CHAPTER IX

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At certain moments during the days that followed the degree of tension her relationship with Ditmar had achieved tested the limits of Janet's ingenuity and powers of resistance. Yet the sense of mastery at being able to hold such a man in leash was by no means unpleasurable to a young woman of her vitality and spirit. There was always the excitement that the leash might break—and then what? Here was a situation, she knew instinctively, that could not last, one fraught with all sorts of possibilities, intoxicating or abhorrent to contemplate; and for that very reason fascinating. When she was away from Ditmar and tried to think about it she fell into an abject perplexity, so full was it of anomalies and contradictions, of conflicting impulses; so far beyond her knowledge and experience. For Janet had been born in an age which is rapidly discarding blanket morality and taboos, which has as yet to achieve the morality of scientific knowledge, of the individual instance. Tradition, convention, the awful examples portrayed for gain in the movies, even her mother's pessimistic attitude in regard to the freedom with which the sexes mingle to-day were powerless to influence her. The thought, however, that she might fundamentally resemble her sister Lise, despite a fancied superiority, did occasionally shake her and bring about a revulsion against Ditmar. Janet's problem was in truth, though she failed so to specialize it, the supreme problem of our time: what is the path to self-realization? how achieve emancipation from the commonplace?

Was she in love with Ditmar? The question was distasteful, she avoided it, for enough of the tatters of orthodox Christianity clung to her to cause her to feel shame when she contemplated the feelings he aroused in her. It was when she asked herself what his intentions were that her resentment burned, pride and a sense of her own value convinced her that he had deeply insulted her in not offering marriage. Plainly, he did not intend to offer marriage; on the other hand, if he had done so, a profound, self-respecting and moral instinct in her would, in her present mood, have led her to refuse. She felt a fine scorn for the woman who, under the circumstances, would insist upon a bond and all a man's worldly goods in return for that which it was her privilege to give freely; while the notion of servility, of economic dependence—though she did not so phrase it—repelled her far more than the possibility of social ruin.

This she did not contemplate at all; her impulse to leave Hampton and
Ditmar had nothing to do with that….

Away from Ditmar, this war of inclinations possessed her waking mind, invaded her dreams. When she likened herself to the other exploited beings he drove to run his mills and fill his orders,—of whom Mr. Siddons had spoken—her resolution to leave Hampton gained such definite ascendancy that her departure seemed only a matter of hours.

In this perspective Ditmar appeared so ruthless, his purpose to use her and fling her away so palpable, that she despised herself for having hesitated. A longing for retaliation consumed her; she wished to hurt him before she left. At such times, however, unforeseen events invariably intruded to complicate her feelings and alter her plans. One evening at supper, for instance, when she seemed at last to have achieved the comparative peace of mind that follows a decision after struggle, she gradually became aware of an outburst from Hannah concerning the stove, the condition of which for many months had been a menace to the welfare of the family. Edward, it appeared, had remarked mildly on the absence of beans.

"Beans!" Hannah cried. "You're lucky to have any supper at all. I just wish I could get you to take a look at that oven—there's a hole you can put your hand through, if you've a mind to. I've done my best, I've made out to patch it from time to time, and to-day I had Mr. Tiernan in. He says it's a miracle I've been able to bake anything. A new one'll cost thirty dollars, and I don't know where the money's coming from to buy it. And the fire-box is most worn through."

"Well, mother, we'll see what we can do," said Edward.

"You're always seeing what you can do, but I notice you never do anything," retorted Hannah; and Edward had the wisdom not to reply. Beside his place lay a lengthy, close-written letter, and from time to time, as he ate his canned pears, his hand turned over one of its many sheets.

"It's from Eben Wheeler, says he's been considerably troubled with asthma," he observed presently. "His mother was a Bumpus, a daughter of Caleb-descended from Robert, who went from Dolton to Tewksbury in 1816, and fought in the war of 1812. I've told you about him. This Caleb was born in '53, and he's living now with his daughter's family in Detroit…. Son-in-law's named Nott, doing well with a construction company. Now I never could find out before what became of Robert's descendants. He married Sarah Styles" (reading painfully) "`and they had issue, John, Robert, Anne, Susan, Eliphalet. John went to Middlebury, Vermont, and married '"

Hannah, gathering up the plates, clattered them together noisily.

"A lot of good it does us to have all that information about Eben
Wheeler's asthma!" she complained. "It'll buy us a new stove, I guess.
Him and his old Bumpus papers! If the house burned down over our heads
that's all he'd think of."

As she passed to and fro from the dining-room to the kitchen Hannah's lamentations continued, grew more and more querulous. Accustomed as Janet was to these frequent arraignments of her father's inefficiency, it was gradually borne in upon her now—despite a preoccupation with her own fate—that the affair thus plaintively voiced by her mother was in effect a family crisis of the first magnitude. She was stirred anew to anger and revolt against a life so precarious and sordid as to be threatened in its continuity by the absurd failure of a stove, when, glancing at her sister, she felt a sharp pang of self-conviction, of self-disgust. Was she, also, like that, indifferent and self-absorbed? Lise, in her evening finery, looking occasionally at the clock, was awaiting the hour set for a rendezvous, whiling away the time with the Boston evening sheet whose glaring red headlines stretched across the page. When the newspaper fell to her lap a dreamy expression clouded Lise's eyes. She was thinking of some man! Quickly Janet looked away, at her father, only to be repelled anew by the expression, almost of fatuity, she discovered on his face as he bent over the letter once more. Suddenly she experienced an overwhelming realization of the desperation of Hannah's plight,—the destiny of spending one's days, without sympathy, toiling in the confinement of these rooms to supply their bodily needs. Never had a destiny seemed so appalling. And yet Janet resented that pity. The effect of it was to fetter and inhibit; from the moment of its intrusion she was no longer a free agent, to leave Hampton and Ditmar when she chose. Without her, this family was helpless. She rose, and picked up some of the dishes. Hannah snatched them from her hands.

