The Thot Katin. The Thot Katin ceremonies are not nearly so old as those described in the preceding chapter. They are said to have been first established as purely state ceremonies by one of the Siamese kings, called Somdet Pra Luang, who reigned over Northern Siam about seven hundred years ago. He was a very popular monarch, and as powerful as he was popular. Whatever he ordered to be done in his own provinces in the north of the country, was always carried out to the letter, and the ceremonies he instituted have extended and developed till they are now universally celebrated all over the kingdom. In the days when the Buddhist priesthood lived a purely ascetic life, according to the ideal of their great teacher, long before the days even of Pra Luang himself, there was one branch of the monastic order which was far more given to practising self-denial and mortification than any of the rest of the brotherhood. And this sect of holy monks vowed a solemn vow that they would never wear any clothes that were directly or indirectly presented to them. They vowed that their robes should only be made of cloth Some of the more inquisitive of those whose gifts had When this theory had been heard and accepted by devout or superstitious people, the custom arose of wrapping A more reasonable but still unorthodox creed has found many followers. According to some, the priests sought for As a result of this latter belief it became the custom to present robes to the priests in October and November, when the wet months were drawing to a close. King Pra Luang in his palace at Ayuthia, considered the custom, pronounced it good, and established it as part of the ordinary worship of the devout. When the proper season arrived, he set out himself to distribute robes to the inmates of the royal temple. Each temple provided a quantity of fireworks, and appointed responsible officers to superintend their pyrotechnical displays. In front of the landing of the king's palace, were gathered together numerous boats laden with baskets of food and yellow cloth. In the centre of each basket a stout branch was fixed, and from the branches lighted lanterns were suspended. At the bottom of every lantern In the evening, as soon as it was dark, the king came down to the bank of the river to examine the boats and their contents. He descended into his state barge, attended by his chief officers, and headed a long procession, accompanied by the chief ladies of the palace, and by crowds of people who had been drawn to the place by the prospect of seeing the fireworks. The boats, crowded by natives, drew after them the other boats containing the baskets of food and the piles of robes. Wherever the king stopped, presents of eatables and priestly garments were distributed to the brethren who resided in the temple, and fireworks were let off in honour of the sovereign's arrival, and as a mark of gratitude for his benevolence. At a later date, when temples became multiplied to such an extent that the king was unable to personally visit them all, he entrusted the distribution of the presents to his relatives, and officials of high rank. The custom of presenting robes at the end of the rainy season is now universally observed throughout the whole kingdom, and is looked upon as an excellent way of making merit, though, in common with all the other religious observances of the country, its primary meaning and origin are unknown to most of the worshippers. The festival is known as the "Thot Katin", and is celebrated with great rejoicing and merriment. "Katin", or "Kratin", is derived from the Pali word, "Katina", and means "severe" or "difficult". The term is applied to three separate things. It means a pattern of a priest's robe made of patchwork; it is the name of the robe itself, which must be made of raw cotton and completed in a single day and night—a difficult task; and it also denotes the merit which the maker will receive as a reward for his meritorious exertions. The other word, "Thot", means "to lay down", so that the whole expression used as the name of the ceremony of the presentation of the priestly vestments, means "Laying down robes made after the Katina pattern", on the floor or on a table, for the priests to take up. The holidays last during the month of October, and are celebrated with processions on land and water. The water processions in Bangkok are singularly attractive on account of the number of people who take part in them, and the variety of costume, and display of oarmanship which they then exhibit. All day long, lines of canoes, gondolas, and gilded barges carry the worshippers and their offerings to the many temples in the city. The holiday attire is unusually brilliant, and as the numerous colours flash by in the swiftly gliding boats, one begins to wonder if there are any tints or shades of colour that may not be seen on the Menam. After prostrating themselves before the idol, and presenting their gifts to the priests, the people hold a great aquatic carnival. The following account of this ancient ceremony is quoted "All the temples