No doubt it has been surmised from what has gone before, that when Henry said to himself that he would go and see Aunt Tipping, he did not propose to himself a visit to the country seat of some quaint old lady of quality. Baronial towers and stately avenues of ancestral elm did not make a picturesque background for his thoughts as he recalled Aunt Tipping.

Poor kind Aunt Tipping, it is a shame to banter her memory even in so obvious a fashion; for if ever there was a kind heart, it was hers. In fact she possessed, in a degree that amounted to genius, one of the rarest of human qualities,--unconditional pity for the unhappy human creature. Within her narrow and squalid sphere, she was never known to fail of such succour as was hers to give to misfortune, however well-merited, or misery however self-made.

No religion or philosophy has ever yet been merciful enough to human weakness. Matilda Tipping repaired the lack so far as she went. In fact, she had unconsciously realised that weakness is human nature. It would be difficult to fix upon an offence that would disqualify you for Aunt Tipping's pity. To the prodigalities of the passions, and the appetites disastrously indulged, she was accustomed by a long succession of those sad and shady lodgers to whom it was part of her precarious livelihood to let her rooms, and, not infrequently, to forgive them their rent. That men and women should drink too much, and love too many, was, her experience told her, one of those laws of nature that seemed to make a good deal of unnecessary inconvenience in mortal affairs, but against which mere preaching or punishment availed nothing. All that was to be done was, so far as possible, to repair their ravages in particular instances, and heal the wounds of human passion with simple human kindness.

Of two vessels, one for honour and the other for dishonour, surely nature never made so complete a contrast as Matilda Tipping and her sister, Mary Mesurier. Both country girls, born in a humble, though defiantly respectable, stratum of society, the ways of the two sisters had already parted in childhood. Mary was studious, neat, and religious; Matilda was tomboyish, impatient of restraint, and fond of unedifying associates.

"Your aunt never aspired," Mrs. Mesurier would say of Aunt Tipping sometimes to her children; and, while still a child, she had often reproached her with her fondness for gossiping with companions "beneath her." Matilda could never be persuaded to care for books. She was naturally illiterate, and even late in life had a fixed aversion to writing her own letters; whereas, at the age of seven, Mary had been public scrivener for the whole village. But with these regrettable instincts, from the first Matilda had also manifested a whimsical liveliness, an unconquerable lightheartedness which made you forgive her anything, and for which, poor soul, she had use enough before she was done with life. At seventeen, added to good looks, of which at fifty there was scarcely a trace in the thin and meanly worn face, this vivacity had proved a tragic snare. A certain young capitalist--known as a great gentleman--of that countryside had pounced down on the gay and careless young Matilda, and had at once provided her life with its formative tragedy and its deathless romance. Even at fifty, hopelessly buried among the back streets and pawnshops of life, heaven still opened in the heart of Matilda Tipping at the mention of the name of William Allsopp. For several years she had lived with the Mesuriers, as general help to her sister, between whom and her, in spite of surface disparities, there was an indissoluble bond of affection; till, at thirty-five or so, she had suddenly won the heart of a sad old widower of fifty-five, named Samuel Tipping.

Samuel Tipping was no ordinary widower. As you looked at his severe, thoughtful face, surmounted by a shock of beautiful white hair, you instinctively respected him; and when you heard that he lived by cobbling shoes by day and playing a violin in the Theatre Royal orchestra by night, occasionally putting off his leather apron to give a music lesson in the front parlour of an afternoon, you respected him all the more. There had been but one thing against Mr. Tipping's eligibility for marriage, Matilda Tipping would tell you, even years after, with a lowering of her voice: he was said to be an "atheist," and a reader of strange books. Yet he seemed a quiet, manageable man, and likely--again in Mrs. Tipping's phrase--to prove a "good provider;" so she had risked his heterodoxy, which indeed was a somewhat fanciful objection on her part, and made him, as he declared with his dying breath, the best of wives.

