A GHETTO GROTESQUE. CHAPTER I.FLUTTER-DUCK IN FEATHER. "So sitting, served by man and maid, She felt her heart grow prouder." —Tennyson: The Goose. Although everybody calls her "Flutter-Duck" now, there was a time when the inventor had exclusive rights in the nickname, and used it only in the privacy of his own apartment. That time did not last long, for the inventor was Flutter-Duck's husband, and his apartment was a public work-room among other things. He gave her the name in Yiddish—Flatterkatchki—a descriptive music in syllables, full of the flutter and quack of the farm-yard. It expressed his dissatisfaction with her airy, flighty propensities, her love of gaiety and gadding. She was a butterfly, irresponsible, off to balls and parties almost once a month, and he, a self-conscious ant, resented her. From the point of view of piety she was also sadly to seek, rejecting wigs in favour of the fringe. In the weak moments of early love her husband had acquiesced in the profanity, but later all the gain to her soft prettiness did not compensate for the twinges of his conscience. Flutter-Duck's husband was a furrier—a master-furrier, for did he not run a workshop? This workshop was also his living-room, and this living-room was also his bedroom. It was a large front room on the first floor, over a chandler's shop in an old-fashioned house in Montague Street, Whitechapel. Its shape was peculiar—an oblong stretching streetwards, interrupted in one of the longer walls by a square projection that might have been accounted a room in itself (by the landlord), and was, indeed, used as a kitchen. That the fireplace had been built in this corner was thus an advantage. Entering through the door on the grand staircase, you found yourself nearest the window with the bulk of the room on your left, and the square recess at the other end of your wall, so that you could not see it at first. At the window, which, of course, gave on Montague Street, was the bare wooden table at which the "hands"—man, woman, and boy—sat and stitched. The finished work—a confusion of fur caps, boas, tippets, and trimmings—hung over the dirty wainscot between the door and the recess. The middle of the room was quite bare, to give the workers freedom of movement, but the wall facing you was a background for luxurious furniture. First—nearest the window—came a sofa, on which even in the first years of marriage Flutter-Duck's husband sometimes lay prone, too unwell to do more than superintend the operations, for he was of a consumptive habit. Over the sofa hung a large gilt-framed mirror, the gilt protected by muslin drapings, in the corners of which flyblown paper flowers grew. Next to the sofa was a high chest of drawers crowned with dusty decanters, and after an interval filled up with the Sabbath clothes hanging on pegs and covered by a white sheet; the bed used up the rest of the space, its head and one side touching the walls, and its foot stretching towards the kitchen fire. On By the foot of the bed, in the narrow wall opposite the window, was a door leading to a tiny inner room. For years this door remained locked; another family lived on the other side, and the furrier had neither the means nor the need for an extra bedroom. It was a room made for escapades and romances, connected with the back-yard by a steep ladder, up and down which the family might be seen going, and from which you could tumble into a broken-headed water-butt, or, by a dexterous back-fall, arrive in a dustbin. Jacob's ladder the neighbours called it, though the family name was Isaacs. And over everything was the trail of the fur. The air was full of a fine fluff—a million little hairs floated about the room covering everything, insinuating themselves everywhere, getting down the backs of the workers and tickling them, getting into their lungs and making them cough, getting into their food and drink and sickening them till they learnt callousness. They awoke with "furred" tongues, and they went to bed with them. The irritating filaments gathered on their clothes, on their faces, on the crockery, on the sofa, on the mirrors (big and little), on the bed, on the decanters, on the sheet that hid the Sabbath clothes—an impalpable down overlaying everything, penetrating even to the drinking-water in the board-covered zinc bucket, and Into such an atmosphere Flutter-Duck one day introduced a daughter, the "hands" getting an afternoon off, in honour not of the occasion but of decency. After that the crying of an infant became a feature of existence in the furrier's workshop; gradually it got rarer, as little Rachel grew up and reconciled herself to life. But the fountain of tears never quite ran dry. Rachel was a passionate child, and did not enjoy the best of parents. Every morning Flutter-Duck, who felt very grateful to Heaven for this crowning boon,—at one time bitterly dubious,—made the child say her prayers. Flutter-Duck said them word by word, and Rachel repeated them. They were in Hebrew, and neither Flutter-Duck nor Rachel had the least idea what they meant. For years these prayers preluded stormy scenes. "MÉdiÂni!" Flutter-Duck would begin. "MÉdiÂni!" little Rachel would lisp in her piping voice. It was two words, but Flutter-Duck imagined it was one. She gave the syllables in recitative, the Âni just two notes higher than the mÉdi, and she accented them quite wrongly. When Rachel first grew articulate, Flutter-Duck was so overjoyed to hear the little girl echoing her, that she would often turn to her husband with an exclamation of "Thou hearest, Lewis, love?" And he, impatiently: "Nee, nee, I hear." Flutter-Duck, thus recalled from the pleasures of maternity to its duties, would recommence the prayer. "MÉdiÂni!" Which little Rachel would silently ignore. "MÉdiÂni!" Flutter-Duck's tone would now be imperative and ill-tempered. Then little Rachel would turn to her father querulously. "She thayth it again, MÉdiÂni, father!" And Flutter-Duck, outraged by this childish insolence, would exclaim, "Thou hearest, Lewis, love?" and incontinently fall to clouting the child. And the father, annoyed by the shrill