"Leave 'em alone, Janet!" she said with unaccustomed sharpness. "I guess
I ain't too feeble to handle 'em yet."

And a flash of new understanding came to Janet. The dishes were vicarious, a substitute for that greater destiny out of which Hannah had been cheated by fate. A substitute, yes, and perhaps become something of a mania, like her father's Bumpus papers…. Janet left the room swiftly, entered the bedroom, put on her coat and hat, and went out. Across the street the light in Mr. Tiernan's shop was still burning, and through the window she perceived Mr. Tiernan himself tilted back in his chair, his feet on the table, the tip of his nose pointed straight at the ceiling. When the bell betrayed the opening of the door he let down his chair on the floor with a bang.

"Why, it's Miss Janet!" he exclaimed. "How are you this evening, now? I was just hoping some one would pay me a call."

Twinkling at her, he managed, somewhat magically, to dispel her temper of pessimism, and she was moved to reply:—"You know you were having a beautiful time, all by yourself."

"A beautiful time, is it? Maybe it's because I was dreaming of some young lady a-coming to pay me a visit."

"Well, dreams never come up to expectations, do they?"

"Then it's dreaming I am, still," retorted Mr. Tiernan, quickly.

Janet laughed. His tone, though bantering, was respectful. One of the secrets of Mr. Tiernan's very human success was due to his ability to estimate his fellow creatures. His manner of treating Janet, for instance, was quite different from that he employed in dealing with Lise. In the course of one interview he had conveyed to Lise, without arousing her antagonism, the conviction that it was wiser to trust him than to attempt to pull wool over his eyes. Janet had the intelligence to trust him; and to-night, as she faced him, the fact was brought home to her with peculiar force that this wiry-haired little man was the person above all others of her immediate acquaintance to seek in time of trouble. It was his great quality. Moreover, Mr. Tiernan, even in his morning greetings as she passed, always contrived to convey to her, in some unaccountable fashion, the admiration and regard in which he held her, and the effect of her contact with him was invariably to give her a certain objective image of herself, an increased self-confidence and self-respect. For instance, by the light dancing in Mr. Tiernan's eyes as he regarded her, she saw herself now as the mainstay of the helpless family in the clay-yellow flat across the street. And there was nothing, she was convinced, Mr. Tiernan did not know about that family. So she said:—"I've come to see about the stove."

"Sure," he replied, as much as to say that the visit was not unexpected. "Well, I've been thinking about it, Miss Janet. I've got a stove here I know'll suit your mother. It's a Reading, it's almost new. Ye'd better be having a look at it yourself."

He led her into a chaos of stoves, grates, and pipes at the back of the store.

"It's in need of a little polish," he added, as he turned on a light, "but it's sound, and a good baker, and economical with coal." He opened the oven and took off the lids.

"I'm afraid I don't know much about stoves," she told him. "But I'll trust your judgment. How much is it?" she inquired hesitatingly.

He ran his hand through his corkscrewed hair, his familiar gesture.

"Well, I'm willing to let ye have it for twenty-five dollars. If that's too much—mebbe we can find another."

"Can you put it in to-morrow morning?" she asked.

"I can that," he said. She drew out her purse. "Ye needn't be paying for it all at once," he protested, laying a hand on her arm. "You won't be running away."

"Oh, I'd rather—I have the money," she declared hurriedly; and she turned her back that he might not perceive, when she had extracted the bills, how little was left in her purse.

"I'll wager ye won't be wanting another soon," he said, as he escorted her to the door. And he held it open, politely, looking after her, until she had crossed the street, calling out a cheerful "Goodnight" that had in it something of a benediction. She avoided the dining-room and went straight to bed, in a strange medley of feelings. The self-sacrifice had brought a certain self-satisfaction not wholly unpleasant. She had been equal to the situation, and a part of her being approved of this,—a part which had been suppressed in another mood wherein she had become convinced that self-realization lay elsewhere. Life was indeed a bewildering thing….

The next morning, at breakfast, though her mother's complaints continued, Janet was silent as to her purchase, and she lingered on her return home in the evening because she now felt a reluctance to appear in the role of protector and preserver of the family. She would have preferred, if possible, to give the stove anonymously. Not that the expression of Hannah's gratitude was maudlin; she glared at Janet when she entered the dining-room and exclaimed: "You hadn't ought to have gone and done it!"

And Janet retorted, with almost equal vehemence:—"Somebody had to do it—didn't they? Who else was there?"

"It's a shame for you to spend your money on such things. You'd ought to save it you'll need it," Hannah continued illogically.

"It's lucky I had the money," said Janet.

Both Janet and Hannah knew that these recriminations, from the other, were the explosive expressions of deep feeling. Janet knew that her mother was profoundly moved by her sacrifice. She herself was moved by Hannah's plight, but tenderness and pity were complicated by a renewed sense of rebellion against an existence that exacted such a situation.

"I hope the stove's all right, mother," she said. "Mr. Tiernan seemed to think it was a good one."

"It's a different thing," declared Hannah. "I was just wondering this evening, before you came in, how I ever made out to cook anything on the other. Come and see how nice it looks."

