It seems a long time since the day when Josiah Flynt came to me in the Temple, with a letter of introduction from his sister, whom I had met at the house of friends in London. The contrast was startling. I saw a little, thin, white, shriveled creature, with determined eyes and tight lips, taciturn and self-composed, quietly restless; he was eying me critically, as I thought, out of a face prepared for disguises, yet with a strangely personal life looking out, ambiguously enough, from underneath. He spoke a hybrid speech; he was not interested apparently in anything that interested me. I had never met any one of the sort before, but I found myself almost instantly accepting him as one of the people who were to mean something to me. There are those people in life, and the others; the others do not matter. The people who knew me wondered, I think, at my liking Flynt; his friends, I doubt not, wondered that he could get on with me. With all our superficial unlikeness, something within us insisted on our being comrades. We found out the points at which undercurrents in us We went together, not only about London, but on little journeys to France and Belgium, and on a longer visit to Germany. All that was ceaselessly entertaining to me, and came as a sort of margin to the not more serious enterprises of "The Savoy," the days of Beardsley, Conder, and Dowson. Flynt never quite fitted into that group, but he watched it with curiosity, as part of the material for his study of life. I have been reading over his kindly and playful sayings about me in this book, which are veracious enough in the main substance of them, and it hurts me to think that I shall never go round to the Crown with him any more, or sit with him again in a cafÉ in Berlin. It was there, at the Embergshalle, that I found a poem of mine which is called "Emmy," but it was not for the sake of "material," or for those "impressions and sensations" of which he speaks, that I went about with him, but for the sake of the things themselves; and I wondered if he realized it. So what pleases me most now is when he says that he never thought of my books, or of myself as a literary man, when we were together. It was because he was so much more, in his way, than a His ideas were always his own, and seemed to most people to be eccentric. He had come to them by way of his own experience, or by deduction from the experience of others whom he had learned to know from inside. His mind was stubborn; you saw it in his dogged face, in which the thin lips were pressed tightly together and the eyes fixed level. He was rarely turned out of his ground by an argument, for he avoided debating about things that he did not know. I never saw him conscious of the beauty of anything; I do not think he read much, or cared for books. His talk was generally cynical, and he believed in few people and few opinions. Flynt had no sense of style, and when he began to try to write down what he had seen and what he thought of it, the first result was at once tedious and formal, the life all gone out of what had so literally been lived. I was a fierce critic, and drove and worried him to be natural in his writing, to write as he would talk, in a dry, curt, often ironical way. His danger in writing was to be too literal for art and not quite literal enough for science. He was too completely absorbed in people and things to be able ever to get aloof from them; and to write well of what one has done and seen one must be able to get aloof from oneself and from others. If ever a man loved wandering for its own sake it was George Borrow; but George Borrow had a serious and whimsical brain always at work, twisting the things that he saw into Human curiosity: that made up the main part of Flynt's nature; and with it went the desire to find out everything by trying it, not merely by observing. None of the great wanderers of letters, Borrow or Stevenson, was so really a born vagabond; none had so little in the way of second thoughts behind him on his way through the world. The spectacle, the material, all that was so much to these artists, was to him only so much negligible quantity, an outer covering which he had to get through. He went to see Tolstoy in Russia, and was taken into his house, and digged in his garden. He went to see Ibsen at Munich. To neither did he go for anything but that for which he went to the tramps and convicts: to find out what sort of human beings they were at close quarters. Whatever he has written of value has been the record of personal experience, and after several books in which IIJosiah Flynt was never quite at home under a roof or in the company of ordinary people, where he seemed always like one caught and detained unwillingly. An American, who had studied in a German university, brought up, during his early life, in Berlin, he always had a fixed distaste for the interests of those about him, and an instinctive passion for whatever exists outside the border-line which shuts us in upon respectability. There is a good deal of affectation in the literary revolt against respectability, together with a child's desire to shock its elders, and snatch a lurid reputation from those whom it professes to despise. My friend never had any of this affectation; life was not a masquerade to him, and his disguises were the most serious part of his life. The simple fact is, that respectability, the normal existence of normal people, did not interest him; he could not even tell you why, without searching consciously for reasons; he was born with the soul of a vagabond, into a family of gentle, exquisitely refined people: he was born so, that For here is the difference between this man and the other adventurers who have gone about among tramps, and criminals, and other misunderstood or unfortunate people. Some have been philanthropists, and have gone with the Bible in their hands; others have been journalists, and have gone with note-books in their hands; all have gone as visitors, plunging into "the bath of multitude," as one might go holiday making to the seaside and plunge into the sea. But this man, wherever he has gone, has gone with a complete abandonment to his surroundings; no tramp has ever known that "Cigarette" The desire of traveling on many roads, and the desire of seeing many foreign faces, are almost always found united in that half-unconscious instinct which makes a man a vagabond. But I have never met any one in whom the actual love of the road is so strong as it was in Flynt. I remember, some ten years ago, when we had given one another rendezvous at St. Petersburg, that I found, when I got there, that he was already half-way across Siberia, on the new railway which they were in the act of making. But for the most part he walked. Wherever he walked he made friends; when we used to walk about London together he would get into the confidence of every sailor whom we came upon in the pot-houses about the docks. He was not fastidious, and would turn his hand, as the phrase is, to anything. And he went through every sort of privation, endured dirt, accustomed himself to the society of every variety of his fellow-creatures, without a murmur or regret. After all, comfort is a convention, and pleasure an individual thing to every individual. "To travel is to die continually," wrote a half-crazy poet who spent most of the years of a short fantastic life in London. Well, that is a line that I have often found myself repeating And it seems to me that few men have realized, as this man realized, that "not the fruit of experience, but experience itself, is the end." He chose his life for himself, and he has lived it, regardless of anything else in the world. He has desired strange, almost inaccessible things, and he has attained whatever he has desired. Once, as he was walking with a friend in the streets of To desire so much, and what is so human; to make one's life out of the very fact of living it as one chooses; to create a unique personal satisfaction out of discontent and curiosity; to be so much oneself in learning so much from other people: is not this, in its way, an ideal, and has not this man achieved it? He had the soul and the feet of a vagabond. He cared passionately for men and women, where they are most vividly themselves, because they are no longer a part of society. He wandered across much of the earth, but he did not care for the beauty or strangeness of what he saw, only for the people. Writing to me once from Samarcand, he said: "I have seen the tomb of the Prophet Daniel; I have seen the tomb of Tamerlane." But Tamerlane was nothing to him, the Prophet Daniel was nothing to Arthur Symons. |