ululation consequent upon the clouting: "Nee, nee, I hear too much." Rachel's refusal to be coerced into giving devotional over-measure was not merely due to her sense of equity. Her appetite counted for more. Prayers were the avenue to breakfast, and to pamper her featherheaded And little Rachel, equally in the dark, would repeat obediently, "Hear—my daughter—the instruction of—thy mother." Then the kettle would boil, or Flutter-Duck would overhear a remark made by one of the "hands," and interject: "Yes, I'd give him!" or, "A fat lot she knows about it," or some phrase of that sort; after which she would grope for the lost thread of prayer, and end by ejaculating desperately:— "MÉdiÂni!" And the child sternly setting her face against this flippancy, there would be slapping and screaming, and if the father protested, Flutter-Duck would toss her head, and rejoin in her most dignified English: "If I bin a mother, I bin a mother!" To the logical adult it will be obvious that the little girl's obstinacy put the breakfast still further back; but then, obstinate little girls are not logical, and when Rachel had been beaten she would eat no breakfast at all. She sat sullenly in the corner, her pretty face swollen by weeping, and her great black eyes suffused with tears. Only her father could coax her then. He would go so far as to allow her to nurse "Rebbitzin," without reminding her that the creature's touch would make her forget all she knew, and convert her into a "cat's-head." And certainly Rachel always forgot not to touch the cat. Possibly the basis of her father's psychological superstition was the fact that the cat is an Cats are soothing to infants, but they ceased to satisfy Rachel when she grew up. Her education, while it gratified Her Majesty's Inspectors, was not calculated to eradicate the domestic rebel in her. At school she learnt of the existence of two Hebrew words, called Moudeh anÎ, but it was not till some time after that it flashed upon her that they were closely related to MÉdiÂni, and the discovery did not improve her opinion of her mother. She was a bonny child, who promised to be a beautiful girl, and her teachers petted her. They dressed well, these teachers, and Rachel ceased to consider Flutter-Duck's Sabbath shawl the standard of taste and splendour. Ere she was in her teens she grumbled at her home surroundings, and even fell foul of the all-pervading fur, thereby quarrelling with her bread and butter in more senses than one. She would open the window—strangely fastidious—to eat her bread and butter off the broad ledge outside the room, but often the fur only came flying the faster to the spot, as if in search of air; and in the winter her pretentious queasiness set everybody remonstrating and shivering in the sudden draught. Her objection to fur did not, however, embrace the preparation "It is not beautiful," he said. "You ought to get up before the 'hands' come." Flutter-Duck flushed resentfully. "If I bin a missis, I bin a missis," she said with dignity. It became one of her formulÆ. When the servant developed insolence, as under Flutter-Duck's fostering familiarity she did, Flutter-Duck would resume her dignity with a jerk. "If I bin a missis," she would say, tossing her flighty head haughtily, "I bin a missis." CHAPTER II.A MIGRATORY BIRD. "There strode a stranger to the door, And it was windy weather." —Tennyson: The Goose. One day, when Rachel was nineteen, there came to the workshop a handsome young man. He had been brought by a placard in the window of the chandler's shop, and was found to answer perfectly to its wants. He took his place at the work-table, and soon came to the front as a wage-earner, wielding a dexterous needle that rarely snapped, even in white fur. His name was Emanuel Lefkovitch, and his seat was next to Rachel's. For Rachel had long since entered into her career, and the beauty of her early-blossoming womanhood was bent day after day over strips of rabbit-skin, which she made into sealskin jackets. For compensation to her youth Rachel walked out on the Sabbath elegantly attired in the latest fashion. She ordered her own frocks now, having a banking account of her own, in a tin box that was hidden away in her little bedroom. Her father honourably paid her a wage as large as she would have got elsewhere—otherwise she would have gone there. Her Sabbath walks extended as far as Hyde Park, and she loved to watch the fine ladies cantering in the Row, or lolling in luxurious carriages. Sometimes she even peeped into fashionable restaurants. She became the admiring disciple of a girl who worked at a Jewish furrier's in Regent Street, and whose occidental habitat gave her a halo of aristocracy. Even on Friday nights Rachel would disappear from the sacred domesticity of the Sabbath hearth, and Nevertheless, there were plenty of halcyon intervals, especially in the busy season, when the extra shillings made the whole work-room brisk and happy, and the furriers gossiped of this and that, and told stories more droll than decorous. And then, too, every day was a delightfully inevitable sweep towards the Sabbath, and every Sabbath was a spoke in the great revolving wheel that brought round to them picturesque Festivals, or solemn Fasts, scarcely less enjoyable. And so there was an undercurrent of poetry below the sordid prose of daily life, and rifts in the grey fog, through which they caught glimpses of the azure vastness overarching the world. And the advent of Emanuel Lefkovitch distinctly lightened the atmosphere. His handsome face, his gay spirits, were like an influx of ozone. Rachel was perceptibly the brighter for his presence. She was gentler to everybody, even to her parents, and chatted vivaciously, and walked with an airier step! The sickly master-furrier's face lit up with pleasure as from his sofa he But one fine morning, some months after Emanuel's arrival, a change came over the spirit of the scene. There was a knock at the door, and an ugly, shabby woman, in a green tartan shawl, entered. She scrutinised the room sharply, then uttered a joyful cry of "Emanuel, my love!" and threw