CHAPTER IV

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L'on fait plus souvent des trahisons par faiblesse que par un dessein formÉ de trahir.

—La Rochefoucauld.

Fay's evening-party was a success. Her parties generally were. It was a small gathering, for as it was May but few of the residents had come down to the villas. Some of the guests had motored out from Rome. My impression is that Fay enjoyed the evening. She certainly enjoyed the brilliancy which excitement had momentarily added to her beauty.

All the time she was saying to herself, "If people only knew. What a contrast between what these people think and what I really am. Perhaps this is the last time I shall have a party here. Perhaps I shall not be here to-morrow. Perhaps Michael will insist on taking me away with him, from this death in life, this hell on earth."

What large imposing words! How well they sounded! Yes, in a way Fay was enjoying herself.

Often during the evening she saw the grave, kindly eyes of the duke upon her. Once he came up to her, and paid her a little exquisite compliment. Her disgust and hatred of him were immediately forgotten. She smiled back at him. She did not love him of course. A man like that did not know what love was. But Fay had never yet felt harshly towards any man who admired her. The husband who did not understand her watched her with something of the indulgent, protecting expression which we see on the face of the owner of an enchanting puppy, which is ready to gallop on india rubber legs after any pair of boots which appears on its low horizon.


The guests had ebbed away by degrees. Lord John Alington, a tall, bald, boring Englishman, and one or two others, remained behind, arranging some expedition with the duke.

Michael's chief had long since gone. Michael did not depart with him, but took his leave a few moments later. Michael's departure from Rome the following day on urgent affairs was generally known. The duke had watched him bid Fay a mechanical farewell, and had then expressed an urbane regret at his departure. The thin, pinched face of the young man appealed to the elder one. The duke had liked him from the first.

"It is time he went," he said to himself as he watched Michael leave the room. As Michael left it Fay's excitement dropped from her, and she became conscious of an enormous fatigue. A few minutes later she dragged herself up the great pictured staircase to her little boudoir overlooking the garden, and sank down exhausted on a couch. Her pretty Italian maid was waiting for her in the adjoining bedroom, and came to her, and began to unfasten her jewels.

Fay dismissed her for the night, saying she was not going to bed yet. She often stayed up late reading. She was of those who say that they have no time for reading in the day, and who like to look up (or rather, to say afterwards they looked up) to find the solemn moon peering in at them.

To-night there was no solemn or otherwise disposed moon.

Fay's heart suddenly began to beat so wildly that it seemed as if she would suffocate. What violent emotion was this which was flooding her, sweeping away all landmarks, covering, as by one great inrolling tidal wave, all the familiar country of her heart? Whither was she being swept in the midst of this overwhelming roaring torrent? Out to sea? To some swift destruction? Where? Where?

She clutched the arm of the sofa and trembled. She had known so many small emotions. What was this? And like a second wave on the top of the first a sea of recklessness broke over and engulfed her. What next? She did not know. She did not care. Michael, his face and hand. These were the only realities. In another moment she should see him, feel him, hold him, never, never let him go again.

In the intense stillness a whisper came up through the orange blossom below her balcony:

"Fay."

She was on the balcony in a moment. The scent of the orange blossom had become alive and confused everything.

"Come up," she said almost inaudibly.

"I cannot."

"You must. I must speak to you."

"Come down here then. I am not coming up."

She ran down, and felt rather than saw Michael's presence at the foot of the little stair.

He was breathing hard. He did not move towards her.

"You sent for me, so I came," he said. "Tell me quickly what I can do for you, how I can serve you. I cannot remain here more than a moment. I endanger your safety as it is."

It was all so different from what she had expected, from what she had pictured to herself. He was so determined and stern; and it had never struck her as possible that he would not come up to her room, that the interview would be so short.

"I can't speak here," she said, angry tears smarting in her eyes.

"You can and must. Tell me quickly, dearest, why you sent for me. You said it was all-important. I am here, I will do your bidding, if you will only say what it is."

"Take me with you," she gasped inaudibly.

She had not meant to say that. She was merely the mouthpiece of something vast, of some blind destructive force that was rending her. She swayed against the railings, clinging to them with both hands.

Even as she spoke her voiceless whisper was drowned in a sound but very little louder. There was a distant stir, a movement as of waking bees in the house.

He had not heard her. He was listening intently.

"Go back instantly and shut the window," he said, and in a moment she felt he was gone.

She crept feebly up the stairs to her room and sank down again on the couch, broken, half dead.

"I shall see him no more. I shall see him no more," she said to herself, twisting her hands. What a travesty, what a mockery that one hurried moment had been! What a parting that was no parting! He had no heart. He did not really love her.

Through her stupor she felt rather than heard a movement in the house. She stole out of her room to the head of the grand staircase. Nearly all the lights had been put out. Close to a lamp in the saloon below, the duke and Lord John were standing, looking at a map. "The Grotta Ferrata road is the best," the duke was saying. And as he spoke a servant came in quickly, and whispered to the duke, who left the saloon with him.