Janet followed her into the kitchen. As they stood close together gazing at the new purchase Janet was uncomfortably aware of drops that ran a little way in the furrows of Hannah's cheeks, stopped, and ran on again. She seized her apron and clapped it to her face.

"You hadn't ought to be made to do it!" she sobbed.

And Janet was suddenly impelled to commit an act rare in their intercourse. She kissed her, swiftly, on the cheek, and fled from the room….

Supper was an ordeal. Janet did not relish her enthronement as a heroine, she deplored and even resented her mother's attitude toward her father, which puzzled her; for the studied cruelty of it seemed to belie her affection for him. Every act and gesture and speech of Hannah's took on the complexion of an invidious reference to her reliability as compared with Edward's worthlessness as a provider; and she contrived in some sort to make the meal a sacrament in commemoration of her elder daughter's act.

"I guess you notice the difference in that pork," she would exclaim, and when he praised it and attributed its excellence to Janet's gift Hannah observed: "As long as you ain't got a son, you're lucky to have a daughter like her!"

Janet squirmed. Her father's acceptance of his comparative worthlessness was so abject that her pity was transferred to him, though she scorned him, as on former occasions, for the self-depreciation that made him powerless before her mother's reproaches. After the meal was over he sat listlessly on the sofa, like a visitor whose presence is endured, pathetically refraining from that occupation in which his soul found refreshment and peace, the compilation of the Bumpus genealogy. That evening the papers remained under the lid of the desk in the corner, untouched.

What troubled Janet above all, however, was the attitude of Lise, who also came in for her share of implied reproach. Of late Lise had become an increased source of anxiety to Hannah, who was unwisely resolved to make this occasion an object lesson. And though parental tenderness had often moved her to excuse and defend Lise for an increasing remissness in failing to contribute to the household expenses, she was now quite relentless in her efforts to wring from Lise an acknowledgment of the nobility of her sister's act, of qualities in Janet that she, Lise, might do well to cultivate. Lise was equally determined to withhold any such acknowledgment; in her face grew that familiar mutinous look that Hannah invariably failed to recognize as a danger signal; and with it another —the sophisticated expression of one who knows life and ridicules the lack of such knowledge in others. Its implication was made certain when the two girls were alone in their bedroom after supper. Lise, feverishly occupied with her toilet, on her departure broke the silence there by inquiring:—"Say, if I had your easy money, I might buy a stove, too. How much does Ditmar give you, sweetheart?"

Janet, infuriated, flew at her sister. Lise struggled to escape.

"Leave me go" she whimpered in genuine alarm, and when at length she was released she went to the mirror and began straightening her hat, which had flopped to one side of her head. "I didn't mean nothin', I was only kiddie' you—what's the use of gettin' nutty over a jest?"

"I'm not like-you," said Janet.

"I was only kiddin', I tell you," insisted Lise, with a hat pin in her mouth. "Forget it."

When Lise had gone out Janet sat down in the rocking-chair and began to rock agitatedly. What had really made her angry, she began to perceive, was the realization of a certain amount of truth in her sister's intimation concerning Ditmar. Why should she have, in Lise, continually before her eyes a degraded caricature of her own aspirations and ideals? or was Lise a mirror—somewhat tarnished, indeed—in which she read the truth about herself? For some time Janet had more than suspected that her sister possessed a new lover—a lover whom she refrained from discussing; an ominous sign, since it had been her habit to dangle her conquests before Janet's eyes, to discuss their merits and demerits with an engaging though cynical freedom. Although the existence of this gentleman was based on evidence purely circumstantial, Janet was inclined to believe him of a type wholly different from his predecessors; and the fact that his attentions were curiously intermittent and irregular inclined her to the theory that he was not a resident of Hampton. What was he like? It revolted her to reflect that he might in some ways possibly resemble Ditmar. Thus he became the object of a morbid speculation, especially at such times as this, when Lise attired herself in her new winter finery and went forth to meet him. Janet, also, had recently been self-convicted of sharing with Lise the same questionable tendency toward self-adornment to please the eye of man. The very next Saturday night after she had indulged in that mad extravagance of the blue suit, Lise had brought home from the window of The Paris in Faber Street a hat that had excited the cupidity and admiration of Miss Schuler and herself, and in front of which they had stood languishing on three successive evenings. In its acquisition Lise had expended almost the whole of a week's salary. Its colour was purple, on three sides were massed drooping lilac feathers, but over the left ear the wide brim was caught up and held by a crescent of brilliant paste stones. Shortly after this purchase—the next week, in fact,—The Paris had alluringly and craftily displayed, for the tempting sum of $6.29, the very cloak ordained by providence to "go" with the hat. Miss Schuler declared it would be a crime to fail to take advantage of such an opportunity but the trouble was that Lise had had to wait for two more pay-days and endure the suspense arising from the possibility that some young lady of taste and means might meanwhile become its happy proprietor. Had not the saleslady been obdurate, Lise would have had it on credit; but she did succeed, by an initial payment the ensuing Saturday, in having it withdrawn from public gaze. The second Saturday Lise triumphantly brought the cloak home; a velvet cloak,—if the eyes could be believed,—velvet bordering on plush, with a dark purple ground delicately and artistically spotted with a lilac to match the hat feathers, and edged with a material which—if not too impudently examined and no questions asked—might be mistaken, by the uninitiated male, for the fur of a white fox. Both investments had been made, needless to say, on the strength of Janet's increased salary; and Lise, when Janet had surprised her before the bureau rapturously surveying the combination, justified herself with a defiant apology.