herself upon the handsome young man with an affectionate embrace. Emanuel, flushed and paralysed, was a ludicrous figure, and the workers tittered, not unfamiliar with marital contretemps. "Let me be," he said sullenly at last, as he untwined her dogged arms. "I tell you I won't have anything to do with you. It's no use." "Oh no, Emanuel, love, don't say that; not after all these months?" "Go away!" cried Emanuel hoarsely. "Be not so obstinate," she persisted, in wheedling accents, stroking his flaming cheeks. "Kiss little Joshua and little Miriam." Here the spectators became aware of two woebegone infants dragging at her skirts. "Go away!" repeated Emanuel passionately, and pushed her from him with violence. The ugly, shabby woman burst into hysterical tears. "My own husband, dear people," she sobbed, addressing the room. "My own husband—married to me in Poland five years ago. See, I have the Cesubah!" She half drew the marriage parchment from her bosom. "And he won't live with me! Every time he runs away from me. Last time I saw him was in Liverpool, on the eve of Tabernacles. Her dress was dishevelled, her wig awry; big tears streamed down her cheeks. "How can I live with an old witch like that?" asked Emanuel, in brutal self-defence. "There are worse than me in the world," rejoined the woman meekly. "Nee, nee," roughly interposed the master-furrier, who had risen from his sofa in the excitement of the scene. "It is not beautiful not to live with one's wife." He paused to cough. "You must not put her to shame." "It's she who puts me to shame." Emanuel turned to Rachel, who had let her work slip to the floor, and whose face had grown white and stern, and continued deprecatingly, "I never wanted her. They caught me by a trick." "Don't talk to me," snapped Rachel, turning her back on him. The woman looked at her suspiciously—the girl's beauty seemed to burst upon her for the first time. "He is my husband," she repeated, and made as if she would draw out the Cesubah again. "Nee, nee, enough!" said the master-furrier curtly. "You are wasting our time. Your husband shall live with you, or he shall not work with me." "You have deceived us, you rogue!" put in Flutter-Duck shrilly. "Did I ever say I was a single man?" retorted Emanuel, shrugging his shoulders. "There! He confesses it!" cried his wife in glee. "Come, Emanuel, love," and she threw her arms round his neck, and kissed him passionately. "Do not be obstinate." "I can't come now," he said, with sulky facetiousness. "Where are you living?" She told him, and he said he would come when work was over. "On your faith?" she asked, with another uneasy glance at Rachel. "On my faith," he answered. She moved towards the door, with her draggle-tail of infants. As she was vanishing, he called shame-facedly to the departing children,— "Well, Joshua! Well, Miriam! Is this the way one treats a father? A nice way your mother has brought you up!" They came back to him dubiously, with unwashed, pathetic faces, and he kissed them. Rachel bent down to pick up her rabbit-skin. Work was resumed in dead silence. CHAPTER III.FLIGHT. Flutter-Duck could not resist rushing in to show the gorgeous goose she had bought from a man in the street—a most wonderful bargain. Although it was only a Wednesday, "Nee, nee; there are enough Festivals in our religion already," grumbled her husband, who, despite his hacking cough, had been driven to the work-table by the plentifulness of work and the scarcity of "hands." "Almost as big a goose as herself!" whispered Emanuel Lefkovitch to his circle. He had made his peace with his wife, and was again become the centre of the work-room's gaiety. "What a bargain!" he said aloud, clucking his tongue with admiration. And Flutter-Duck, consoled for her husband's criticism, scurried out again to have her bargain killed by the official slaughterer. When she returned, doleful and indignant, with the goose still in her basket, and the news that the functionary had refused it Jewish execution, and pronounced it tripha (unclean) for some minute ritual reason, she broke off her denunciation of the vendor from a sudden perception that some graver misfortune had happened in her absence. "Nee, nee," said Lewis, when she stopped her chatter. "Decidedly God will not have us make Festival to-day. Even you must work." "Me?" gasped Flutter-Duck. Then she learnt that Emanuel Lefkovitch, whom she had left so gay, had been taken with acute pains—and had had to go home. And work pressed, and Flutter-Duck must under-study him in all her spare moments. She was terribly vexed—she had arranged to go and see an old crony's daughter married in the Synagogue that afternoon, and she would have to give that up, if indeed her husband did not even expect her to give up the ball in the evening. She temporarily tethered the goose's leg to a bed-post by a long "Nee, nee," sniggered Lewis, as Flutter-Duck savagely kicked the cat out of her way. "Don't be alarmed, Rebbitzin won't attack it. Rebbitzin is a better judge of triphas than you." It was another cat, but it was the same joke. Flutter-Duck began to clean the fish with intensified viciousness. She had bought them as a substitute for the goose, and they were a constant reminder of her complex illhap. Very soon she cut her finger, and scoured the walls vainly in search of cobweb ligature. Bitter was her plaint of the servant's mismanagement; when she herself had looked after the house there had been no lack of cobwebs in the corners. Nor was this the end of Flutter-Duck's misfortunes. When, in the course of the afternoon, she sent up to Mrs. Levy on the second floor to remind her that she would be wanting her embroidered petticoat for the evening, answer came back that it was the anniversary of Mrs. Levy's mother's death, and she could not permit even her petticoat to go to a wedding. Finally, the gloves that Flutter-Duck borrowed from the chandler's wife were split at the thumbs. And so the servant was kept running to and fro, spoiling the neighbours for the greater glory of Flutter-Duck. It was only at the eleventh hour that an embroidered petticoat was