After Emerson, the name of no New England man of letters keeps greener and fresher than that of Thoreau. A severe censor of his countrymen, and with few elements of popularity, yet the quality of his thought, the sincerity of his life, and the nearness and perennial interest of his themes, as well as his rare powers of literary expression, win recruits from each generation of readers. He does not grow stale any more than Walden Pond itself grows stale. He is an obstinate fact there in New England life and literature, and at the end of his first centennial his fame is more alive than ever.

Thoreau was born in Concord, Massachusetts, July, 1817, and passed most of his life of forty-five years in his native town, minding his own business, as he would say, which consisted, for the most part, in spending at least the half of each day in the open air, winter and summer, rain and shine, and in keeping tab upon all the doings of wild nature about him and recording his observations in his Journal.

The two race strains that met in Thoreau, the Scottish and the French, come out strongly in his life and character. To the French he owes his vivacity, his lucidity, his sense of style, and his passion for the wild; for the French, with all their urbanity and love of art, turn to nature very easily. To the Scot he is indebted more for his character than for his intellect. From this source come his contrariness, his combativeness, his grudging acquiescence, and his pronounced mysticism. Thence also comes his genius for solitude. The man who in his cabin in the woods has a good deal of company "especially the mornings when nobody calls," is French only in the felicity of his expression. But there is much in Thoreau that is neither Gallic nor Scottish, but pure Thoreau.

The most point-blank and authoritative criticism within my knowledge that Thoreau has received at the hands of his countrymen came from the pen of Lowell about 1864, and was included in "My Study Windows." It has all the professional smartness and scholarly qualities which usually characterize Lowell's critical essays. Thoreau was vulnerable, both as an observer and as a literary craftsman, and Lowell lets him off pretty easily—too easily—on both counts.

The flaws he found in his nature lore were very inconsiderable: "Till he built his Walden shack he did not know that the hickory grew near Concord. Till he went to Maine he had never seen phosphorescent wood—a phenomenon early familiar to most country boys. At forty he spoke of the seeding [i. e., flowering][3] of the pine as a new discovery, though one should have thought that its gold-dust of blowing pollen might have earlier caught his eye."

As regards his literary craftsmanship, Lowell charges him only with having revived the age of concetti while he fancied himself going back to a preclassical nature, basing the charge on such a far-fetched comparison as that in which Thoreau declares his preference for "the dry wit of decayed cranberry-vines and the fresh Attic salt of the moss-beds" over the wit of the Greek sages as it comes to us in the "Banquet" of Xenophon—a kind of perversity of comparison all too frequent with Thoreau.

But though Lowell lets Thoreau off easily on these specific counts, he more than makes up by his sweeping criticism, on more general grounds, of his life and character. Here one feels that he overdoes the matter.

It is not true, in the sense which Lowell implies, that Thoreau's whole life was a search for the doctor. It was such a search in no other sense than that we are all in search of the doctor when we take a walk, or flee to the mountains or to the seashore, or seek to bring our minds and spirits in contact with "Nature's primal sanities." His search for the doctor turns out to be an escape from the conditions that make a doctor necessary. His wonderful activity, those long walks in all weathers, in all seasons, by night as well as by day, drenched by rain and chilled by frost, suggest a reckless kind of health. A doctor might wisely have cautioned him against such exposures. Nor was Thoreau a valetudinarian in his physical, moral, or intellectual fiber.

It is not true, as Lowell charges, that it was his indolence that stood in the way of his taking part in the industrial activities in which his friends and neighbors engaged, or that it was his lack of persistence and purpose that hindered him. It is not true that he was poor because he looked upon money as an unmixed evil. Thoreau's purpose was like adamant, and his industry in his own proper pursuits was tireless. He knew the true value of money, and he knew also that the best things in life are to be had without money and without price. When he had need of money, he earned it. He turned his hand to many things—land-surveying, lecturing, magazine-writing, growing white beans, doing odd jobs at carpentering, whitewashing, fence-building, plastering, and brick-laying.

Lowell's criticism amounts almost to a diatribe. He was naturally antagonistic to the Thoreau type of mind. Coming from a man near his own age, and a neighbor, Thoreau's criticism of life was an affront to the smug respectability and scholarly attainments of the class to which Lowell belonged. Thoreau went his own way, with an air of defiance and contempt which, no doubt, his contemporaries were more inclined to resent than we are at our distance. Shall this man in his hut on the shores of Walden Pond assume to lay down the law and the gospel to his elders and betters, and pass unrebuked, no matter on what intimate terms he claims to be with the gods of the woods and mountains? This seems to be Lowell's spirit.