"I just had to have something—what with winter coming on," she declared, seizing the hand mirror in order to view the back. "You might as well get your clothes chick, while you're about it—and I didn't have to dig up twenty bones, neither—nor anything like it—" a reflection on Janet's most blue suit and her abnormal extravagance. For it was Lise's habit to carry the war into the enemy's country. "Sadie's dippy about it—says it puts her in mind of one of the swells snapshotted in last Sunday's supplement. Well, dearie, how does the effect get you?" and she wheeled around for her sister's inspection.

"If you take my advice, you'll be careful not to be caught out in the rain."

"What's chewin' you now?" demanded Lise. She was not lacking in imagination of a certain sort, and Janet's remark did not fail in its purpose of summoning up a somewhat abject image of herself in wet velvet and bedraggled feathers—an image suggestive of a certain hunted type of woman Lise and her kind held in peculiar horror. And she was the more resentful because she felt, instinctively, that the memory of this suggestion would never be completely eradicated: it would persist, like a canker, to mar the completeness of her enjoyment of these clothes. She swung on Janet furiously.

"I get you, all right!" she cried. "I guess I know what's eatin' you!
You've got money to burn and you're sore because I spend mine to buy what
I need. You don't know how to dress yourself any more than one of them
Polak girls in the mills, and you don't want anybody else to look nice."

And Janet was impelled to make a retort of almost equal crudity:—"If I were a man and saw you in those clothes I wouldn't wait for an introduction. You asked me what I thought. I don't care about the money!" she exclaimed passionately. "I've often told you you were pretty enough without having to wear that kind of thing—to make men stare at you."

"I want to know if I don't always look like a lady! And there's no man living would try to pick me up more than once." The nasal note in Lise's voice had grown higher and shriller, she was almost weeping with anger. "You want me to go 'round lookin' like a floorwasher."

"I'd rather look like a floorwasher than—than another kind of woman,"
Janet declared.

"Well, you've got your wish, sweetheart," said Lise. "You needn't be scared anybody will pick you up."

"I'm not," said Janet….

This quarrel had taken place a week or so before Janet's purchase of the stove. Hannah, too, was outraged by Lise's costume, and had also been moved to protest; futile protest. Its only effect on Lise was to convince her of the existence of a prearranged plan of persecution, to make her more secretive and sullen than ever before.

"Sometimes I just can't believe she's my daughter," Hannah said dejectedly to Janet when they were alone together in the kitchen after Lise had gone out. "I'm fond of her because she's my own flesh and blood—I'm ashamed of it, but I can't help it. I guess it's what the minister in Dolton used to call a visitation. I suppose I deserve it, but sometimes I think maybe if your father had been different he might have been able to put a stop to the way she's going on. She ain't like any of the Wenches, nor any of the Bumpuses, so far's I'm able to find out. She just don't seem to have any notion about right and wrong. Well, the world has got all jumbled up—it beats me."

Hannah wrung out the mop viciously and hung it over the sink.

"I used to hope some respectable man would come along, but I've quit hopin'. I don't know as any respectable man would want Lise, or that I could honestly wish him to have her."

"Mother!" protested Janet. Sometimes, in those conversations, she was somewhat paradoxically impelled to defend her sister.

"Well, I don't," insisted Hannah, "that's a fact. I'll tell you what she looks like in that hat and cloak—a bad woman. I don't say she is—I don't know what I'd do if I thought she was, but I never expected my daughter to look like one."

"Oh, Lise can take care of herself," Janet said, in spite of certain recent misgivings.

"This town's Sodom and Gomorrah rolled into one," declared Hannah who, from early habit, was occasionally prone to use scriptural parallels. And after a moment's silence she inquired: "Who's this man that's payin' her attention now?"

"I don't know," replied Janet, "I don't know that there's anybody."

"I guess there is," said Hannah. "I used to think that that Wiley was low enough, but I could see him. It was some satisfaction. I could know the worst, anyhow…. I guess it's about time for another flood."

This talk had left Janet in one of these introspective states so frequent in her recent experience. Her mother had used the words "right" and "wrong." But what was "right," or "wrong?" There was no use asking Hannah, who—she perceived—was as confused and bewildered as herself. Did she refuse to encourage Mr. Ditmar because it was wrong? because, if she acceded to his desires, and what were often her own, she would be punished in an after life? She was not at all sure whether she believed in an after life,—a lack of faith that had, of late, sorely troubled her friend Eda Rawle, who had "got religion" from an itinerant evangelist and was now working off, in a "live" church, some of the emotional idealism which is the result of a balked sex instinct in young unmarried women of a certain mentality and unendowed with good looks. This was not, of course, Janet's explanation of the change in her friend, of whom she now saw less and less. They had had arguments, in which neither gained any ground. For the first time in their intercourse, ideas had come between them, Eda having developed a surprising self-assertion when her new convictions were attacked, a dogged loyalty to a scheme of salvation that Janet found neither inspiring nor convincing. She resented being prayed for, and an Eda fervent in good works bored her more than ever. Eda was deeply pained by Janet's increasing avoidance of her company, yet her heroine-worship persisted. Her continued regard for her friend might possibly be compared to the attitude of an orthodox Baptist who has developed a hobby, let us say, for Napoleon Bonaparte.

