(Adapted and Abridged Expressly for this Publication--with Tableaux Arranged by the Author of “Preston Papers.”) Characters:--Geordie, a boy about twelve years old; Miss Watson and Geordie’s three sisters, all fashionable young ladies; a foppish young man, a clerk, with an exceedingly long mustache; Peters, red-haired and freckled; Mr. Courtenay, a lawyer, who carries his head away up in the air. To-day I was let set up in a arm-chair, tucked up in a quilt. The girls was all down in the parlor, ’cos Miss Watson had come to call. Betty she come a huntin’ of me, but I hid in the closet behind a ole hoop-skirt. I come out when she went down stairs, an’ had a real good time. Some o’ them photographs was written on the back like this: “Conseated fop!” “Oh, ain’t he sweet?” “A perfick darling.” “What a mouth!” “Portrait of a donkey!” I kep about two dozen o’ them I knew, to have some fun when I get well--’n’ then shut the drawer, so’s Sue wouldn’t know they’s took. I couldn’t bear to go back to that nasty room, I was so tired of it, ’n’ I thot I’d pass my time playin’ I’s a young lady. Wen I was all fixed up I slid down the bannisters, plump agin Miss Watson, wot was a sayin’ good-by to my sisters. Such a hollerin’ as they made! Miss Watson she turned me to the light, an’ sez she, as sweet as pie: “Geordie, where did you get them pretty red cheeks?” Susan she made a sign, but I didn’t pay no ’tention to it. “I found some red stuff in Sue’s buro,” sez I--’n’ she smiled kind o’ hateful ’n’ said: “O-o-o-h!” Wich my sister says she is a awful gossip, wot’ll tell all over town that they paint, wich they don’t, ’cause that stuff was just to make red roses on card-board, wich is all right. Sue was so mad she boxed my ears. “Aha, Missy,” sez I to myself, “you don’t guess about them photographs wot I took out o’ your buro!” Some folks think little boys’ ears are made o’ purpose to be boxed--my sisters do. If they knew how it riled me up they’d be more careful. I laid low--but beware to-morrow. This morning they let me come down to breakfast. I’ve got all those pictures in my pockets, you bet your sweet life. “Wot makes your pockets stick out so?” ast Lily, when I was a waiting a chance to slip out un-be-known. I got off down town, an’ had piles o’ fun. I called on every one o’ them aboriginals of them photographs. “Hello, Geordie! Well agen?” said the first feller I stopped to see. Oh, my! when I get big enuff I hope my mustaches won’t be waxed like his ’n! He’s in a store, ’n’ I got him to give me a nice cravat, ’n’ he ast me, “Was my sisters well?” so I fished out his photograph and gave it to him. It was the one that had “Conseated Fop” written on the back. The girls had drawed his mustaches out twict as long with a pencil, ’n’ made him smile all acrost his face. He got as red as fire, ’n’ then he scowled at me. “Who did that, you little rascal?” “I guess the spirits done it” I said, as onest as a owl--’n’ then went away real quick ’cause he looked mad. The next place I come to was a grocery store, where a nuther young man lived. He had red hair, an’ freckles, but he seemed to think hisself a beauty. I said: “Hello, Peters!” He said: “The same yourself, Master George. Do you like raisins? Help yourself.” Boys wot has three pretty sisters allers does get treated well, I notiss. I took a big handful o’ raisins, ’n’ a few peanuts, ’n’ sot on the counter eating ’em, till all at onst, as if I jest tho’t of it, I took out his photograph an’ squinted at it, an sez: “I do declare it looks like you.” I wouldn’t for a long time, then I gave it to him. The girls had made freckles all over it. This was the one they wrote on its back: “He ast me, but I wouldn’t have him.” They’d painted his hair as red as a rooster’s comb. He got quite pale when he seen it clost. “It’s a burning shame” sez I, “for them young ladies to make fun o’ their bows.” “Clear out,” sez Peters. I grabbed a nuther bunch o’ raisins ’n’ quietly disappeared. I tell you he was wrathy. Mister Courtenay he’s a lawyer ’n’ got a offis on the square by the court-house. I knew him very well, ’cos he comes to our house offen. He’s a awful queer lookin’ chap, an’ so stuck up you’d think he was tryin’ to see if the moon was made o’ green cheese, like folks says it is, the way he keeps his nose up in the air. He’s got a deep, deep voice--way down in his boots. My heart beat wen I got in there, I was that frightened; but I was bound to see the fun out, so I ast him: “Is the ‘What is It’ on exabishun to-day?” “Wot do you mean?” sez he, a lookin’ down at me. “Sue said if I would come to your offis I would see wot this is the picture of,” sez I--given’ him his own photograph inscribed “The Wonderful What is It.” It’s awful funny to see their faces wen they look at their own cards. In about a minute he up with his foot--which I dodged just in time. Wen I got home they wuz teazin’ ma to let ’em give a party next week. I don’t believe one o’ them young men ’ll come to it; the girls have give ’em dead away. I don’t care, worth a cent. Wot for makes ’em box my ears ’f they want me to be good to ’em? TABLEAUX. 1. Boy’s room. Geordie in an arm-chair wrapped in a quilt. 2. Girls’ room. Geordie, fixed up as described, stands in center of foreground--grinning self-consciously. 3. Parlor. Miss Watson and Geordie in foreground, side face to audience; sisters scattered in rear and at sides. 4. Clothing store; counters, shelves, etc., may be simulated by tables, boxes and what-nots, on which clothing may be piled. Clerk and Geordie in front, clerk scowling--Geordie as innocent as it is possible to look. 5. Grocery store. Boxes and barrels standing around, Geordie sitting on one and just in the act of handing the picture to Peters. 6. Lawyer’s office. Desk and chairs in rear and side of room. Table with books at opposite side. Lawyer at right and Geordie at left of center, the former in the act of administering a kick, which Geordie wards off with his hand. |