| WHAT IS ‘POPULAR POETRY’? | 1 | | SPEAKING TO THE PSALTERY | 16 | | MAGIC | 29 | | THE HAPPIEST OF THE POETS | 70 | | THE PHILOSOPHY OF SHELLEY’S POETRY | 90 | | AT STRATFORD-ON-AVON | 142 | | WILLIAM BLAKE AND THE IMAGINATION | 168 | | WILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE DIVINE COMEDY | 176 | | SYMBOLISM IN PAINTING | 226 | | THE SYMBOLISM OF POETRY | 237 | | THE THEATRE | 257 | | THE CELTIC ELEMENT IN LITERATURE | 270 | | THE AUTUMN OF THE BODY | 296 | | THE MOODS | 306 | | THE BODY OF THE FATHER CHRISTIAN ROSENCRUX | 308 | | THE RETURN OF ULYSSES | 312 | | IRELAND AND THE ARTS | 320 | | THE GALWAY PLAINS | 333 | | EMOTION OF MULTITUDE | 339 | Note.—The Essay on Symbolism in Painting originally formed part of an Introduction to A Book of Images drawn by W. T. Horton (Unicorn Press), 1898.
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