Aunt Tipping proved not so ludicrously out of it after all in regard to the literary gentleman in the back parlour. Henry had hardly known what to expect; but certainly he had pictured no one so interesting as Ashton Gerard proved to be. For a dark den smelling strongly of whisky and water, and some slovenly creature of the under-world crouched in a dirty armchair over the fire, he found instead a pleasant little room, very neatly kept, with books, two or three good pictures, and general evidence of cultivated tastes; and on Mr. Gerard's refined sad face, which, being shaven, and surmounted by a tuft of vigorous curly hair, once black but now curiously splashed with vivid flakes of white, retained something of boyish beauty even at forty, you looked in vain for the marks of one who was in the grip of an imperious vice. Only by the marked dimness and weariness of his blue eyes, which gave the face a rather helpless, dreamy expression, might the experienced observer have understood. So to speak, the ocular will had gone out of them; they no longer grasped the visible, but glided listlessly over it; nor did they seem to be looking on things invisible. They were the eyes of the drowned.

Mr. Gerard had exceedingly gentle manners. It was easy to understand that a landlady would worship him. He gave little trouble, asked for the most necessary service as though it were a courtesy, and never forgot an interest in Aunt Tipping's affairs. On bright days he revealed a vein of quite boyish gaiety; and in his talk with Henry he flashed out a strange paradoxical humour, too often morbid in its themes, which, as usually the case with such humour, was really sadness coming to the surface in a jest.

It soon transpired that a favourite subject of his talk was that very weakness which most men would have been at pains to hide.

"So you're going to be a poet, Mr. Mesurier," he said. "Well, so was I once, so was I--but," he continued, "all too early another Muse took hold of me, a terrible Muse--yet a Muse who never forsakes you--" and he laid his hand on a decanter which stood near him on the table,--"yes, Mr. Mesurier, the terrible Muse of Drink! You may be surprised to hear me talk so; yet were this laudanum instead of brandy, there would seem to you a certain element of the poetic in the service of such a Muse. Drinks with Oriental or unfamiliar names have a romantic sound. Thus Alfred de Musset as the slave to absinthe sounds much more poetic than, say, Alfred de Musset as a slave to rum or gin, or even this brandy here. Yet this, too, is no less the stuff that dreams are made of; and the opium-eater, the absinthe-sipper, the brandy-drinker, are all members of the same great brotherhood of tragic idealists--"

He talked deliberately; but there was a smile playing at the corners of the mouth which took from his talk the sense of a painful self-revelation, and gave it the air of a playful fantasia upon a paradox that for the moment amused him.

"Idealists! Yes," he continued; "for what few understand is that drink is an idealism--and," he presently added with a laugh, "and, of course, like all idealisms, it has its dangers."

With a monomaniac, conversation is apt to limit itself to monologue; so, while Henry was greatly interested in this odd talk, it left him but little to say.

"I'm afraid I shock you a little, Mr. Mesurier, perhaps even--disgust you," said Mr. Gerard.

"Indeed, no!" exclaimed Henry; "but both the subject and your way of treating it are, I confess, a little new to me."

"You are surprised to find one who is what is popularly known as a drunkard not so much ashamed of as interested in himself; isn't that it? Well, that comes of the introspective literary temperament. It is only the oyster fascinated by the pearl that is killing it."

"You should write some 'Confessions' after the manner of De Quincey," said Henry.

"Indeed, I've often thought of it, for there's so much that needs saying on the subject. There is nothing with which we are at once so familiar and of which we know so little. For example"--and now he was quite plainly off again--"for example, the passion for, I might say the dream of, drink is usually regarded as a sensual appetite, a physical indulgence. No doubt in its first crude stages it often is so; but soon it becomes something much more strange and abstract. It becomes a mysterious command, issuing we know not whence. It is hardly a desire, and it is not so much a joyless, as a quite colourless, obedience to an imperious necessity, decreed by some unknown will. You might well imagine that I like the taste of this brandy there, as a child is greedily fond of sweetstuff; but it would be quite a mistake. For my own personal taste, there is no drink like a cup of tea; it is the demon, the strange will that has imposed itself upon me, that has a taste for brandy.