Fay fled back to her own room. Something was happening. But what? Could it have any connection with herself and Michael? No, that seemed impossible. And Michael must by now have left the gardens, by the unlocked door by which he had come in.

Fay drew the reading lamp nearer to her, and opened the book of devotions which Magdalen, her far off sister in England, had sent her. Her eyes wandered over the page, her mind taking no heed.

"For it is the most pain that the soul may have, to turn from God any time by sin."

There certainly was a sort of subdued stir in the house. A nameless fear was invading Fay's heart. The book shook in her hand. What could be happening? And if it was, as it must be, something quite apart from her and Michael, what did it matter, why be afraid?

"For sin is vile, and so greatly to be hated that it may be likened to no pain which is not sin. And to me was showed no harder hell than sin."

A low tap came at the window. Fay started violently, and the book dropped on the floor.

The tap was repeated. She went to the window, and saw Michael's face through the glass.

She opened the glass door, and he came in. His clothes were smeared and torn, and there was blood upon his hand.

"Something has happened," he said. "I don't know what it is, but the garden is surrounded, and there is someone watching at the door I came in at. I have tried all the other ways. I have tried to climb the wall, but there was glass at the top. I can't get out. And they are searching the gardens with lanterns."

Even as he spoke they saw lights moving among the ilexes.

"They can't know," she said faintly.

"It does not seem possible. They are probably looking for someone else, but I can't be found here at this hour without raising suspicion. Is there any way out through the house from here?"

"Only down the grand staircase."

"I must risk it. Show me the way."

They went together down the almost dark corridor. Fay's heart sickened at the thought that a belated servant might see them. But all was quiet. At the head of the staircase they both peered over the balustrade. At its foot in a narrow circle of light stood the duke and Lord John, and a man with a tri-coloured sash. Even as they looked, the three turned and began slowly to mount the staircase.

Fay and Michael were back in her boudoir in a moment.

"There is a way out here," he said, indicating the door into her bedroom.

"It leads into my bedroom, and then through to Andrea's rooms. There is no passage, and he has a dog in his room. It would bark."

"I must go back to the garden again," he said, and instantly moved to the window. Both saw two carabinieri standing with a lantern at the foot of the balcony steps.

"If you go down now," said Fay hoarsely, "my reputation goes with you."

He looked at her.

It was as if his whole life were focussed on one burning point; how to save her from suspicion. If he could have shrivelled into ashes at her feet he would have done it. She saw her frightful predicament, and almost hated him.

The animal panic of being trapped caught them both simultaneously. He overcame it instantly, while she shook helplessly as in a palsy.

He went swiftly back to the door leading to the staircase, and glanced through it.

"They are coming along the corridor," he said. "They will certainly come in here."

"Stand behind the screen," she gasped. "I will say no one has been here, and they will pass through into the other room. As soon as they have left the room go quickly out by the staircase."

He looked round him once, and then walked behind a tall screen of Italian leather which stood at the head of a divan.

Fay took up her book from the floor, but her numb fingers refused to hold it. She put it on the edge of the table near her, under the lamp, hid her shaking hands in the folds of her long white chiffon gown, and fixed her eyes upon the page.

The words of the dead saint swam before her eyes:

"Yea, He loveth us now as well while we are here, as He shall do while we are there afore His blessed face. But for failing of love on our part, therefore is all our travail."

There were subdued footsteps outside, a tap, the duke's voice.

"May I come in?"

"Come in," she said, but she heard no words.

She made a superhuman effort.

"Come in," she said again, and this time to her relief she heard the words distinctly.

The duke entered and held the door half closed.

"I feared to disturb you, my child," he said, "but it is unavoidable that I disturb you. It is a relief to find that you are not yet in bed and asleep. A very grave, a very sad event has happened which necessitates the presence of the police commissioner. Calm yourself, my Francesca, and my good friend the delegato will explain."

The official in the sash came in. Lord John stood in the doorway.

"Duchess," said the official, "I grieve to say that one of your guests of this evening, the Marchese di Maltagliala, has been assassinated in the garden, or possibly in the road, and his dead body was dragged into the garden afterwards. He was found just inside the east garden door, which by some mischance had been left unlocked."

A deathlike silence followed the delegato's words.

"A DEATHLIKE SILENCE FOLLOWED THE DELEGATO'S WORDS"

Fay turned her bloodless face towards him, and her eyes never left him. She felt Michael listening behind the screen.

"There was hardly an instant," continued the official, with a touch of professional pride, "before the alarm was given. By a fortunate chance I myself happened to be near. The garden was instantly surrounded. It is being searched now. It seems hardly possible that the assassin can have escaped. I entreat your pardon for intruding this painful subject on the sensitive mind of a lady, and breaking in on your privacy."

"I should think he has escaped by now," said Fay hoarsely.