obtained. Altogether there was electricity in the air, and Emanuel was not present to divert it down the road of jocularity. The furriers stitched sullenly, with a presentiment of storm. But it held over all day, and there was hope the currents would pass harmlessly away. With the rising of Flutter-Duck from the work-table, however, the first rumblings began. Lewis did not attempt to restrain her from her society dissipation, but he fumed inwardly throughout her toilette. More than ever he realised, as he sat coughing and bending over the ermine he was tufting with black spots, the incompatibility of this union between ant and butterfly, and occasionally his thought would shoot out in dry sarcasm. But Flutter-Duck had passed beyond the plane in which Lewis existed as her husband. All day she had talked freely, if a whit condescendingly, to her fellow-furriers, lamenting the mischances of the day; but in proportion as she began to get clean and beautiful, as the muslins of the great mirror became a frame for a gorgeous picture of a lady, Flutter-Duck grew more and more aloof from workaday interests, felt herself borne into a higher world of radiance and elegance, into a rarefied atmosphere of gentility, that froze her to statue-like frigidity. She was not Flutter-Duck then. And when she was quite dressed for the wedding, and had put on the earrings with the coloured stones and the crowning glory of the chignon of false plaits, stuck over with little artificial white flowers, the female neighbours came crowding into the work-room boudoir to see how she looked, and she revolved silently for their inspection like a dressmaker's figure, at most acknowledging their compliments with monosyllables. She had invited them to come and admire her appearance, but by the time they came she had grown too proud to speak to them. Even the women of whose finery she wore fragments, and who had contributed to her splendour, seemed to her poor dingy creatures, whose contact would sully her embroidered petticoat. In grotesque contrast with her peacock-like stateliness, the big tripha goose began to get lively, cackling and flapping about within The moment of departure had come. The cab stood at the street-door, and a composite crowd stood round the cab. In the Ghetto a cab has special significance, and Flutter-Duck would have to pass to hers through an avenue of polyglot commentators. At the last moment, adjusting her fleecy wrap over her head like any grande dame (from whom she differed only in the modesty of her high bodice and her full sleeves), Flutter-Duck discovered that there was a great rent in one part of the wrap and a great stain in another. She uttered an exclamation of dismay—this seemed to her the climax of the day's misfortunes. "What shall I do? What shall I do?" she cried, her dignity almost melting in tears. The by-standers made sympathetic but profitless noises. "Oh, double it another way," jerked Rachel from the work-table. "Come here, I'll do it for you." "Are you too lazy to come here?" replied Flutter-Duck irritably. Rachel rose and went towards her, and rearranged the wrap. "Oh no, that won't do," complained Flutter-Duck, attitudinising before the glass. "It shows as bad as ever. Oh, what shall I do?" "Do you know what I'll tell you?" said her husband meditatively: "Don't go!" Flutter-Duck threw him a fiery look. "Oh well," said Rachel, shrugging her shoulders and thrusting forward her lip contemptuously, "it'll have to do." "No, it won't—lend me your pink one." "I'm not going to have my pink one dirtied, too," grumbled Rachel. "Do you hear what I say?" exclaimed Flutter-Duck, with increasing wrath. "Give me the pink wrap! When the mother says is said!" And she looked around the group of spectators, in search of sympathy with her trials and admiration for her maternal dignity. "I can never keep anything for myself," said Rachel sullenly. "You never take care of anything." "I took care of you," screamed Flutter-Duck, goaded beyond endurance by the thought that her neighbours were witnessing this filial disrespect. "And a fat lot of good it's done me." "Yes, much care you take of me. You only think of enjoying yourself. It's young girls who ought to go out, not old women." "You impudent face!" And with an irresistible impulse of savagery, a reversion to the days of MÉdiÂni, Flutter-Duck swung round her arm, and struck Rachel violently on the cheek with her white-gloved hand. The sound of the slap rang hollow and awful through the room. The workers looked up and paused, the neighbours held their breath; there was a dread silence, broken only by the hissings of the excited goose, and the half involuntary apologetic murmurings of Flutter-Duck's lips: "If I bin a mother, I bin a mother." For an instant Rachel's face was a white mask, on which five fingers stood out in fire; the next it was one burning mass of angry blood. She clenched her fist, as if about to strike her mother, then let the fingers relax; half from a relic of filial awe, half from respect for the finery. There was a peculiar light in her eyes. Without a word she turned slowly on her heel and walked into her little room, emerging, after an instant of general suspense, with the pink wrap in All this time Flutter-Duck's husband had sat petrified, but now a great burst of coughing shook him. He did not know what to say or do, and prolonged the cough artificially to cover his embarrassment. Then he opened his mouth several times, but shut it indecisively. At last he said soothingly, with kindly clumsiness: "Nee, nee; you shouldn't irritate the mother, Rachel. You know what she is." Rachel's needle plodded on, and the uneasy silence resumed its sway. Presently Rachel rose, put down her piece of work finished, and without a word passed back to her bedroom, her beautiful figure erect and haughty. Lewis heard her key turn in the lock. The hours passed, and she did not return. Her father did not like to appear anxious before the "hands," but he had a discomforting vision of her lying on her bed, in a dumb agony of shame and rage. At last eight o'clock struck, and, backward as the work was, Lewis