But at that moment the ground resounded with gallant hoofs, and a handsome red-haired cavalier riding a barebacked black horse and leading another steed of Satan, and followed by a bounding little white dog, brought life and spirit into the scene. The rabbits poked their noses greedily through their wires, and the pig grunted in perturbation. Jinny, shrinking back behind Mr. Flippance, remained paralysed on the steps of the caravan, while Tony, unconscious that he was needed as a screen, hurried forward with a joyous greeting and a query which served the purpose as effectually, for Jinny was left unnoted on her pedestal. “You looking for me?” asked Tony. “I was,” answered the horseman. “But now I’m looking for the stables. ‘The Black Sheep’s’ full up, and I thought I’d put up my spare horse at ‘The Learned Pig’ till I could find you. However, here you are.” “But you crossed me, man, just outside the market!” “Did I? Is Jinny here? I see her cart outside.” “Never mind Jinny—you’re just in the nick of time. I want to talk business to you.” “And so do I to you. If I crossed you, ’twas because I was galloping to you with the horse you ordered through Jinny.” “And I was galloping to her to cancel it!” “What!” cried Will. But the joyous rush and gambollings of Nip now directed his attention to Nip’s statuesque mistress. “I’m afraid you’ve let yourself in for those horses,” she said, descending. She did not speak maliciously—the sting of her defeat was over, now that his victory had recoiled on the victor, and she was really a little sorry for him. But all other feelings were overwhelmed for the moment by this new sense of dash and grace, in which he and the beautiful pawing steeds were mixed up centaur-like, his figure looking so much taller on horseback that it almost corresponded to Miss Gentry’s ideal. Unfortunately Will himself had no sense of the horses except as a costly and burdensome mistake: the iron issuing from Jinny’s soul was entering into his. “But surely you want one of ’em,” he said, addressing Mr. Flippance. He had cherished a dim hope that the Showman might launch out into binary grandeur, but at the worst he was prepared to keep one horse—it would be useful for riding into Chipstone—pending its sale. But to have two horses on his hands, eating their heads off, after consuming practically the whole of his capital—this was too much. Nor could he believe that Jinny was not gloating over the Nemesis that had overtaken his attempt to crush her will. “I don’t see what I should do with a horse,” said Tony, “seeing that I’m setting up the Flippance Palace Theatre as a local landmark. Of course I might have a play written round him,” he mused, “or even round ’em both. They would certainly ‘draw’ all Chipstone, especially with a carriage behind ’em. Odd, isn’t it? There’ll be scores of carriages waiting outside my theatre, yet to see one on the stage gives everybody a thrill. Lord, how the public does love to see natural things in unnatural places! As my old pa used to say—my real pa, I mean—put an idiot on the stage and he gives pleasure, put him in the stalls and he writes dramatic criticism! Ha, ha, ha!” “Then you do want ’em?” said Will eagerly. “If you’re ready to bring in the noble animals as part of the capital, I’ll look around for a dramatist to work ’em in.” “You’d best look around for a capitalist,” retorted Will in angry disappointment. “I’ve told you before, I’m going into farming.” “Then you’ll want the horses yourself.” “They’re no good for farming,” Jinny corrected. “Ain’t they?” said Tony, surveying them with a fresh eye. “Then why did he buy them?” Will got angrier. “That’s my business. Do you want them or not?” “I can always do with anything. A play’s a pie you can shove anything into. You’d look bully yourself, as you Americans say, riding just as you are: just a cowboy costume, that’s all you need. Will you do it?” “Will I do what?” “Play lead and supply your own horses.” “Don’t be a fool—or try to make me one. I’m a plain farmer.” Tony grinned. “Jinny don’t seem to think ’em suitable for plain farming. I reckon you’d better set up as undertaker. They’ll go lovely with a hearse. All you need is a corpse.” “And I shan’t be long finding one!” hissed Will. Tony clapped his hands. “That’s the