Janet was not wholly without remorse. She valued Eda's devotion, she sincerely regretted the fact, on Eda's account as well as her own, that it was a devotion of no use to her in the present crisis nor indeed in any crisis likely to confront her in life: she had felt instinctively from the first that the friendship was not founded on, mental harmony, and now it was brought home to her that Eda's solution could never be hers. Eda would have been thrilled on learning of Ditmar's attentions, would have advocated the adoption of a campaign leading up to matrimony. In matrimony, for Eda, the soul was safe. Eda would have been horrified that Janet should have dallied with any other relationship; God would punish her. Janet, in her conflict between alternate longing and repugnance, was not concerned with the laws and retributions of God. She felt, indeed, the need of counsel, and knew not where to turn for it, —the modern need for other than supernatural sanctions. She did not resist her desire for Ditmar because she believed, in the orthodox sense, that it was wrong, but because it involved a loss of self-respect, a surrender of the personality from the very contemplation of which she shrank. She was a true daughter of her time.

On Friday afternoon, shortly after Ditmar had begun to dictate his correspondence, Mr. Holster, the agent of the Clarendon Mill, arrived and interrupted him. Janet had taken advantage of the opportunity to file away some answered letters when her attention was distracted from her work by the conversation, which had gradually grown louder. The two men were standing by the window, facing one another, in an attitude that struck her as dramatic. Both were vital figures, dominant types which had survived and prevailed in that upper world of unrelenting struggle for supremacy into which, through her relation to Ditmar, she had been projected, and the significance of which she had now begun to realize. She surveyed Holster critically. He was short, heavily built, with an almost grotesque width of shoulder, a muddy complexion, thick lips, and kinky, greasy black hair that glistened in the sun. His nasal voice was complaining, yet distinctly aggressive, and he emphasized his words by gestures. The veins stood out on his forehead. She wondered what his history had been. She compared him to Ditmar, on whose dust-grey face she was quick to detect a look she had seen before—a contraction of the eyes, a tightening of the muscles of the jaw. That look, and the peculiarly set attitude of the body accompanying it, aroused in her a responsive sense of championship.

"All right, Ditmar," she heard the other exclaim. "I tell you again you'll never be able to pull it off."

Ditmar's laugh was short, defiant.

"Why not?" he asked.

"Why not! Because the fifty-four hour law goes into effect in January."

"What's that got to do with it?" Ditmar demanded.

"You'll see—you'll remember what I told you fellows at the conference after that bill went through and that damned demagogue of a governor insisted on signing it. I said, if we tried to cut wages down to a fifty-four hour basis we'd have a strike on our hands in every mill in Hampton,—didn't I? I said it would cost us millions of dollars, and make all the other strikes we've had here look like fifty cents. Didn't I say that? Hammond, our president, backed me up, and Rogers of the wool people. You remember? You were the man who stood out against it, and they listened to you, they voted to cut down the pay and say nothing about it. Wait until those first pay envelopes are opened after that law goes into effect. You'll see what'll happen! You'll never be able to fill that Bradlaugh order in God's world."

"Oh hell," retorted Ditmar, contemptuously. "You're always for lying down, Holster. Why don't you hand over your mill to the unions and go to work on a farm? You might as well, if you're going to let the unions run the state. Why not have socialism right now, and cut out the agony? When they got the politicians to make the last cut from fifty-six to fifty-four and we kept on payin' 'em for fifty-six, against my advice, what happened? Did they thank us? I guess not. Were they contented? Not on your life. They went right on agitating, throwing scares into the party conventions and into the House and Senate Committees,—and now it's fifty-four hours. It'll be fifty in a couple of years, and then we'll have to scrap our machinery and turn over the trade to the South and donate our mills to the state for insane asylums."

"No, if we handle this thing right, we'll have the public on our side.
They're getting sick of the unions now."

Ditmar went to the desk for a cigar, bit it off, and lighted it.

"The public!" he exclaimed contemptuously. "A whole lot of good they'll do us."

Holster approached him, menacingly, until the two men stood almost touching, and for a moment it seemed to Janet as if the agent of the Clarendon were ready to strike Ditmar. She held her breath, her blood ran faster,—the conflict between these two made an elemental appeal.

"All right—remember what I say—wait and see where you come out with that order." Holster's voice trembled with anger. He hesitated, and left the office abruptly. Ditmar stood gazing after him for a moment and then, taking his cigar from his mouth, turned and smiled at Janet and seated himself in his chair. His eyes, still narrowed, had in them a gleam of triumph that thrilled her. Combat seemed to stimulate and energize him.

"He thought he could bluff me into splitting that Bradlaugh order with the Clarendon," Ditmar exclaimed. "Well, he'll have to guess again. I've got his number." He began to turn over his letters. "Let's see, where were we? Tell Caldwell not to let in any more idiots, and shut the door."

Janet obeyed, and when she returned Ditmar was making notes with a pencil on a pad. The conversation with Holter had given her a new idea of Ditmar's daring in attempting to fill the Bradlaugh order with the Chippering Mills alone, had aroused in her more strongly than ever that hot loyalty to the mills with which he had inspired her; and that strange surge of sympathy, of fellow-feeling for the operatives she had experienced after the interview with Mr. Siddons, of rebellion against him, the conviction that she also was one of the slaves he exploited, had wholly disappeared. Ditmar was the Chippering Mills, and she, somehow, enlisted once again on his side.

"By the way," he said abruptly, "you won't mention this—I know."

"Won't mention what?" she asked.

"This matter about the pay envelopes—that we don't intend to continue giving the operatives fifty-six hours' pay for fifty-four when this law goes into effect. They're like animals, most of 'em, they don't reason, and it might make trouble if it got out now. You understand. They'd have time to brood over it, to get the agitators started. When the time comes they may kick a little, but they'll quiet down. And it'll teach 'em a lesson."

