I built myself a lordly pleasure-house, Wherein at ease for aye to dwell; I said: “O Soul, make merry and carouse, Dear Soul—for all is well.” —The Palace of Art. “And where next? I don’t like Colootollah.” The Police and their charge are standing in the interminable waste of houses under the starlight. “To the lowest sink of all,” say the Police after the manner of Virgil when he took the Italian with the indigestion to look at the frozen sinners. “And where’s that?” “Somewhere about here; but you wouldn’t know if you were told.” They lead and they lead and they lead, and they cease not from leading till they come to the last circle of the Inferno—a long, long, winding, quiet road. “There you are; you can see for yourself.” But there is nothing to be seen. On one side are houses—gaunt and dark, naked and devoid of furniture; on the other, low, mean stalls, “Why are they so quiet? Why don’t they make a row and sing and shout, and so on?” “Why should they, poor devils?” say the Police, and fall to telling tales of horror, of women decoyed into palkis and shot into this trap. Then other tales that shatter one’s belief in all things and folk of good repute. “How can you Police have faith in humanity?” “That’s because you’re seeing it all in a lump for the first time, and it’s not nice that way. Makes a man jump rather, doesn’t it? But, recollect, you’ve asked for the worst places, and you can’t complain.” “Who’s complaining? All this time Mrs. D—— stands on the threshold of her room and looks upon the men with unabashed eyes. If the spirit of that English soldier, who married her long ago by the forms of the English Church, be now flitting bat-wise above the roofs, how singularly pleased and proud it must be! Mrs. D—— is a lady with a story. She is not averse to telling it. “What was—ahem—the case in which you were—er—hmn—concerned, Mrs. D——?” “They said I’d poisoned my husband by putting something into his drinking-water.” This is interesting. How much modesty has this creature? Let us see. “And—ah—did you?” “’Twasn’t proved,” says Mrs. D—— with a laugh, a pleasant, lady-like laugh that does infinite credit to her education and upbringing. Worthy Mrs. D——! It would pay a novelist—a French one let us say—to pick you out of the stews and make you talk. The Police move forward, into a region of Mrs. D——’s. This is horrible; but they are used to it, and evidently consider indignation affectation. Everywhere are the empty houses, and the babbling women in print gowns. The clocks in the city are close upon midnight, but the Police show no signs of stopping. They plunge hither and thither, like wreckers into the surf; and each plunge brings up a sample of misery, filth, and woe. “Sheikh Babu was murdered just here,” they say, pulling up in one of the most troublesome houses in the ward. It would never do to appear ignorant of the murder of Sheikh Babu. “I only wonder that more aren’t killed.” The houses with their breakneck staircases, their hundred corners, low roofs, hidden courtyards and winding passages, seem specially built for crime of every kind. A woman—Eurasian—rises to a sitting position on a board-charpoy and blinks sleepily at the Police. Then she throws herself down with a grunt. “What’s the matter with you?” “I live in Markiss Lane and”—this with intense gravity—“I’m so drunk.” She has a rather striking gipsy-like face, but her language might be improved. “Come along,” say the Police, “we’ll head back to Bentinck Street, and put you on the road to the Great Eastern.” They walk long and steadily, and the talk falls on gambling “What are we going to see?” “Japanese gir—No, we aren’t, by Jove! Catch that Chinaman, quick.” The pigtail is trying to double back across a courtyard into an inner chamber; but a large hand on his shoulder spins him round and puts him in rear of the line of advancing Englishmen, who are, be it observed, making a fair amount of noise with their boots. A second door is thrown open, and the visitors advance into a large, square room blazing with gas. Here thirteen pigtails, deaf and blind to the outer world, are bending over a table. The captured Chinaman dodges uneasily in the rear of the procession. Five—ten—fifteen seconds pass, the Englishmen standing in the full light Half the pigtails have fled into the darkness, but the remainder, assured and trebly assured “Most immoral game this. A man might drop five whole rupees, if he began playing at sundown and kept it up all night. Don’t you ever play whist occasionally?” “Now, we didn’t bring you round to make fun of this department. A man can lose as much as ever he likes and he can fight as well, and if he loses all his money he steals to get more. A Chinaman is insane about gambling, The Police depart, and in a few minutes the silent, well-ordered respectability of Old Council House Street, with the grim Free Kirk at the end of it, is reached. All good Calcutta has gone to bed, the last tram has passed, and the peace of the night is upon the world. Would it be wise and rational to climb the spire of that kirk, and shout after the fashion of the great Lion-slayer of Tarescon: “O true believers! Decency is a fraud and a sham. There is nothing clean or pure or wholesome under the stars, and we are all going to perdition together. Amen!” On second thoughts it would not; for the spire is slippery, the night is hot, and the Police have been specially careful to warn their charge that he must not be carried away by “Good-morning,” says the Policeman tramping the pavement in front of the Great Eastern, and he nods his head pleasantly to show that he is the representative of Law and Peace, and that the city of Calcutta is safe from itself for the present. |