"I sometimes wonder whether we poor drunkards are not the victims of disembodied powers of the air who, by some chance, have contracted a craving for earthly liquors, and can only satisfy that craving by fastening themselves upon some unhappy human organism. At times there comes an intermission of the command, as mysterious almost as the command itself. For weeks together we give no thought to our tyrant. We grow gay and young and innocent again. We are free,--so free, we seem to have forgotten that we were ever enslaved. Then suddenly one day we hear the call again. We cry for mercy; we throw ourselves on our knees in prayer. We clutch sacred relics; we conjure the aid of holy memories; we say over to ourselves the names of the dead we have loved: but it is all in vain--surely we are dragged to the feet of that inexorable will, surely we submit ourselves once more to the dark dominion."

Henry listened, fascinated, and a little frightened.

"The longer I live, the more I grow convinced that this is no mere fancy, but actual science," Mr. Gerard continued; "for, again, you might well imagine that one drinks for the dreams or other illusory effects it is said to produce. At first, perhaps, yes; but such effects speedily pass away, they pass away indeed before the tyranny has established itself, while it would still be possible to shake it off. No, the dreams of drink are poor things, not worth having at the best. Indeed, there are no dreams worth having, believe me, but those of youth and health and spring-water."

And Mr. Gerard passed for awhile in silence into some hidden country of his lost dreams.

Henry gazed at him with a curious wonder. Here was a man evidently of considerable gifts, a man of ideals, of humour, a man witty and gentle, who surely could have easily made his mark in the world, and yet he had thrown all away for a mechanical habit which he himself did not pretend to be a passion,--a mere abstract attraction: as though a man should say, "I care not for the joys or successes of this world. My destiny is to sit alone all day and count my fingers and toes, count them over and over and over again. There is not much pleasure in it, and I should be glad to break off the habit,--but there it is. It is imposed upon me by a will stronger than mine which I must obey. It is my destiny."

"Yes, idealists!" said Mr. Gerard, presently coming back from his dreams to his great subject, with a laugh. "That reminds me of a story a business friend of mine told me the other day. A clerk in his office was an incorrigible drunkard. He was quite alone in the world, and had no one dependent upon him. The firm had been lenient to him, and again and again forgiven his outbreaks. But one morning they called him in and said: 'Look here, Jones, we have had a great deal of patience with you; but the time has come when you must choose between the drink and the office.' To their surprise, Jones, instead of eagerly promising reform, looked up gravely, and replied, 'Will you give me a week to think it over, sir? It is a very serious matter.' Drink was all the poor fellow had outside his drudgery; was it to be expected that he should thus lightly sacrifice it?--

"But, to talk about something else, your aunt, Mrs. Tipping, who has a great idea of my literary importance, has a notion that I may be of some help to you, Mr. Mesurier. Well, I'll tell you the whole extent of my present literary engagements, and you are perfectly at liberty to laugh. At the present time I do the sporting notes for the Tyrian Daily Mail, and I write the theological reviews for The Fleet Street Review. These apparently incongruous occupations are the relics of an old taste for sport, which as a boy in the country I had ample opportunity for indulging, and of an interrupted training for the Church--'twixt then and now there is an eventful gap which, if you don't mind, we won't sadden each other by filling--Let us fill our glasses and our pipes instead; and, having failed so entirely myself, I will give you minute directions how to succeed in literature."

Mr. Gerard's discourse on how to succeed in literature was partly practical and partly ironical, and probably too technical to interest the general reader, who has no intention of being a great or a little writer, and who perhaps has already found Mr. Gerard's previous discourse a little too special in its character. Suffice it that Henry heard much to remember, and much to laugh over, and that Mr. Gerard concluded with a practical offer of kindness.

"I don't know how much use it may be to you," he said; "but if you care to have it, I should be very glad to give you a letter to the editor of The Fleet Street Review. He has, I think, a certain regard for me, and he might send you a book to do now and again. At all events, it would be something."

Henry embraced the offer gratefully; and it occurred to him that in a day or two's time there was a five days' excursion running from Tyre to London and back, for half-a-guinea. Why not take it, and expend his last five pounds in a stimulating glimpse of the city he some day hoped to conquer? He could then see his friend the publisher, present his letter to the editor, and perhaps bring home with him some little work and a renewed stock of hopes.

So, before they parted that night, Mr. Gerard wrote him the letter.