  Produced by Al Haines. FLOWER O' THE PEACH BY PERCEVAL GIBBON
NEW YORK Copyright, 1911, by Published, October, 1911 TO FLOWER O' THE PEACH CHAPTER I It was late in the afternoon when the sheep moved off, and the west was full of the sunset. They flowed out from the cactus-ringed fold like a broadening trickle of milk, with their mild idiot faces set southwards towards the sparse pastures beyond the horizon, and the dust from their feet hung over them in a haze of soft bronze. Half-way along the path between the house and the dam, Paul turned to watch their departure, dwelling with parted lips on the picture they made as they drifted forth to join themselves with earth and sky in a single mellowness of hue. The little farmhouse with its outbuildings, and the one other house that reared its steep roof within eyeshot of the farm, were behind him as he stood; nothing interrupted the suave level of the miles stretching forth, like a sluggish sea, to the sky-line. In its sunset mood, its barren brown, the universal tint into which its poor scrub faded and was lost to the eye, was touched to warmth and softened; it was a wilderness with a soul. The tall boy, who knew it in all its aspects for a neighbor, stood gazing absorbed as the sheep came to a pause, with the lean, smooth-coated dog at their heels, and waited for the shepherd who was to drive them through the night. He was nearing seventeen years of age, and the whole of those years had been spent on the Karoo, in the native land of dreams. The glamour of it was on his face, where the soft childish curves were not yet broken into angles, and in his gaze, as his steady unconscious eyes pored on the distance, deep with foreknowledge of the coming of the night. "Baas!" Paul closed his lips and turned absently. The old black shepherd was eager to linger out a minute or two in talk before he went forth to his night-long solitude. He stood, a bundle of shabby clothes, with his strong old face seamed with gray lines and the corners of the eyes bunched into puckers, waiting in the hope that the young baas might be tempted into conversation. He carried a little armory of smooth, wire-bound sticks, his equipment against all the perils of the unknown, and smiled wistfully, ingratiatingly, up into Paul's face. "Well?" said the boy. It all depended on the beginning, for if he should merely nod and turn away there would be nothing left but to follow the sheep out to the silence. The old man eyed him warily. "Has the baas heard," he asked, "that there is a mad Kafir in the veld?" "No," said Paul. "A mad Kafir?" The old man nodded half a dozen times. "There is such a one," he affirmed. The thing was done; the boy would listen, and he let his sticks fall at his feet that he might have two hands to talk with. They were speaking "Kitchen Kafir," the lingua franca of the Cape, and since that is a sterile and colorless tongue—the embalmed corpse of the sonorous native speech—the tale would need pantomime to do it justice. "There is such a one," repeated the shepherd. "He goes about alone, in the day and in the night, talking as he goes to companions who are not there, and laughing sometimes as though they had answered him. And that is very strange." "Yes," said the boy slowly. His eyes traveled involuntarily to the veld brooding under the sky. "Who has seen him?" he asked. "I have," said the shepherd, putting a big black forefinger to his own breast. "I have seen him." He held out his great hand before him, with the fingers splayed, and counted on them. "Four nights ago I saw him when the moon was rising." "And he was mad?" "Mad as a sheep." Paul waited for the tale. The old man had touched his interest with the skill of a clever servant practising upon a master. A hint of mystery, of things living under the inscrutable mask of the veld, could not fail to hold him. He watched the shepherd with a kind of grave intensity as he gathered himself to tell the matter. "The moon was rising," he said, "and it lay low above the earth, making long shadows of the stones and little bushes. The sheep were here and there, and in the middle of them was I, with a handful of fire and my blanket. It was very still, baas, for the wind was gone down, and I heard nothing at all but the ash sliding in the fire and the slow noise of the sheep eating. There was not even a jackal to stand out of sight and cry in the dark. "Perhaps I was on the brink of sleep—perhaps I was only cloudy with thoughts—I do not know. But very suddenly I heard singing.—a voice coming nearer that sang a curious music." "Curious!" The boy was hanging on the words. "Curious!" he repeated. "It was a song," explained the old Kafir, "but the words of it were meaningless, just noises such as a baby makes—a babble. I listened, for I was not afraid. And soon I could hear footfalls among the stones and the singer came between me and the young moon, very great and black against the sky. It was only when he stood by my fire that I saw he was not a white man, but a Kafir. He was young, a strong young man, wearing clothes and boots." He paused. "Boots," he said again and thrust out his own bare foot, scarred and worn with much traveling. "Boots!" In a town, it is conceivable that a Kafir may wear boots for purposes of splendor; but not on the Karoo. Paul saw the old man's point; here was an attribute of the unnatural. "Yes," he said; "go on." "I was sitting, with my pipe. He stood by the fire and looked down at me, and I could see by the shine of his teeth that he was smiling. But when he spoke, it was like his song—just noises, no speech at all. It was then that I began to doubt him. But I gave him greeting, and moved that he might sit down and smoke with me. He listened and shook his head gently, and spoke again with his slow soft voice in his language of the mad." "What did it sound like?" demanded Paul. "Baas, it sounded like