It chanced that when Henry, in pursuance of his over-night resolve, made his way the following afternoon through a dingy little street, and knocked on the door of a dingy little house, bearing upon a brass plate the legend "Boots neatly repaired," Mr. Tipping was engaged in giving one of those very music lessons. A dingy little maid-of-all-work opened the door, and said that Mrs. Tipping was out shopping, but would be back soon. From the front parlour came the lifeless tum-tumming of the piano, and Mr. Tipping's voice gruffly counting time to the cheerless five-finger exercises of a very evident beginner.

"One--two--three! One--two--three! One--two--three!" went Mr. Tipping's voice, with an occasional infusion of savagery.

"But Mr. Tipping is at home?" said Henry. "I will wait till he is disengaged. I will make myself comfortable in the kitchen," (Henry knew his way about at Aunt Tipping's, and remembered there was only one front parlour) adding, with something of pride, "I'm Mrs. Tipping's nephew, you know."

Presently the torture in the front parlour was at an end; and, as Mr. Tipping was about to turn upstairs to the little back room where he mended his shoes, Henry emerged upon him from the kitchen. They had had some talks on books and the general misgovernment of the universe,--for Mr. Tipping really was something of an "atheist,"--on Henry's occasional visits, and were no strangers to each other.

"Why, Henry, lad, whoever expected to see you! Your aunt's out at present; but she'll be back soon. Come into the parlour."

"If you don't mind, Uncle Tipping, I'd rather come upstairs with you. I love the smell of the leather and the sight of all those sharp little knives, and the black, shiny 'dubbin,' do you call it? And we can have a talk about books till aunt comes home."

"All right, lad. But it's a dusty place, and there's hardly a corner to sit down in."

So up they went to a little room where, in a chaos of boots mended on one hand, and boots to mend on the other, sheets of leather lying about, in one corner a great tubfull of water in which the leather was soaked,--an old boyish fascination of Henry's,--Mr. Tipping spent the greater part of his days. He sat on a low bench near a window, along which ran a broad sill full of tools. On this, too, lay an opened book, into which Mr. Tipping would dip now and again, when he could safely leave the boot he was engaged upon to the mechanical skill of his hands. At one end of the tool-shelf was a small collection of books, a dozen or so shabby volumes, though these were far from constituting Mr. Tipping's complete library.

Mr. Tipping belonged to that pathetic army of book-lovers who subsist on the refuse of the stalls, which he hunted not for rare editions, but for the sheer bread of life, or rather the stale crusts of knowledge. His tastes were not literary in the special sense of the word. For belles-lettres he had no fancy, and fine passages, except in so far as they were controversial, left him cold. His mind was primarily scientific, secondarily philosophic, and occasionally historic. Travels and books of physical science were the finds for which, mainly, he rummaged the stalls. At the moment his pet study was astronomy; and a curious apparatus in one of the corners, which Henry had noticed as he entered, was his sad attempt to rig up a telescope for himself.

"It's not so bad as it looks," he said, pointing it out; "but then," he added, with a smile half sad and half humorous, "there are not many stars to be seen from Tichborne Street."

It was a touching characteristic of the type of bookman to which Mr. Tipping belonged, that the astronomy from which he was reading by no means embodied the latest discoveries. In fact, it narrowly escaped being eighteenth-century science, for it was dated very early in the eighteen hundreds. But an astronomy was an astronomy to Mr. Tipping; and had Copernicus been born late enough, he would most certainly have imbibed Ptolemaic doctrines with grateful unsuspicion. Indeed, had it been put to him: "This astronomy after Copernicus at half-a-crown, and this after Ptolemy for sixpence," his means alone would have left him no choice. It is so the old clothes of the mind, like the old clothes of the body,--superseded science, forgotten philosophy,--find a market, and a book remains a book, with the power of comforting or diverting some indigent, poor soul, so long as the stitching holds it together.

Presently there was a knock at the front door.

