The whirr of the iron mower has ceased at length. Hour after hour the clashing blades swept in still narrowing circles round and round the spacious meadow. Now the last swath has fallen. Now in the centre of the field the machine stands silent; the tired horses taking toll of the sweet grass that is strewn about their feet. The men lie motionless, their sunburned faces The hour is late. Along the low hills that bound the valley hangs the haze of sunset. There is a faint flush of rose colour on the soft clouds For the breath of the lost flowers of the meadow there are all the perfumes of the one garden that gives upon the field—of roses all in bloom on arch and trellis, of clumps of tall sweet peas, white and red and rich imperial purple, of the delicate wild pinks, rooted at will in the old garden wall. And, although the last blossom has faded from the hawthorns round the meadow, slowly, and as with reluctance, delicate dog-roses are scattered broadcast all along the hedge-rows, and the woodbine sprays are rich already with pale sweet clusters. This is a flowery haytime. Surely there was never more lavish wealth of roses on the hedges, nor can one even fancy broader sheets of oxeye daisies in the mowing grass. Along the hedges the machine has left a fringe of tall grasses still unmown. And this green jungle, and the broad thickets behind it, are all astir with birds, some of them gaining now their first experiences of the great green world—a world of warmth and beauty, such as rarely, even Here forages a troop of starlings; the old birds in dark and glossy plumage, the young brood in sober, unpretending brown. Now a little cloud of martins wheel over the meadow, fluttering down to hover above the grass with soft, sweet notes. Now a singing swallow floats along. And now on dark wings a troop of swifts sail swarming down the field—labourers in man's service one and all. On the end of a dead ivy branch that stands out of the garden hedge sits a solitary flycatcher; a small grey figure that, in her shape and attitude, is like no other bird that haunts the precincts. She is silent for the most part, only uttering now and then a weak, half querulous note, that is answered by notes weaker and more querulous from the heart of the thick laurel near. Again and again she takes short flights into the air In a plum tree on the cottage wall, half hidden among clustering roses, is the empty nest from which the grey youngsters hiding now among the bushes have but just spread wings to fly. For once they tried their powers too soon. They ventured over the edge of their small nursery on wings not yet strong enough for flight, and they were found one morning on the ground among the stocks and poppies and sweet-williams underneath the nest, while the anxious parents, with plaintive cries, fluttered over them with vain attempts at rescue. The fall had been fatal to one of the little aeronauts, but three were rescued, and, in a small basket filled with hay, were slung close up under the deserted nest. They made no effort to get back to their old quarters, but sat content on the edge of the basket, three little odd owl-like figures; while the old birds, their minds at rest again, foraged for them all day, from dawn till dark, chasing moths and flies along the Under the eaves above the flycatcher's tree there is a martin's nest. At least, martins built it, but there was a dispute this year about the tenancy. It is not a new nest. It is in fact a tenement of many years' standing. And while two rival couples of martins were still discussing the question of proprietorship, a pair of prowling house sparrows stepped in and took possession. Perhaps they were the arbitrators—who knows? And now these house sparrows, bent on fitting a warmer lining to their stolen habitation, cast covetous glances on the young flycatchers' basket, and when the parent birds were away—sometimes even under their very eyes—the unscrupulous brigands carried off the hay by handsful. Fine fellows, these country sparrows: so very different from their grimy, scurrilous, soot-stained cousins of the city streets, with even a note of music on their ready tongues, and with plumage of such pure white and velvety black, of such rich warm tones of chestnut, that you would say they were among the handsomest of birds, might perhaps even go the length And now the men, rising reluctantly from their lair among the grass, unship the long blades of the machine. It goes slowly jingling up the field, and through the gate at the far end, ready for more mowing on the morrow. The sun low down in the west, showing for a brief space through the trees his face of fiery gold barred with the dark branches, throws far across the grass the shadows of a group of tall elms out in the meadow, whose green heads tower a hundred feet into the clear, pale blue. Motionless they stand, or seem to stand. The light wafts of scented air may flutter the leaves upon their lofty crests, but have no power to sway their giant branches. From far up among their green crown of foliage floats a goldfinch's song—a pleasant sound, a note of summer and green fields and open country. Pleasant, too, is the slow clink of a whetted scythe, sounding faintly from a distant meadow, where some tired haymaker, perhaps for the last time in the long summer day, is putting a better edge upon his worn old blade. Along the hedge yonder a man is finishing The gentle nurse of the foundling flycatchers is moving slowly across the meadow, the light of sunset on her white dress, sweet face, and graceful figure. She is carrying a great handful of oxeye daisies, gleaned from the new-mown hay—adding now a tall spray of quaking grass, now a leaf of bright red sorrel, and looking now and then with wistful eyes at the flowers for whose brief life she thus provides a little longer span. The sun is down. The long day's work is ended. In the combe yonder, the little sleepy hollow that dies away among the quiet hills, the purple shadows deepen, and the last faint lingering glow fades slowly from the cliffs along its southern verge. No clink of scythe-blade now, no sound of toil. The last note of labour and of daylight is the shouting from some distant farm, where the last load is being cheered into the stack-yard. A restless corncrake cries among the long grass "... The brooding twilight Unfolds her starry wings, And warm hearts bless with tenderness The peace that evetide brings:" —the peace of God, for this broad hollow in the hills. Slowly on the quiet landscape falls the restful stillness of the summer night. |