English," replied the shepherd. "Yes, there are many Kafirs who speak English; the dorps are noisy with them; but there are none who do not speak Kafir. And this man had come through the night, singing in his strange tongue, going straight forward like one that has a purpose. I and my fire stayed him only for a minute; he was not one of us; he stood, with his head on one side, smiling down, while I began to feel fear and ill-ease. I had it in my mind that this was a ghost, but of a sudden he stooped to where my bread lay—I had newly eaten my supper, and the things still lay about—and took a piece as large as this fist. He seemed to ask for it, but I could not understand him. Then he laughed and tossed something into my lap, and turned again to the night and the long shadows and the things that belong there. His feet moved among the stones and he was gone; and later I heard him singing again in the distance, till his voice dwindled and was lost." "He threw you something," said the boy. "What was it?" The old shepherd nodded. "I will show the baas," he said, and made search among precarious pockets. "This is it; I have not spent it." It was a shilling, looking no larger than sixpence on the flat of his great horny palm. Paul looked at it and turned it over, sensible that something was lacking in it, since it differed in no respect from any other shilling. The magic of madness and the stolid massiveness of Queen Victoria's effigy were not easy to reconcile. "It looks like a good one," he commented. "It is good," said the shepherd. "But—" he paused ere he put it in its true light—"the bread was not more than a pennyworth." A hundred yards away the waiting sheep discharged a small volley of bleats. Paul raised his head. "Yes," he said, "the veld is full of wonderful things. But I would like to hear that language of the mad." He nodded in token of dismissal and walked slowly on towards the dam, where the scarlet of the sky had changed the water to blood. The old shepherd picked up his sticks and went heavily after the sheep, a grotesque and laborious figure in that wonder of evening light. The smooth dog slunk towards him, snuffling in welcome; the Kafir dog is not a demonstrative animal, and his snuffle meant much. The shepherd hit him with the longest of the wire-bound sticks. "Hup!" he grunted. "Get on!" At the top of the dam wall, the sloping bank of earth and stones that held the water, Paul paused to watch them pass into the shifting distance, ere he went to his concerns at the foot of it. He could not have put a name to the quality in them which stirred him and held him gazing, for beauty is older than speech; but words were not needful to flavor the far prospect of even land, with the sheep moving across it, the squat, swart shape of the shepherd pacing at their heels, and the strange, soft light making the whole unreal and mysterious. Below the dam wall, the moisture oozing through had made a space of rank grass and trailing weed-vines, and the ground underfoot was cool and damp through the longest day of sun. Here one might sit in the odor of water and watch the wind lift tall spirals of dust and chase them over the monotonous miles where the very bushes rustled like dead boughs at their passage. It had the quality of a heritage, a place where one may be aloof and yet keep an eye on the world, and since there were no others who needed elbow-room for their dreams, Paul had it to himself. Here and there about the sloping bank, as on the walls of a gallery, his handiwork cracked and crumbled in the sun—little masks and figures of red clay which he fashioned to hold some shape that had caught his eye and stayed in it. He had an instinct for the momentary attitude, the quick, unconscious pose which is life, the bunched compact shape of a sheep grazing, the poise of a Kafir girl with a load on her head, a figure revealed in wind-blown clothes and lost in a flash. The sweet, pliant clay was his confidant; it was not the fault of the clay that he could tell it so much less than he knew. He groped, kneeling, below a vine, and brought out the thing he had hidden there the evening before when the light failed him. A flattened stone at the foot of the wall was his table; he set the clay down tenderly and squatted beside it, with his back to the veld and all the world. It was to be the head of a negro, the negro as Paul knew him, and already the clay had shape. The shallow round of the skull was achieved; he had been feeling, darkly, gropingly, for the brutal angle of the brows that should brood like a cloud over the whole countenance. It had evaded him and baffled him; he knew how it should be, but when the time had come for him to leave it for the night, the brows still cocked themselves in a suggestion of imbecility which was heart-breaking. He turned it round, frowning a little as his habit was when he centered his faculties upon a matter; the chaos of the featureless face below the smooth head fronted him. "Allemachtag!" he cried aloud, as he set eyes on it. There was no possibility that he could be mistaken; he remembered, in their smallest exasperating detail, those brows as he had left them, taunting him as bad work will. Even now, he had but to close his eyes and he could see them, absurd and clamorous for correction. But—he stared dumbly at the clay as he realized it—since then another creator had played with it, or else the thing, left to itself, had frowned. The rampart of the brows had deepened above the empty face; Paul knew in it the darkness for which he had sought, the age-old patience quenching the spark of the soul. It was as different from what he had left as living flesh is from red clay, an inconsequent miracle. "Somebody," said Paul, pondering over it—"somebody knows!" The thing troubled him a little while, but he passed his hand over the clay, to make yet more sure of it, and the