"I never mention anything I hear in this office," she told him.

"I know you don't," he assured her, apologetically. "I oughtn't to have said that—it was only to put you on your guard, in case you heard it spoken of. You see how important it is, how much trouble an agitator might make by getting them stirred up? You can see what it means to me, with this order on my hands. I've staked everything on it."

"But—when the law goes into effect? when the operatives find out that they are not receiving their full wages—as Mr. Holster said?" Janet inquired.

"Why, they may grumble a little—but I'll be on the lookout for any move. I'll see to that. I'll teach 'em a lesson as to how far they can push this business of shorter hours and equal pay. It's the unskilled workers who are mostly affected, you understand, and they're not organized. If we can keep out the agitators, we're all right. Even then, I'll show 'em they can't come in here and exploit my operatives."

In the mood in which she found herself his self-confidence, his aggressiveness continued to inspire and even to agitate her, to compel her to accept his point of view.

"Why," he continued, "I trust you as I never trusted anybody else. I've told you that before. Ever since you've been here you've made life a different thing for me—just by your being here. I don't know what I'd do without you. You've got so much sense about things—about people,—and I sometimes think you've got almost the same feeling about these mills that I have. You didn't tell me you went through the mills with Caldwell the other day," he added, accusingly.

"I—I forgot," said Janet. "Why should I tell—you?" She knew that all thought of Holster had already slipped from his mind. She did not look up. "If you're not going to finish your letters," she said, a little faintly, "I've got some copying to do."

"You're a deep one," he said. And as he turned to the pile of correspondence she heard him sigh. He began to dictate. She took down his sentences automatically, scarcely knowing what she was writing; he was making love to her as intensely as though his words had been the absolute expression of his desire instead of the commonplace mediums of commercial intercourse. Presently he stopped and began fumbling in one of the drawers of his desk.

"Where is the memorandum I made last week for Percy and Company?"

"Isn't it there?" she asked.

But he continued to fumble, running through the papers and disarranging them until she could stand it no longer.

"You never know where to find anything," she declared, rising and darting around the desk and bending over the drawer, her deft fingers rapidly separating the papers. She drew forth the memorandum triumphantly.

"There!" she exclaimed. "It was right before your eyes."

As she thrust it at him his hand closed over hers. She felt him drawing her, irresistibly.

"Janet!" he said. "For God's sake—you're killing me—don't you know it?
I can't stand it any longer!"

"Don't!" she whispered, terror-stricken, straining away from him. "Mr.
Ditmar—let me go!"

A silent struggle ensued, she resisting him with all the aroused strength and fierceness of her nature. He kissed her hair, her neck,—she had never imagined such a force as this, she felt herself weakening, welcoming the annihilation of his embrace.

"Mr. Ditmar!" she cried. "Somebody will come in."

Her fingers sank into his neck, she tried to hurt him and by a final effort flung herself free and fled to the other side of the room.

"You little—wildcat!" she heard him exclaim, saw him put his handkerchief to his neck where her fingers had been, saw a red stain on it. "I'll have you yet!"

But even then, as she stood leaning against the wall, motionless save for the surging of her breast, there was about her the same strange, feral inscrutableness. He was baffled, he could not tell what she was thinking. She seemed, unconquered, to triumph over her disarray and the agitation of her body. Then, with an involuntary gesture she raised her hands to her hair, smoothing it, and without seeming haste left the room, not so much as glancing at him, closing the door behind her.

She reached her table in the outer office and sat down, gazing out of the window. The face of the world—the river, the mills, and the bridge—was changed, tinged with a new and unreal quality. She, too, must be changed. She wasn't, couldn't be the same person who had entered that room of Ditmar's earlier in the afternoon! Mr. Caldwell made a commonplace remark, she heard herself answer him. Her mind was numb, only her body seemed swept by fire, by emotions—emotions of fear, of anger, of desire so intense as to make her helpless. And when at length she reached out for a sheet of carbon paper her hand trembled so she could scarcely hold it. Only by degrees was she able to get sufficient control of herself to begin her copying, when she found a certain relief in action—her hands flying over the keys, tearing off the finished sheets, and replacing them with others. She did not want to think, to decide, and yet she knew—something was trying to tell her that the moment for decision had come. She must leave, now. If she stayed on, this tremendous adventure she longed for and dreaded was inevitable. Fear and fascination battled within her. To run away was to deny life; to remain, to taste and savour it. She had tasted it—was it sweet?—that sense of being swept away, engulfed by an elemental power beyond them both, yet in them both? She felt him drawing her to him, and she struggling yet inwardly longing to yield. And the scarlet stain on his handkerchief—when she thought of that her blood throbbed, her face burned.

At last the door of the inner office opened, and Ditmar came out and stood by the rail. His voice was queer, scarcely recognizable.

"Miss Bumpus—would you mind coming into my room a moment, before you leave?" he said.

She rose instantly and followed him, closing the door behind her, but standing at bay against it, her hand on the knob.

"I'm not going to touch you—you needn't be afraid," he said. Reassured by the unsteadiness of his voice she raised her eyes to perceive that his face was ashy, his manner nervous, apprehensive, conciliatory,—a Ditmar she had difficulty in recognizing. "I didn't mean to frighten, to offend you," he went on. "Something got hold of me. I was crazy, I couldn't help it—I won't do it again, if you'll stay. I give you my word."

She did not reply. After a pause he began again, repeating himself.

"I didn't mean to do it. I was carried away—it all happened before I knew. I—I wouldn't frighten you that way for anything in the world."

