◄ Dan Auerbach ►

Quotes

A Grammy is really nice, but having lots of fans is really nice, too. I think just getting a record out is a success on its own.

Bands from Akron have a sense of humor and don't tend to take themselves too seriously.

Being 16 years old and getting an electric guitar is never going to get old. There's always going to be kids making music. There's always going to be kids in bands.

Bombino's a super modest guy, very nice. His whole crew is a bunch of characters and he's definitely the Grand Poobah. I don't think the other guys are that much younger than him, but he definitely feels like the wise man; you just sort of get that sense when you're around him. He doesn't say that much but he's humble and well-respected.

Coming from a smaller place always made things feel more personal, which is really what it's all about.

Devo and The Cramps didn't get big until they went to New York City. Chrissie Hynde didn't get big until she moved to London. When I was growing up, there wasn't even a place to play - just one little bar. If we wanted to have a gig, then we had to drive 45 minutes up to Cleveland.

Dude, everybody wants to be Andre 3000. He's got abs for days. How does that guy get so ripped?

Everybody always wants to rebel against their parents' music, but nobody listened to music louder than my dad.

Guitar solos bore the hell out of me. Only a few guitarists interest me, and it's not about the solos they play, it's about the grooves they create.

I never listen to Led Zeppelin. But, I mean, I don't think Robert Plant or Jimmy Page listen to Led Zeppelin, either. We all probably obsessed over the same old blues records growing up.

I started playing bluegrass with my family, so there were the G, C and D chords. I was playing a Martin acoustic because that's what Carter Stanley of the Stanley Brothers played. Then I got into the really raw blues of Hound Dog Taylor and started on electric guitar.

I tend to name albums after one of the songs.

I used to be really nervous when I sang. Like, when I was a kid starting young, 18 and 19, and my dad really had to sort of push me to start singing in front of people. Ever since I got out there and really started doing it, the only thing I've ever tried to do is just sort of is be myself, you know, never put on a voice. Sing naturally.

I'm certainly not your typical front-man material. Some people love being on stage and really open up, and I'm sort of the opposite of that. I don't crave the spotlight. I'm still not comfortable even talking on stage.

I'm definitely a guitar player, but it's the last thing I listen to in a song, after the singer and the drums.

I'm not too picky about guitars. I love to collect them, mostly oddballs, but I'm not married to any brand or model. Whatever guitar has the best character for the song is the one I want to use, because if you've got a style, you're going to sound like yourself no matter what guitar you play.

I'm really not worried about what fans think.

My mom bought me a white Strat, but that wasn't what I wanted, so I went to a guitar store in Cleveland and - the guy told me it was a really good deal - made an even swap for a blue Teisco Del Ray. I loved that guitar and used it a bunch.

My mum's family would all get together, with guitars, harmonica, mandolins and upright bass and play old blues and folk songs. That was normal to me.

The Black Keys is just a band that wants to get on stage and rock it.

The modern video games kind of - they're too three dimensional.

Well, when The Black Keys make a record, I never really feel limited. To me, it seems the possibilities are always endless. The big difference has been playing live and being able to recreate every little part of the record.

When I recorded my solo album, 'Keep It Hid,' in 2008, I'd gotten more interested in songwriting, inspired by reading Charles Bukowski and connecting with unfancy, interesting language.

You get to bring your own sound system when you play an arena, all the lights and visual stuff, which I think is really cool. There's something about those old arenas, where it feels larger than life.

You know, there's always someone in mind when I'm writing. You know, it's all comes from somewhere inside.

You know who we hear about all the rappers from? The bus drivers.

                                                                                                                                                                                                                                       

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