"Thoreau's experiment," says Lowell, "actually presupposed all that complicated civilization which it theoretically abjured. He squatted on another man's land; he borrows an axe; his boards, his nails, his bricks, his mortar, his books, his lamp, his fish-hooks, his plough, his hoe, all turn state's evidence against him as an accomplice in the sin of that artificial civilization which rendered it possible that such a person as Henry D. Thoreau should exist at all." Very clever, but what of it? Of course Thoreau was a product of the civilization he decried. He was a product of his country and his times. He was born in Concord and early came under the influence of Emerson; he was a graduate of Harvard University and all his life availed himself, more or less, of the accumulated benefits of state and social organizations. When he took a train to Boston, or dropped a letter in, or received one through, the post office, or read a book, or visited a library, or looked in a newspaper, he was a sharer in these benefits. He made no claims to living independently of the rest of mankind. His only aim in his Walden experiment was to reduce life to its lowest terms, to drive it into a corner, as he said, and question and cross-question it, and see, if he could, what it really meant. And he probably came as near cornering it there in his hut on Walden Pond as any man ever did anywhere, certainly in a way more pleasing to contemplate than did the old hermits in the desert, or than did Diogenes in his tub, though Lowell says the tub of the old Greek had a sounder bottom.

Lowell seemed to discredit Thoreau by attacking his philosophy and pointing out the contradictions and inconsistencies of a man who abjures the civilization of which he is the product, overlooking the fact that man's theories and speculations may be very wide of the truth as we view it, and yet his life be noble and inspiring. Now Thoreau did not give us a philosophy, but a life. He gave us fresh and beautiful literature, he gave us our first and probably only nature classic, he gave us an example of plain living and high thinking that is always in season, and he took upon himself that kind of noble poverty that carries the suggestion of wealth of soul.

No matter how much Thoreau abjured our civilization, he certainly made good use of the weapons it gave him. No matter whose lands he squatted on, or whose saw he borrowed, or to whom or what he was indebted for the tools and utensils that made his life at Walden possible,—these things were the mere accidents of his environment,—he left a record of his life and thoughts there which is a precious heritage to his countrymen. The best in his books ranks with the best in the literature of his times. One could wish that he had shown more tolerance for the things other men live for, but this must not make us overlook the value of the things he himself lived for, though with some of his readers his intolerance doubtless has this effect. We cannot all take to the woods and swamps as Thoreau did. He had a genius for that kind of a life; the most of us must stick to our farms and desks and shops and professions.

Thoreau retired to Walden for study and contemplation, and because, as he said, he had a little private business with himself. He found that by working about six weeks in the year he could meet all his living expenses, and then have all his winter and most of his summers free and clear for study. He found that to maintain one's self on this earth is not a hardship, but a pastime, if one will live simply and wisely. He said, "It is not necessary that a man should earn his living by the sweat of his brow unless he sweats easier than I do." Was not his experiment worth while?

"Walden" is a wonderful and delightful piece of brag, but it is much more than that. It is literature; it is a Gospel of the Wild. It made a small Massachusetts pond famous, and the Mecca of many devout pilgrims.

Lowell says that Thoreau had no humor, but there are many pages in "Walden" that are steeped in a quiet but most delicious humor. His humor brings that inward smile which is the badge of art's felicity. His "Bean-Field" is full of it. I venture to say that never before had a hermit so much fun with a field of white beans.

Both by training and by temperament Lowell was disqualified from entering into Thoreau's character and aims. Lowell's passion for books and academic accomplishments was as strong as was Thoreau's passion for the wild and for the religion of Nature. When Lowell went to Nature for a theme, as in his "Good Word for Winter," his "My Garden Acquaintance," and the "Moosehead Journal," his use of it was mainly to unlock the treasures of his literary and scholarly attainments; he bedecked and be jeweled Nature with gems from all the literatures of the world. In the "Journal" we get more of the flavor of libraries than of the Maine woods and waters. No reader of Lowell can doubt that he was a nature-lover, nor can he doubt that he loved books and libraries more. In all his nature writings the poverty of the substance and the wealth of the treatment are striking. The final truth about Lowell's contributions is that his mind was essentially a prose mind, even when he writes poetry. Emerson said justly that his tone was always that of prose. What is his "Cathedral" but versified prose? Like so many cultivated men, he showed a talent for poetry, but not genius; as, on the other hand, one may say of Emerson that he showed more genius for poetry than talent, his inspiration surpassed his technical skill.