"It is possible, but improbable," said the official. Then he turned to the duke. "This is, I understand from you, the only way into the house from the garden?"

"The only way that might possibly still be open," said the duke. "The doors on the ground floor are both locked, as we have seen."

"We greatly feared," continued the duke, turning to his wife, "that the murderer if he were still in the garden, finding it was being searched, might terrify you by rushing in here."

"No one has been in here," said Fay automatically.

"Have you been in this room ever since you left the saloon?" said her husband.

"Yes. I have been reading here ever since."

"Then it is impossible that anyone should have escaped into the house through this room," said the duke. "The duchess must have seen him. It is no longer necessary to search the house."

The delegato hesitated. He opened the glass door and spoke to the men with the lantern.

"They are convinced that it is not possible he is concealed in the garden," he said. "Perhaps if the duchess were deeply engaged in study he might have serpentinely glided through into the next room without her perceiving him. It is, I understand, the duchess's private apartment. It might be as well—where does the duchess's apartment lead into?"

"Into my rooms," said the duke, "and my dog is there. He would have given the alarm long ago if any stranger had passed through my room. If he is silent no one has been near him."

There was a pause.

Fay learned what suspense means.

The delegato twirled his moustaches.

He was evidently reluctant to give up the remotest chance, and yet reluctant to inconvenience the duke further.

"It is just possible," he said, "that the assassin may have taken refuge in here before the duchess came back to her apartment. My duties are grave, duchess. Have I your permission?"

Fay bowed.

The duke, still urbane, but evidently finding the situation unduly prolonged, led the way into Fay's bedroom.

This story would never have been written if Lord John had not remained standing in the doorway.

Did Michael know he was there? He had not so far spoken, or given any sign of his presence.

"Won't you go into my room, Lord John, and help in the capture," she said distinctly; and as she spoke she was aware that she was only just in time.

But Lord John would not go in, thanks. Lord John preferred to advance heavily in her direction, and to sit down by her on the couch, telling her not to look so terrified, that he would take care of her.

She stared wildly at him, livid and helpless.

A door was softly opened, and was instantly followed by the furious barking of a dog.

"Go and help them," said Fay to Lord John.

But Lord John did not move. Like all bores he was conscious of his own attractive personality. He only settled his eyeglass more firmly in his pale eye.

"You never spoke to me all evening," he said, with jocular emphasis. "What have I done to deserve such severity?"

In another moment the duke and the official returned, followed by Sancho, a large Bridlington terrier, still bristling and snarling at the official.

Fay called the dog to her, and held it forcibly, pretending to caress it.

"No one has gone by that way," said the delegato to the duke. "The dog proves that."

"Sancho proves it," said the duke gravely.

As he spoke he paused as if suddenly arrested. His eyes were fixed on a small Florentine mirror which hung over Fay's writing-table in the angle of the wall. The duke's face changed, as a man's face might change, who, conscious of no enemy, feels himself stabbed from behind in the dark. Then he came forward, and said with a firm voice:

"We will now go once more into the gardens. Lord John, you will accompany us."

Lord John got heavily to his feet.

"Take Sancho with you," said Fay, holding the dog with difficulty, who was obviously excited and suspicious, its mobile nostrils working, its eyes glued to the screen.

The duke opened the glass door, and Sancho, his attention turned, rushed out into the night, barking furiously.

"You need have no further fear," said the duke to Fay, looking into her eyes. "The assassin has certainly escaped."

"No doubt," said Fay.

"Unless he is hiding behind the screen all the time," said Lord John, with his customary facetiousness. "It is about the only place in the room he could hide in, except of course the wastepaper basket."

The delegato, who was not apparently a man who quickly seized the humorous side of a remark, at once stepped back from the window, and glanced at the wastepaper basket.

"I may as well look behind the screen," he said, and went towards it.

But before he could reach it the screen moved, and Michael came out from behind it.

The four people in the room gazed at him spell-bound, speechless; Lord John reeled against the wall. The duke alone retained his self-possession.

Michael advanced into the middle of the room, and for a moment his eyes met Fay's. Who shall say what he read in their terror-stricken depths?

Then he turned to the duke and said:

"I ask pardon of you, duke, and of the duchess, my cousin, for the inconvenience I have caused you. I confess to the murder of the Marchese di Maltagliala, and sought refuge in the garden. When the garden was surrounded I sought refuge here. I did not tell the duchess what I had done, but I implored her to let me take shelter here, and to promise not to give me up. She ought at once to have given me up. She yielded to the dictates of humanity and suffered me to hide in this room. Duchess, I thank you for your noble, your self-sacrificing but unavailing desire to shield a guilty man."

Michael went up to her, took her cold hand and kissed it. Then he turned again to the duke.

"I offer you my apologies for this intrusion," he said, and the two men bowed to each other.

"And now, signor," he said in Italian to the amazed official, "I am at your service."


                                                                                                                                                                                                                                                                                                           

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