Of all the spots in London, none was so dear to Burton as his club, The Athenaeum. When in England, he practically lived there, and its massive portico, its classic frieze, and the helmeted statue of Minerva were always imaged on his heart. He wrote a number of his books there, and he loved to write his letters on its notepaper stamped with the little oval enclosing Minerva's head. He used to make his way to the Athenaeum early in the day 264 and go straight to the library. Having seated himself at the round table he would work with coralline industry, and without a single break until six or seven in the evening. It was a standing joke against him in Dr. Burton's family that when at the club he was never at home to anybody except a certain Mrs. Giacometti Prodgers. This lady was of Austrian birth, and, according to rumour, there was a flavour of romance about her marriage. It was said that while the laws of certain countries regarded her as married, those of other countries insisted that she was still single. However, married or not, she concentrated all her spleen on cab-drivers, and was continually hauling some luckless driver or other before the London magistrates. Having a profound respect for Burton's judgment, she often went to him about these cab disputes, and, oddly enough, though nobody else could get at him, he was always at the service of Mrs. Prodgers, and good-naturedly gave her the benefit of his wisdom. 265 To the London magistrates the good lady was a perpetual terror, and Frederick Burton, a diligent newspaper reader, took a pleasure in following her experiences. "St. George," he would call across the breakfast table, "Mrs. Giacometti Prodgers again: She's had another cab-man up."

One evening, says a London contributor to the New York Tribune 266 referring to this period, "there was a smoking party given by a well-known Londoner. I went in late, and on my way upstairs, stumbled against a man sitting on the stairs, with a book and pencil in his hands, absorbed in his reading, and the notes he was making. It was Burton. When I spoke to him he woke up as if from a dream with the dazed air of one not quite sure where he is. I asked him what he was reading. It proved to be Camoens, and he told me he was translating the Portuguese poet. It seemed an odd place for such work, and I said as much." "Oh," answered Burton, "I can read anywhere or write anywhere. And I always carry Camoens about with me. You see, he is a little book, and I have done most of my translating in these odd moments, or, as you say, in this odd fashion." And he added, with a kind of cynical grin on his face, 'You will find plenty of dull people in the rooms above.' He had been bored and this was his refuge."