style. Lord, man, what a wasted actor!” Jinny could not suppress a smile. It brought Will’s temper to breaking-point. “These horses at least won’t be wasted,” he said to her at a white heat. “For I’ll take our friend’s advice.” “Harness ’em to a hearse?” murmured Jinny. “No, to a coach. I’ll put an end, miss, to your mannish ways.” “Indeed!” Jinny bridled up, without, however, quite following the threat. “You’ve done for yourself,” he explained. “You’ve forced me into competition. You’ve got me the horses—there’s no end of out-of-work coaches on the market to be got for an old song. I’ll carry passengers and luggage faster and cheaper than you, and heavier stuff too, and I’ll wipe you out.” Jinny grew white, but at the venom of his words, not their business significance. Her instinct retorted with a smile. “And I got you the horn, too, don’t forget that.” “I don’t—I was thinking of that. It’s all your doing—and serve you jolly well right.” He turned sneeringly to Mr. Flippance. “So I won’t be a wasted musician either.” “Oho!” said Jinny. “And shall we see you on the box-seat all a-crowing and a-blowing?” “I know you still think I can’t blow—but you shall see.” “Seeing isn’t believing,” said Jinny. “Had you there, old cock,” said Tony. “She knows what I mean, right enough. I’ll start a coach-service ’twixt Little Bradmarsh and Chipstone, ay and farther too, passengers inside, luggage on the roof. I’ll wake up this sleepy old spot.” And his vigour seemed to communicate itself to his horses: they caracoled and stamped. “Better let sleeping spots lie,” said Jinny. “I thought you hated Yankee going-ahead.” “It’ll save you going ahead, anyhow,” said Will. “Why didn’t you let things sleep?” “Me! How could I help helping Gran’fer?” “Women have always got an excuse. ‘And the man gave unto me and I did eat.’” “Lord! He’s been reading the Bible!” laughed Tony. Will flushed. All those hours in quest of orthography passed through his mind. And what had all his painstaking letters led to? Quarrels, recriminations, miseries. Well, let him have done with it all. Ignore her, crush her, that was the best way. Once he had driven her out of the business, that tongue of hers would wag more meekly. Then, perhaps——! A rousing blast on Jinny’s horn cut defiantly into his thoughts. It was at once a challenge and a mockery. Will turned his horses’ heads sharply and trotted out, Nip at their heels. But at the edge of the enclosure Nip looked back wistfully to beg his mistress to join the party. She, however, lowering her horn, cried, “Come here, you naughty dog. Come here at once.” Nip stood in pathetic hesitation. “It’s that animal my play shall be written round,” said Tony decisively. “How much do you want for him?” “You know I wouldn’t, part with him for love or money,” said Jinny. “Well, I haven’t got any money,” said Tony slowly. “But if you’d like the other thing——” “Don’t be silly!” Jinny moved towards her cart. “I mean it—a wife like you would be the making of a man.” “Now you’ll have to walk home!” said Jinny, springing into her seat. It was too ironic a climax to the morning. “Not in my slippers!” gasped Tony. “You should have put on your boots!” said Jinny sternly. “But listen!” He clung to the cart as if he would stop it. “It’s a heaven-sent opportunity.” “It must be sent back,” said Jinny gravely. “I mean for me,” he explained desperately. “You know how Polly objects to my marrying again. But I’ve got to break the deal with Duke to her, so I could work in the two at once. It couldn’t be worse.” “I shall never marry,” said Jinny. “Gee up!” “But whoa, whoa, you don’t carry only your husbands,” cried Tony. “Stop!” He pursued Methusalem for some yards, but even Methusalem was too quick for him. And then, as he stood panting and perspiring and overcome by a dark upwelling of disbelief in life, he perceived the Duchess with her manuscript and his daughter returning from the histrionic consultation at “The Learned Pig.” “Thank the Lord, Polly’s feeding out,” he murmured, as he slunk into a doorway. Then his face brightened up. “After all,” he thought, “I’ve only got to break to her about the theatre.” CHAPTER IXTWO OF A TRADE This comic story or this tragic jest May make you laugh or cry, as you think best. Gay, Prologue to “The What D’ye Call It?” |