R. C. Jebb’s Bentley. * “The pose of the head is haughty, almost defiant; the eyes, which are large, prominent, and full of bold vivacity, have a light in them as if Bentley were looking straight at an impostor whom he had detected, but who still amused him; the nose, strong and slightly tip-tilted, is moulded as if Nature had wished to show what a nose can do for the combined expression of scorn and sagacity; and the general effect of the countenance, at a first glance, is one which suggests power—frank, self-assured, sarcastic, and, I fear we must add, insolent: yet, standing a little longer before the picture, we become aware of an essential kindness in those |