayes.

LOVE INSURANCE. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels.

Credits: Director, Donald Crisp; story, Earl D. Biggars; scenario, Marion Fairfax.

LOVE INSURANCE. SEE The Reckless Age.

LOVE IS A HEADACHE. 1938. 8 reels, sd., b&w.

Credits: Producer, Frederick Stephani; director, Richard Thorpe; story, Lou Heifetz, Herbert Klein; screenplay, Marion Parsonnet, Harry Ruskin, William R. Lipman; film editor, Conrad Nervig; music, Edward Ward.

LOVE IS A RACKET. 1932. 7 reels, sd. Based on a novel by Rian James.

Credits: Director, William A. Wellman; adaptation, Courtenay Terrett.

LOVE IS AN AWFUL THING. 1922. 7 reels.

Credits: Written and directed by Victor Heerman.

LOVE IS BLONDE. 1928. 2 reels.

Credits: Directors, Mark Sandrich, Zion Myers; story, Arthur Greenlaw.

LOVE IS LOVE. 1919. 5 reels.

Credits: Director, Scott Dunlap; story, Richard Washburn Child; adaptation, Scott Dunlap, Anthony Roach.

LOVE IS NEWS. 1937. 6,999 ft., sd.

Credits: Director, Tay Garnett; story, William R. Lipman, Frederick Stephani; screenplay, Harry Tugend, Jack Yellen; music, David Buttolph.

LOVE IS ON THE AIR. First National. 1937. 6 reels, sd.

Credits: Director, Nick Grinde; story, Roy Chanslor; screenplay, Morton Grant.

THE LOVE KISS. 1930. 7 reels.

Credits: Written and directed by Robert A. Snody.

LOVE KRAZY. Presented by Columbia Pictures Corp. 1932. 1 reel. Adapted from the cartoon character by George Herriman.

Credits: Manny Gould; producer, Charles Mintz; animation, Al Rose; musical score, Joe De Nat.

LOVE LAUGHS AT DYSPEPSIA. Imp. 1916. 1 reel.

Credits: Hal Clotworthy; producer, Roy Clements.

LOVE LAUGHS AT THE LAW. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

THE LOVE LETTER. 1923. 5 reels.

Credits: Director, King Baggot; story, Bradley King; scenario, Hugh Hoffman.

LOVE LETTERS. 1917. 5 reels.

Credits: Supervision, Thomas H. Ince; director, R. William Neill; story, Shannon Fife; picturized by Cora Stuart Carson.

LOVE LETTERS. 1924. 5 reels, b&w., tinted sequences.

Credits: Director, David Soloman; story, Fred Jackson; scenario, Doty Hobart.

LOVE LETTERS OF A STAR. 1936. 8 reels, sd. From the story "The Case of the Constant God" by Rufus King.

Credits: Associate producer, E. M. Asher; directors, Lewis R. Foster, Milton Carruth; screenplay, Lewis R. Foster, Milton Carruth, James Mulhauser; film editor, Frank Gross; music director, Herman Heller.

LOVE LIFE OF A GORILLA. 1937. 6 reels, sd.

Credits: Assembled and edited by Samuel Cummins.

THE LOVE LIGHT. 1921. 8 reels.

Credits: Written and directed by Frances Marion.

LOVE, LIVE, AND LAUGH. 1929. 8,090 ft., sd. From the play "Hurdy Gurdy Man" by Leroy Clemens and John B. Hymer.

Credits: Producer and director, William K. Howard; dialogue, Edwin Burke, George Jessel; editor, Al De Gaetano.

LOVE LOOPS THE LOOP. 1918. 2 reels.

Credits: Directed by Walter Wright in collaboration with Hampton Del Ruth.

LOVE, LOOT, AND CRASH. 1915.

Credits: Producer, Mack Sennett.

LOVE, LOOT, AND LIQUOR. 1914. 1 reel.

LOVE, LUCK, AND GASOLINE. 1914. 3 reels.

Credits: Director, Wilfrid North.

LOVE MAKES 'EM WILD. 1927. 6 reels.

Credits: Director, Albert Ray; story, Florence Ryerson; scenario, Harold Shumate.

THE LOVE MART. Presented by Richard A. Rowland. 1927. 8 reels. From the story "The Code of Victor Jallot" by Edward Childs Carpenter.

Credits: Producer, George Fitzmaurice; adaptation, Benjamin Glazer.

THE LOVE MASK. 1916. 5 reels.

Credits: Cecil B. De Mille, Jeanie Macpherson.

THE LOVE MASTER. First National. Presented by Laurence Trimble and Jane Murfin. 1924. 7 reels.

Credits: Written and directed by Laurence Trimble.

LOVE ME. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, R. William Neill; story, C. Gardner Sullivan.

LOVE ME AND THE WORLD IS MINE. Jewel. 1928. 6 reels. From the story "The Affairs of Hannerl" by Rudolph Hans Bartsch.

Credits: Director, E. A. Dupont; adaptation and continuity, Imre Fazekas.

LOVE ME FOR MYSELF ALONE. SEE The Square Deceiver.

LOVE ME FOREVER. 1935. 10 reels, sd.

Credits: Story and direction, Victor Schertzinger; screenplay, Jo Swerling, Sidney Buchman; film editors, Gene Milford, Viola Lawrence; thematic music, Victor Schertzinger, Gus Kahn; musical treatment, Louis Silvers.

LOVE ME, LOVE MY BISCUITS. Joker. 1917. 1 reel.

Credits: Producer and director, William W. Beaudine; story and scenario, Karl Coolidge.

LOVE ME, LOVE MY DOG. 1916. 1 reel.