cool invitation of its softness was medicine for his wonder. He smudged the clay to a ridge in the place where the nose should be, and then, forgetting forthwith that he was the victim of a practical joke, as it seemed, played upon him by the powers of the air, he fell to work. The colors in the west were burning low when he raised his head, disturbed by a far sound that forced itself on his ear. It was like a pulse in the air, a dull rhythmical throb faintly resonant like the beating of some great heart. He came to consciousness of it slowly, withdrawing himself unwillingly from the work under his hands, and noting with surprise that the evening light was all but gone. But the face of the negro was a step nearer completion, and even the outline of the gross mouth was there to aid the clay to return his look. The far sound insisted; he lifted his head with mild impatience to listen to it, sighed, and tucked the unfinished head away in its hidingplace. Perhaps another night would draw out the mouth to its destined shape of empty, pitiful mirth. The beat of the gourd-drum that hung at the farmhouse door still called, and he hastened his steps along the homeward path. It was the common manner of summons on the farm. For the European ear, the gourd sawed across, with a skin stretched over it, is empty of music, but it has the quality of sowing its flat voice over many miles, threading through the voices of nature as a snake goes through grass. Simple variants in the rhythm of the strokes adapt it to messages, and now it was calling Paul. "Paul, Paul, P-P-Paul!" it thrilled, and its summons was as plain as words. To silence it, he put fingers to his mouth and answered with a shrill, rending whistle. The gourd was silent. His mother was in the doorway as he came through the kraals; she heard his steps and called to him. "Paul! That you? Where you bin all this time?" "By the dam," he answered. "I been callin' you this half hour," she said. "Mrs. Jakes is here—she wants you." The light from within the house showed her as a thin woman, with the shape of youth yet upon her. But the years had taken tribute of her freshness, and her small, rather vacant face was worn and faded. She wore her hair coiled upon her head in a way to frame the thin oval of the face, and there remained to her yet the slight prettiness of sharp weak gestures and little conscious attitudes. In her voice there survived the clipped accent of London; Paul had come to know it as the thing that distinguished his mother from other women. Before her marriage she had been an actress of the obscure sort to be found in the lesser touring companies, and it was when the enterprise of which she was a member had broken down at the town of Fereira that she met and married the Boer, Christian du Preez, Paul's father. She preserved from the old days a stock of photographs inscribed in dashing hands—"yours to the dregs"—"your old pal"—"yours ever most sincerely"—and so on a few cuttings from newspapers—"Miss Vivie Sinclair as Gertie Gottem was most unique," said the Dopfontein Courant—a touch of raucousness in her voice, and a ceaseless weary longing for the easy sham life, the foolish cheerful companions, the stimulus of the daily publicity. She drew the boy in, sliding her arm through his, to where Mrs. Jakes sat waiting. "Here he is at last," she said, looking up at him prettily. She often said she was glad her boy was tall enough to go into a picture, but a mother must admire her son for one thing or another. Mrs. Jakes acknowledged Paul's arrival with a lady-like little smile. "Better late than never," she pronounced. She was the wife of the doctor at the Sanatorium, the old Dutch house that showed its steep roofs within a couple of miles of the farm, where came in twos and threes the consumptives from England, to mend their broken lungs in the clean air of the Karoo. They came not quite so frequently nowadays, for a few that returned healed, or believing themselves to be healed, had added to their travel-sketches of the wonderful old house and its surroundings an account of Dr. Jakes and his growing habit of withdrawing from his duties to devote himself to drink. Their tales commonly omitted to describe justly the anxious, lonely woman who labored at such times to supply his place, driving herself to contrive and arrange to keep the life of the house moving in its course, to maintain an assured countenance, and all the while to screen him from public shame and ruin. She was a wan little woman, clinging almost with desperation to those trivial mannerisms and fashions of speech which in certain worlds distinguished the lady from the mere person. She had lain of nights beside a drunken husband, she had fought with him when he would have gone out to make a show of his staggering gait and blurred speech—horrible silent battles in a candle-lit room, ending in a gasping fall and sickness—she had lied and cheated to hide the sorry truth, she had bared her soul in gratitude to her kind God that her child had died. These things as a matter of course, as women accept and belittle their martyrdom; but never in her life had she left the spoon standing in her tea-cup or mislaid her handkerchief. The true standards of her life were still inviolate. She liked Paul because he was shy and gentle, but not well enough to talk to him without mentioning the weather first. "The evenings are drawing out nicely," she remarked, leaning to one side in her chair to see through the door the darkness growing dense upon the veld. "It reminds me a little of a June evening in England—if only the rain holds off." "Yes," said Paul. There would be rain in the ordinary course in three months or so, if all went well, but it was not worth while to go into the matter with Mrs. Jakes. "We are to have another guest," the lady went on. The doctor's patients were always "guests" when she