◄ Jennifer Egan ►

Quotes

Americans are less selfish than some of our politicians believe and will respond with reason and resilience to passionate clarity.

'Goon Squad' took about three years to write and that's the short end. My second novel, 'Look at Me,' took six years.

I did go on safari in Kenya when I was 17, with my mother, stepfather and little brother, and I kept a careful journal of the experience that was very helpful in terms of my sensory impressions of Africa. I have traveled quite a bit at distinct times in my life, though now that I have kids I've settled down.

I don't really know where my ideas come from. I start with a time and a place. That's what I need to get started, and an intellectual question.

I felt more doubtful than usual with 'Goon Squad,' because I knew that the book's genre wasn't easily named - Novel? Stories? Novel-in-stories? - and I worried that its lack of a clear category would count against it. My hopes for it were pretty modest.

I had this idea that I could hire myself out as a person to go on archeological digs and dig, without any training! I actually wrote to a number of archeology departments and offered up my services.

I haven't had trouble with writer's block. I think it's because my process involves writing very badly. My first drafts are filled with lurching, cliched writing, outright flailing around. Writing that doesn't have a good voice or any voice. But then there will be good moments.

I listened to classic rock and roll, and punk rock. 'Goon Squad' provides a pretty accurate playlist of my teenage years, though it leaves out 'The Who,' which was my absolute favorite band.

I think, for one thing, all of us remember those teenage years and those songs that we fell in love with and the music scene that we were part of. So, in a certain way, music cuts through time like almost nothing else. You know, it makes us feel like we're back in an earlier moment.

I think the one thing that's changed over time is that I've come to realise, as a fiction writer, the fact that I don't think it will work out, doesn't mean that it actually won't.

I was obsessed with The Who. I would have accepted a marriage proposal from Roger Daltrey on the spot. I went to all of their shows in San Francisco and some in L.A. That was as close as I got to being a groupie.

I write totally spontaneously. I actually write fiction by hand - that always seems to startle people. I think the reason I do that is to bypass the thinking part of me and get to the more unconscious part, which is where all the good ideas seem to be.

If you've been around as long as I have, watching the literary scene, then you know that who's in and who's out changes by the year. It's really a very fluid situation that requires that the person who is having the good luck now isn't having it a year or two from now.

I'm just interested in serialization in fiction. I'm fascinated by it. I love the 19th-century novels. I'm interested in ways to bring that back to fiction.

In a way, I'm always trying to do something I'm not qualified to do. So I feel that lack of qualification. And I'm scared. And I have a tendency to think things may not/probably won't work out. That's my basic mindset.

In the case of 'Goon Squad,' which sold slowly for a long time despite the good reviews, those 'best of 2010' lists were pivotal, and made the book really sell.

I've never been that confident. I don't tend to think, swaggeringly, 'I'm going to ace this.' It's just not who I am.

'Look at Me' started with Rockford, Illinois and New York and the question of how much image culture was changing our inner lives. That's an abstract idea; you don't think that's going to be a rocking work of fiction, but it seemed to fuse in a way that was interesting.

One area I have a huge amount of trouble in is writing about myself. I get a heavy, almost depressed feeling.

The book that is the closest genetically to 'Goon Squad' is 'Look at Me.' It has the futuristic element - although, freakishly, almost every aspect I invented has come to pass in some way, including the terrorist who fantasies about blowing up the World Trade Centre. That was extremely uncomfortable. The book came out on the week of 9/11.

The bottom line is that I like my first drafts to be blind, unconscious, messy efforts; that's what gets me the best material.

The music industry is an interesting lens through which to look at change, because it has had such a difficult time adjusting to the digital age.

There's something very strange about associating me with that prize. I had hoped for it in a more directed way as a journalist. Somehow as a journalist you know there are Pulitzers out there and you can work hard and get one. To win it for Fiction seems unbelievable.

What lists and awards don't measure - and I feel this strongly - is the lasting value of any work of art. They're a snapshot of a moment, and one should always consider their judgments in that context.

When I first had a child, I really had a hard time trying to figure out how it was all going to fit together. Because I felt like, when I was with him, I wanted to be writing and I should be writing. And when I was writing, I felt like I should be with him, and wanted to be with him. So I was unhappy a lot.

When I was little, I wanted to be a doctor. I was really interested in gore. My grandfather was an orthopedic surgeon and he had a lot of books in his library that I would just pore over. A lot of them had really horrible pictures of deformities.

                                                                                                                                                                                                                                       

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