did not suggest overtime. He even dismissed the servant an hour before her time. He was in a fever of impatience, but delicacy had kept him from intruding on his daughter's grief before strangers. Now he hastened to her door, and knocked timidly, then loudly. "Nee, nee, Rachel," he cried, with sympathetic sternness, "Enough!" But a chill silence alone answered him. He burst open the rickety door, and saw a dark mass huddled up in the shadow on the bed. A nearer glance showed him it was only clothes. He opened the door that led on to Jacob's ladder, and called her name. Then by the light streaming in from the other apartment he hastily examined the room. It was obvious that she had put on her best clothes, and gone out. Half relieved, he returned to the sitting-room, leaving the door ajar, and recited his evening prayer. Then he began to prepare a little meal for himself, telling himself that she had gone for a walk, after her manner; perhaps was shaking off her depression at the Cambridge Music Hall. Supper over and grace said, he started doing the overwork, and then, when sheer weariness forced him to stop, he drew his comfortless wooden chair to the kitchen fire, and studied Rabbinical lore from a minutely printed folio. The Whitechapel Church clock, suddenly booming midnight, awoke him from these sacred subtleties with a start of alarm. Rachel had not returned. The fire burnt low. He shivered, and threw on some coal. Half an hour more he waited, listening for her footstep. Surely the music-hall must be closed by now. He crept down the stairs, and wandered vaguely into the cold, starless night, jostled by leering females, and returned forlorn and coughing. Then the thought flashed upon him that his girl had gone to her mother, had gone to fetch her from the wedding ball, and to make it up with her. Yes; that would be it. Hence the best clothes. It could be nothing else. He must not let any other thought get a hold on his mind. He would have run round to the festive scene, only he did not know precisely where it was, and it was too late to ask the neighbours. One o'clock! A mournful monotone, stern in its absoluteness, like the clang of a gate shutting out a lost soul. One more hour of aching suspense, scarcely dulled by the task of making hot coffee, and cutting bread and butter for his returning womankind; then Flutter-Duck came back. Alone! Came back in her cab, her fading features flushed with the joy of life, with the artificial flowers in her false chignon, and the pink wrap over her head. "Where is Rachel?" gasped poor Lewis, meeting her at the street-door. "Rachel! isn't she here? I left her with you," answered Flutter-Duck, half sobered. "Merciful God!" ejaculated her husband, and put his hand to his breast, pierced by a shooting pain. "I left her with you," repeated Flutter-Duck with white lips. "Why did you let her go out? Why didn't you look after her?" "Silence, you sinful mother!" cried Lewis. "You shamed her before strangers, and she has gone out—to drown herself—what do I know?" Flutter-Duck burst into hysterical sobbing. "Yes, take her part against me! You always make me out wrong." "Restrain yourself!" he whispered imperiously. "Do you wish to have the neighbours hear you again?" "I daresay she's only hiding somewhere, sulking, as she did when a child," said Flutter-Duck. "Have you looked under the bed?" Foolish as he knew her words were, they gave him a gleam of hope. He led the way upstairs without answering, and taking a candle, examined her bedroom again with ludicrous minuteness. This time the sight of her old clothes was Prostrated by the discovery, the parents sat down in helpless silence. Then Flutter-Duck began to wring her white-gloved hands, and to babble incoherent suggestions and reproaches, and protestations that she was not to blame. The hot coffee cooled untasted, the pink wrap lay crumpled on the floor. Lewis revolved the situation rapidly. What could be done? Evidently nothing—for that night at least. Even the police could do nothing till the morning, and to call them in at all would be to publish the scandal to the whole world. Rachel had gone to some lodging—there could be no doubt about that. And yet he could not go to bed, his heart still expected her, though his brain had given up hope. He walked about restlessly, racked by fits of coughing, then he dropped back into his seat before the decaying fire. And Flutter-Duck, frightened into silence at last, sat on the sofa, dazed, in her trappings and gewgaws, with the white flowers glistening in her false hair, and her pallid cheeks stained with tears. And so they waited in the uncouth room in the solemn watches of the night, pricking up their ears at a rare footstep in the street, and hastening to peep out of the window; waiting for the knock that came not, and the dawn that was distant. The silence lay upon them like a pall. Suddenly, in the weird stillness, they heard a fluttering and a skurrying, and, looking up, they saw a great white thing floating through the room. Flutter-Duck uttered a terrible cry. "Hear, O Israel!" she shrieked. "Nee, nee," said Lewis reassuringly, though scarcely less startled. "It is only the tripha goose got loose." "Nay, nay, it is the Devil!" hoarsely whispered Flutter-Duck, who had covered her face with her hands, and was shaking as with palsy. Her terror communicated itself to her husband. "Hush, hush! Talk not so," he said, shivering with indefinable awe. "Say psalms, say psalms!" panted Flutter-Duck. "Drive him out." Lewis opened the window, but the unclean bird showed no desire to flit. It was evidently the Not-Good-One himself. "Hear, O Israel!" wailed Flutter-Duck. "Since he came in this morning everything has been upside down." The goose chuckled. Lewis was seized with a fell terror that gave him a mad courage. Murmuring a holy phrase, he grabbed at the goose, which eluded him, and fluttered flappingly hither and thither. Lewis gave chase, his lips praying mechanically. At last he caught it by a wing, haled it, hissing and struggling and uttering rasping cries, to the window, flung it without, and closed the sash