—A. C. Swinburne. A witty bishop was once heard to remark that one of the difficulties of his social life lay in the fact that all women of forty were exactly alike, and it was impossible to recall their individual label, to which archdeacon, or canon, or form of spinster good works, they belonged. It would be dangerous, irreverent, to pry further into the recesses of the episcopal, or even of the suffragan, mind. There are snowy peaks where we lay helpers should fear to tread. But it may be stated, without laying ourselves open to a suspicion of wishing to undermine the Church, that when the woman of forty in her turn acidly announces, as she not infrequently does, that all young men seem to her exactly alike, she is in a parlous condition. Yet many women had said that Michael was exactly like every other young man. And to all except the very few who knew him well he certainly did appear to be—not an individual at all—but only an indistinguished unit of a vast army. His obvious good looks were like the good looks of others. He looked well bred, but to look that is as common in a certain class as it is rare in another. He They are essentially not of the stuff of which those dull persons, the thinkers, the politicians, the educationalists, are made. No profession knows them except the army. They have no opinions worth hearing. Only the women who are to marry them listen to them. They are sometimes squeezed into Parliament and are borne with there like children. About one in a hundred of them can earn his own living, and then it is as a land agent. They make adorable country squires, and picturesque, simple-minded, painstaking men of rank. They know by a sort of hereditary instinct how to deal with a labouring man, and a horse, and how to break in a dog. They give themselves no airs. We have millions of In the ranks of that vast army I descry Michael, and I wonder what it is in him that makes me able to descry him at all. He is like thousands of other men. In what is he unlike? I think it must be something in his expression. Of many ugly men it has been said with truth that one never observes their ugliness. Something in the character redeems it. With Michael's undeniable good looks it was the same. One did not notice them. They were not admired, except, possibly, for the first moment, or across a room. His rather insignificant grey eyes were the only thing one remembered him by, the only part of him which seemed to represent him. It was as if out of the narrow window of a fortress our friend for a moment looked out; that "friend of our infinite dreams" who in dreams, but, alas! never by day, comes softly to us across the white fields of youth; who, later on, in dreams but never by day, overtakes us with unbearable happiness in his hand in which to steep our exhaustion on the hillside; who when our hair is grey comes to us still in dreams but never by day, down the darkening valley, to tell us that our worn out romantic hopes are but the alphabet of his language. Such a look there was in Michael's eyes, and what it meant who shall say? Once and again at long intervals we pass in the thoroughfare of life young faces When Michael's eyes rested on anything his still glance seemed to pass through it, into its essence. An inscrutable Fate had willed that his eyes should not rest on any woman save Fay. Was her little hand to rend his illusions from him; or did he perhaps see her as she was, as her husband, her shrewd old grandmother, her sister even, had never seen her? Fay had revealed to Michael that of which many men who write glibly of passion die in ignorance, the wonder and awe of love, clothed in a woman's form, walking the earth. And in a reverent and grateful loyalty Michael would have laid down his life for her, as gladly as Dante would have done for "his lady." But Michael would have laid down his in silence, as one casts off a glove. He had never read the "New Life." It is improbable that it would have made any impression on him if he had read it. He never associated words or books or poetry with feelings. What he felt he held sacred. He was unconsciously by nature that which others of the artistic temperament consciously are in a lesser degree, and are doomed to try to express. Michael never wanted to express anything, had no While Fay was turning over her little bric-a-brac assortment of feelings, her toy renunciations, her imitation convictions, Michael was slowly making the great renunciation without even taking himself into his confidence. To go away. To see her no more. This was death by inches. As he sat hour after hour in his little room behind the Embassy it seemed to him as if, by some frightful exertion of his will, he were wading with incredible slowness out to sea, over endless flats in inch-deep water, which after an interminable journey would be deep enough to drown him at last. The nausea and horror of this slow death were upon him. Nevertheless, he meant to move towards it. And where Michael's eye was fixed there his foot followed. He was not of those who rend themselves by violent conflict. If he had ever been asked to give his reason for any action of his life, from the greatest to the smallest, he would have looked at the questioner in mild surprise, and would have said: "It was the only thing to do." To him vacillation and doubt were unknown. A certain wisdom could never be his, for he saw no alternatives. He never balanced two courses of action against each other. "There were no two ways about it," he said to his godfather, the Bishop of Lostford, respecting a decision where there were several alternatives, which he had endeavoured to set before Michael with impartiality. But Michael saw only one course, and took it. And now again he only saw one course, and he meant |