spoke of them. "A young lady this time. And that is what I came about, really." "Mrs. Jakes wants you to go in to the station with the Cape-cart and fetch her out, Paul," explained his mother. "You 'll 'ave the first look at her. Mrs. Jakes takes her oath she is young." Mrs. Jakes shuddered faintly, and looked at the floor. "About twenty-six, I understand," she said. "About that." Her tone reproached Mrs. du Preez for a lapse of good manners. Mrs. Jakes did not understand the sprightliness of mild misstatement. She turned to Paul. "If you could manage it," she suggested. "If it wouldn't be too much trouble! The doctor, I 'm sorry to say, has a touch of the sun; he is subject, you know." Her hands clasped nervously in her lap, and her face seemed blind as she beat bravely on. "The climate really does n't suit him at all; he can't stand the heat. I 've begged and prayed him to give it up and go back to private practice at home. But he considers it his duty to keep on." "The morning train?" asked Paul. "It is early," lamented Mrs. Jakes. "But we should be so much obliged." Paul nodded. "All right," he said. "I will bring her, Mrs. Jakes." There are transactions consecrated to the humorous point of view, landmarks in the history of laughter. Mrs. du Preez honestly believed that a youth and a girl alone in the dawn were a spectacle essentially mirthful. "Catch him missing the chance," she said, with her slightly jarring laugh. "None of your larks, now, Paul! Promise you 'll behave!" "Yes, mother," Paul promised gravely, and her face went blank before the clear eyes he turned upon her. Mrs. Jakes in her chair rustled her stiff dress in a wriggle of approval. "Miss Harding is the name," she told Paul. "You 'll manage to find her? I don't know at all what she 's like, but she comes of a very good family, I believe. You can't mistake her." "Paul knows the look of the lungy ones by now," Mrs. du Preez assured her. "Don't you, Paul? It 's lungs, of course, Mrs. Jakes?" "Chest trouble," corrected Mrs. Jakes, nervously. She preferred the less exact phrase, for there is indelicacy in localising diseases, and from the lungs to the bowels it is but a step. "Chest trouble, a slight attack. Fortunately, Miss Harding is taking it in time. The doctor lays stress on the necessity for taking it in time." "Well," said Mrs. du Preez, "whatever it is, she 'll 'ave the fashions. Lungs or liver, they 've got to dress, and it 'll be something to see a frock again. She 's from London, you said?" Mrs. Jakes rearranged her black skirts which had suffered by implication, and suppressed an impulse to reply that she had not said London. "The address is Kensington," she answered. "Very good people live in Kensington." "There 's shops there, at any rate," said Mrs. du Preez. "Lord, don't I remember 'em! I had lodgings at Hammersmith once myself, and an aunt in the High Street. There 's not much you can tell me about that part." She nodded a challenge to Mrs. Jakes, who shrank from it. "Then I can tell the doctor that you 'll meet Miss Harding?" Mrs. Jakes asked Paul. "He will be so obliged. You see, he 'd go himself, only—you quite see? Then I 'll expect Miss Harding for breakfast." She rose and shook herself, the gentle expert shake that settles a woman's clothes into their place, and tendered him a vague, black-gloved hand. Gloves were among her defenses against the crudities of the Karoo. She was prim in the lamp-light, and extraordinarily detached from the little uncomfortable room, with its pale old photographs of forgotten actors staring down from wall and mantel. "She may as well see you first," she said, and smiled at him as though there were an understanding between them. CHAPTER II At three o'clock in the morning it was still dark, though in the east, low down and gradual, there paled an apprehension of the dawn. From the driving-seat of the high two-wheeled cart, Paul looked forward over the heads of his horses to where the station lights were blurred like a luminous bead on the thread of railway that sliced without a curve from sky to sky. It was the humblest of halting places, with no town at its back to feed the big trains; it owed its existence frankly to a gaunt water-tank for the refreshment of engines. But for Paul it had the significance of a threshold. He could lose himself in the crowding impressions of a train's arrival, as it broadened and grew out of the distance and bore down between the narrow platforms, immense and portentous, and thudded to a standstill as though impatient of the trivial delay. The smell of it, the dull shine of glass and varnish, were linked in his mind with the names of strange, distant cities; it was freighted with the romance of far travel. There were glimpses of cushioned interiors, and tired faces that looked from the windows, giving a perfunctory glance to the Karoo which Paul knew as the world. And once he had watched four men, with a little folding table cramped between their knees, playing cards, low-voiced, alert, each dark predatory face marked with an impassivity that was like the sheath that hides a blade. He stared at them fascinated; not once did they raise their eyes to glance through the window, nor for an instant did one of them slacken his profound attention. Ahead, at the platform's end, the great engine whined like a child that gropes for the breast, till the feed-hose contented it and its gurgle-gurgle succeeded to the thin wail of the steam. The Kafir orange woman made melodious offers of naartjes and a hammer clinked critically along the wheels. It was the live season of the day, the poignant moment, its amends for the slow empty hours. But the men about the table had graver concerns. The feed-hose splashed back out of the way, the guard shouted, the brakes whanged loose. The long train jolted and slid, and still they had not looked up. Paul could not leave them; he