One is not surprised when he finds that John Brown was one of Thoreau's heroes; he was a sort of John Brown himself in another sphere; but one is surprised when one finds him so heartily approving of Walt Whitman and traveling to Brooklyn to look upon him and hear his voice. He recognized at once the tremendous significance of Whitman and the power of his poetry. He called him the greatest democrat which the world had yet seen. With all his asceticism and his idealism, he was not troubled at all with those things in Whitman that are a stumbling-block to so many persons. Evidently his long intercourse with Nature had prepared him for the primitive and elemental character of Whitman's work. No doubt also his familiarity with the great poems and sacred books of the East helped him. At any rate, in this respect, his endorsement of Whitman adds greatly to our conception of the mental and spiritual stature of Thoreau.

I can hold my criticism in the back of my head while I say with my forehead that all our other nature writers seem tame and insipid beside Thoreau. He was so much more than a mere student and observer of nature; and it is this surplusage which gives the extra weight and value to his nature writing. He was a critic of life, he was a literary force that made for plain living and high thinking. His nature lore was an aside; he gathered it as the meditative saunterer gathers a leaf, or a flower, or a shell on the beach, while he ponders on higher things. He had other business with the gods of the woods than taking an inventory of their wares. He was a dreamer, an idealist, a fervid ethical teacher, seeking inspiration in the fields and woods. The hound, the turtle-dove, and the bay horse which he said he had lost, and for whose trail he was constantly seeking, typified his interest in wild nature. The natural history in his books is quite secondary. The natural or supernatural history of his own thought absorbed him more than the exact facts about the wild life around him. He brings us a gospel more than he brings us a history. His science is only the handmaid of his ethics; his wood-lore is the foil of his moral and intellectual teachings. His observations are frequently at fault, or wholly wide of the mark; but the flower or specimen that he brings you always "comes laden with a thought." There is a tang and a pungency to nearly everything he published; the personal quality which flavors it is like the formic acid which the bee infuses into the nectar he gets from the flower, and which makes it honey.

I feel that some such statement about Thoreau should precede or go along with any criticism of him as a writer or as an observer. He was, first and last, a moral force speaking in the terms of the literary naturalist.

Thoreau's prayer in one of his poems—that he might greatly disappoint his friends—seems to have been answered. While his acquaintances went into trade or the professions, he cast about to see what he could do to earn his living and still be true to the call of his genius. In his Journal of 1851 he says: "While formerly I was looking about to see what I could do for a living, some sad experiences in conforming to the wishes of friends being fresh in my mind to tax my ingenuity, I thought often and seriously of picking huckleberries; that surely I could do, and its small profits might suffice, so little capital is required, so little distraction from my wonted thoughts." He could range the hills in summer and still look after the flocks of King Admetus. He also dreamed that he might gather the wild herbs and carry evergreens to such villagers as loved to be reminded of the woods. But he soon learned that trade cursed everything, and that "though you trade in messages from heaven, the whole curse of trade attaches to the business." The nearest his conscience would allow him to approach any kind of trade was to offer himself to his townsmen as a land-surveyor. This would take him to the places where he liked to be; he could still walk in the fields and woods and swamps and earn his living thereby. The chain and compass became him well, quite as well as his bean-field at Walden, and the little money they brought him was not entirely sordid.

In one of his happy moods in "Walden" he sets down in a half-facetious, half-mystical, but wholly delightful way, his various avocations, such as his self-appointment as inspector of snow-storms and rain-storms, and surveyor of forest paths and all across-lot routes, and herdsman of the wild stock of the town. He is never more enjoyable than in such passages. His account of going into business at Walden Pond is in the same happy vein. As his fellow citizens were slow in offering him any opening in which he could earn a living, he turned to the woods, where he was better known, and determined to go into business at once without waiting to acquire the usual capital. He expected to open trade with the Celestial Empire, and Walden was just the place to start the venture. He thought his strict business habits acquired through years of keeping tab on wild Nature's doings, his winter days spent outside the town, trying to hear what was in the wind, and his early spring mornings before his neighbors were astir to hear the croak of the first frog, all the training necessary to ensure success in business with the Celestial Empire. He admits, it is true, that he never assisted the sun materially in his rising, but doubted not that it was of the last importance only to be present at it. All such fooling as this is truly delightful. When he goes about his sylvan business with his tongue in his cheek and a quizzical, good-humored look upon his face in this way, and advertises the hound, the bay horse, and the turtle-dove he lost so long ago, he is the true Thoreau, and we take him to our hearts.

One also enjoys the way in which he magnifies his petty occupations. His brag over his bean-field is delightful. He makes one want to hoe beans with him:

All this is in his best style. Who, after reading it, does not long for a bean-field? In planting it, too what music attends him!

What lessons he got in botany in the hoeing!