Credits: Producer, Max Figman.

LOVE ME TONIGHT. 1932. 10 reels, sd. Based on the play by Leopold Marchand and Paul Armont.

Credits: Produced and directed by Rouben Mamoulian; screenplay, Samuel Hoffenstein, Waldemar Young, George Marion, Jr.

LOVE MY DOG. Bluebird. 1925. 1 reel.

Credits: Director, Z. Myers.

THE LOVE NEST. 1922. 5 reels.

Credits: Written and directed by Wray Physioc.

THE LOVE NEST. 1923. 2 reels.

Credits: Director, Buster Keaton.

THE LOVE NEST. 1931. 1 reel.

LOVE NEST ON WHEELS. Presented by E. W. Hammons. 1937. 1,604 ft., sd.

Credits: Director, Charles Lamont; story, William Hazlett Upson; adaptation, Paul Gerard Smith.

Credits: Director, Tefft Johnson; story, Bertha A. Backus; scenario, Clara S. Beranger.

LOVE NEVER DIES. 1916. 5 reels.

Credits: Producer and director, William Worthington; story, Harvey Gates.

LOVE O' THE PARENT. Powers. 1915. 1 reel.

Credits: Scenario and production, Sydney Ayres.

THE LOVE OF CADDYING. 1925. 1 reel.

THE LOVE OF LOTI SAN. 1915. 3 reels.

Credits: Director, Lloyd B. Carleton.

THE LOVE OF MARY WEST. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, Mary Bailey.

THE LOVE OF PIERRE LAROSSE. 1914. 1 reel.

Credits: Director, Theodore Marston.

THE LOVE OF SUNYA. The Swanson Producing Corp. Presented by United Artists Corp. 1927. 7,311 ft. Based on the play "Eyes of Youth" by Charles Guernon and Max Marcin.

Credits: Director, Albert Parker; screen story, Earle Browne.

THE LOVE OF TOKIWA. 1914. 2 reels.

Credits: Director, U. David.

THE LOVE OF WOMEN. 1915. 3,000 ft.

LOVE OF WOMEN. 1924. 6 reels.

Credits: Director, Whitman Bennett; story, E. C. Holland.

LOVE ON A BET. 1936. 8 reels, sd.

Credits: Associate producer, Lee Marcus; director, Leigh Jason; story, Kenneth Earl; screenplay, P. J. Wolfson, Philip G. Epstein; editor, Desmond Marquette; music director, Alberto Colombo.

LOVE ON A BUDGET. 1938. 5,815 ft., sd. Based on the characters created by Katharine Kavanaugh.

Credits: Director, Herbert I. Leeds; screenplay, Robert Ellis, Helen Logan.

LOVE ON A LADDER. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Carroll Graham, Arthur Ripley; film editor, Edward Mann.

LOVE ON A WEAK STOMACH. Bluebird. 1927. 1 reel.

Credits: Director, Jay Belasco.

LOVE ON AN EMPTY STOMACH. L-Ko. 1915. 1 reel.

LOVE ON CRUTCHES. 1917. 1 reel.

Credits: Director General, J. G. Blystone.

LOVE ON ROLLERS. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine.

LOVE ON TAP. 1939. 1 reel, sd., sepia.

Credits: Producer, Louis Lewyn; director, George Sidney; original story and screenplay Richard Goldstone, Stanley Rauh; film editor, Tom Biggart; music arrangements, Lon Halmy.

LOVE ON THE RUN. 1936. 8 reels, sd., b&w.

Credits: Producer, Joseph L. Mankiewicz; director, W. S. Van Dyke; story, Alan Green, Julian Brodie; screenplay, John Lee Mahin, Manuel Seff, Gladys Hurlbut; film editor, Frank Sullivan; music score, Franz Waxman.

LOVE ON TOAST. Presented by Adolph Zukor. 1937. 7 reels, sd.

Credits: Producer, Emanuel Cohen; director, E. A. Dupont; story, Richard Connell, Jane Storm; screenplay, Doris Malloy, Richard Connell; film editor, Ray Curtiss.

LOVE ONE ANOTHER. 1916. 1 reel.

Credits: Producer, Earl Metcalfe.

LOVE OR AN EMPIRE. Special Rex. 1916. 2 reels.

Credits: Written and directed by Herbert Brenon.

LOVE OVER NIGHT. Pathe Studios, Inc. 1928. 6 reels.

Credits: Producer, Hector Turnbull; director, Edward H. Griffith; original story and adaptation, George Dromgold, Sanford Hewitt; film editor, Harold McLernon.

LOVE PAINS. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

THE LOVE PARADE. 1930. 12 reels, sd. From the play "The Prince Consort" by Leon Xanrof [pseud. of LÉon Fourneau] and Jules Chancel.

Credits: Producer and director, Ernst Lubitsch; story, Ernest Vajda, Guy Bolton; music, Victor Schertzinger.

THE LOVE-PHILTRE OF IKEY SCHOENSTEIN. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Helmer Walton Bergman.

THE LOVE PIKER. Cosmopolitan. Presented by The Cosmopolitan Corp. 1923. 7 reels.

Credits: Director, E. Mason Hopper; story, Frank R. Adams; scenario, Frances Marion.

THE LOVE PIRATE. Released by Film Booking Offices of America. 1923. 5 reels.

Credits: Producer and director, Richard Thomas; adaptation, William Lester.

LOVE POWDER. SEE Goona-goona.

THE LOVE PUNCH. 1930. 2 reels.

Credits: Director, Nat Ross; continuity and dialogue, Hampton Del Ruth.

LOVE QUARANTINED. Joker. 1916. 1 reel.