even ran along the platform till their window distanced him, and then stopped, panting, to watch the tail of the train sink to the horizon. He had seen the Jew in earnest and it left him daunted. "They wouldn't even look," he was saying, as he went back to his cart. "They wouldn't even look." It served as a revelation to one who looked so much and so fervently. The other train, which came and went before the daylight, had its equal quality of a swift, brief visitor, and the further mystery of windows lighted dimly through drawn curtains, whereon surprising shadow heads would dawn and vanish in abrupt motion. It was strange to stand beside one and hear from within the crying of an infant and the soothing of a mother, both invisible, arriving from the void on one hand and bound for the void on the other, with the Karoo not even an incident in their passage. Paul wondered whether one day that infant might not pass through again, with trousers and a mustache and a cigar, and another trouble to perturb him and cards and partners to do the soothing. He arrived well in advance of the time of the train, and tied his docile horses to the hitching rail beside the road. Within the station there was the usual expectant group under the dim lamps, the two or three men who attended to the tank, a Cape Mounted Policeman, spurred and trim, and a few others, besides the half-dozen or so mute and timid Kafirs who lounged at the end of the platform. The white men talked together and shivered at the cold of the night; only the Cape Policeman, secure in his uniform great-coat, stood with legs astraddle and his whip held behind his back, a model of correct military demeanor in the small hours. Paul noted the aggressive beauty of his attitude and his fine young virility, and stared somewhat till the armed man noticed it. "Well, young feller," he drawled. "You haven't fallen in love with me, have you?" "No," answered Paul, astonished. Two or three of the bystanders laughed, and made him uncomfortable. He did not fully understand why he had been spoken to, and stared at his questioner a little helplessly. The policeman smacked his boot with his whip. "Nor yet me with you," he said. "So if you want to stare, go and stare at something else. See?" Paul backed away, angry and shy, and moved down the platform to be out of the sound of their voices. The things that people laughed at were seldom clear to him; it seemed that he had been left out of some understanding to take certain things as funny and laugh at them. His mother's mirth, breaking startlingly out of unexpected incidents, out of words spoken without afterthought, out of little accidents and breakages, always puzzled him. It was as little to be understood as her tears, when she would sit silent through a long afternoon of stagnant heat, and burst suddenly into weeping when some one spoke to her. He came to a standstill at the point where the station roof ended and left the platform bare to the calm skies. The metals gleamed before his feet, ranging out to the veld whence the train would come. He listened for the sound of it, the low drum-note so like the call of the gourd-drum at the farmhouse door, which would herald it even before its funnel dragged its glare into view. There was nothing to be heard, and he turned to the Kafirs behind him, and spoke to one who squatted against the wall apart from the rest. "Is the train late?" he asked, in the "Kitchen Kafir" of his everyday commerce with natives. The black man raised his head at the question, but did not answer. Paul repeated it a little louder. The native held his head as if he listened closely or were deaf. Then he smiled, his white teeth gleaming in the black circle of his shadowed face. "I 'm sorry," he answered, distinctly; "I can't understand what you say. You 'll have to speak English." It was the voice of a negro, always vaguely musical, and running to soft full tones, but there was a note in it which made it remarkable and unfamiliar, some turn which suggested (to Paul, at any rate) that this was a man with properties even stranger than his speaking English. He thrilled with a sense of adventure, for this, of course, was the mad creature of the shepherd's tale, who sang to himself of nights when the moon rose on the veld. If a dog had answered him in set phrases, it would not have been more amazing than to hear that precise, aptly modulated voice reply in easy English from the mouth of a Kafir. "I—I 've heard of you," he said, stammering. "Have you?" He remembered how the old shepherd had spoken of the man's smile. He was smiling now, looking up at Paul. "You 've heard of me—I wonder what you 've heard. And I 've seen you, too." "Where did you see me? Who are you?" asked Paul quickly. The man was mad, according to the shepherd, but Paul was not very clear as to what it meant to be mad, beyond that it enabled one to see things unseen by the sane. The Kafir turned over, and rose stiffly to his feet, like a man spent with fatigue. "They 'll wonder if they see me sitting down while I talk to you," he said, with a motion to the group about the Cape Mounted Policeman. His gesture made a confidant of Paul and enlisted him, as it were, in a conspiracy to keep up appearances. It was possible to see him when he stood on his feet, a young man, as tall as the boy, with a skin of warm Kafir black. But the face, the foolish, tragic mask of the negro, shaped for gross, easy emotions, blunted on the grindstone of the races of mankind, was almost unexpected. Paul stared dumbly, trying to link it on some plane of reason with the quiet, schooled voice. "What was it you were asking me?" the Kafir inquired. But Paul had forgotten. "Don't you speak anything but English?" he demanded now. The Kafir smiled again. "A little French," he replied. "Nothing to speak of." He saw that the lad was bewildered, and turned grave at once. "Don't