This book explains itself in most ways, I hope, and a prefatory portico almost seems superfluous. In general, such addenda are distasteful to me; they look like an apology for what the author has to offer later on. No portico would be attached to the edifice I have now constructed were it not that there are two points I want to make clear and have failed to do so sufficiently to my satisfaction in the narrative proper. First, it is fair to state at the outset that an autobiography coming from a man under forty is, to say the least, an unconventional performance which requires some explanation. I believe it was no less a genius than Goethe, however, who hazarded the remark that what a man is going to do that's worth while he does before thirty. Goethe's own life gives the lie to the statement, but there is a kernel of truth in its suggestiveness. In my case there happens to be much more than a mere kernel of truth in the remark. What I am going to do as a passionate explorer of Die Ferne—the ever-disappearing Beyond—has been done for all time, so far as the Under World is concerned. The game is over and the The second point to be cleared up I will put interrogatively—Was it worth while, after living the life, finishing with it, and passing on to pastures new and green, to tell the story? Benvenuto Cellini, that cheerful romancer, declares that a man, on reaching forty, if he has done anything of value and importance, is justified in putting his exploits down in writing, that he is morally bound to do so indeed if he would hold up his head among his fellows. For nearly forty years I chased the Beyond—that misty and slippery sorceress, ever beckoning onward to the wanderer, yet never satisfying, never showing herself in her true deceitful colors, until after long years of acquaintance. The chase is made by many travelers of the Upper World, hypnotized as I was, but by me perforce in that strange Under World from which so many explorers never return. This, it seems to me, is worth telling about. |