in Bangkok and its suburbs, which have been made by or dedicated to the king, expect a splendid visit from him annually, between the middle of the eleventh and twelfth moons. This is the season appointed by the most ancient and sacred custom for the priests to seek their apparel for the year ensuing. In conformity with this custom, the King, taking a princely offering of priests' robes with him, visits these temples. "The ceremony is called 'Thot Katin', which means to lay down the robes sewed up in patches according to a given pattern, for the priests to take up. The pattern is the 'Katin', which in ancient times the priests of Buddha used in cutting their cloth into patches to be sewed together to make their outer and inner robes. The cloth was cut with a knife because it would be wicked to tear it. In olden time, in Buddha's day, the custom was for the priests to go out themselves to seek old cast-off clothing, and the best of these they would patch together to form the three kinds of priestly robes required. This was one conspicuous mode of self-mortification. But that mendicant custom has gradually given place to the present one of making the garments of new cloth dyed yellow; and prepared by the princely donations of thousands of the affluent, and the more humble contributions of the multitudes of the poor. They begin to make preparations for this season months before the time, until in Bangkok alone, there are many "Although there are so many hundreds of Buddhist temples in Siam, none are omitted from this annual visitation. The royal temples are visited by the king, or by some prince or nobleman of high rank, who goes in the king's name. Outside the capital, these royal temples are always visited by deputies of His Majesty, bearing priests' robes and other things provided by the king. "When His Majesty goes in person, he does so with great pomp and splendour, whether by land or water. If by water the finest state barges are displayed. There are some ten or more of these splendid boats, each with some august name attached, to distinguish it from the others. These barges are called 'royal throne boats'. Only one appears in the royal procession at a time. They are from one hundred and fifty to one hundred and eighty feet in length, and from six to eight feet wide. They gradually become narrower fore and aft, and taper upwards. Hanging from the stem and stern are two large white tassels made of the hair of the Cashmere goat, and between them floats a royal banner. A little abaft of midships there is a splendid canopy about twelve feet long, having the ridge curving downward at each end, and covered with cloth of gold, and the sides tastefully hung with curtains of the same costly material. Within is a throne, suited to this little floating palace. The bows of the barges to convey the priestly robes and other gifts, are formed into heads of hideous dragons, or imaginary sea-monsters, with glaring eyes and horrid teeth and horns. The whole boat is richly carved and gilded to represent scales, often inlaid with pearl and other precious things, while the stern forms an immense tail, curving upwards to the height of twelve or fifteen feet. It is in this kind of barge that the king always rides. When he would appear in his greatest glory, he is seen seated on this, his floating throne, wearing a gold-embroidered coat, and "Preceding the King's personal barge, there are usually from forty to sixty royal guard-boats, over one hundred feet long, and from five to six feet wide, going in pairs. They are modelled after the King's own boat, but smaller, and the canopy is made of whitish leaves resembling the palm leaf, sewed together, and ornamented with crimson cloth bordered with yellow. Under the bow and stern of these boats, float a pair of long grey tassels, made of the fibres of pine-apple leaves, and between each of these hangs a golden banner. They have fifty or more paddlers, and two men in each boat beat time with a long pole decorated with white tassels, which they lift up and strike down end-wise on the deck of the boat. "In the rear of the King's barge come princes, nobles, officers, and multitudes of still lower grades, who all follow the King to the temple in boats of various fashions, down to the simple one-oared skiff with its single half-naked occupant. Each prince and nobleman sits proudly under his own canopy, attired in his best court robes, having duly arranged about him gold or silver water-pot and tea-pot, and betel and cigar boxes, all of which have been given to him by the King, as insignia of his rank and office. "The boatmen have various coloured liveries. Those of the King's dragon barge and its mate usually wear red jackets and caps. On the guard-boats we see many colours; some have red jackets and leather caps of ancient style; in others the men have only short pants, and narrow fillets of palm-leaf about their heads. Brass bands follow in the procession, and companies of native men-o'-war's men, who close up the moving panorama. "The floating and other houses along the line of the