be frightened," he said quickly. "There 's nothing to be frightened of." Paul shook his head. "I 'm not frightened," he answered slowly. "It 's not that. But—you said you had seen me before?" "Yes," the Kafir nodded. "One evening about a fortnight ago; you didn't notice me. I was walking on the veld, and I came by a dam, with somebody sitting under the wall and trying to model in clay." "Oh!" Paul was suddenly illuminated. "Yes. I 'd have spoken to you then, only you seemed so busy," said the Kafir. "Besides, I didn't know how you 'd take it. But I went there later on and had a look at the things you 'd made. That 's how I saw you." "Then," said Paul, "it was you—" "Hush!" The Kafir touched him warningly on the arm, for the Cape Policeman had turned at his raised voice to look towards them. "Not so loud. You mean the head? Yes, I went on with it a bit. I hope you didn't mind." "No," replied Paul. "I did n't mind. No!" His mind beat helplessly among these incongruities; only one thing was clear; here was a man who could shape things in clay. Upon the brink of that world of which the station was a door, he had encountered a kindred spirit. The thought made him tremble; it was so vital a matter that he could not stay to consider that the spirit was caged in a black skin. The single fact engrossed him to the exclusion of all the other factors in the situation, just as some sight about the farm would strike him while at work, and hold him, absorbed and forgetful of all else, till either its interest was exhausted or he was recalled to his task by a shout across the kraals. "I did n't mind at all," he replied. "How did you do it? I tried, but it wouldn't come." "You were n't quite sure what you were trying for," said the Kafir. "Was n't that it?" "Was it?" wondered Paul. "I think so." The Kafir's smile shone out again. "Once you 're sure what you mean to do, it 's easy. If I had a piece of clay, I 'd show you. There 's a way of thumbing it up, just a trick, you know—" "I 'm there every evening," said Paul eagerly. "But tell me: do other people make things out of clay, too—over there?" His arm pointed along the railway; the gesture comprehended sweepingly the cities and habitations of men. The idea that there was a science of fingering clay, that it was practised and studied, excited him wildly. "Gently!" warned the Kafir. He looked at the boy curiously. "Yes," he said. "Lots of people do it, and lots more go to look at the things they make and talk about them. People pay money to learn to do it, and there are great schools where they are taught to model—to make things, you know, in clay, and stone, and bronze. Did you think it was all done behind dam walls?" Paul breathed deep. "I did n't know," he murmured. "Do you know Capetown?" asked the other. "No? It doesn't matter. You 've heard of Jan van Riebeck, though?" As it happened, Paul had heard of the Surgeon of the Fleet who first carried dominion to the shadow of Table Mountain. "Well," said the Kafir, "you can imagine Jan van Riebeek, shaped in bronze, standing on a high pedestal at the foot of a great street, with the water of the bay behind him, where his ships used to float, and his strong Dutch face lifted to look up to Table Mountain, as it was when he landed? Don't think of the bronze shape; think of the man. That's what clay is for—to make things like that!" "Yes, yes. That's what it's for," cried Paul. "But—I never saw anything like that." "Plenty of time," said the other. "And that's only one of the things to see. In London—" "You 've been in London?" asked Paul quickly. "Yes," said the Kafir, nodding. "Why?" Paul was silent for a space of seconds. When he answered it was in a low voice. "I 've seen nothing," he said. "I can't find out those ways to work the clay. But—but if somebody would just show me, just teach me those—those tricks you spoke about—" "All right." The Kafir patted his arm. "Under the dam wall, eh? In the evenings? I 'll come, and then—" "What?" said Paul eagerly, for he had broken off abruptly. "The train," said the Kafir, pointing, and sighed. Paul had been too intent in talk to hear it, but he could see now, floating against the distance, the bead of light which grew while he watched. The group further down the platform dissolved, and the tank-men went past at a run to their work. A voice at his elbow made Paul turn quickly. It was the Cape Mounted Policeman. "You 're not having any trouble with this nigger, hey?" he demanded. "No," said Paul, flushing. The Kafir bit off a smile and stood submissive, with an eye on the boy's troubled face. "You don't want to let them get fresh with you," said the policeman. "I 've been keepin' my eye on him and he talks too much. Have you finished with him now?" His silver-headed whip came out from behind his back ready to dismiss the negro in the accepted manner. Paul trembled and took a step which brought him near enough to seize the whip if it should flick back for the cut. "Let him alone," he said wrathfully. "Mind your own business." "Eh?" the policeman was astonished. "You let him alone," repeated Paul, bracing himself nervously for combat, and ready to cry because he could not keep from trembling. He had never come to blows in his life, but he meant to now. The policeman stared at him, and laughed harshly. "He 's a friend of yours, I suppose," he suggested, striving for a monstrous affront. "Yes," retorted Paul hotly, "he is." For a moment it looked as though the policeman, outraged in the deepest recesses of his nature, would burst a blood vessel or cry for help. A man whose prayer that he may be damned is granted on the nail could scarcely have looked less shocked. He recovered himself with a gulp. "Oh, he is, is he? A friend of yours? A nigger!" Then, with a swelling of rage he dodged Paul's grasping hand and swung the whip. "I 'll teach him to—" He came to a