Credits: Produced and written by Allen Curtis.

THE LOVE QUEST. SEE The Better Wife.

THE LOVE RACKET. Trailer. 1929. 1 reel, sd.

THE LOVE RACKET. 1930. 7 reels, sd.

Credits: Bernard K. Burns; producer, William A. Seiter; screen version, John F. Goodrich.

A LOVE RIOT. 1916. 2 reels.

LOVE SHY. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Harold Beaudine; story, Frank Conklin.

LOVE SICK. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

THE LOVE SLACKER. Nestor. 1917. 1 reel.

Credits: Director, Roy Clements; story and scenario, Frederick A. Palmer.

LOVE, SNOW, AND ICE. 1915. 3 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

LOVE SPASMS. Victor. 1916. 1 reel.

Credits: Samuel Greiner; producer, Harry C. Myers.

LOVE SPATS. (A Paramount-Christie Comedy) 1929. 2 reels.

Credits: Director, William Holland; story, Sig Herzig.

THE LOVE SPECIAL. 1921. 5 reels. From the story "The Daughter of a Magnate" by Frank H. Spearman.

Credits: Director, Frank Urson; scenario, Eugene B. Lewis.

LOVE, SPEED, AND THRILLS. 1915.

Credits: Producer, Mack Sennett.

LOVE SUNK. (Krazy Kat Cartoon) 1928. 1 reel. Adapted from the Krazy Kat cartoons by George Herriman.

THE LOVE SWINDLE. 1918. 5 reels. From the story "The Doings of Diana" by Rex Taylor.

Credits: Director, Jack Dillon; scenario, Fred Tupton.

LOVE-TAILS OF MOROCCO. (A Dogville Comedy) 1931. 2 reels, sd.

Credits: Directors, Zion Myers, Jules White.

LOVE TAKES FLIGHT. Condor. Presented by Edward L. Alperson. 1937. 8 reels, sd.

Credits: Producer, George A. Hirliman; director, Conrad Nagel; original story, Ann Morrison Chapin; screenplay, Lionel O. Houser, Mervin Houser.

THE LOVE THAT DARES. 1919. 5 reels.

Credits: Director, Harry Millarde; story, Elmer Harris; scenario, Denison Clift.

THE LOVE THAT KILLS. (Vagabond Adventure Series, no. 8) 1930. 1 reel, sd.

Credits: Elmer Clifton, Alfred Mannon.

THE LOVE THAT LASTS. Powers. 1915. 1 reel.

Credits: Written and produced by Sydney Ayres.

THE LOVE THAT LIVES. 1917. 5 reels.

Credits: Director, Robert G. Vignola; story, Scudder Middleton.

LOVE THE CLAIRVOYANT. 1914. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillard.

Credits: Producer, Lorimer Johnston.

THE LOVE THIEF. 1916. For Fox Film Corp. 5 reels.

Credits: Director, Richard Stanton; story, M. P. Niessen; scenario, Ben Cohn.

THE LOVE THIEF. Universal-Jewel. 1926. 7 reels.

Credits: Story, scenario and direction, John McDermott.

LOVE THINE ENEMY. SEE The Grip of Jealousy.

THE LOVE THRILL. Universal-Jewel. 1927. 6 reels.

Credits: Director, Millard Webb; story, Millard Webb, Joe Mitchell.

LOVE THY NEIGHBOR. 1933. 1 reel, sd.

Credits: Director, Alf Goulding; story, Glen Lambert.

LOVE THY NEIGHBOR. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Edward Nolan.

LOVE TIME. 1921. 5 reels.

Credits: Director, Howard M. Mitchell; scenario, Dorothy Yost.

LOVE TIME. 1934. 7,186 ft., sd.

Credits: Director, James Tinling; story, Richard Carroll; screenplay, William Conselman, Henry Johnson; adaptation, Lynn Starling, Sally Sandlin; music director, Samuel Kaylin.

THE LOVE TOY. 1926. 6 reels;

Credits: Director, Erle C. Kenton; screen story, Sonya Hovey.

THE LOVE TRANSCENDENT. 1915. 1 reel.

THE LOVE TRAP. 1923. 5,719 ft.

Credits: Director, John Ince; story, Evelyn Campbell; scenario, Nan Blair.

THE LOVE TRAP. Universal Jewel. 1929. 8 reels.

Credits: Director, William Wyler; story, Edward J. Montagne.

THE LOVE TREE. 1929. 2 reels.

Credits: Edgar Allen Woolf; director, Ben Holmes.

LOVE TRIUMPHANT. Rex. 1916. 2 reels.

Credits: Written and produced by Harry G. Stafford.

LOVE TRIUMPHS. 1914. 1 reel.

LOVE UNDER FIRE. 1937. 6,806 ft., sd. Based on a play by Walter Hackett.

Credits: Director, George Marshall; screenplay, Gene Fowler, Allen Rivkin, Ernest Pascal; musical director, Arthur Lange.

LOVE UNDER THE RED TERROR. SEE The Sphinx.

LOVE VS. PRIDE. 1914. 1 reel.

Credits: Producer, Oscar Eagle.

THE LOVE WALLOP. SNAPPY. 1927. 1 reel.

Credits: Story and direction. Max Kimmich; continuity, George H. Plympton.

LOVE WATCHES. 1918. 5 reels.

Credits: R. De Flers & G. Caillavet; director, Henry Howry.

THE LOVE WHIP. 1915. 1 reel.

Credits: Director, Wilfrid North.

LOVE WILL OUT. 1914. 1 reel.

Credits: Director, Ulysses Davis.