"There's your aunt," said Mr. Tipping; and, as the door opened, the little maid-of-all-work was to be heard whispering her mistress that a young gentleman who said he was her nephew had come and was upstairs with "the master."

"Well, I never!" exclaimed Mrs. Tipping, immediately starting upstairs towards the open door of the cobblery.

Henry was standing on the threshold, and the warm-hearted little woman gave him a hearty hug of welcome.

"Well, I am glad to see you! And how are they all at home?" and she ran over the list, name for name. "We mustn't forget your father. But he's a hard 'un and no mistake," said the aunt, putting on a mimic expression of severity.

"He's an upright man, is James Mesurier," said Mr. Tipping, rather severely.

"Oh, yes, yes; we know that, crosspatch. I'm saying nothing against him. He's good at heart, I know; but he's a little hard on the surface--like some other folks I know," making a face at her husband. "But you must come down and talk to me a bit, lad; you'll have had enough of him and his old books. You never saw the like of him! Here he sits day after day over his musty books, and you can hardly get him away for his meals. He's no company for any one."

"Talk of something you can understand, lass," retorted the husband, in a voice that took any unkindness from the words, rather like a father than a husband. "You don't ail much for lack of company, I'm sure."

"Now if it was only a good novel," his wife persisted; "but nothing but travels, geographies, and such like. Last thing he's taken up with is the stars. I suppose he's been telling you about them--" and she said this half as though it were a new form of lunacy Mr. Tipping had developed, and half as though he had been opening up new realms of knowledge--original but useless. She was far indeed from understanding that lonely mind and its tragedy, thirsting so hopelessly for knowledge, and to die athirst. She heard him knock, knock all day upstairs; but the knocking told her nothing of his loneliness. He was just a good, hard-working, rather cross old man, unaccountably fond of printed matter, whom she liked to be good to, and if in her time that knocking upstairs should stop for ever--well! she wasn't one to meet trouble half way, but she would miss it a good deal, old man as he was.

She was herself nearing fifty; but her slim little wiry body and her elfish, wrinkled face, never still, but ever alive with the same vivacity that years ago had attracted William Allsopp, made her seem younger than her years; and her husband treated her as though she were still a child, a wilful child.

"Eh, Matilda," he said, "you're just a child. No more nor less,--just a child. The years haven't tamed you one bit--"

"Get out with you and your old stars!" she said, laughing. "Henry, come along and have a talk with your old aunt."

Though invincibly cheerful through it all, Aunt Tipping was always in trouble, if not for herself, for somebody else. To-day, it was for herself, though it was but a minor reverse in the guerilla warfare of her life. A distressed lodger who had just left had begged her to accept, in lieu of rent, the pawn-ticket of a handsome clock which had been hers in happier days; and Mrs. Tipping, moved as she always was by any tale of woe, however elaborate, had consented. Nor in her world was such a way of settling accounts very exceptional, for pawn-tickets were there looked upon as legitimately negotiable securities. Indeed, Aunt Tipping was seldom without a selection of such securities upon her hands; and, if a neighbour should chance to be in need, say, of a new set of chimney ornaments, as likely as not Aunt Tipping had in her purse a pledge for the very thing. This she would sell at a reasonable profit, which would probably amount to but a small proportion of the original debt for which she had accepted it. It was not a lucrative business, though there were occasional "bargains" in it.

In that word "bargains," all the active romance of Aunt Tipping's life was now centred. In all departments of the cast-off and the second-hand she was a daring speculator; and a spirited "auction" now and again exhilarated her as much as a fortnight by the sea. That house which she fought so desperately to keep tidy and respectable, had been furnished almost entirely in this way. There was hardly an article in it that had not already lived other lives in other houses, before it had been picked up, "dirt cheap," by Aunt Tipping.

But this afternoon her confidence in human nature had received a cruel wound. When, after an hour's weary drag to a remote end of the town, she had arrived at the pawnshop where was preserved the handsome clock of the distressed lady, and had confidently presented the ticket and the necessary money, the man had looked awhile perplexed. They had no such clock, he said. And then, as he further examined the ticket, a light broke in upon him.