with a bang. Then he fell impotent against the work-table, and spat out a mouthful of blood. "God be praised!" said Flutter-Duck, slowly uncovering her eyes. "Now Rachel will come back." And with renewed hope they waited on, and the deathly silence again possessed the room. All at once they heard a light step under the window; the father threw it open and saw a female form outlined in the darkness. There was a rat-tat-tat at the door. "Ah, there she is!" hysterically ejaculated Flutter-Duck, starting up. "The Holy One be blessed!" cried Lewis, rushing down the stairs. A strange figure, the head covered by a green tartan shawl, greeted him. A cold ague passed over his limbs. "Thank God, it's all right," said Mrs. Lefkovitch. "I see from your light you are still working; but isn't it time my Emanuel left off?" "Your Emanuel?" gasped Lewis, with a terrible suspicion. "He went home early in the day; he was taken ill." Flutter-Duck, who had crept at his heels bearing a candle, cried out, "God in Israel! She has flown away with Emanuel." "Hush, you piece of folly!" whispered Lewis furiously. "Yes, it was already arranged, and you blamed me!" gasped Flutter-Duck, with a last instinct of self-defence ere consciousness left her, and she fell forward. "Silence," Lewis began, but there was an awful desolation at his heart and the salt of blood was in his mouth as he caught the falling form. The candlestick rolled to the ground, and the group was left in the heavy shadows of the staircase and the cold blast from the open door. "God have mercy on me and the poor children! I knew all along it would come to that!" wailed Emanuel's wife. "And I advanced him his week's money on Monday," Lewis remembered in the agony of the moment. CHAPTER IV.POOR FLUTTER-DUCK. "Her cap blew off, her gown blew up, And a whirlwind cleared the larder." —Tennyson: The Goose. It was New Year's Eve. In the Ghetto, where "the evening and the morning are one day," New Year's Eve is at its height at noon. The muddy market-places roar, and the joyous medley of squeezing humanity moves slowly through the crush of mongers, pickpockets, and beggars. It is one of those festival occasions on which even those who have migrated from the Ghetto gravitate back to purchase those dainties whereof the heathen have not the secret, and to look again upon the old familiar scene. There is a stir of goodwill and gaiety, a reconciliation of old feuds in view of the solemn season of repentance, and a washing-down of enmities in rum. At the point where the two main market-streets met, a grey-haired elderly woman stood and begged. Poor Flutter-Duck! Her husband dead, after a protracted illness that frittered away his savings; her daughter lost; her home a mattress in the corner of a strange family's garret; her faded prettiness turned to ugliness: her figure thin and wasted; her yellow-wrinkled face framed in a frowsy shawl; her clothes tattered and flimsy; Flutter-Duck stood and schnorred. But Flutter-Duck did not do well. Her feather-head was not equal to the demands of her profession. She had selected what was ostensibly the coign of most vantage, But she held out her hand pertinaciously, appealing to every passer-by of importance, and throwing audible curses after those that ignored her. The cold of the bleak autumn day and the apathy of the public chilled her to the bone; the tears came into her eyes as she thought of all her misery and of the happy time—only a couple of years ago—when New Year meant new dresses. Only a grey fringe—the last vanity of pauperdom—remained of all her fashionableness. No more the plaited chignon, the silk gown, the triple necklace,—the dazzling exterior that made her too proud to speak to admiring neighbours,—only hunger and cold and mockery and loneliness. No plumes could she borrow, now that she really needed them to cover her nakedness. She who had reigned over a work-room, who had owned a husband and a marriageable daughter, who had commanded a maid-servant, who had driven in shilling cabs! Oh, if she could only find her daughter—that lost creature by whose wedding-canopy she should have stood, radiant, the envy of Montague Street! But this was not a thought of to-day. It was at the bottom of all her thoughts always, ever since that fatal night. During the first year she was always on the lookout, peering into every woman's face, running after every young couple that looked like Emanuel and Rachel. But repeated disappointment dulled her. She had no energy for anything except begging. Yet the hope of finding Rachel was the gleam of idealism that kept her soul alive. The hours went by, but the streams of motley pedestrians and the babel of vociferous vendors and chattering buyers did not slacken. Females were in the great majority, housewives from far and near foraging for Festival supplies. But she continued to hold out her bloodless hand. Towards three o'clock a fine English lady, in a bonnet, passed by, carrying a leather bag. "Grant me a halfpenny, lady, dear! May you be written down for a good year!" The beautiful lady paused, startled. Then Flutter-Duck's heart gave a great leap of joy. The impossible had happened at last. Behind the veil shone the face of Rachel—a face of astonishment and horror. "Rachel!" she shrieked, tottering. "Mother!" cried Rachel, catching her by the arm. "What are you doing here? What has happened?" "Do not touch me, sinful girl!" answered Flutter-Duck, shaking her off with a tragic passion that gave dignity to the grotesque figure. Now that Rachel was there in the flesh, the remembrance of her shame surged up, drowning everything. "You have disgraced the mother who bore you and the father who gave you life." The fine English lady—her whole soul full of sudden remorse at the sight of her mother's incredible poverty, shrank before the blazing eyes. The passers-by imagined Rachel had refused the beggar-woman alms. "What have I done?" she faltered. "Where is Emanuel?" "Emanuel!" repeated Rachel, puzzled. "Emanuel Lefkovitch that you ran away with." "Mother, are you mad? I have never seen him. I am married." "Married!" gasped Flutter-Duck