Ditmar stood staring after the trolley car that bore Janet away until it became a tiny speck of light in the distance. Then he started to walk toward Hampton; in the unwonted exercise was an outlet for the pent-up energy her departure had thwarted; and presently his body was warm with a physical heat that found its counterpart in a delicious, emotional glow of anticipation, of exultant satisfaction. After all, he could not expect to travel too fast with her. Had he not at least gained a signal victory? When he remembered her lips—which she had indubitably given him!—he increased his stride, and in what seemed an incredibly brief time he had recrossed the bridge, covered the long residential blocks of Warren Street, and gained his own door. The house was quiet, the children having gone to bed, and he groped his way through the dark parlour to his den, turning on the electric switch, sinking into an armchair, and lighting a cigar. He liked this room of his, which still retained something of that flavour of a refuge and sanctuary it had so eminently possessed in the now forgotten days of matrimonial conflict. One of the few elements of agreement he had held in common with the late Mrs. Ditmar was a similarity of taste in household decoration, and they had gone together to a great emporium in Boston to choose the furniture and fittings. The lamp in the centre of the table was a bronze column supporting a hemisphere of heavy red and emerald glass, the colours woven into an intricate and bizarre design, after the manner of the art nouveau—so the zealous salesman had informed them. Cora Ditmar, when exhibiting this lamp to admiring visitors, had remembered the phrase, though her pronunciation of it, according to the standard of the Sorbonne, left something to be desired. The table and chairs, of heavy, shiny oak marvellously and precisely carved by machines, matched the big panels of the wainscot. The windows were high in the wall, thus preventing any intrusion from the clothes-yard on which they looked. The bookcases, protected by leaded panes, held countless volumes of the fiction from which Cora Ditmar had derived her knowledge of the great world outside of Hampton, together with certain sets she had bought, not only as ornaments, but with a praiseworthy view to future culture,—such as Whitmarsh's Library of the Best Literature. These volumes, alas, were still uncut; but some of the pages of the novels—if one cared to open them—were stained with chocolate. The steam radiator was a decoration in itself, the fireplace set in the red and yellow tiles that made the hearth. Above the oak mantel, in a gold frame, was a large coloured print of a Magdalen, doubled up in grief, with a glory of loose, Titian hair, chosen by Ditmar himself as expressing the nearest possible artistic representation of his ideal of the female form. Cora Ditmar's objections on the score of voluptuousness and of insufficient clothing had been vain. She had recognized no immorality of sentimentality in the art itself; what she felt, and with some justice, was that this particular Magdalen was unrepentant, and that Ditmar knew it. And the picture remained an offence to her as long as she lived. Formerly he had enjoyed the contemplation of this figure, reminding him, as it did, of mellowed moments in conquests of the past; suggesting also possibilities of the future. For he had been quick to discount the attitude of bowed despair, the sop flung by a sensuous artist to Christian orthodoxy. He had been sceptical about despair—feminine despair, which could always be cured by gifts and baubles. But to-night, as he raised his eyes, he felt a queer sensation marring the ecstatic perfection of his mood. That quality in the picture which so long had satisfied and entranced him had now become repellent, an ugly significant reflection of something —something in himself he was suddenly eager to repudiate and deny. It was with a certain amazement that he found himself on his feet with the picture in his hand, gazing at the empty space where it had hung. For he had had no apparent intention of obeying that impulse. What should he do with it? Light the fire and burn it—frame and all? The frame was an integral part of it. What would his housekeeper say? But now that he had actually removed it from the wall he could not replace it, so he opened the closet door and thrust it into a corner among relics which had found refuge there. He had put his past in the closet; yet the relief he felt was mingled with the peculiar qualm that follows the discovery of symptoms never before remarked. Why should this woman have this extraordinary effect of making him dissatisfied with himself? He sat down again and tried to review the affair from that first day when he had surprised in her eyes the flame dwelling in her. She had completely upset his life, increasingly distracted his mind until now he could imagine no peace unless he possessed her. Hitherto he had recognized in his feeling for her nothing but that same desire he had had for other women, intensified to a degree never before experienced. But this sudden access of morality—he did not actually define it as such—was disquieting. And in the feverish, semi-objective survey he was now making of his emotional