"My dear lady," he said, "look here. The year on this ticket has been changed."

So indeed it had, and poor Aunt Tipping was at least a year too late.

"Did you ever hear of such treatment?" she said to Henry; "and such a nice lady she was. 'I shall never forget your goodness to me, Mrs. Tipping,' she said as she went away, 'never, if I live to be a hundred.' I'll 'goodness' her, if ever I catch her. Cheating honest folks like that! Such people oughtn't to be allowed. I don't know how people can behave so!"

Aunt Tipping's indignation seldom outlived a few plaintive words of this sort; and had the offending lady of the clock appeared next moment, and given some Arabian Nights' explanation, there is little doubt that Aunt Tipping would have forgiven her on the spot. A tendency to do so was already active in her next remark,--

"Well, poor soul, we mustn't be too hard on her. We never know what we may be brought to ourselves." For it was Aunt Tipping's unformulated axiom that, whatever cock-and-bull stories misfortune may tell, there is always some truth in human misery.

When Henry had told Aunt Tipping his story, and ventured to hint a suggestion that, if it should not be inconvenient for her, he would like to take sanctuary with her for a month or two, till he got his hopes into working order, her little sharp face fairly gleamed with delight. You would have thought that he was bringing her some great benefit, instead of proposing to take something from her. That he should have thought of her, such a little humble aunt; that, added to the love she had for any one with any tincture of her family's blood running in their veins, plus her general weakness for any one in trouble, brought tears to her eyes that made her look quite young again.

"I should think so indeed!" she said. "The best your poor old auntie's got is yours with all her heart--Ah, your father never understood you. You've got too much of our side of the family in you. You're a bit wild, you know, lad; but you're none the worse for that, eh?"

There is no need to say that Aunt Tipping's understanding of the tastes and ambitions which had driven Henry momentarily to take refuge with her was of the vaguest; but all she needed to know of such a situation was that: here on the one hand was something somebody very much wanted to do, and here on the other were certain stern powers ranked against his doing it. That was enough for her. Her sympathy with all forms of revolt was instantaneous. For law and order, as such, she had an instinctive antipathy, as in all contests whatsoever her one general rule was: "Side with the weaker." And it cannot but have been perceived that so much sympathy with weakness could hardly have been in the gift of weakness. No; Aunt Tipping was entirely impersonal in these charities of feeling, and it was because there was so much sterling honesty and strength hidden in her little wiry frame, that she could afford so much succour to those who were neither honest nor strong.

"Well, it was nice of you to think of your poor old aunt," she repeated again and again; and then she remarked on the good fortune which had caused the vacation of the front room over the parlour, her grievance against the lady of the handsome clock quite forgotten.

"It's a nice airy room," she said; and then she began planning how she might best arrange it for his comfort.

"Dear little aunt," said Henry, taking the little wisp of a woman into his arms, "you're the salt of the earth."

"Why ever didn't I think of it before!" exclaimed Aunt Tipping, presently. "I've got the very gentleman to help you with your writing."

"Indeed," said Henry, somewhat sceptical.

"Yes; he's down there in the back parlour. They say he's a great writer," continued Aunt Tipping; "but he's not very well the last day or two, and doesn't see anybody. To tell the truth, poor gentleman," she confided, lowering her voice, "he's just a little too fond of his glass. But he's as good and kind a gentleman as ever stepped, and always regular with his rent every Monday morning."

There was usually something mysterious about Aunt Tipping's lodgers. At their best, she had known them as elaborately wronged bye-products of aristocracy. Many of them were lawful expectants of illegally delayed fortunes, and at the very least they always drank romantically.

Thus it was that to the somewhat amused surprise of his family, Henry came to take up his abode for a while with Aunt Tipping, and that his books and the cast of Dante, and the sketch of the young Dante done in sepia by Myrtilla Williamson's own fair hand, came to find themselves in the incongruous environment of Tichborne Street.