Still she was silent.

"For God's sake, speak to me!" he cried. "Say you forgive me—give me another chance!"

But she continued to gaze at him with widened, enigmatic eyes—whether of reproach or contempt or anger he could not say. The situation transcended his experience. He took an uncertain step toward her, as though half expecting her to flee, and stopped.

"Listen!" he pleaded. "I can't talk to you here. Won't you give me a chance to explain—to put myself right? You know what I think of you, how I respect and—admire you. If you'll only let me see you somewhere —anywhere, outside of the office, for a little while, I can't tell you how much I'd appreciate it. I'm sure you don't understand how I feel—I couldn't bear to lose you. I'll be down by the canal—near the bridge —at eight o'clock to-night. I'll wait for you. You'll come? Say you'll come, and give me another chance!"

"Aren't you going to finish your letters?" she asked.

He stared at her in sheer perplexity. "Letters!" he exclaimed. "Damn the letters! Do you think I could write any letters now?"

As a faint ray in dark waters, a gleam seemed to dance in the shadows of her eyes, yet was gone so swiftly that he could not be sure of having seen it. Had she smiled?

"I'll be there," he cried. "I'll wait for you."

She turned from him, opened the door, and went out.

That evening, as Janet was wiping the dishes handed her by her mother, she was repeating to herself "Shall I go—or shan't I?"—just as if the matter were in doubt. But in her heart she was convinced of its predetermination by some power other than her own volition. With this feeling, that she really had no choice, that she was being guided and impelled, she went to her bedroom after finishing her task. The hands of the old dining-room clock pointed to quarter of eight, and Lise had already made her toilet and departed. Janet opened the wardrobe, looked at the new blue suit hanging so neatly on its wire holder, hesitated, and closed the door again. Here, at any rate, seemed a choice. She would not wear that, to-night. She tidied her hair, put on her hat and coat, and went out; but once in the street she did not hurry, though she knew the calmness she apparently experienced to be false: the calmness of fatality, because she was obeying a complicated impulse stronger than herself—an impulse that at times seemed mere curiosity. Somewhere, removed from her immediate consciousness, a storm was raging; she was aware of a disturbance that reached her faintly, like the distant throbbing of the looms she heard when she turned from Faber into West Street She had not been able to eat any supper. That throbbing of the looms in the night! As it grew louder and louder the tension within her increased, broke its bounds, set her heart to throbbing too—throbbing wildly. She halted, and went on again, precipitately, but once more slowed her steps as she came to West Street and the glare of light at the end of the bridge; at a little distance, under the chequered shadows of the bare branches, she saw something move—a man, Ditmar. She stood motionless as he hurried toward her.

"You've come! You've forgiven me?" he asked.

"Why were you—down there?" she asked.

"Why? Because I thought—I thought you wouldn't want anybody to know—"

It was quite natural that he should not wish to be seen; although she had no feeling of guilt, she herself did not wish their meeting known. She resented the subterfuge in him, but she made no comment because his perplexity, his embarrassment were gratifying to her resentment, were restoring her self-possession, giving her a sense of power.

"We can't stay here," he went on, after a moment. "Let's take a little walk—I've got a lot to say to you. I want to put myself right." He tried to take her arm, but she avoided him. They started along the canal in the direction of the Stanley Street bridge. "Don't you care for me a little?" he demanded.

"Why should I?" she parried.

"Then—why did you come?"

"To hear what you had to say."

"You mean—about this afternoon?"

"Partly," said Janet.

"Well—we'll talk it all over. I wanted to explain about this afternoon, especially. I'm sorry—"

"Sorry!" she exclaimed.

The vehemence of her rebuke—for he recognized it as such—took him completely aback. Thus she was wont, at the most unexpected moments, to betray the passion within her, the passion that made him sick with desire. How was he to conquer a woman of this type, who never took refuge in the conventional tactics of her sex, as he had known them?

"I didn't mean that," he explained desperately. "My God—to feel you, to have you in my arms—! I was sorry because I frightened you. But when you came near me that way I just couldn't help it. You drove me to it."

"Drove you to it!"

"You don't understand, you don't know how—how wonderful you are. You make me crazy. I love you, I want you as I've never wanted any woman before—in a different way. I can't explain it. I've got so that I can't live without you." He flung his arm toward the lights of the mills. "That—that used to be everything to me, I lived for it. I don't say I've been a saint—but I never really cared anything about any woman until I knew you, until that day I went through the office and saw you what you were. You don't understand, I tell you. I'm sorry for what I did to-day because it offended you—but you drove me to it. Most of the time you seem cold, you're like an iceberg, you make me think you hate me, and then all of a sudden you'll be kind, as you were the other night, as you seemed this afternoon—you make me think I've got a chance, and then, when you came near me, when you touched my hand—why, I didn't know what I was doing. I just had to have you. A man like me can't stand it."

"Then I'd better go away," she said. "I ought to have gone long ago."

"Why?" he cried. "Why? What's your reason? Why do you want to ruin my life? You've—you've woven yourself into it—you're a part of it. I never knew what it was to care for a woman before, I tell you. There's that mill," he repeated, naively. "I've made it the best mill in the country, I've got the biggest order that ever came to any mill—if you went away I wouldn't care a continental about it. If you went away I wouldn't have any ambition left. Because you're a part of it, don't you see? You—you sort of stand for it now, in my mind. I'm not literary, I can't express what I'd like to say, but sometimes I used to think of that mill as a woman—and now you've come along—" Ditmar stopped, for lack of adequate eloquence.

