Froude’s Carlyle. “A man towards well up in the fifties; hair gray, not yet hoary, well setting off his fine clear brown complexion, head and face both smallish, as indeed the figure was while seated; features finely cut; eyes, brow, mouth, good in their kind—expressive all, and even vehemently so, but betokening rather keenness than depth either of intellect or character; a serious, human, honest, but sharp, almost fierce-looking thin man, with very much of the militant in his aspect,—in the eyes especially was visible a mixture of sorrow and of anger, or of angry contempt, Southey’s Life and Correspondence. “The personal appearance and demeanour of Southey at this time (he was then aged sixty-two) was striking and peculiar. The only thing in art which brings him exactly before me is the monument by Lough, the sculptor. Like many other young men of the time who had read Byron with great admiration, I had imbibed rather a prejudice against the Laureate. This was weakened by his appearance, and wholly removed by his frank conversation. He was calm, mild, and gentlemanly; full of quiet, subdued humour; the reverse of ascetic in his manner, speech, or actions. His bearing was rather that of a scholar than that of a man much accustomed to mingle in general society.... In any place Southey would have been pointed at as ‘a noticeable man.’ He was tall, slight, and well made. His features were striking, and Byron truly S. C. Hall’s Memories of Great Men. “His height was five feet eleven inches. ‘His forehead was very broad; his complexion rather dark; the eyebrows large and |