tract he was discovering the presence of other disturbing symptoms such as an unwonted tenderness, a consideration almost amounting to pity which at times he had vaguely sensed yet never sought imaginatively to grasp. It bewildered him by hampering a ruthlessness hitherto absolute. The fierceness of her inflamed his passion, yet he recognized dimly behind this fierceness an instinct of self-protection—and he thought of her in this moment as a struggling bird that fluttered out of his hands when they were ready to close over her. So it had been to-night. He might have kept her, prevented her from taking the car. Yet he had let her go! There came again, utterly to blot this out, the memory of her lips. Even then, there had been something sorrowful in that kiss, a quality he resented as troubling, a flavour that came to him after the wildness was spent. What was she struggling against? What was behind her resistance? She loved him! It had never before occurred to him to enter into the nature of her feelings, having been so preoccupied with and tortured by his own. This realization, that she loved him, as it persisted, began to make him uneasy, though it should, according to all experience, have been a reason for sheer exultation. He began to see that with her it involved complications, responsibilities, disclosures, perhaps all of those things he had formerly avoided and resented in woman. He thought of certain friends of his who had become tangled up—of one in particular whose bank account had been powerless to extricate him…. And he was ashamed of himself. In view of the nature of his sex experience, of his habit of applying his imagination solely to matters of business rather than to affairs of the heart,—if his previous episodes may be so designated,—his failure to surmise that a wish for marriage might be at the back of her resistance is not so surprising as it may seem; he laid down, half smoked, his third cigar. The suspicion followed swiftly on his recalling to mind her vehement repudiation of his proffered gifts did he think she wanted what he could buy for her! She was not purchasable—that way. He ought to have known it, he hadn't realized what he was saying. But marriage! Literally it had never occurred to him to image her in a relation he himself associated with shackles. One of the unconscious causes of his fascination was just her emancipation from and innocence of that herd-convention to which most women—even those who lack wedding rings—are slaves. The force of such an appeal to a man of Ditmar's type must not be underestimated. And the idea that she, too, might prefer the sanction of the law, the gilded cage as a popular song which once had taken his fancy illuminatingly expressed it—seemed utterly incongruous with the freedom and daring of her spirit, was a sobering shock. Was he prepared to marry her, if he could obtain her in no other way? The question demanded a survey of his actual position of which he was at the moment incapable. There were his children! He had never sought to arrive at even an approximate estimate of the boy and girl as factors in his life, to consider his feelings toward them; but now, though he believed himself a man who gave no weight to social considerations—he had scorned this tendency in his wife—he was to realize the presence of ambitions for them. He was young, he was astonishingly successful; he had reason to think, with his opportunities and the investments he already had made, that he might some day be moderately rich; and he had at times even imagined himself in later life as the possessor of one of those elaborate country places to be glimpsed from the high roads in certain localities, which the sophisticated are able to recognize as the seats of the socially ineligible, but which to Ditmar were outward and visible emblems of success. He liked to think of George as the inheritor of such a place, as the son of a millionaire, as a "college graduate," as an influential man of affairs; he liked to imagine Amy as the wife of such another. In short, Ditmar's wife had left him, as an unconscious legacy, her aspirations for their children's social prestige…. The polished oak grandfather's clock in the hall had struck one before he went to bed, mentally wearied by an unwonted problem involving, in addition to self-interest, an element of ethics, of affection not wholly compounded of desire. He slept soundly, however. He was one of those fortunate beings who come into the world with digestive organs and thyroid glands in that condition which—so physiologists tell us—makes for a sanguine temperament. And his course of action, though not decided upon, no longer appeared as a problem; it differed from a business matter in that it could wait. As sufficient proof of his liver having rescued him from doubts and qualms he was able to whistle, as he dressed, and without a tremor of agitation, the forgotten tune suggested to his consciousness during the unpleasant reverie of the night before,—"Only a Bird in a Gilded Cage!" It was Saturday. He ate a hearty breakfast, joked with George and Amy, and refreshed, glowing with an expectation mingled with just the right amount of delightful uncertainty that made the great affairs of life a gamble, yet with the