LOVE WITHOUT QUESTION. 1920. 7 reels. From the story "The Abandoned Room" by C. Wadsworth Camp.

Credits: Director, B. A. Rolfe; adaptation, Violet Clark.

LOVE YOUR NEIGHBOR. (Tuxedo Talking Comedies) 1930. 20 min., sd.

Credits: Producer, Al Christie; director, William Watson.

LOVEBOUND. 1923. 5 reels.

Credits: Director, Henry Otto; story, George Scarboro; scenario, Josephine Quirk, Jules Furthman.

LOVED BY A MAORI CHIEFTESS. 1913. 2 reels.

THE LOVELORN. Cosmopolitan. 1928. 7 reels.

Credits: Director, John P. McCarthy; story, Beatrice Fairfax [pseud. of Marie Manning]; adaptation, Bradley King; film editor, John W. English.

LOVELY MARY. 1916. 5 reels.

Credits: Director, Edgar Jones; scenario, Richard Barry.

LOVEMANIA. (Tuxedo Comedy) Educational. 1924. 2 reels.

Credits: Written and directed by Al St. John.

LOVER COME BACK. 1931. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Erle C. Kenton; story, Helen Topping Miller; adaptation, Robert Shannon; dialogue, Dorothy Howell; film editor, Gene Havelick.

LOVER DIVINE. 1934. 10 reels, sd.

Credits: Supervision, Anthony Asquith; director, Willy Forst; original story, Walter Reisch; dialogue, Benn Levy.

THE LOVER OF CAMILLE. 1924. 7 reels. From the play "Deburau" by Sacha Guitry and the English translation by Granville Barker.

Credits: Director, Harry Beaumont; screen version, Dorothy Farnum.

LOVERS? 1927. 6 reels. Based on the stage play "The World and His Wife" by Charles Frederic Nirdlinger which was adapted from the play "El Gran Galeoto" by JosÉ Echegaray y Eizaguirre.

Credits: Producer and director, John M. Stahl; continuity, Douglas Furber, Sylvia Thalberg; film editor, Margaret Booth.

LOVERS COURAGEOUS. 1932. 8 reels, sd., b&w.

Credits: Producer, Robert Z. Leonard; story, Frederick Lonsdale; film editor, Margaret Booth.

LOVERS' DELIGHT. (Educational-Jack White Talking Comedy) 1929. 1 reel, sd.

Credits: Director, Jack White.

LOVERS IN QUARANTINE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels. From the play "Quarantine" by F. Tennyson Jesse.

Credits: Producer and director, Frank Tuttle; screenplay, Townsend Martin, Luther Reed.

Credits: Producer and director, Henri Diamant-Berger; scenario, Arthur Hoerl; editor, Marie St. Clair.

THE LOVERS' KNOT. 1917. 1 reel.

Credits: Frederick R. Buckley; director, John Robertson.

LOVERS LANE. 1924. 6 reels.

Credits: Director, Phil Rosen; story, Clyde Fitch; adaptation, Dorothy Farnum.

LOVERS' LEAP. SEE The New School Teacher.

A LOVER'S LOST CONTROL. 1915.

Credits: Producer, Mack Sennett.

A LOVER'S LOST CONTROL. 1923. 2 reels.

THE LOVER'S LUCKY PREDICAMENT. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

LOVERS' PARADISE. 1936. 1 reel, sd.

LOVERS' POST-OFFICE. 1914. 1 reel.

Credits: Producer, Mack Sennett.

LOVE'S ACID TEST. 1914.

LOVE'S BARGAIN. Released by F. B. O. 1925. 6 reels.

Credits: Producer, Archibald Nettleford; director, Burton George.

LOVE'S BLINDNESS. 1926. 7 reels. From the novel by Elinor Glyn.

Credits: Supervision and scenario, Elinor Glyn; director, John Francis Dillon; film editor, Frank Sullivan.

LOVE'S BOOMERANG. Nestor. 1916. 1 reel.

Credits: Harry Wulze; director, P. C. Hartigan.

LOVE'S BOOMERANG. 1922. 6 reels. From the novel "Perpetua" by Dion Clayton Calthrop.

Credits: Director, Tom J. Geraghty; scenario, Josephine Lovett.

LOVE'S CONQUEST. Paramount. 1918. 5 reels. Based on the drama "Gismonda" by Victorien Sardou.

Credits: Director, Edward Jose; scenario, Charles F. Whittaker.

LOVE'S ENDURING FLAME. 1915. 2 reels.

LOVE'S FALSE FACES. 1919. 2 reels.

Credits: Director, Richard Jones.

LOVE'S GREATEST MISTAKE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels. From the Liberty story by Frederic Arnold Kummer.

Credits: Producer and director, Edward Sutherland; scenario, Becky Gardiner.

LOVE'S HARVEST. 1920. 5 reels.

Credits: Director, Howard M. Mitchell; story, Pearl Doles Bell.

LOVE'S HURDLE. (Stern Brothers Comedy) (The Excuse Maker Series) 1926. 2 reels.

Credits: Director, Francis Corby; story, William Anthony.

LOVE'S LABOR FOUND. (H. C. Witwer Record Breaker Series, no. 3) 1929. 2 reels.

Credits: Director, Ralph Ceder; story, E. V. Durling, Hal Davitt.

LOVE'S LABOR LOST. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

LOVE'S LABOR WON. (Aesop's Sound Fables) The Van Beuren Corp. 1933. 620 ft.

Credits: John Foster, Mannie Davis.

LOVE'S LARIAT. 1916. 5 reels.

Credits: Producer, George E. Marshall, Harry Carey; scenario, George E. Marshall, W. B. Pearson.