Thoreau taxed himself to find words and images strong enough to express his aversion to the lives of the men who were "engaged" in the various industrial fields about him. Everywhere in shops and offices and fields it appeared to him that his neighbors were doing penance in a thousand remarkable ways:

Surely this disciple of the Gospel of the Wild must have disappointed his friends. It was this audacious gift which Thoreau had for making worldly possessions seem ignoble, that gives the tang to many pages of his writings.

Thoreau became a great traveler—in Concord, as he says—and made Walden Pond famous in our literature by spending two or more years in the woods upon its shore, and writing an account of his sojourn there which has become a nature classic. He was a poet-naturalist, as his friend Channing aptly called him, of untiring industry, and the country in a radius of seven or eight miles about Concord was threaded by him in all seasons as probably no other section of New England was ever threaded and scrutinized by any one man. Walking in the fields and woods, and recording what he saw and heard and thought in his Journal, became the business of his life. He went over the same ground endlessly, but always brought back new facts, or new impressions, because he was so sensitive to all the changing features of the day and the season in the landscape about him.

Once he extended his walking as far as Quebec, Canada, and once he took in the whole of Cape Cod; three or four times he made excursions to the Maine woods, the result of which gave the name to one of his most characteristic volumes; but as habitually as the coming of the day was he a walker about Concord, in all seasons, primarily for companionship with untamed Nature, and secondarily as a gleaner in the fields of natural history.

II

Thoreau was not a great philosopher, he was not a great naturalist, he was not a great poet, but as a nature-writer and an original character he is unique in our literature. His philosophy begins and ends with himself, or is entirely subjective, and is frequently fantastic, and nearly always illogical. His poetry is of the oracular kind, and is only now and then worth attention. There are crudities in his writings that make the conscientious literary craftsman shudder; there are mistakes of observation that make the serious naturalist wonder; and there is often an expression of contempt for his fellow countrymen, and the rest of mankind, and their aims in life, that makes the judicious grieve. But at his best there is a gay symbolism, a felicity of description, and a freshness of observation that delight all readers.

As a person he gave himself to others reluctantly; he was, in truth, a recluse. He stood for character more than for intellect, and for intuition more than for reason. He was often contrary and inconsistent. There was more crust than crumb in the loaf he gave us.

He went about the business of living with his head in the clouds, or with an absolute devotion to the ideal that is certainly rare in our literary history. He declared that he aimed to crow like chanticleer in the morning, if only to wake his neighbors up. Much of his writings have this chanticleerian character; they are a call to wake up, to rub the film from one's eyes, and see the real values of life. To this end he prods with paradoxes, he belabors with hyperboles, he teases with irony, he startles with the unexpected. He finds poverty more attractive than riches, solitude more welcome than society, a sphagnum swamp more to be desired than a flowered field.

Thoreau is suggestive of those antibodies which modern science makes so much of. He tends to fortify us against the dry rot of business, the seductions of social pleasures, the pride of wealth and position. He is antitoxic; he is a literary germicide of peculiar power. He is too religious to go to church, too patriotic to pay his taxes, too fervent a humanist to interest himself in the social welfare of his neighborhood.

Thoreau called himself a mystic, and a transcendentalist, and a natural philosopher to boot. But the least of these was the natural philosopher. He did not have the philosophic mind, nor the scientific mind; he did not inquire into the reason of things, nor the meaning of things; in fact, had no disinterested interest in the universe apart from himself. He was too personal and illogical for a philosopher. The scientific interpretation of things did not interest him at all. He was interested in things only so far as they related to Henry Thoreau. He interpreted Nature entirely in the light of his own idiosyncrasies.

Science goes its own way in spite of our likes and dislikes, but Thoreau's likes and dislikes determined everything for him. He was stoical, but not philosophical. His intellect had no free play outside his individual predilection. Truth as philosophers use the term, was not his quest but truth made in Concord.

Thoreau writes that when he was once asked by the Association for the Advancement of Science what branch of science he was especially interested in, he did not reply because he did not want to make himself the laughing-stock of the scientific community, which did not believe in a science which deals with the higher law—his higher law, which bears the stamp of Henry Thoreau.

He was an individualist of the most pronounced type. The penalty of this type of mind is narrowness; the advantage is the personal flavor imparted to the written page. Thoreau's books contain plenty of the pepper and salt of character and contrariness; even their savor of whim and prejudice adds to their literary tang. When his individualism becomes aggressive egotism, as often happens, it is irritating; but when it gives only that pungent and personal flavor which pervades much of "Walden," it is very welcome.