ecstatically. Then a new dread rose to her mind. "To a Christian?" "Me marry a Christian! The idea!" Flutter-Duck fell a-sobbing on the fine lady's fur jacket. "And you never ran away with Lefkovitch?" "Me take another woman's leavings? Well, upon my word!" "Oh," sobbed Flutter-Duck. "Oh, if your father could only have lived to know the truth!" Rachel's remorse became heartrending. "Is father dead?" she murmured with white lips. After awhile she drew her mother out of the babel, and giving her the bag to carry to save appearances, she walked slowly towards Liverpool Street, and took train with her for her pretty little cottage near Epping Forest. Rachel's story was as simple as her mother's. After the showing up of Emanuel's duplicity, home had no longer the least attraction for her. Her nascent love for the migratory husband changed to a loathing that embraced the whole Ghetto in which such things were possible. Weary of Flutter-Duck's follies, indifferent to her father, she had long meditated joining her West-end girl-friend in the fur establishment in Regent Street, but the blow precipitated matters. She felt she could not remain a night more under her mother's roof, and her father's clumsy comment was but salt on her wound. Her heart was hard against both; month after month passed before her passionate, sullen nature would let her dwell on the thought of their trouble, and even then she felt that the motive of her flight was so plain that they would feel only remorse, not anxiety. They knew she could always earn her living, just as she knew they could always earn theirs. Living "in," and going out but rarely, and then in the fashionable districts, she never met any drift from the Ghetto, and the busy life of the populous establishment soon effaced the old, which faded to a forgotten dream. "So you see, mother, everything is for the best." Flutter-Duck listened in a delicious daze. What! Was everything then to end happily after all? Was she—the shabby old starveling—to be restored to comfort and fine clothes? Her brain seemed bursting with the thought of so much happiness; as the train flew along past green grass and autumn-tinted foliage, she strove to articulate a prayer of gratitude to Heaven, but she only mumbled "MÉdiÂni," and lapsed into silence. And then, suddenly remembering she had started a prayer and must finish it, she murmured again "MÉdiÂni." When they came to the grand house with the front garden, and were admitted by a surprised maid-servant, infinitely nattier than any Flutter-Duck had ever ruled over, the poor creature was palsied with excess of bliss. The fire was blazing merrily in the luxurious parlour: could this haven of peace and pomp—these arm-chairs, those vases, that side-board—be really for her? Was she to spend her New Year's night surrounded by love and luxury, instead of huddling in the corner of a cold garret? And as soon as Rachel had got her mother installed in a wonderful easy-chair, she hastened with all the eagerness of maternal pride, with all the enthusiasm of remorse, to throw open the folding-doors that led to her bedroom, so as to give Flutter-Duck the crowning surprise—the secret titbit she had reserved for the grand climax. "There's a fine boy!" she cried. And as Flutter-Duck caught sight of the little red face peeping out from the snowy draperies of the cradle, a rapture too great to bear seemed almost to snap something within her foolish, overwrought brain. "I have already a grandchild!" she shrieked, with a great sob of ecstasy; and, running to the cradle-side, she fell on her knees, and covered the little red face with frantic kisses, repeating "Lewis love, Lewis love, Lewis love," till the babe screamed, and Rachel had to tear the babbling creature away. You may see her almost any day walking in the Ghetto market-place—a meagre, old figure, with a sharp-featured face and a plaited chignon. She dresses richly in silk, and her golden earrings are set with coloured stones, and her bonnet is of the latest fashion. She lives near Epping Forest, and almost always goes home to tea. Sometimes she stands still at the point where the two market streets meet, extending vacantly a gloved hand, but for the most part she wanders about the by-streets and alleys of Whitechapel with an anxious countenance, peering at every woman she meets, and following every young couple. "If I could only find her!" she thinks yearningly. Nobody knows whom she is looking for, but everybody knows she is only "Flutter-Duck." MACMILLAN'S DOLLAR SERIES OF WORKS BY POPULAR AUTHORS. Crown 8vo. Cloth extra. $1.00 each. By F. MARION CRAWFORD. With the solitary exception of Mrs. Oliphant, we have no living novelist more distinguished for variety of theme and range of imaginative outlook than Mr. Marion Crawford.—Spectator. THE CHILDREN OF THE KING. By CHARLES DICKENS. It would be difficult to imagine a better edition of Dickens at the price than that which is now appearing in Macmillan's Series of Dollar Novels.—Boston Beacon. THE PICKWICK PAPERS. 50 Illustrations. (Ready.) By CHARLES KINGSLEY. ALTON LOCKE. By HENRY JAMES. He has the power of seeing with the artistic perception of the few, and of writing about what he has seen, so that the many can understand and feel with him.—Saturday Review. THE LESSON OF THE MASTER AND OTHER STORIES. By ANNIE KEARY. In our opinion there have not been many novels published better worth reading. The literary workmanship is excellent, and all the windings of the stories are worked with patient fulness and a skill not often found.—Spectator. JANET'S HOME. By D. CHRISTIE MURRAY. Few modern novelists can tell a story of English country life better than Mr. D. Christie Murray.—Spectator. AUNT RACHEL. By MRS. OLIPHANT. Has the charm of style, the literary quality and flavour that never fails to please.—Saturday Review. At her best she is, with one or two exceptions, the best of living English novelists.—Academy. A SON OF THE SOIL. New Edition. By J. H. SHORTHOUSE. Powerful, striking, and fascinating romances.