confidence of the conqueror, he walked in sunlight to the mill. In view of this firm and hopeful tone of his being he found it all the more surprising, as he reached the canal, to be seized by a trepidation strong enough to bring perspiration to his forehead. What if she had gone! He had never thought of that, and he had to admit it would be just like her. You never could tell what she would do. Nodding at Simmons, the watchman, he hurried up the iron-shod stairs, gained the outer once, and instantly perceived that her chair beside the window was empty! Caldwell and Mr. Price stood with their heads together bending over a sheet on which Mr. Price was making calculations. "Hasn't Miss Bumpus come yet?" Ditmar demanded. He tried to speak naturally, casually, but his own voice sounded strange, seemed to strike the exact note of sickening apprehension that suddenly possessed him. Both men turned and looked at him in some surprise. "Good-morning, Mr. Ditmar," Caldwell said. "Why, yes, she's in your room." "Oh!" said Ditmar. "The Boston office has just been calling you—they want to know if you can't take the nine twenty-two," Caldwell went on. "It's about that lawsuit. It comes into court Monday morning, and Mr. Sprole is there, and they say they have to see you. Miss Bumpus has the memorandum." Ditmar looked at his watch. "Damn it, why didn't they let me know yesterday?" he exclaimed. "I won't see anybody, Caldwell—not even Orcutt—just now. You understand. I've got to have a little time to do some letters. I won't be disturbed—by any one—for half an hour." Caldwell nodded. "All right, Mr. Ditmar." Ditmar went into his office, closing the door behind him. She was occupied as usual, cutting open the letters and laying them in a pile with the deftness and rapidity that characterized all she did. "Janet!" he exclaimed. "There's a message for you from Boston. I've made a note of it," she replied. "I know—Caldwell told me. But I wanted to see you before I went—I had to see you. I sat up half the night thinking of you, I woke up thinking of you. Aren't you glad to see me?" She dropped the letter opener and stood silent, motionless, awaiting his approach—a pose so eloquent of the sense of fatality strong in her as to strike him with apprehension, unused though he was to the appraisal of inner values. He read, darkly, something of this mystery in her eyes as they were slowly raised to his, he felt afraid; he was swept again by those unwonted emotions of pity and tenderness—but when she turned away her head and he saw the bright spot of colour growing in her cheek, spreading to her temple, suffusing her throat, when he touched the soft contour of her arm, his passion conquered…. Still he was acutely conscious of a resistance within her—not as before, physically directed against him, but repudiating her own desire. She became limp in his arms, though making no attempt to escape, and he knew that the essential self of her he craved still evaded and defied him. And he clung to her the more desperately—as though by crushing her peradventure he might capture it. "You're hurting me," she said at last, and he let her go, standing by helplessly while she went through the movements of readjustment instinctive to women. Even in these he read the existence of the reservation he was loth to acknowledge. "Don't you love me?" he said. "I don't know." "You do!" he said. "You—you proved it—I know it." She went a little away from him, picking up the paper cutter, but it lay idle in her hand. "For God's sake, tell me what's the matter!" he exclaimed. "I can't stand this. Janet, aren't you happy?" She shook her head. "Why not? I love you. I—I've never been so happy in my life as I was this morning. Why aren't you happy—when we love each other?" "Because I'm not." "Why not? There's nothing I wouldn't do to make you happy—you know that. "You wouldn't understand. I couldn't make you understand." "Is it something I've done?" "You don't love me," she said. "You only want me. I'm not made that way, "Work to do! But you'll share my work—it's nothing without you." She shook her head. "I knew you couldn't understand. You don't realize how impossible it is. I don't blame you—I suppose a man can't." She was not upbraiding him, she spoke quietly, in a tone almost lifeless, yet the emotional effect of it was tremendous. "But," he began, and stopped, and was swept on again by an impulse that drowned all caution, all reason. "But you can help me—when we are married." "Married!" she repeated. "You want to marry me?" "Yes, yes—I need you." He took her hands, he felt them tremble in his, her breath came quickly, but her gaze was so intent as seemingly to penetrate to the depths of him. And despite his man's amazement at her hesitation now that he had offered her his all, he was moved, disturbed, ashamed as he had never been in his life. At length, when he could stand no longer the suspense of this inquisition, he stammered out: "I want you to be my wife." "You've wanted to marry me all along?" she asked. "I didn't think, Janet. I was mad about you. I didn't know you." "Do you know me now?" "That's just it," he cried, with a flash of clairvoyance, "I never will know you—it's what makes you different from any woman I've ever seen. You'll marry me?" |