stop, open-mouthed. The Kafir was gone. He had slipped away unheard while they quarreled, and the effect of it was like a conjuring trick. Even Paul gaped at the place where he had been and now was not. "Blimy!" said the policeman, reduced to an expression of his civilian days, and vented a short bark of laughter. "And so, young feller, he 's a friend o' yours, is he? Now, lemme give you just a word of advice." His young, sun-roughened face was almost paternal for a moment, and Paul shook with a yearning to murder him, to do anything that would wipe the self-satisfaction from it. He sought furiously for a form of anathema that would shatter the man. "Go to hell," he cried. "Oh, well," said the policeman, tolerantly, and then the train's magnificent uproar of arrival gave Paul an opportunity to be rid of him. In the complication of events Paul had all but forgotten his duty of discovering the young lady with "chest trouble," and now he wondered rather dolefully how to set about it. He stood back to watch the carriage windows flow past. Would it be at all possible just to stand where he was and shout "Miss Harding" till she answered? To do that needed some one more like the policeman and less like Paul; the mere thought of it was embarrassing. The alternative was, to wait until such passengers as alighted—they would not be many—had taken themselves away, and then to go up to the one that remained and say, "Is your name Miss Harding, if you please?" But supposing she answered, "Mind your own business!" The train settled and stood, and Paul became aware that from the carriage nearest him a woman was looking forth, with her face in the full light of a lamp. The inveterate picture-seeker in him suddenly found her engrossing, as she leaned a little forward, lifting her face to the soft meager light, and framed in the varnished wood of the window. It was a pale face, with that delicacy and luster of pallor which make rose tints seem over-robust. It was grave and composed; there was something there which the boy, in his innocence, found at once inscrutable and pitiful, like the bravery of a little child. Distinctly, this was a day of surprises; it came to him that he had not known that the world had women like this. His eyes, always the stronghold of dreams, devoured her, unconscious that she was returning his gaze. Perhaps to her, he also was a source of surprise, with his face rapt and vague, his slender boyishness, his general quality of standing always a little aloof from his surroundings. On the Karoo, people said of him that he was "old-fashioned"; one word is as good as another when folk understand each other. The point was that it was necessary to find some term to set Paul apart from themselves. He saw the girl was making preparations to leave the carriage, and was suddenly inspired. He found the handle of the door and jerked it open, and there she was above him, and looking down. She wore some kind of scent, very faint and elusive; he was conscious of her as a near and gentle and fragrant personality. "I hope," he said, letting the words come, "I hope you are Miss Harding?" The girl smiled. It had been prettily spoken, with the accent of sincerity. "Yes," she answered. "You have come to meet me?" The thing about her to which Paul could put no name was that she was finished, a complete and perfect product of a special life, which, whatever its defects and shortcomings, is yet able to put a polish of considerable wearing qualities on its practitioners. She knew her effect; her education had revealed it to her early; she was aware of the pale, intent figure she cut, and her appearance of enlightened virginity. The reverence in the boy's eyes touched her and warmed her at once; it was a charming welcome at the end of that night's journey. Paul's guilelessness had served the specious ends of tact, for to corroborate a woman's opinion of herself is the sublime compliment. He received the lesser luggage which she handed down to him and then she came down herself, and one train, at least, had shed its marvel upon the Karoo. She was not less wonderful and foreign on the platform than she had been at the window; the Cape Policeman, coming past again, lost his military-man air of a connoisseur in women and stiffened to a strutting perfection of demeanor at sight of her. South Africa is still so short of women that it makes the most of those it can get, both as goddesses and as beasts of burden. Paul was free of the evil civilized habit of thinking while he could feel, and the girl had to despatch the single lanky porter for her baggage herself and attend to having it stacked at the back of the cart. Then she was beside him, with the poignant air from the open south fresh on their faces, and the empty veld before them. The slow dawn was suddenly magical and the stillness was the hush that attends miracles. He had to give his mind to steering the big cart through the gateway to the road, and it was here that he saw, against the white fence, a waiting figure that looked up and was silent. He bent forward and waved his hand, but the Kafir did not respond. The girl at his side broke silence in her low rich voice. "That was a native, was n't it?" she asked. Paul looked at her. "It was a—a friend of mine," he answered seriously. "A Kafir, you know." The light in the eastern sky had grown and its lower edge, against the rim of the earth, was tinged with a rose-and-bronze presentiment of the sunrise. The Karoo lay under a twilight, with the night stripping from its face like a veil drawn westwards and away. In that half-light, its spacious level, its stillness, its quality of a desert, were enhanced; its few and little inequalities were smoothed out and merged in one empty flatness, and the sky stood over in a single arch, sprinkled with stars that were already burning pale. In all the vast expanse before them, there rose no