LOVE'S LAW. 1916. 3 reels.

Credits: Written and directed by Melvin Mayo; supervision, Wilbert Melville.

LOVE'S LAW. For Fox Film Corp. 1917. 5 reels.

Credits: Director, Tefft Johnson.

LOVE'S LAW. 1918. 5 reels.

Credits: Director, Francis J. Grandon; story, Joseph F. Poland; scenario, J. Clarkson Miller.

Credits: Director, Allen Curtis.

LOVE'S MASQUERADE. Gold Seal. 1916. 2 reels.

Credits, Emmett Campbell Hall; director, Lucius Henderson; picturized by Catherine Carr.

LOVE'S MASQUERADE. Presented by Lewis J. Selznick. 1922. 5 reels.

Credits: Director, William P. S. Earle; story, Edward J. Montagne.

LOVE'S MELODY. 1915. 1 reel.

LOVE'S MEMORIAL, AGRA, INDIA. (Port o' Call Series) Presented by William M. Pizor. 1933. 1 reel, sd.

LOVE'S MEMORIES. (Song Sketch, no. 4) 1930. 1 reel.

Credits: Story and direction by Oscar Lund.

LOVES OF A DICTATOR. Toeplitz Productions, Ltd., London. 1935. 9 reels, sd.

Credits: Producer, Ludovico Toeplitz; director, Victor Saville; original story, H. G. Lustig, M. Logan in collaboration with Hans Wilhelm; scenario, Benn Levy; editor, Paul Weatherwax; music, Karol Rathaus.

LOVES OF AN ACTRESS. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 8 reels.

Credits: Directed and adapted by Rowland V. Lee; story, Ernest Vajda.

LOVES OF CARMEN. 1927. 9 reels, lavender. Based on the story by Prosper MÉrimÉe.

Credits: Adapted and directed by Raoul Walsh.

LOVES OF CASANOVA. 1929. 7 reels.

Credits: Supervision, Louis Nalpas; direction and play, Alexandre Volkoff; scenario, Norbert Falk, Ivan Mosjoukine.

LOVES OF LETTY. 1919. 5 reels. Founded on the play, "Letty" by Arthur Wing Pinero.

Credits: Director, Frank Lloyd.

THE LOVES OF PHARAOH. 1922. 8 reels.

Credits: Producer and director, Ernst Lubitsch; story, Norbert Falk, Hans Kraely.

THE LOVES OF RICARDO. 1928. 6 reels.

Credits: Written and directed by George Beban; scenario, G. Marian Burton.

LOVE'S OLD DREAM. 1913. 1 reel.

Credits: Director, George D. Baker.

LOVE'S OLD SWEET SONG. 1913. 1 reel.

Credits: Mark Swan.

LOVE'S OLD SWEET SONG. 1922. 7 reels.

Credits: Director, Oscar Lund; story, Augustus Bertilla; scenario, Jacques Byrne.

LOVE'S OLD SWEET SONG. (Screen Hits of Yesteryear) 1934. 1 reel, sd.

LOVE'S OLD SWEET SONG. 1936. 1 reel.

LOVE'S OUTCAST. 1921. 2 reels.

Credits: Director, J. A. Waldron.

LOVE'S PENALTY. Presented by Hope Hampton Productions, Inc. 1921. 5 reels.

Credits: Story and direction, John Gilbert.

LOVE'S PENALTY. 1921. 5 reels.

Credits: Directed and picturized by John Gilbert.

LOVE'S PILGRIMAGE TO AMERICA. Broadway Universal. 1915. 5 reels. From the book by Leslie T. Peacocke.

Credits: Adaptation, M. B. Harvey.

LOVE'S REDEMPTION. First National. 1921. 6 reels. Adapted from the novel "On Principle" by Andrew Soutar. Title changed from "Regeneration Isle."

Credits: Director, Albert Parker; adaptation, Anthony Paul Kelly.

LOVE'S RESCUE. 1915. 1 reel.

LOVE'S SACRIFICE. SEE The Light That Failed.

LOVE'S SAVAGE HATE. 1914. 1 reel.

LOVE'S SUNSET. 1913. 2 reels.

Credits: Director, Frederick Thomson.

LOVE'S TOLL. Released thru V. L. S. E. Program. 1916. 5 reels.

Credits: Director, Jack Pratt.

LOVE'S TRIUMPH. SEE Coals of Fire.

LOVE'S TURMOIL. Special Big U. 1917. 1 reel.

Credits: Scenario, Jack Byrnes.

LOVE'S WAY. 1915. 1 reel.

Credits: Director, S. Rankin Drew.

LOVES WHIRLPOOL. 1924. 6 reels.

Credits: Director, Bruce Mitchell; story, Martha Lord; adaptation, Elliott Clawson and Bruce Mitchell.

LOVE'S WILDERNESS. First National. 1924. 7 reels.

Credits: Director, Robert Z. Leonard; story, Evelyn Campbell.

LOVE'S YOUNG DREAM. 1914. 1 reel.

Credits: Director, Charles H. France.

LOVE'S YOUNG SCREAM. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Sig Herzig; titles, Al Martin.

LOVESICK. (Oswald Cartoon) Snappy. 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Victor McLeod, Win Smith.

LOVEY MARY. 1926. 7 reels. From the story by Alice Hegan Rice.

Credits: Director, King Baggot; adaptation, Agnes Christine Johnston, Charles Maigne; film editor, Frank Davis.

LOVIN' THE LADIES. Radio. 1930. 7 reels, sd. Based on the play "I Love You" by William Le Baron.

Credits: Director, Melville Brown; adaption, J. Walter Ruben.

