RHYMES properly used are the good servants whose presence gives the dinner table a sense of opulent security; they are never awkward, they hand the dishes silently and professionally. You can trust them not to interrupt the conversation of the table or allow their personal disagreements to come to the notice of the guests; but some of them are getting very old for their work.

The principle governing the use of alliteration and rhyme appear to be much the same. In unsophisticated days an audience could be moved by the profuse straight-ahead alliteration of Piers Plowman, but this is too obvious a device for our times. The best effects seem to have been attained in more recent poetry by precisely (if unconsciously) gauging the memory length of a reader’s mental ear and planting the second alliterative word at a point where the memory of the first is just beginning to blurr; but has not quite faded. By cross-alliteration on these lines a rich atmosphere has resulted and the reader’s eye has been cheated. So with internal and ordinary rhyme; but the memory length for the internal rhyme appears somewhat longer than memory for alliteration, and for ordinary rhyme, longer still.