—Anti-Jacobin. BLANCHE, LADY FALAISE.br /> JOHN INGLESANT. By MRS. CRAIK. (The Author of "John Halifax, Gentleman.") LITTLE SUNSHINE'S HOLIDAY. By MRS. HUMPHRY WARD. Mrs. Ward, with her "Robert Elsmere" and "David Grieve," has established with extraordinary rapidity an enduring reputation as one who has expressed what is deepest and most real in the thought of the time.... They are dramas of the time vitalized by the hopes, fears, doubts, and despairing struggles after higher ideals which are swaying the minds of men and women of this generation.—New York Tribune. ROBERT ELSMERE. By RUDYARD KIPLING. Every one knows that it is not easy to write good short stories. Mr. Kipling has changed all that. Here are forty of them, averaging less than eight pages apiece; there is not a dull one in the lot. Some are tragedy, some broad comedy, some tolerably sharp satire. The time has passed to ignore or undervalue Mr. Kipling. He has won his spurs and taken his prominent place in the arena. This, as the legitimate edition, should be preferred to the pirated ones by all such as care for honesty in letters.—Churchman, New York. PLAIN TALES FROM THE HILLS. By AMY LEVY. REUBEN SACHS. By M. McLENNAN. MUCKLE JOCK, AND OTHER STORIES. By THOMAS HUGHES. TOM BROWN'S SCHOOLDAYS. Illustrated. By ROLF BOLDREWOOD. Mr. Boldrewood can tell what he knows with great point and vigour, and there is no better reading than the adventurous parts of his books.—Saturday Review. ROBBERY UNDER ARMS. By SIR HENRY CUNNINGHAM, K.C.I.E. Interesting as specimens of romance, the style of writing is so excellent—scholarly and at the same time easy and natural—that the volumes are worth reading on that account alone. But there is also masterly description of persons, places, and things; skilful analysis of character; a constant play of wit and humour; and a happy gift of instantaneous portraiture.—St. James's Gazette. THE CŒRULEANS: A Vacation Idyll. By GEORGE GISSING. We earnestly commend the book for its high literary merit, its deep bright interest, and for the important and healthful lessons that it teaches.—Boston Home Journal. DENZIL QUARRIER. By W. CLARK RUSSELL. The descriptions are wonderfully realistic ... and the breath of the ocean is over and through every page. The plot is very novel indeed, and is developed with skill and tact. Altogether one of the cleverest and most entertaining of Mr. Russell's many works.—Boston Times. A STRANGE ELOPEMENT. By the Hon. EMILY LAWLESS. It is a charming story, full of natural life, fresh in style and thought, pure in tone, and refined in feeling.—Nineteenth Century. A strong and original story. It is marked by originality, freshness, insight, a rare graphic power, and as rare a psychological perception. It is in fact a better story than "Hurrish," and that is saying a good deal.—New York Tribune. GRANIA: The Story of an Island. By A NEW AUTHOR. We should not be surprised if this should prove to be the most popular book of the present season; it cannot fail to be one of the most remarkable.—Literary World. TIM: A Story of School Life. By LANOE FALCONER. (Author of "Mademoiselle Ixe.") It is written with cleverness and brightness, and there is so much human nature in it that the attention of the reader is held to the end.... The book shows far greater powers than were evident in "Mademoiselle Ixe," and if the writer who is hidden behind the nom de guerre Lanoe Falconer goes on, she is likely to make for herself no inconsiderable name in fiction.—Boston Courier. CECILIA DE NOËL. By the Rev. Prof. ALFRED J. CHURCH. Rev. Alfred J. Church, M.A., has long been doing valiant service in literature in presenting his stories of the early centuries, so clear is his style and so remarkable his gift of enfolding historical events and personages with the fabric of a romance, entertaining and oftentimes fascinating.... One has the feeling that he is reading an accurate description of real scenes, that the characters are living—so masterly is Professor Church's ability to reclothe history and make it as interesting as a romance.—Boston Times. STORIES FROM THE With Sixteen Illustrations after the Antique. THE STORY OF THE ILIAD. With Coloured Illustrations. By MRS. F. A. STEEL. The story is a delightful one, with a good plot, an abundance of action and incident, well and naturally drawn characters, excellent in sentiment, and with a good ending. Its interest begins with the opening paragraph, and is well sustained to the end. Mrs. Steel touches all her stories with the hand of a master, and she is yet to write one that is any way dull or uninteresting.—The Christian at Work. MISS STUART'S LEGACY. By PAUL CUSHING. ... A first-class detective story. Not a detective story of the ordinary blood-and-thunder kind, but a really good story, that is told in a vigorous and attractive way.... It is full of incident and especially good dialogue. The people in it really talk. The story is well worth reading.—Commercial Gazette. THE GREAT CHIN EPISODE. By MARY A. DICKENS. Felicitous in style and simple enough in plot, it is powerfully vivid and dramatic, and well sustains the interest throughout.... There is a vein of grave pleasantry in the earlier portion of the work, which has to be abandoned as the tragic portion of it develops; but it is sufficient to show that the writer possesses the charm of pleasant recital when she wishes to exert it, as becomes her father's daughter.—The Catholic World. A MERE CYPHER. By MARY WEST. The novel is admirably written. It has not only distinction of style, but intellectual quality of an exceptionable order; and while the treatment is never didactic, questions of ethical import come naturally into evidence, and are dealt with in a decisive way.... A remarkably well-executed piece of fiction.—Utica News. A BORN PLAYER. By the MARCHESA THEODOLI. A thoroughly pleasing and unpretentious story of modern Rome. The pictures of home life in the princely Astalli family are most curious and interesting; while the reader's sympathy with the charming and delicate romance of the book, ending happily at last, in the face of apparently insurmountable obstacles, will be readily enlisted from its inception.—The Art Amateur. UNDER PRESSURE. |