roof, no tree, no token of human habitation; the eye that wandered forward, returned, like the dove to the Ark, for lack of a resting-place. It was a world at gaze, brooding grimly. The little morning wind, which would die when the sun rose clear of the horizon and leave the veld to its day-long torpor of heat, leaned upon their faces; the girl raised her brows against it and breathed deeply of its buoyancy. "Oh," she said; "this is what I came for." "The air?" Paul glanced sideways at her clear profile set against the shadowy morning. "They say it is good for—for—" He hesitated; Mrs. Jakes had managed to make the word difficult. But Miss Harding took it in her stride. "For the lungs?" she suggested without compunction. "Yes, I 'm sure it is. And you live here all the time, do you?" "I was born here," Paul answered. "How you must love it," she said, and met his eyes with a look in which there was a certain curiosity. "All this, I mean," she explained. Then: "But do you?" "Yes," he answered. "It 's—it's fine to look at—if you like looking at things." It was not all that he desired to say, for he was newly eager to make himself clear to this wonderful person at his side, and he felt that he was not doing himself justice. But Miss Harding had seen inarticulate souls before, aching to be confidential and to make revelations and unable to run their trouble into a mould of speech. They were not uncommon in the neighborhood of her address in Kensington. She smiled her recognition of the phenomenon. "There are not many kinds of men, and only two kinds of boy," she said to herself. She was twenty-six, and she knew. "Oh, I," she answered. "Yes, I like looking at things." Paul nodded, watching his horses. "I was sure you did when I saw you at the window," he said. He turned to her, and she smiled at him, interested in the strong simplicity with which he spoke. "I was sure," he repeated, "and yet nobody like you ever came here before, ever. They always went on in the train. I used to wonder if one of them would never get out, but they never did. They just sat still by the window, with their faces tired and sleepy, and went on again." He loosed the lash of his whip, and it made lightning circles over the off horse, and the tail of the lash slapped that animal reproachfully on the neck. Miss Harding contented herself with a little incoherent noise of general sympathy. "If I say anything," she thought, "I 'll be knocked off my seat with a compliment." But Paul had only wanted to tell her; it seemed necessary that she should know something of her value. That done, he was content to drive on in dreaming silence, while the pair of them watched the veld grow momentarily lighter, its bare earth, the very hue and texture of barrenness, spreading and widening before them like water spilt on a floor. The stronger light that showed it to them revealed only a larger vacancy, a void extending where the darkness had stood like a presence. Beside the cart, and no more than a dozen yards away, a heavy bird suddenly uttered a cry and spouted up into the air, with laborious wings, flapping noisily. It rose perhaps thirty feet, with an appearance of great effort, whistled and sank again forthwith, girl laughed; it was such a futile performance. "What was that?" she asked. "A lark," was the answer, and Paul turned his eyes to the east. "Look!" he bade her, pointing. Over the horizon which was like a black bar, set rigid against the heavens, stood the upper edge of the sun, naked and red,—a fiery eye, cocked arrogantly over the sky-line. About it, the very air seemed flooded with color, and the veld reflected it in dull gleams of red. "And there!" said Paul again, pointing ahead. They were at the top of a gentle slope, so gradual that it had made no break in the flat prospect of ten minutes ago, and before them, and still so far off that it had the appearance of a delicate and elaborate toy, stood the Sanatorium. In that diamond clearness of air, every detail of it was apparent. Its beautiful serene front, crowned by old Dutch gables mounting in steps to the height of the rooftree, faced them, frank and fair, over the shadowy reticence of the stone-pillared stoep. Beyond and behind it, the roof of the farm, Paul's home, stood in a dim perspective. "Is that it?" asked Miss Harding. "Where I am going, I mean." "Yes," said Paul. "It's very beautiful," she said. He smiled contentedly. "I was sure you would say that," he replied. "I am so glad you have come here." Miss Harding regarded him doubtfully, but decided that no rebuke was necessary. "Yes," she said, soberly. "It ought to give my lungs a chance." Paul flicked the long lash towards the off horse again, and spoke no more till he brought the cart to a stand-still at the foot of the fan-shaped flight of steps that led up to the door on the stoep. The big house was voiceless and its windows blank; he was preparing to call out when the front door opened, uncovering a vista of a stone corridor within, simple and splendid, and there emerged Mrs. Jakes to the glory of the new day. She crossed the stoep, challenging the dignity of smooth cold stone with her little black figure of ceremony and her amiable, empty face of formal welcome. "Miss Harding?" she enquired. "I scarcely expected you so early. Isn't it charming weather?" Paul helped the girl to alight, and watched the two women as they stood, before entering the house, and exchanged perfunctory civilities. "And now, to see your room," said Mrs. Jakes at last, and let her pass. "Isn't it fortunate that the rain has held off so nicely?" Her small voice tinkled indefatigably, and she worked through all the motions of hospitable politeness. But behind her smile her eyes were haggard and stale, and Paul thought that she looked at the girl, as they went in, with the very hate of envy. |
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