Meanwhile the graced Godolphin floated down the sunny tide of his prosperity. He lived chiefly with a knot of epicurean dalliers with the time, whom he had selected from the wittiest and the easiest of the London world. Dictator of theatres—patron of operas—oracle in music—mirror of entertainments and equipage—to these conditions had his natural genius and his once dreaming dispositions been bowed at last! A round of dissipation, however, left him no time for reflection; and he believed (perhaps he was not altogether wrong) that the best way to preserve the happy equilibrium of the heart is to blunt its susceptibilities. As the most uneven shapes, when whirled into rapid and ceaseless motion, will appear a perfect circle, so, once impelled in a career that admits no pause, our life loses its uneven angles, and glides on in smooth and rounded celerity, with false aspects more symmetrical than the truth.

One day Godolphin visited Saville; who now, old, worn, and fast waning to the grave, cropped the few flowers on the margin, and jested, but with sourness, on his own decay. He found the actress (who had also come to visit the Man of Pleasure) sitting by the window, and rattling away with her usual vivacity, while she divided her attention with the labours of knitting a purse.

“Heaven only knows,” said Saville, “what all these times will produce. I lose my head in the dizzy quickness of events. Fanny, hand me my snuff-box. Well, I fancy my last hour is not far distant; but I hope, at least, I shall die a gentleman. I have a great dislike to the thought of being revolutionised into a roturier. That’s the only kind of revolution I have any notion about. What do you say to all this, Godolphin? Every one else is turning politician; young Sunderland whirls his cab down to the House at four o’clock every day—dines at Bellamy’s on cold beef; and talks of nothing but that d——d good speech of Sir Robert’s’. Revolution! faith, the revolution is come already. Revolutions only change the aspect of society, is it not changed enough within the last six months? Bah! I suppose you are bit by the mania?”

“Not I! while I live I will abjure the vulgar toil of ambition. Let others rule or ruin the state;—like the Duc de Lauzun, while the guillotine is preparing, I will think only of my oysters and my champagne.”

“A noble creed!” said Fanny, smiling: “let the world go to wreck, and bring me my biscuit! That’s Godolphin’s motto.”

“It is life’s motto.”

“Yes—a gentleman’s life.”

“Pish! Fanny; no satire from you: you, who are not properly speaking even a tragic actress! But there is something about your profession sublimely picturesque in the midst of these noisy brawls. The storms of nations shake not the stage; you are wrapt in another life; the atmosphere of poetry girds you. You are like the fairies who lived among men, visible only at night, and playing their fantastic tricks amidst the surrounding passions—the sorrow, the crime, the avarice, the love, the wrath, the luxury, the famine, that belong to the grosser dwellers of the earth. You are to be envied, Fanny.”

“Not so; I am growing old.”

“Old!” cried Saville: “Ah, talk not of it! Ugh!—Ugh! Curse this cough! But hang politics; it always brings disagreeable reflections. Glad, my old pupil,—glad am I to see that you still retain your august contempt for these foolish strugglers—insects splashing and panting in the vast stream of events, which they scarcely stir, and in which they scarcely drop before they are drowned—”

“Or the fishes, their passions, devour them,” said Godolphin.

“News!” cried Saville; “let us have real news; cut all the politics out of the Times, Fanny, with your scissors, and then read me the rest.”

Fanny obeyed.

“‘Fire in Marylebone!’”

“That’s not news!—skip that.”

“‘Letter from Padieal.’”

“Stuff! What else?”

“Emigration:—‘No fewer than sixty-eight——‘”

“Hold! for mercy’s sake! What do I, just going out of the world, care for people only going out of the country? Here, child, give the paper to Godolphin; he knows exactly what interests a man of sense.”

“‘Sale of Lord Lysart’s wines——‘”

“Capital!” cried Saville: “that’s news—that’s interesting!”

Fanny’s pretty hands returned to their knitting. When the wines had been discussed, the following paragraph was chanced upon:—

“There is a foolish story going the round of the papers about Lord Grey and his vision;—the vision is only in the silly heads of the inventors of the story, and the ghost is, we suppose, the apparition of Old Sarum. By the way, there is a celebrated fortune-teller, or prophetess, now in London, making much noise. We conclude the discomfited Tories will next publish her oracular discourses. She is just arrived in time to predict the passing of the Reform Bill, without any fear of being proved an impostor.”

“Ah, by the by,” said Saville, “I hear wonders of this sorceress. She dreams and divines with the most singular accuracy; and all the old women of both sexes flock to her in hackney-coaches, making fools of themselves to-day in order to be wise to-morrow. Have you seen her, Fanny?”

“Yes,” replied the actress, very gravely; “and, in sober earnest, she has startled me. Her countenance is so striking, her eyes so wild, and in her conversation there is so much enthusiasm, that she carries you away in spite of yourself. Do you believe in astrology, Percy?”

“I almost did once,” said Godolphin, with a half sigh; “but does this female seer profess to choose astrology in preference to cards? The last is the more convenient way of tricking the public.”

“Oh, but this is no vulgar fortune-teller, I assure you,” cried Fanny, quite eagerly: “she dwells much on magnetism; insists on the effect of your own imagination; discards all outward quackeries; and, in short, has either discovered a new way of learning the future, or revived some forgotten trick of deluding the public. Come and see her some day, Godolphin.”

“No, I don’t like that kind of imposture,” said Godolphin, quickly, and turning away, he sank into a silent and gloomy reverie.