  I. THE BEGINNINGS OF OPERA TO GLUCK. III. ROSSINI AND HIS SCHOOL UP TO WAGNER. V. POST WAGNERIAN SCHOOL INCLUDING MODERN RUSSIAN, FRENCH, ITALIAN, GERMAN, AND AMERICAN COMPOSERS. BIBLIOGRAPHY. Books. 1 Apthorpe, W. F. Opera, Past and Present. Transcriber’s Note: This e-text is reproduced from the original typescript submitted by the author for her bachelor’s degree. Whilst undoubtedly she would have liked it to be error-free, it wasn’t, and for authenticity the typos etc. have been left in situ—save for the incorporation of her handwritten corrections, and some attention to missing/extraneous punctuation/spacing. THE DEVELOPMENT OF CERTAIN TENDENCIES IN MODERN OPERA BY THESIS SCHOOL OF MUSIC UNIVERSITY OF ILLINOIS June 1, 1907 THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY KATHRYN ELEANOR BROWNE ENTITLED THE DEVELOPMENT OF CERTAIN TENDENCIES IN MODERN OPERA. IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF BACHELOR OF MUSIC George F. Schwartz Instructor in Charge APPROVED: J Lawrence Erb HEAD OF DEPARTMENT OF Music THE DEVELOPMENT OF CERTAIN TENDENCIES IN MODERN OPERA. |
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