King's advance have each prepared a little table or altar, upon which they display the choicest fruits and flowers, wax candles, pictures, and other ornaments, as marks of respect to their sovereign. The native and foreign shipping display their colours. The small craft on the river and canals where he is to come, clear out for the time, to make a wide and open passage for him. Formerly none were allowed to watch the royal procession, except from behind closed doors or windows, but now all such restrictions are "The priests' garments being neatly folded and put up into bundles of a suit each, are borne with the King in the royal throne barge. When he arrives at the landing of a temple, he remains seated until several suits of the yellow robes have been carried up to the door and put in care of an official, to await the approach of His Majesty, and until other officers of state and a company of infantry, together with the musicians, have had time to leave their boats and place themselves in position for receiving him. The handrails of the steps which the King ascends are wound with white cotton cloth, and the flagged path from the landing to the temple is covered with grass matting exclusively for him to walk upon. When the King is in the act of ascending the steps of the landing, 'Old Siam' blows her pipes and conch shells, and beats her drums; the military form in double line and present arms, and the brass band plays the national anthem. "Having reached the door of the 'bote', the King takes one suit of the priests' robes, and bearing it in both hands, walks in and lays it on a table prepared for that purpose. On this table are five golden vases of flowers, five golden dishes of parched rice, tastefully arranged in the form of bouquets, five golden candlesticks with their candles, and five incense sticks. His Majesty first lights the candles and incense sticks. He then worships before the sacred shrine of Buddha, the sacred books, and the "His Majesty having renewed his obligations, then "As the King is about to leave the temple, the priests pronounce a Pali blessing upon him, and he again worships Buddha, the sacred books, and the priests. Then rising, he walks out of the 'bote,' and descends to the royal barge, with the same ceremonies as when he ascended. He visits several temples during each day, and spends some time in each one. The value of each priest's suit which the King Song Kran. Song Kran is an angel who rises with the sun when he enters the sign Aries. The date of the holidays held and ceremonies performed under this title is ruled by the sun, and is not definitely fixed. But each successive year the court astrologers announce the event, and then for four days the celebrations take place. The King takes a state shower-bath, and invites the priests to assemble at the palace for prayers and breakfast. The laity have their own special religious services and their own amusements. They gamble and pray, go to the theatres and temples, feed the priests and feed themselves as they do at New Year. Buddha's image is bathed by the old women, who also sprinkle water over the elderly people and priests present, with the idea of calling down blessings on those who are bathed, as well as on themselves. As a general rule the ceremonies begin about the eleventh or twelfth day of April. Kan Wisakha Bucha. This is the name of the holidays connected with a very important day in the Buddhist calendar—namely, the day on which Buddha was born. According to the tradition, it is also the day on which he died, and the day on which he attained Nirvana. This anniversary day has developed into a three days' celebration, of which the most noticeable feature is the extensive Khauwasa is derived from the Sanskrit "Varasha", meaning "rain" or "year." The Wasa season lasts from July 8th to October 4th, and has already been mentioned as the period of Buddhist Lent or confinement. The priests only, fast and do penance, and even for them there are no fixed rules, except that which forbids them to remain outside the temple enclosure between midnight and dawn. Several forms of self-mortification have been invented, such as spending the night in a cemetery, thinking of death; sleeping in uncomfortable postures, and only eating once in twenty-four hours. But if the penitent gets tired of doing penance, he may give it up. He will still retain all the merit he has made by what he has already done, though of course the quantity to his credit is less than it would have been had he persevered to the end. The general ceremonies for the people begin at the end of the period of confinement. The food given to the priests at this time is a first-class investment, as it purchases one hundredfold its value in heavenly entertainments in the very next existence. Everyone therefore is very anxious to secure a hungry priest for his guest. Kaw Prasai. The ground surrounding the different monasteries is always covered with sand, so that in wet weather the feet of the priests may not get covered with mud as they walk from their cells to the temple. Once |