Thoreau's critics justly aver that he severely arraigns his countrymen because they are not all Thoreaus—that they do not desert their farms and desks and shops and take to the woods. What unmeasured contempt he pours out upon the lives and ambitions of most of them! Need a nature-lover, it is urged, necessarily be a man-hater? Is not man a part of nature?—averaging up quite as good as the total scheme of things out of which he came? Cannot his vices and shortcomings be matched by a thousand cruel and abortive things in the fields and the woods? The fountain cannot rise above its source, and man is as good as is the nature out of which he came, and of which he is a part. Most of Thoreau's harsh judgments upon his neighbors and countrymen are only his extreme individualism gone to seed.

An extremist he always was. Extreme views commended themselves to him because they were extreme. His aim in writing was usually "to make an extreme statement." He left the middle ground to the school committees and trustees. He had in him the stuff of which martyrs and heroes are made. In John Brown he recognized a kindred soul. But his literary bent led him to take his own revolutionary impulses out in words. The closest he came to imitation of the hero of Harper's Ferry and to defying the Government was on one occasion when he refused to pay his poll-tax and thus got himself locked in jail overnight. It all seems a petty and ignoble ending of his fierce denunciation of politics and government, but it no doubt helped to satisfy his imagination, which so tyrannized over him throughout life. He could endure offenses against his heart and conscience and reason easier than against his imagination.

He presents that curious phenomenon of a man who is an extreme product of culture and civilization, and yet who so hungers and thirsts for the wild and the primitive that he is unfair to the forces and conditions out of which he came, and by which he is at all times nourished and upheld. He made his excursions into the Maine wilderness and lived in his hut by Walden Pond as a scholar and philosopher, and not at all in the spirit of the lumbermen and sportsmen whose wildness he so much admired. It was from his vantage-ground of culture and of Concord transcendentalism that he appraised all these types. It was from a community built up and sustained by the common industries and the love of gain that he decried all these things. It was from a town and a civilization that owed much to the pine tree that he launched his diatribe against the lumbermen in the Maine woods: "The pine is no more lumber than man is; and to be made into boards and houses no more its true and highest use than the truest use of man is to be cut down and made into manure." Not a happy comparison, but no matter. If the pine tree had not been cut down and made into lumber, it is quite certain that Thoreau would never have got to the Maine woods to utter this protest, just as it is equally certain that had he not been a member of a thrifty and industrious community, and kept his hold upon it, he could not have made his Walden experiment of toying and coquetting with the wild and the non-industrial. His occupations as land-surveyor, lyceum lecturer, and magazine writer attest how much he owed to the civilization he was so fond of decrying. This is Thoreau's weakness—the half-truths in which he plumes himself, as if they were the whole law and gospel. His Walden bean-field was only a pretty piece of play-acting; he cared more for the ringing of his hoe upon the stones than for the beans. Had his living really depended upon the product, the sound would not have pleased him so, and the botany of the weeds he hoed under would not have so interested him.

Thoreau's half-truths titillate and amuse the mind. We do not nod over his page. We enjoy his art while experiencing an undercurrent of protest against his unfairness. We could have wished him to have shown himself in his writings as somewhat sweeter and more tolerant toward the rest of the world, broader in outlook, and more just and charitable in disposition—more like his great prototype, Emerson, who could do full justice to the wild and the spontaneous without doing an injustice to their opposites; who could see the beauty of the pine tree, yet sing the praises of the pine-tree State House; who could arraign the Government, yet pay his taxes; who could cherish Thoreau, and yet see all his limitations. Emerson affirmed more than he denied, and his charity was as broad as his judgment. He set Thoreau a good example in bragging, but he bragged to a better purpose. He exalted the present moment, the universal fact, the omnipotence of the moral law, the sacredness of private judgment; he pitted the man of to-day against all the saints and heroes of history; and, although he decried traveling, he was yet considerable of a traveler, and never tried to persuade himself that Concord was an epitome of the world. Emerson comes much nearer being a national figure than does Thoreau, and yet Thoreau, by reason of his very narrowness and perversity, and by his intense local character, united to the penetrating character of his genius, has made an enduring impression upon our literature.