LOVING LIES. Presented by Associated Authors, Inc., Frank Woods, Thompson Buchanan, Elmer Harris, and Clark W. Thomas. Released by Allied Producers and Distributors Corp. 1924. 7 reels. Adapted from the story "The Harbor Bar" by Peter B. Kyne.

Credits: Producer, Thompson Buchanan; director, W. S. Van Dyke.

LOW BRIDGE. Century. 1924. 2 reels.

LOW CASTE BURMESE. 1913. 1 reel.

LOW COST COMFORT. 1938. 1 reel, sd.

THE LOW DOWN. (Bray Nature Special) Released by The Bray Studios. 1927. 1 reel.

LOW DOWN—A BIRD'S-EYE VIEW OF HARLEM. 1929. 1 reel, sd.

A LOW FINANCIER. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

A LOW NECKER. Presented by William Fox. 1927. 2 reels.

Credits: Director, Wallace MacDonald; story, William Kernell, Sidney Levee.

A LOW SHORE. SEE A Study of Shore Features.

LOW TIDE. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Supervision, Jack White; director, Arvid Gillstrom.

LOYAL LIVES. 1923. 6 reels.

Credits: Director, Charles Giblyn; story, Charles G. Rich, Dorothy Farnum.

THE LOYALTY OF JUMBO. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

LUBRICATION AS IT SHOULD BE DONE. (Socony Screen Talks, no. 5) Presented by Standard Oil Company of New York. 1930. Filmstrip, 113 frames.

LUCILLE, THE WAITRESS. Special Laemmle. 1916. 1 reel. From the N. Y. Evening World's Waitress Series.

Credits: Bide Dudley; director, William Bailey.

LUCILLE, THE WAITRESS. SEE Signs of Trouble.

LUCK. Presented by C. C. Burr. 1923. 6 reels. Adapted from the story in People's Magazine by Jackson Gregory.

Credits: Director, Flesmik Senik; scenario, Doty Hobart.

LUCK AND PLUCK. 1919. 5 reels.

Credits: Director, E. Dillon; story, George Scarborough; scenario, Raymond Schrock.

LUCK IN PAWN. 1919. 5 reels. From the play by Marvin Taylor.

Credits: Director, Walter Edwards; scenario, Alice Eyton.

THE LUCK OF JANE. 1916. 1 reel.

Credits: Producer, David Smith.

THE LUCK OF ROARING CAMP. 1917. 2 reels. From the story by Bret Harte.

Credits: Director, Floyd France; adaptation, E. H. Griffith.

THE LUCK OF ROARING CAMP. 1937. 7 reels, sd. From the story by Bret Harte.

Credits: Director, Irvin Willat; adaptation, Harvey Gates.

THE LUCK OF THE IRISH. 1919. 7 reels.

Credits: Director, Allan Dwan; story, Harold MacGrath.

THE LUCK SERUM. SEE Morals for Men.

THE LUCK THAT JEALOUSY BROUGHT. 1917. 1 reel.

Credits: Cornelius Shea; producer, Tom Mix.

THE LUCKIEST GIRL IN THE WORLD. 1936. 8 reels, sd. From the story "Kitchen Privileges" by Anne Jordan.

Credits: Director, Edward Buzzell; screenplay, Herbert Fields, Henry Myers; film editor, Dorothy Spencer; music director, Herman Heller.

A LUCKY ACCIDENT. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Z. Myers.

LUCKY ANGLERS. (The Grantland Rice Sportlight) 1934. 1 reel, sd.

LUCKY BEGINNERS. (Hal Roach Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gordon Douglas; film editor, Leo Zochling.

LUCKY BOY. 1929. 10 reels, sd.

Credits: Directors, Norman Taurog and Charles C. Wilson; story, Viola Brothers Shore; dialogue, George Jessel; musical score, Hugo Riesenfeld.

LUCKY BREAKS. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

LUCKY CARSON. 1921. 5 reels.

Credits: Director, Wilfrid North; story, Aquila Kempster; scenario, Bradley J. Smollen.

Credits: Producer, Ralph B. Staub.

THE LUCKY CORNER. (Hal Roach Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

LUCKY DAMAGE. SEE Skin Deep.

A LUCKY DEAL. 1915. 1 reel.

Credits: Written and produced by Tom Mix.

THE LUCKY DEVIL. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels.

Credits: Producer and director, Frank Tuttle; story, Byron Morgan; screenplay, Townsend Martin.

LUCKY DEVILS. 1933. 63 min., sd.

Credits: Associate producer, Merian C. Cooper; director, Ralph Ince; story, Casey Robinson, Bob Rose; screenplay and dialogue Agnes Christine Johnston, Ben Markson; film editor, Jack Kitchin; music director, Max Steiner.

LUCKY DOG. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Jules White.

LUCKY DOG. 1933. 7 reels, sd.

Credits: Written and directed by Zion Myers.

A LUCKY DOG'S DAY. 1919. 2 reels.

Credits: Written and directed by Bill Watson.

THE LUCKY DUCK. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Francis J. Martin.

THE LUCKY ELOPEMENT. 1913. 1 reel.

Credits: Director, Ralph Ince.

THE LUCKY GOLD PIECE. Imp. 1916. 1 reel.

Credits: Jessie McAllister; producer, Ben Wilson.

THE LUCKY HORSESHOE. 1925. 5 reels, tinted.

Credits: Producer and director, J. G. Blystone; story, Robert Lord; scenario, John Stone.

LUCKY IN LOVE. 1929. 8 reels, sd.

