INDEX.

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Esther Wood
  • Academy, The Royal, 33, 74-75, 80-81, 108, 122, 126-128, 161.
  • Academy Schools, 23, 27-31.
  • Academicians of last generation, 33.
  • “Adam and Eve,” 34.
  • “Alastor,” 108.
  • Albert Gallery, Edinburgh, 118.
  • Allingham, William, 136.
  • “Anniversary of the Death of Beatrice,” 118, 255.
  • “Annunciation, The,” 204-205.
  • Anthony, Mark, 87, 128-129.
  • “April Love,” 125.
  • “Art and Poetry,” 72.
  • “Arthur conveyed to Avalon,” 143.
  • Art Union, The, 129.
  • Arundel Club, The, 117.
  • “Astarte Syriaca,” or “Venus Astarte,” 59, 184-185, 189.
  • “Aurelia, or Fazio’s Mistress,” 117, 157.
  • Australia, 108.
  • “Autumn Leaves,” 121, 127, 229.
  • “Awakening Conscience, The,” 149, 224, 236, 239.
  • “Ballads and Sonnets,” 186, 298.
  • Banks, Mrs., 168.
  • Barbizon School, 134.
  • Baring, Miss, 168.
  • Bateman, E.L., 109.
  • “Beata Beatrix,” 4, 91, 121, 157, 159, 161-162, 224, 252-253.
  • “Beatrice,” 129.
  • Behnes, 108.
  • “Bello Mano, La,” 181.
  • “Beloved, The,” or “The Bride,” 91, 157.
  • “Benedick and Beatrice,” 106.
  • Beryl Songs, 298.
  • “Bethlehem Gate,” 116, 160, 217.
  • Birchington, 155.
  • “Crucifixion, The,” 116, 215.
  • Cumberland, 188-189.
  • Cuyp, 132.
  • Cyclographic Society, 60-61.
  • “Cymon and Iphigenia,” 62.
  • “Il Ramoscello,” 157.
  • Inchbold, 118.
  • “Infant Christ Adored, The,” 116, 156, 218.
  • “Infants’ Repast, The,” 34.
  • “Isabella,” 55, 60, 65, 67, 229.
  • “Isabella and the Pot of Basil,” 150.
  • “Isumbras at the Ford, Sir,” 148, 245-246.
  • Italian Pre-Raphaelites, The, 39-57, 113.
  • “Jenny,” 304-307.
  • “Jesus Washes Peter’s Feet,” 155.
  • “Joan of Arc,” 191, 245.
  • Johnson, Dr., and the Methodist Ladies, 159.
  • “Joli Coeur,” 119.
  • “Justice,” 34.
  • “Kate the Queen,” 95.
  • Keats, influence of, 58, 267, 277;
  • Keene, J.B., 61.
  • Kelmscott, 172, 178.
  • Kernahan, Mr. Coulson, 174.
  • “King Arthur Receiving Excalibur,” 143.
  • “King Arthur’s Tomb,” 116, 233.
  • Kingdon, Miss, 274-275.
  • Morris, Mrs. William, 145, 168, 186.
  • Morris, Miss May, 168.
  • Morten, Thomas, 129.
  • Mount Temple, Lord and Lady, 161, 168, 175, 185.
  • Moxon’s “Tennyson,” 137.
  • Murillo, 132.
  • Museum, South Kensington, 102.
  • Myers, Mr. T.W.H., 7, 273.
  • National Gallery, The, 79, 159.
  • “Nativity, The,” 205.
  • Nature as a Background, 15-16.
  • “Nature’s Mirror,” 129.
  • “New Day, The,” 179.
  • Nicholson, P.W., 200.
  • “NimuË Brings Sir Peleus,” 143.
  • “Nineveh,” 140.
@public@vhost@g@html@files@52008@52008-h@52008-h-8.htm.html#Page_117" class="pginternal">117.
  • “Salutation of Beatrice, The,” 1. F.W.H. Myers, “Rossetti and the Religion of Beauty.”

    • 2. “Some Thoughts on the Transition from Paganism to Christianity.”

    3. “On Pantheism and Cosmic Emotion.”

    4. “The Magazine of Art,” 1888.

    5. Gerald Massey: “Lectures on Pre-Raphaelitism,” 1858.

    6. W.M. Rossetti: “Fine Art; Chiefly Contemporary.”

    7. Rev. P.F. Forsyth: “Religion in Recent Art.”

    8. The Round Table Series: “Rossetti,” by P.W. Nicholson.

    9. William Tirebuck: “D.G. Rossetti; his work and influence.”

    10. Gabriel Sarrazin: “PoÈtes Modernes d’Angleterre.”

    11. Rossetti’s sonnet, “Found.”

    12. Rev. P.F. Forsyth: “Religion in Recent Art.”

    13. Rossetti’s sonnet, “Pandora.”

    14. Walter Pater, “The Renaissance: Studies of Art and Poetry.”

    15. F.W.H. Myers, “Essays: Modern.”

    Transcriber’s Note

    Errors in the text have been corrected where they can be reasonably attributed to the printer or editor, or where the same word appears as expected elsewhere. Inconsistencies in punctuation, particularly in the Index, have been resolved.

    p. xi “Bethlehem Gate”[—] Added.
    p. 4 Ruskin: “I believe [Rosetti’s] Sic.
    p. 22 its poet[r]y, its self-devotion Added.
    p. 30 Mill[ia/ai]s’s Transposed.
    p. 67 duly signed and [monogramed] Sic.
    p. 71 a poem called “The Seasons,” Mr[.] Tupper Added.
    p. 73 [“]Ruggiero and Angelica” Added.
    p. 74 apologia for the Pre-Rapha[e]lite Brotherhood Added.
    p. 74 heaped upon the Pre-R[e/a]phaelites Corrected.
    p. 79 seen only in the o[b]scure little Portland Gallery Added.
    p. 84 is to [to] have a principal Removed.
    p. 131 ‘You see purple,’ ‘You see red,’ [‘]You see yellow.’ Added.
    p. 224 marked degree perhaps tha[t/n] any other drawings Corrected.
    p. 239 ever-significant story of “Psyche” suggest[s] the same Added.




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