III

Thoreau's life was a search for the wild. He was the great disciple of the Gospel of Walking. He elevated walking into a religious exercise. One of his most significant and entertaining chapters is on "Walking." No other writer that I recall has set forth the Gospel of Walking so eloquently and so stimulatingly. Thoreau's religion and his philosophy are all in this chapter. It is his most mature, his most complete and comprehensive statement. He says:

Thoreau was the first man in this country, or in any other, so far as I know, who made a religion of walking—the first to announce a Gospel of the Wild. That he went forth into wild nature in much the same spirit that the old hermits went into the desert, and was as devout in his way as they were in theirs, is revealed by numerous passages in his Journal. He would make his life a sacrament; he discarded the old religious terms and ideas, and struck out new ones of his own:

In the essay on "Walking," Thoreau says that the art of walking "comes only by the grace of God. It requires a direct dispensation from Heaven to become a walker. You must be born into the family of the Walkers." "I think that I cannot preserve my health and spirits, unless I spend four hours a day at least,—it is commonly more than that,—sauntering through the woods and over the hills and fields, absolutely free from all worldly engagements."

Thoreau made good his boast. He was a new kind of walker, a Holy-Lander. His walks yielded him mainly spiritual and ideal results. The fourteen published volumes of his Journal are mainly a record of his mental reactions to the passing seasons and to the landscape he sauntered through. There is a modicum of natural history, but mostly he reaps the intangible harvest of the poet, the saunterer, the mystic, the super-sportsman.

With his usual love of paradox Thoreau says that the fastest way to travel is to go afoot, because, one may add, the walker is constantly arriving at his destination; all places are alike to him, his harvest grows all along the road and beside every path, in every field and wood and on every hilltop.

All of Thoreau's books belong to the literature of Walking, and are as true in spirit in Paris or London as in Concord. His natural history, for which he had a passion, is the natural history of the walker, not always accurate, as I have pointed out, but always graphic and interesting.

Wordsworth was about the first poet-walker—a man of letters who made a business of walking, and whose study was really the open air. But he was not a Holy-Lander in the Thoreau sense. He did not walk to get away from people as Thoreau did, but to see a greater variety of them, and to gather suggestions for his poems. Not so much the wild as the human and the morally significant were the objects of Wordsworth's quest. He haunted waterfalls and fells and rocky heights and lonely tarns, but he was not averse to footpaths and highways, and the rustic, half-domesticated nature of rural England. He was a nature-lover; he even calls himself a nature-worshiper; and he appears to have walked as many, or more, hours each day, in all seasons, as did Thoreau; but he was hunting for no lost paradise of the wild; nor waging a war against the arts and customs of civilization. Man and life were at the bottom of his interest in Nature.

Wordsworth never knew the wild as we know it in this country—the pitilessly savage and rebellious; and, on the other hand, he never knew the wonderfully delicate and furtive and elusive nature that we know; but he knew the sylvan, the pastoral, the rustic-human, as we cannot know them. British birds have nothing plaintive in their songs; and British woods and fells but little that is disorderly and cruel in their expression, or violent in their contrasts.

Wordsworth gathered his finest poetic harvest from common nature and common humanity about him—the wayside birds and flowers and waterfalls, and the wayside people. Though he called himself a worshiper of Nature, it was Nature in her half-human moods that he adored—Nature that knows no extremes, and that has long been under the influence of man—a soft, humid, fertile, docile Nature, that suggests a domesticity as old and as permanent as that of cattle and sheep. His poetry reflects these features, reflects the high moral and historic significance of the European landscape, while the poetry of Emerson, and of Thoreau, is born of the wildness and elusiveness of our more capricious and unkempt Nature.

The walker has no axe to grind; he sniffs the air for new adventure; he loiters in old scenes, he gleans in old fields. He only seeks intimacy with Nature to surprise her preoccupied with her own affairs. He seeks her in the woods, the swamps, on the hills, along the streams, by night and by day, in season and out of season. He skims the fields and hillsides as the swallow skims the air, and what he gets is intangible to most persons. He sees much with his eyes, but he sees more with his heart and imagination. He bathes in Nature as in a sea. He is alert for the beauty that waves in the trees, that ripples in the grass and grain, that flows in the streams, that drifts in the clouds, that sparkles in the dew and rain. The hammer of the geologist, the notebook of the naturalist, the box of the herbalist, the net of the entomologist, are not for him. He drives no sharp bargains with Nature, he reads no sermons in stones, no books in running brooks, but he does see good in everything. The book he reads he reads through all his senses—through his eyes, his ears, his nose, and also through his feet and hands—and its pages are open everywhere; the rocks speak of more than geology to him, the birds of more than ornithology, the flowers of more than botany, the stars of more than astronomy, the wild creatures of more than zoÖlogy.

The average walker is out for exercise and the exhilarations of the road, he reaps health and strength; but Thoreau evidently impaired his health by his needless exposure and inadequate food. He was a Holy-Lander who falls and dies in the Holy Land. He ridiculed walking for exercise—taking a walk as the sick take medicine; the walk itself was to be the "enterprise and adventure of the day." And "you must walk like a camel, which is said to be the only beast which ruminates while walking."

