COMPOSITE PHOTOGRAPHY.

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This is a process of combining a number of images in such a way that the result obtained is an aggregate of its components. Francis Galton was one of the first to employ this system. In the appendix to his "Inquiries into Human Faculty," Galton has described the very elaborate and perfect form of apparatus which he has used in his studies; but entirely satisfactory results may be obtained with much more simple contrivances. The instrument used by Prof. Bowditch[7] is merely an old-fashioned box camera, with a hole cut in the top for the reception of the ground-glass plate upon which the image is to be reflected for purposes of adjustment. The reflection is effected by a mirror set at an angle of 45 degrees in the axis of the camera, and pivoted on its upper border so that, after the adjustment of the image, the mirror can be turned against the upper side of the box, and the image allowed to fall on the sensitive plate at the back of the camera. The original negatives are used as components, and are placed in succession in a small wooden frame which is pressed by elliptical springs against a sheet of glass fastened vertically in front of the camera. By means of this arrangement it is possible to place each negative in succession in any desired position in a plane perpendicular to the axis of the camera, and thus to adjust it so that the eyes and the mouth of its optical image shall fall upon the fiducial lines drawn upon the ground-glass plate at the top of the camera. An Argand gas burner with a condensing lens furnishes the necessary illumination.

[7] From McClure's Magazine, September, 1894.

"For our amateur photographers," writes Prof. Bowditch, "who are constantly seeking new worlds to conquer, the opportunity of doing useful work in developing the possibilities of composite photography ought to be very welcome. Not only will the science of ethnology profit by their labors, but by making composites of persons nearly related to each other, a new and very interesting kind of family portrait may be produced. The effect of occupation on the physiognomy may also be studied in this way. By comparing, for instance, the composite of a group of doctors with that of a group of lawyers, we may hope to ascertain whether there is such a thing as a distinct legal or medical physiognomy."

By Prof. Bowditch.
FIG. 84.—COMPOSITE PORTRAITS OF BOSTON PHYSICIANS AND SAXON SOLDIERS.


                                                                                                                                                                                                                                                                                                           

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