Credits: Supervision, Robert Kane; director, Kenneth Webb; story and dialogue, Gene Markey; dialogue supervision, James Seymour; film editor, E. Pfitzenmeier; original songs, Bud Green, Sam H. Stept; musical director, Sacho Bunchuk.

LUCKY IN LOVE. SEE Clyde Cook in Lucky in Love.

THE LUCKY LADY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels.

Credits: Producer and director, Raoul Walsh; story, Robert Sherwood, Bertram Block; screenplay, James T. O'Donohoe.

LUCKY LARKIN. (Ken Maynard Western) 1929. 8 reels.

Credits: Director, Harry J. Brown; story, Marion Jackson.

LUCKY LARRIGAN. 1933. 6 reels, sd.

Credits: Producer, Trem Carr; director, John P. McCarthy; story and adaptation, John P. McCarthy, Wellyn Totman.

A LUCKY LEAP. 1915.

Credits: Producer, Nick Cogley.

A LUCKY LEAP. Victor. 1916. 1 reel.

Credits: Harry Wulze; producer and director, Roy Clements.

A LUCKY LOSER. 1915. 1 reel.

Credits: J. E. Hungerford; director, Will Louis.

A LUCKY LOSER. 1924. 2 reels.

Credits: Producer, Eddie Lyons.

Credits: Producer, Lorimer Johnstone.

LUCKY NIGHT. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w.

Credits: Producer, Louis D. Lighton; director, Norman Taurog; story, Oliver Claxton; screenplay, Vincent Lawrence, Grover Jones; film editor, Elmo Veron; music director, Franz Waxman.

THE LUCKY ONE. 1917. 15 min.

LUCKY PIGS. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1939. 1 reel, sd., color.

Credits: Producer, Charles Mintz; director, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

THE LUCKY RUBE. 1923. 2,000 ft.

Credits: Written and directed by Hugh Fay.

LUCKY SAM MCCARVER. SEE We're All Gamblers.

LUCKY SPILLS. (Sportlight) 1936. 1 reel, sd.

Credits: Narrator, Ted Husing.

LUCKY STAR. 1929. 10 reels.

Credits: Director, Frank Borzage; story, Tristram Tupper; scenario, Sonya Levien.

LUCKY STARLETS. 1936. Presented by Adolph Zukor. 1 reel, sd.

Credits: Producer, Herbert Moulton; narration, Gayne Whitman; continuity, Herman Hoffman; editor, Phil Pemberton.

LUCKY STARS. (Paramount Varieties) Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Producer, Herbert Moulton; dialogue, Herman Hoffman.

THE LUCKY STRIKE. 1915. 1,000 ft.

THE LUCKY SWEDE. 1936. 2 reels, sd.

Credits: Director, Ralph Staub; story and screenplay, Joe Traub.

THE LUCKY TEXAN. (Lone Star Western) 1934. 6 reels.

Credits: Producer, Paul Malvern; story, screenplay, and direction, Robert N. Bradbury.

A LUCKY TUMBLE. 1916. 1 reel.

Credits: Director, Frank Currier.

THE LUCKY VEST. 1914. 1 reel.

Credits: Sydney S. Booth; director, Charles H. France.

LUCRÈCE BORGIA. 1935. 9 reels, sd.

Credits: Director, Abel Gance.

LUCRETIA BORGIA. SEE The Eternal Sin.

LUCRETIA LOMBARD. 1923. 7 reels. From the novel by Kathleen Norris.

Credits: Director, Jack Conway; dramatization, Sadie Cowan, Bertram Milhauser; scenario, Bertram Milhauser.

LUELLA'S LOVE STORY. 1913. 1 reel.

Credits: Directors, L. Rogers Lytton, James Young.

DAS LUFT-TORPEDO. SEE The Air Torpedo.

LUISE. SEE Louise, Queen of Prussia.

LUISE, KÖNIGIN VON PREUSSEN. SEE Louise, Queen of Prussia.

LUKE WARM DAZE. (A McDougall Alley Comedy) 1926. 2 reels.

Credits: Producer, Joe Hoffman.

THE LULLABY. Released by Film Booking Offices. 1924. 7 reels.

Credits: Director, Chester Bennett; story, Lillian Ducey; adaptation, Hope Loring, Louis D. Lighton.

THE LULLABY. SEE The Sin of Madelon Claudet.

LULLABY LAND. (Silly Symphony, no. 12) 1933. 1 reel, sd.

LULU'S LOVE. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Producer, L. Starevitch; music score, George Steiner.

THE LUMBER CAMP. (Meany, Miny, Moe) 1937. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; artists, Manuel Moreno, Lester Kline, Fred Kopietz.

THE LUMBER CHAMP. (Pooch the Pup Cartoon) Snappy. 1933. 1 reel.

Credits: Animation and direction, Walter Lantz.

LUMBER INDUSTRY. (Ford Educational Library, Industrial Geography, v. 1) Ford Motion Picture Laboratories. Released by Fitzpatrick & McElroy. 1921. 1 reel.

LUMBERING IN THE NORTH WOODS. (Ford Educational Library, Industrial Geography) Ford Motion Picture Laboratories. 1922. 1 reel.

LUMBERING IN THE PACIFIC NORTHWEST. 1930. 1 reel.

THE LUMBERJACK. (An Oswald Cartoon) 1929. 1 reel.

Credits: Animation, Ben Clopton.

LUMMOX. Presented by Joseph M. Schenck. United Artists. 1930. 9 reels. Adapted from the novel by Fannie Hurst.

Credits: Producer, Herbert Brenon; adaptation, Elizabeth Meehan.

THE LUNATIC AT LARGE. 1926. 6 reels. Adapted from the stories by J. Storer Clouston.