IV

Thoreau's friends and neighbors seem to have persuaded themselves that his natural-history lore was infallible, and, moreover, that he possessed some mysterious power over the wild creatures about him that other men did not possess. I recall how Emerson fairly bristled up when on one occasion while in conversation with him I told him I thought Thoreau in his trips to the Maine woods had confounded the hermit thrush with the wood thrush, as the latter was rarely or never found in Maine. As for Thoreau's influence over the wild creatures, Emerson voiced this superstition when he said, "Snakes coiled round his leg, the fishes swam into his hand, and he took them from the water; he pulled the woodchuck out of its hole by the tail, and took the foxes under his protection from the hunters." Of course Thoreau could do nothing with the wild creatures that you or I could not do under the same conditions. A snake will coil around any man's leg if he steps on its tail, but it will not be an embrace of affection; and a fish will swim into his hands under the same conditions that it will into Thoreau's. As for pulling a woodchuck out of its hole by the tail, the only trouble is to get hold of the tail. The 'chuck is pretty careful to keep his tail behind him, but many a farm boy, aided by his dog, has pulled one out of the stone wall by the tail, much against the 'chuck's will. If Thoreau's friends were to claim that he could carry Mephitis mephitica by the tail with impunity, I can say I have done the same thing, and had my photograph taken in the act. The skunk is no respecter of persons, and here again the trouble is to get hold of the tail at the right moment—and, I may add, to let go of it at the right moment.

Thoreau's influence over the wild creatures is what every man possesses who is alike gentle in his approach to them. Bradford Torrey succeeded, after a few experiments, in so dispelling the fears of an incubating red-eyed vireo that she would take insect food from his hand, and I have known several persons to become so familiar with the chickadees that they would feed from the hand, and in some instances even take food from between the lips. If you have a chipmunk for a neighbor, you may soon become on such intimate terms with him that he will search your pockets for nuts and sit on your knee and shoulder and eat them. But why keep alive and circulate as truth these animal legends of the prescientific ages?

Thoreau was not a born naturalist, but a born supernaturalist. He was too intent upon the bird behind the bird always to take careful note of the bird itself. He notes the birds, but not too closely. He was at times a little too careless in this respect to be a safe guide to the bird-student. Even the saunterer to the Holy Land ought to know the indigo bunting from the black-throated blue warbler, with its languid, midsummery, "Zee, zee, zee-eu."

Many of his most interesting natural-history notes Thoreau got from his farmer friends—Melvin, Minott, Miles, Hubbard, Wheeler. Their eyes were more single to the life around them than were his; none of them had lost a hound, a turtle-dove, and a bay horse, whose trail they were daily in quest of.

A haunter of swamps and river marshes all his life, he had never yet observed how the night bittern made its booming or pumping sound, but accepted the explanation of one of his neighbors that it was produced by the bird thrusting its bill in water, sucking up as much as it could hold, and then pumping it out again with four or five heaves of the neck, throwing the water two or three feet—in fact, turning itself into a veritable pump! I have stood within a few yards of the bird when it made the sound, and seen the convulsive movement of the neck and body, and the lifting of the head as the sound escaped. The bird seems literally to vomit up its notes, but it does not likewise emit water.

Every farmer and fox-hunter would smile if he read Thoreau's statement, made in his paper on the natural history of Massachusetts, that "when the snow lies light and but five or six inches deep, you may give chase and come up with the fox on foot." Evidently Thoreau had never tried it. With a foot and a half, or two feet of snow on the ground, and traveling on snowshoes, you might force a fox to take to his hole, but you would not come up to him. In four or five feet of soft snow hunters come up with the deer, and ride on their backs for amusement, but I doubt if a red fox ever ventures out in such a depth of snow. In one of his May walks in 1860, Thoreau sees the trail of the musquash in the mud along the river-bottoms, and he is taken by the fancy that, as our roads and city streets often follow the early tracks of the cow, so "rivers in another period follow the trail of the musquash." As if the river was not there before the musquash was!

Again, his mysterious "night warbler," to which he so often alludes, was one of our common everyday birds which most school-children know, namely, the oven-bird, or wood-accentor, yet to Thoreau it was a sort of phantom bird upon which his imagination loved to dwell. Emerson told him he must beware of finding and booking it, lest life should have nothing more to show him. But how such a haunter of woods escaped identifying the bird is a puzzle.

In his walks in the Maine woods Thoreau failed to discriminate the song of the hermit thrush from that of the wood thrush. The melody, no doubt, went to his heart, and that was enough. Though he sauntered through orchards and rested under apple trees, he never observed that the rings of small holes in the bark were usually made by the yellow-bellied woodpecker, instead of by Downy, and that the bird was not searching for grubs or insects, but was feeding upon the milky cambium layer of the inner bark.

