James Stephens

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The Fifteen Acres

I cling and swing
On a branch, or sing
Through the cool, clear hush of
Morning, O:
Or fling my wing
On the air, and bring
To sleepier birds a warning, O:
That the night's in flight,
And the sun's in sight,
And the dew is the grass adorning, O:
And the green leaves swing
As I sing, sing, sing,
Up by the river,
Down the dell,
To the little wee nest,
Where the big tree fell,
So early in the morning, O.
I flit and twit
In the sun for a bit
When his light so bright is shining, O:
Or sit and fit
My plumes, or knit
Straw plaits for the nest's nice lining, O:
And she with glee
Shows unto me
Underneath her wings reclining, O:
And I sing that Peg
Has an egg, egg, egg,
Up by the oat-field,
Round the mill,
Past the meadow,
Down the hill,
So early in the morning, O.
I stoop and swoop
On the air, or loop
Through the trees, and then go soaring, O:
To group with a troop
On the gusty poop
While the wind behind is roaring, O:
I skim and swim
By a cloud's red rim
And up to the azure flooring, O:
And my wide wings drip
As I slip, slip, slip
Down through the rain-drops,
Back where Peg
Broods in the nest
On the little white egg,
So early in the morning, O.

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The night was creeping on the ground;
She crept and did not make a sound
Until she reached the tree, and then
She covered it, and stole again
Along the grass beside the wall.
I heard the rustle of her shawl
As she threw blackness everywhere
Upon the sky and ground and air,
And in the room where I was hid:
But no matter what she did
To everything that was without,
She could not put my candle out.
So I stared at the night, and she
Stared back solemnly at me.

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Westland Row

Every Sunday there's a throng
Of pretty girls, who trot along
In a pious, breathless state
(They are nearly always late)
To the Chapel, where they pray
For the sins of Saturday.
They have frocks of white and blue,
Yellow sashes they have too,
And red ribbons show each head
Tenderly is ringleted;
And the bell rings loud, and the
Railway whistles urgently.
After Chapel they will go,
Walking delicately slow,
Telling still how Father John
Is so good to look upon,
And such other grave affairs
As they thought of during prayers.

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The Turn of the Road

I was playing with my hoop along the road
Just where the bushes are, when, suddenly,
There came a shout, — I ran away and stowed
Myself beneath a bush, and watched to see
What made the noise, and then, around the bend,
I saw a woman running. She was old
And wrinkle-faced, and had big teeth. — The end
Of her red shawl caught on a bush and rolled
Right off her, and her hair fell down. — Her face
Was awful white, and both her eyes looked sick,
And she was talking queer. 'O God of Grace!'
Said she, 'where is the child?' and flew back quick
The way she came, and screamed, and shook her hands;
... Maybe she was a witch from foreign lands.

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A Visit from Abroad

A speck went blowing up against the sky
As little as a leaf: then it drew near
And broadened. — 'It's a bird,' said I,
And fetched my bow and arrows. It was queer!
It grew from up a speck into a blot,
And squattered past a cloud; then it flew down
All crumply, and waggled such a lot
I thought the thing would fall. — It was a brown
Old carpet where a man was sitting snug
Who, when he reached the ground, began to sew
A big hole in the middle of the rug,
And kept on peeping everywhere to know
Who might be coming — then he gave a twist
And flew away.... I fired at him but missed.

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