it not a delight in itself to look at the full moon—

as Whitman says?

says Wordsworth, and equally with delight do we regard the spectacle. The busy farmer in the fields rarely sees the beauty of Nature. He has not the necessary detachment. Put him behind his team and plough in the spring and he makes a pleasing picture to look upon, but the mind must be open to take in the beauty of Nature.

Of course Emerson is only emphasizing the fact of the beauty of utility, of the things we do, of the buildings we put up for use, and not merely for show. A hut, a log cabin in a clearing, a farmer's unpainted barn, all have elements of beauty. A man leading a horse to water, or foddering his cattle from a stack in a snow-covered field, or following his plough, is always pleasing. Every day I pass along a road by a wealthy man's estate and see a very elaborate stone wall of cobblestones and cement which marks the boundary of his estate on the highway. The wall does not bend and undulate with the inequalities of the ground; its top is as level as a foundation wall; it is an offense to every passer-by; it has none of the simplicity that should mark a division wall; it is studied and elaborate, and courts your admiration. How much more pleasing a rough wall of field stone, or "wild stone," as our old wall-layer put it, with which the farmer separates his fields! No thought of looks, but only of utility. The showy, the highly ornate castle which the multimillionaire builds on his estate—would an artist ever want to put one of them in his picture? Beauty is likely to flee when we make a dead set at her.

Emerson's exaggerations are sometimes so excessive as to be simply amusing, as, when speaking of the feats of the imagination, he says, "My boots and chair and candlestick are fairies in disguise, meteors and constellations." The baseball, revolving as it flies, may suggest the orbs, or your girdle suggest the equator, or the wiping of your face on a towel suggest the absorption of the rain by the soil; but does the blacking of your shoes suggest anything celestial? Hinges and levers and fulcrums are significant, but one's old hat, or old boots, have not much poetic significance. An elm tree may suggest a cathedral, or a shell suggest the rainbow, or the sparkling frost suggest diamonds, or the thread that holds the beads symbolize the law that strings the spheres, but a button is a button, a shoestring a shoestring, and a spade a spade, and nothing more.

I cherish and revere the name of Emerson so profoundly, and owe him such a debt, that it seems, after all, a pity to point out the flaws in his precious amber.

Let us keep alive the Emersonian memories: that such a man has lived and wrought among us. Let us teach our children his brave and heroic words, and plant our lives upon as secure an ethical foundation as he did. Let us make pilgrimages to Concord, and stand with uncovered heads beneath the pine tree where his ashes rest. He left us an estate in the fair land of the Ideal. He bequeathed us treasures that thieves cannot break through and steal, nor time corrupt, nor rust nor moth destroy.[2]

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