She smiled in the darkness at his boyish fervour,—one of the aspects of the successful Ditmar, the Ditmar of great affairs, that appealed to her most strongly. She was softened, touched; she felt, too, a responsive thrill to such a desire as his. Yet she did not reply. She could not. She was learning that emotion is never simple. And some inhibition, the identity of which was temporarily obscured still persisted, pervading her consciousness….

They were crossing the bridge at Stanley Street, now deserted, and by common consent they paused in the middle of it, leaning on the rail. The hideous chocolate factory on the point was concealed by the night,—only the lights were there, trembling on the surface of the river. Against the flushed sky above the city were silhouetted the high chimneys of the power plant. Ditmar's shoulder touched hers. He was still pleading, but she seemed rather to be listening to the symphony of the unseen waters falling over the dam. His words were like that, suggestive of a torrent into which she longed to fling herself, yet refrained, without knowing why. Her hands tightened on the rail; suddenly she let it go, and led the way toward the unfrequented district of the south side. It was the road to Silliston, but she had forgotten that. Ditmar, regaining her side, continued his pleading. He spoke of his loneliness, which he had never realized. He needed her. And she experienced an answering pang. It still seemed incredible that he, too, who had so much, should feel that gnawing need for human sympathy and understanding that had so often made her unhappy. And because of the response his need aroused in her she did not reflect whether he could fulfil her own need, whether he could ever understand her; whether, at any time, she could unreservedly pour herself out to him.

"I don't see why you want me," she interrupted him at last. "I've never had any advantages, I don't know anything. I've never had a chance to learn. I've told you that before."

"What difference does that make? You've got more sense than any woman I ever saw," he declared.

"It makes a great deal of difference to me," she insisted—and the sound of these words on her own lips was like a summons arousing her from a dream. The sordidness of her life, its cruel lack of opportunity in contrast with the gifts she felt to be hers, and on which he had dwelt, was swept back into her mind. Self-pity, dignity, and inherent self-respect struggled against her woman's desire to give; an inherited racial pride whispered that she was worthy of the best, but because she had lacked the chance, he refrained from offering her what he would have laid at the feet of another woman.

"I'll give you advantages—there's nothing I wouldn't give you. Why won't you come to me? I'll take care of you."

"Do you think I want to be taken care of?" She wheeled on him so swiftly that he started back. "Is that what you think I want?"

"No, no," he protested, when he recovered his speech.

"Do you think I'm after—what you can give me?" she shot at him. "What you can buy for me?"

To tell the truth, he had not thought anything about it, that was the trouble. And her question, instead of enlightening him, only added to his confusion and bewilderment.

"I'm always getting in wrong with you," he told her, pathetically. "There isn't anything I'd stop at to make you happy, Janet, that's what I'm trying to say. I'd go the limit."

"Your limit!" she exclaimed.

"What do you mean?" he demanded. But she had become inarticulate —cryptic, to him. He could get nothing more out of her.

"You don't understand me—you never will!" she cried, and burst into tears—tears of rage she tried in vain to control. The world was black with his ignorance. She hated herself, she hated him. Her sobs shook her convulsively, and she scarcely heard him as he walked beside her along the empty road, pleading and clumsily seeking to comfort her. Once or twice she felt his hand on her shoulders…. And then, unlooked for and unbidden, pity began to invade her. Absurd to pity him! She fought against it, but the thought of Ditmar reduced to abjectness gained ground. After all, he had tried to be generous, he had done his best, he loved her, he needed her—the words rang in her heart. After all, he did not realize how could she expect him to realize? and her imagination conjured up the situation in a new perspective. Her sobs gradually ceased, and presently she stopped in the middle of the road and regarded him. He seemed utterly miserable, like a hurt child whom she longed to comfort. But what she said was:—"I ought to be going home."

"Not yet!" he begged. "It's early. You say I don't understand you, Janet—my God, I wish I did! It breaks me all up to see you cry like that."

"I'm sorry," she said, after a moment. "I—I can't make you understand. I guess I'm not like anybody else I'm queer—I can't help it. You must let me go, I only make you unhappy."

"Let you go!" he cried—and then in utter self-forgetfulness she yielded her lips to his. A sound penetrated the night, she drew back from his arms and stood silhouetted against the glare of the approaching headlight of a trolley car, and as it came roaring down on them she hailed it. Ditmar seized her arm.

"You're not going—now?" he said hoarsely.

"I must," she whispered. "I want to be alone—I want to think. You must let me."

"I'll see you to-morrow?"

"I don't know—I want to think. I'm—I'm tired."

The brakes screamed as the car came joltingly to a stop. She flew up the steps, glancing around to see whether Ditmar had followed her, and saw him still standing in the road. The car was empty of passengers, but the conductor must have seen her leaving a man in this lonely spot. She glanced at his face, white and pinched and apathetic—he must have seen hundreds of similar episodes in the course of his nightly duties. He was unmoved as he took her fare. Nevertheless, at the thought that these other episodes might resemble hers, her face flamed—she grew hot all over. What should she do now? She could not think. Confused with her shame was the memory of a delirious joy, yet no sooner would she give herself up, trembling, to this memory when in turn it was penetrated by qualms of resentment, defiling its purity. Was Ditmar ashamed of her?… When she reached home and had got into bed she wept a little, but her tears were neither of joy nor sorrow. Her capacity for both was exhausted. In this strange mood she fell asleep nor did she waken when, at midnight, Lise stealthily crept in beside her.

                                                                                                                                                                                                                                                                                                           

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