But Thoreau's little slips of the kind I have called attention to count as nothing against the rich harvest of natural-history notes with which his work abounds. He could describe bird-songs and animal behavior and give these things their right emphasis in the life of the landscape as no other New England writer has done. His account of the battle of the ants in Walden atones an hundred-fold for the lapses I have mentioned.

One wonders just what Thoreau means when he says in "Walden," in telling of his visit to "Baker Farm": "Once it chanced that I stood in the very abutment of a rainbow's arch, which filled the lower stratum of the atmosphere, tinging the grass and leaves around, and dazzling me as if I looked through colored crystal." Is it possible, then, to reach the end of the rainbow? Why did he not dig for the pot of gold that is buried there? How he could be aware that he was standing at the foot of one leg of the glowing arch is to me a mystery. When I see a rainbow, it is always immediately in front of me. I am standing exactly between the highest point of the arch and the sun, and the laws of optics ordain that it can be seen in no other way. You can never see a rainbow at an angle. It always faces you squarely. Hence no two persons see exactly the same bow, because no two persons can occupy exactly the same place at the same time. The bow you see is directed to you alone. Move to the right or the left, and it moves as fast as you do. You cannot flank it or reach its end. It is about the most subtle and significant phenomenon that everyday Nature presents to us. Unapproachable as a spirit, like a visitant from another world, yet the creation of the familiar sun and rain!

How Thoreau found himself standing in the bow's abutment will always remain a puzzle to me. Observers standing on high mountains with the sun low in the west have seen the bow as a complete circle. This one can understand.

We can point many a moral and adorn many a tale with Thoreau's shortcomings and failures in his treatment of nature themes. Channing quotes him as saying that sometimes "you must see with the inside of your eye." I think that Thoreau saw, or tried to see, with the inside of his eye too often. He does not always see correctly, and many times he sees more of Thoreau than he does of the nature he assumes to be looking at. Truly it is "needless to travel for wonders," but the wonderful is not one with the fantastic or the far-fetched. Forcible expression, as I have said, was his ruling passion as a writer. Only when he is free from its thrall, which in his best moments he surely is, does he write well. When he can forget Thoreau and remember only nature, we get those delightful descriptions and reflections in "Walden." When he goes to the Maine woods or to Cape Cod or to Canada, he leaves all his fantastic rhetoric behind him and gives us sane and refreshing books. In his walks with Channing one suspects he often let himself go to all lengths, did his best to turn the world inside out, as he did at times in his Journals, for his own edification and that of his wondering disciple.

To see analogies and resemblances everywhere is the gift of genius, but to see a resemblance to volcanoes in the hubs or gnarls on birch or beech trees, or cathedral windows in the dead leaves of the andromeda in January, or a suggestion of Teneriffe in a stone-heap, does not indicate genius. To see the great in the little, or the whole of Nature in any of her parts, is the poet's gift, but to ask, after seeing the andropogon grass, "Are there no purple reflections from the culms of thought in my mind?"—a remark which Channing quotes as very significant—is not to be poetical. Thoreau is full of these impossible and fantastic comparisons, thinking only of striking expressions and not at all about the truth. "The flowing of the sap under the dull rind of the trees" is suggestive, but what suggestion is there in the remark, "May I ever be in as good spirits as a willow"? The mood of the scrub oak was more habitual with him.

Thoreau was in no sense an interpreter of nature; he did not draw out its meanings or seize upon and develop its more significant phases. Seldom does he relate what he sees or thinks to the universal human heart and mind. He has rare power of description, but is very limited in his power to translate the facts and movements of nature into human emotion. His passage on the northern lights, which Channing quotes from the Journals, is a good sample of his failure in this respect:

Now the fire in the north increases wonderfully, not shooting up so much as creeping along, like a fire on the mountains of the north seen afar in the night. The Hyperborean gods are burning brush, and it spread, and all the hoes in heaven couldn't stop it. It spread from west to east over the crescent hill. Like a vast fiery worm it lay across the northern sky, broken into many pieces; and each piece, with rainbow colors skirting it, strove to advance itself toward the east, worm-like, on its own annular muscles. It has spread into their choicest wood-lots. Now it shoots up like a single solitary watch-fire or burning bush, or where it ran up a pine tree like powder, and still it continues to gleam here and there like a fat stump in the burning, and is reflected in the water. And now I see the gods by great exertions have got it under, and the stars have come out without fear, in peace.