Credits: Supervision, Earl Hudson; director, Fred Newmeyer.

LUNCH. Released through General Film. 1917. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

THE LUNCH HOUND. (Hot Dog Cartoons) 1927. 1 reel.

Credits: Directors, Walt Lantz, Clyde Geronimi.

LUNCHEON AT TWELVE. (Hal Roach-Charley Chase Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Charles Parrott; film editor, William Terhune.

LUNETTE OF THE CARNIVAL. SEE A Circus Romance.

THE LUNKHEAD. 1929. 20 min., sd.

Credits: Director, Mack Sennett.

THE LURE O' THE WINDIGO. Released through General Film Co. 1914. 2 reels.

Credits: Director, F. J. Grandon.

THE LURE OF A WIDOW. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

LURE OF AMBITION. 1919. 5 reels.

Credits: Director, Edmund Lawrence; story, Julia Burnham, Edmund Lawrence.

THE LURE OF BROADWAY. SEE Steppin' Out.

THE LURE OF CROONING WATER. 1921. 6 reels. From the novel by Marion Hill.

Credits: Director, Arthur H. Rooke; scenario, Guy Newall.

Credits: Story, screen adaptation and direction, Neal Hart.

THE LURE OF HEART'S DESIRE. Popular Plays & Players. 1916. 5 reels. Based on the poem "The Spell of the Yukon" by Robert W. Service.

Credits: Director, Francis J. Grandon; original story, Aaron Hoffman.

THE LURE OF HOLLYWOOD. (Ideal Comedies) 1931. 20 min., sd.

Credits: Director, William Goodrich; story, and dialogue, Ernest Pagano, Jack Townley.

THE LURE OF JADE. 1921. 6 reels. Adapted from the play "The House of Glass" by Max Marcin and George M. Cohan.

Credits: Director, Colin Campbell; story, Marion Orth.

THE LURE OF LOVE. SEE Eastern Passions.

THE LURE OF LUXURY. 1918. 5 reels.

Credits: Director, Elsie Jane Wilson; story, Nalbro Bartley; scenario, Fred Myton.

THE LURE OF THE ANDES. 1934. 2 reels. Presented by the National Federation of Coffee Growers of Colombia.

THE LURE OF THE CIRCUS. Bison. 1917. 2 reels.

Credits: Written and directed by W. B. Pearson.

Credits: Producer and director, J. P. MacGowan; story, William Wing; scenario, Hope Loring.

THE LURE OF THE CIRCUS. SEE Cirkusteufel.

LURE OF THE GREEN TABLE. 1914. 1 reel.

THE LURE OF THE LADIES. 1814. 1 reel.

Credits: Producer, Oscar Eagle.

THE LURE OF THE NIGHT CLUB. 1927. 6 reels.

Credits: Burke Jenkins; director, Thomas Buckingham; continuity, Buckleigh Fritz Oxford.

THE LURE OF THE WILD. 1925. 5,570 ft.

Credits: Producer, Harry Cohn; director, Frank R. Strayer; story and continuity, Tom J. Hopkins; editor, Charles J. Hunt.

LURE OF YOUTH. 1921. 6 reels.

Credits: Producer, Bayard Veiller; director, Philip E. Rosen; original story and scenario, Luther Reed.

Credits: Written and directed by Charles Parrott.

LURED BUT CURED. 1916. 2 reels.

LURING LIPS. 1921. 5 reels.

Credits: Producer, King Baggot; story, John A. Moroso; scenario, George Hively.

LURING SHADOWS. 1920. 7 reels.

Credits: Director, Joseph Levering; story and scenario, O. E. Goebel, CondÉ B. Pallen.

LUTHER BURBANK. (Ford Educational Library, Nature Study) Ford Motion Picture Laboratories. 1922. 1 reel.

LUTHER BURBANK. 1930. 1 reel.

LA LUTTE POUR LA VIE. SEE A Struggle for Life.

LUXURIOUS LOU. 1915. 1 reel.

Credits: Written and directed by Marcel Perez.

LUXURY LINER. 1933. 7 reels, sd. Based on the novel by Gina Kaus.

Credits: Producer, B. P. Schulberg; director, Lothar Mendes; screenplay, Gene Markey, Kathryn Scola.

THE LUXURY TAX. SEE Other Women's Clothes.

THE LYIN' HUNTER. (Krazy Kat) 1937. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

THE LYIN' MOUSE. (Merrie Melodies) 1937. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; story, Ted Pierce; animation, K. R. Harris; music score, Carl W. Stalling.

A LYIN' TAMER. Century. 1920. 2 reels.

Credits: Written and directed by Chuck Reisner.

THE LYIN' TAMER. 1926. 2 reels.

Credits: Directors, Max Gold, Al Davis; story, Henry Johnson, Gene Forde.

LYING LIPS. 1921. 7 reels.

Credits: Supervision, Thomas H. Ince; director, John Griffith Wray; story, May Edington; screen adaptation, Bradley King.

THE LYING TRUTH. 1922. 5 reels.

Credits: Written and directed by Marion Fairfax.

Credits: Story and direction, Ivan Abramson.

LYMAN H. HOWE'S FAMOUS RIDE ON A RUNAWAY TRAIN. 1921. 1 reel.

Credits: Producer and director, Lyman H. Howe; supervision, Robert Gillaum; narrative, James F. Clemenger.

LYNN COWAN IN ORIGINAL SONGS. 1927. 1 reel.

Credits: Producer, Fred Paul; scenario, Benedict James.

LYRICS OF LIFE. SEE May Usher, Comedienne, in Lyrics of Life.

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