We should say something of Sargent's influence on contemporary art, which has been immense. It has been thought that, deceived by the brilliance of his results, with their great air of spontaneity, younger painters have been led astray. This, we believe, is a mistake. The weakest go to the wall, but it is probable that the example of Sargent has succeeded in lifting the whole standard of painting in the country, bringing—even the great incompetent, within measuring distance of a useful ideal; an ideal of sympathy disciplined with every touch, and an ideal of difficult things. Is not Art always difficult? It has been so to Sargent, with everything at his fingers' ends; with everything so much at his fingers' ends that under special circumstances he once completed a life-size three-quarter length portrait in a single day. He was in America, and had promised to paint the portrait. The sittings were put off, and at last the friend who was to sit was suddenly called away; but Sargent came with his materials in the morning, and the sitter gave him the day. They were probably both nearly dead at the end of it, but a large finished painting had been begun and ended.

Sargent's countrymen have appreciated every manifestation of his gifts. Lately he exhibited eighty-three of his water-colours in Brooklyn. He will not part with them singly. Brooklyn enthusiastically bought the whole collection for its Art Museum.

Fame has not spoilt his retiring nature, and even by his art a barrier is raised, in front of which the master will not show himself, but I hope it is an intimacy that we have established with him in his art. Mine is but the privilege of murmuring the introduction, and any charges to be brought against me must be laid at Sargent's door. For a great artist creates not only his art, but that which it inspires. This is indeed the mysterious province of artistic creation; the artist creating beyond his art that which comes into our minds through contact with it; so framing our thoughts and setting in motion waves infinitely continued in the thoughts that pass through every man to his companions.

The plates are printed by Bemrose & Sons, Ltd., Derby and London The text at the Ballantyne Press, Edinburgh