WINSCOMBE: A CAMP OF REFUGE

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On the edge of a broad valley in the Mendips, on the gentle slope of a line of low green hills, there stands a quiet hamlet, almost hidden now among its clustering trees. At the foot of the slope, standing some way back from the village street, is a white-walled cottage, whose lawns and garden grounds only a slender fence divides from the fields that fringe the village.

On one side of the garden runs a narrow lane, losing itself presently in the meadows, a quieter backwater of the quiet village life, in whose old walls and deep-browed hedgerows many birds find lodging. On the other side, beyond a row of picturesque old sheds and ruinous old buildings, with brown roofs of thatch and crowns of thick-growing ivy, stretch the bird-haunted aisles of an orchard. The nuthatches love its cavernous trees. Its shades are musical, long before the dawn, with the songs of thrush and blackbird, of redstart and willow-wren. Among the old buildings tits and wagtails and robins hide their nests in crannies of the crumbling masonry.

But to the garden itself, islanded by lanes and meadows, with its trees and shrubs, its broad thickets of laurel and rhododendron and arbutus, the birds come as to a Camp of Refuge. In the tall evergreen above the gate, wreathed in a great bower of ivy, blackbirds even now are feeding their young. There are nests in the lilacs, in the laurels, in the hedges, in the trellis on the wall.

Through the open windows the warm air brings all pleasant scents and sounds. The low of cattle, on distant farms, the mellow chiming of the old church bells, the rich strains of thrush and blackbird, the sweet song of the swallow, clink of oxeye, call of cuckoo, jay's harsh cry, and wood-pecker's light-hearted laughter, mingle with the perfume of the roses and the woodruff. The swallows that sing on the brown gable of the barn beyond the precincts may have their nests plundered by prowling schoolboys. The hollow trees in the orchard, the chinks in the old wall of the lane, are not wholly safe from the village birds'-nester. But here is sanctuary inviolate, from which no bird was ever driven.

Year after year the fly-catchers repair their nest in the plum tree trained against the wall. No hand disturbs the martins that build under the broad eaves. No sweet singer ever here paid with his life the penalty of his taste for cherries.

Here no blackbird ever suffered for his raids upon the strawberry beds. This garden is to him the garden of the laureate:

"The espaliers and the standards tall
Are thine; the range of lawn and park;
The un-netted black-hearts ripen dark,
All thine, against the garden wall."

Here the bullfinch may pillage at his will. The only unpardonable crime that even the house-sparrow can commit is to take wrongful possession of a martin's nest. Even then the culprit has never suffered anything but reproaches. Even when, with its own untidy heap of hay and feathers, it has blocked up a rain-water pipe, the disaster that it caused was not held warrant for eviction. And never surely were there sparrows quite so bright of plumage—so glossy their sleek heads, so rich their chestnut feathers, so stainless the white bars across their wings.

Here, too, in the hard winter weather, the birds have learnt by long experience to come as for corn in Egypt. The missel-thrush and the nuthatch, the marsh-tit and the oxeye, know well the brilliant berries they may plunder at their will from the tall Irish yew before the window. In the very bearing of the birds that haunt the garden, of the robin and the sparrow and the song-thrush, that in hard times come to the very window to be fed, with firm faith in their gentle almoners, you may read the confidence born of long experience, the result of years of welcome and protection.

The fly-catcher brooding on her nest, her glossy head just showing over the rim of the little cradle she has slung between the plum-tree and the wall, watches your approach without the least alarm. And as you stroll between the borders, bright with thickets of peonies, covered with great rose-like blooms, with their flags and pansies and pale yellow poppies, and with all their hundred flowers, she will flicker lightly by to her favourite resting-place on the rose-hung arch over the garden path, or to the handle of the walking-stick set upright in the grass for her sovereign pleasure, or to the leafless laurel bough that, while shears and pruning-knife are merciless to every other dead wood in the garden, is spared for her sake alone.

Watch her for a moment. See how she turns her head this way and that, keeping a sharp look-out for passing fly or beetle. See how suddenly she darts from her watch tower, how she hovers for a moment in the air, with faint click of her sharp bill, flying lightly back, perhaps beating her prey against the bough a time or two before she swallows it. There is a saying here that fortune hangs on giving shelter to the flycatcher:

"If you scare the flycatcher away,
No good luck will with you stay."

But there is no thought of fortune, good or ill, mingled with the kindly care that has made for so many years a sanctuary of this quiet spot. The very cat seems to have learnt that—under the eyes of the family at least—there is close time here, all the year round, for every bird that flies.

A MENDIP VILLAGE: WINSCOMBE. ImagesList

When Jock is lying at the door, stretched out at length in the sunshine, you may see a thrush alight within a yard of him, the picture of righteous indignation, feathers ruffled, wings adroop, and storm and scold and flutter and gesticulate; while he, his conscience pricked perhaps—who knows?—by the remembrance of an early breakfast some fine morning among the lilac bushes, when that brood of young thrushes disappeared so strangely, blinks with affected sleepiness at his fierce little accuser. She has even been seen to perch upon his back, when he, as if remembering some previous engagement, stretched himself, and yawned, and meekly walked away.

At the far end of the lawn, in a nook between the meeting lines of hedge-row, stand four sheltering elms, joining their heads in a green canopy, cool and restful. From the seat beneath them you look out over a broad meadow to the misty hills. The long grass is bright with myriad flowers, with lotus and hawkweed, and with yellow crowns of dandelion, whose silvery parachutes now and then sail over, sinking slowly down the summer air. Somewhere in the grass, that in a few short weeks will fill the house with the sweet incense of the hay, a corncrake is calling. It is a strange note, harsh and unmusical always; heard at night, sometimes irritating beyond words to paint; yet here, and now, a pleasant country sound.

You may watch the shrike yonder, perched motionless on his favourite hawthorn, in whose shadow his mate is doubtless already brooding on her eggs. You may listen to the goldfinch singing in the green mist of meeting branches overhead; see the grey cuckoo alight on the topmost crest of the great elm that towers above the meadow; watch the busy starlings as they pass and repass with hurried flight. And, as through the great masses of lilac, now beginning to abate their rare perfume, you catch glimpses of hills and meadows, of the white houses of the village, with its orchards and its elms, and, crowning these, the grey tower of the church, looking down like a watchful sentinel on the hamlet lying at its feet, you feel it was to no fairer spot than this that the poet called his friend, when he sang:

"Or if thou tarry, come with the summer.
That welcome comer
Welcome as he.
When noontide sunshine beats on the meadow
A seat in shadow,
We'll keep for thee."


THE MOWERS.
                                                                                                                                                                                                                                                                                                           

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