Did you ever try building landscapes on the dining-room table? If not, learn how easy it is and try it out some evening or rainy Sunday, when you don't feel like tramping across country with muddy roads and flat lightings.

The easiest kind of pictures to make in this way is an imitation of snow scenes. Any white material may be used, as snow, i.e., fine salt, powdered sugar, flour, or whatever the kitchen closet or the chemical shelf may produce. A range of mountains may easily be made by merely heaping up the material and then modeling ravines and broken slopes with a sharp pencil. A brilliant side lighting should be used to give the effect of sunrise or sunset, and clouds may be printed in from a cloud negative or obtained by means of a roughly painted background.

Perhaps mountains are more naturally represented by the use of a few sharp-angled pieces of coal from the cellar, or fragments of broken stone from the nearest quarry or monument maker. On these, after arranging, the white powder may be sifted, lodging in a close imitation of nature. If a highly polished table is used, reflections may be obtained as in a lake, or a sheet of glass with a dark cloth under it may be used for the same purpose.

More complicated landscapes may be made by using twigs as leafless trees, fence posts, etc., and children's toy houses may be introduced, particularly if well screened by brush and half buried in snow. Only the merest hint of the possibilities can be given, for they are endless.

The introduction of figures, in the shape of dolls, china and metal animals, carts, autos, railroad trains, etc., greatly widens the scope of such landscape work, but of recent years these figures have been more frequently used for tableaux, such as the one shown opposite. Extremely comical pictures have been made with kewpies, billikens and other queer creatures and their animal friends, and with grotesque figures made of vegetables, fruit and eggs.