IOf Mary Wollstonecraft’s ancestors little is known, except that they were of Irish descent. Her father, Edward John Wollstonecraft, was the son of a prosperous Spitalfields manufacturer of Irish birth, from whom he inherited the sum of ten thousand pounds. He married towards the middle of the eighteenth century Elizabeth Dixon, the daughter of a gentleman in good position, of Ballyshannon, by whom he had six children: Edward, Mary, Everina, Eliza, James, and Charles. Mary, the eldest daughter and second child, was born on April 27, 1759, the birth year of Burns and Schiller, and the last year of George II.’s reign. She passed her childhood, until she was five years old, in the neighbourhood of Epping Forest, but it is doubtful whether she was born there or at Hoxton. Mr. Wollstonecraft followed no profession in particular, although from time to time he dabbled in a variety of pursuits when seized with a desire to make money. He is described as of idle, dissipated habits, and possessed of an ungovernable temper and a restless spirit that urged him to perpetual changes of residence. From Hoxton, where he squandered most of his fortune, he wandered to Essex, and In her sixteenth year, when the Wollstonecrafts were once more in London, Mary formed a friendship with Fanny Blood, a young girl about her own age, which was destined to be one of the happiest events of her life. There was a strong bond of sympathy between the two friends, for Fanny contrived by her work as an artist to be the chief support of her family, as her father, like Mr. Wollstonecraft, was a lazy, drunken fellow. Mary’s new friend was an intellectual and cultured girl. She loved music, sang agreeably, was well-read too, for her age, and wrote interesting letters. It was by comparing Fanny Blood’s letters with her own, that Mary first recognised how defective her education had been. She applied herself therefore to the task of Mrs. Wollstonecraft’s death (in 1780) was followed by the break-up of the home. Mary went to live temporarily with the Bloods at Walham Green, and assisted Mrs. Blood, who took in needle-work; Everina became for a short time housekeeper to her brother Edward, a solicitor; and Eliza married a Mr. Bishop. Mr. Kegan Paul has pointed out that “all the Wollstonecraft sisters were enthusiastic, excitable, and hasty tempered, apt to exaggerate trifles, sensitive to magnify inattention into slights, and slights into studied insults. All had bad health of a kind which is especially trying to the nerves, and Eliza had in excess the family temperament and constitution.” Mrs. Bishop’s married life from the first was one of utter misery; they were an ill-matched pair, and her peculiar temperament evidently exasperated her husband’s worst nature. His outbursts of fury and the scenes of violence of daily occurrence, for which he was responsible, were afterwards described with realistic fidelity by Mary in her novel, “The Wrongs of Women.” It was plainly impossible In the following year (1783) Mary set up a school at Islington with Fanny Blood, and she was thus in a position to offer a home to her sisters, Mrs. Bishop and Everina. The school was afterwards moved to Newington Green, where Mary soon had an establishment with some twenty day scholars. After a time, emboldened by her success, she took a larger house; but unfortunately the number of her pupils did not increase in proportion to her obligations, which were now heavier than she could well meet. While Mary was living at Newington Green, she was introduced to Dr. Johnson, who, Godwin says, treated her with particular kindness and attention, and with whom she had a long conversation. He desired her to repeat her visit, but she was prevented from seeing him again by his last illness and death. In the meantime Fanny Blood had impaired her health by overwork, and signs of consumption were already evident. A Mr. Hugh Skeys, who was engaged in business at Lisbon, though somewhat of a weak lover, had long admired Fanny, and wanted to marry her. It was thought that the climate of Portugal might help to restore her health, and she consented, perhaps more on that account than on any other, to become his wife. She returned to England to find that the school had greatly suffered by neglect during her absence. In a letter to Mrs. Skeys’s brother, George Blood, she says: “The loss of Fanny was sufficient to have thrown a cloud over my brightest days: what effect then must it have, when I am bereft of every other comfort? I have too many debts, the rent is so enormous, and where to go, without money or friends, who can point out?” She thus realised that to continue her school was useless. But her experience as a schoolmistress was to bear fruit in the future. She had observed some of the defects of the educational methods of her time, and her earliest published effort was a pamphlet entitled, “Thoughts on the Education of Daughters,” (1787). For this essay she received ten guineas, a sum that she gave to the parents of her friend, Mr. and Mrs. Blood, who were desirous of going over to Ireland. She soon went to Ireland herself, for in the October of 1787 she became governess to the IIAnd now, in her thirtieth year, Mary Wollstonecraft had concluded her career as a governess, and was resolved henceforth to devote herself to literature. Her chances of success were slender indeed, for she had written nothing to encourage her for such a venture. It was her fortune, however, to make the acquaintance of Joseph Johnson, the humanitarian publisher and bookseller of St. Paul’s Churchyard, who issued the works of Priestley, Horne Tooke, Gilbert Wakefield, and other men of advanced thought, and she met at his table many of the authors for whom he published, and such eminent men of the day as William Blake, Fuseli, and Tom Paine. Mr. Johnson, who afterwards proved one of her best friends, encouraged her in her literary plans. He was the publisher of her “Thoughts on the Education of Daughters,” and had recognised in that little book so much promise, that when she sought his advice, he at once offered to assist her with employment. Mary therefore settled at Michaelmas 1788 in a house in George Street, Blackfriars. She had brought to London the manuscript of her novel “Mary,” and she set to work on a book for children entitled “Original Stories from Real Life.” Both of these books appeared before the year was out, the latter with quaint plates by William Blake. Mary also occupied some of her time with translations from the French, German, and even Dutch, While she was at George Street she also wrote her “Vindication of the Rights of Man” in a letter to Edmund Burke. Her chief satisfaction in keeping up this house was to have a home where her brothers and sisters could always come when out of employment. She was never weary of assisting them either with money, or by exerting her influence to find them situations. One of her first acts when she settled in London was to send Everina Wollstonecraft to Paris to improve her French accent. Mr. Johnson, who wrote a short account of Mary’s life in London at this time, says she often spent her afternoons and evenings at his house, and used to seek his advice, or unburden her troubles to him. Among the many duties she imposed on herself was the charge of her father’s affairs, which must indeed have been a profitless undertaking. The most important of Mary Wollstonecraft’s labours while she was living at Blackfriars was the writing of the book that is chiefly associated with her name, “A Vindication of the Rights of Woman.” This volume—now much better known by its title than its contents—was It is evident that the great historical drama then being enacted in France had made a deep She certainly arrived in Paris at a dramatic moment; she wrote on December 24 to her sister Everina: “The day after to-morrow I expect to see the King at the bar, and the consequences that will follow I am almost afraid to anticipate.” On the day in question, the 26th, Louis XVI. appeared in the Hall of the Convention to plead his cause through his advocate, Desize, and on the same day she wrote that letter to Mr. Johnson which has so often been quoted: “About nine o’clock this morning,” she says, “the King passed by my window, moving silently along (excepting now and then a few strokes on the drum, which rendered the stillness more awful) through empty streets, surrounded by the national guards, who, clustering round the carriage, seemed to deserve their name. The inhabitants Mary first went to stay at the house of Madame Filiettaz, the daughter of Madame Bregantz, in whose school at Putney both Mrs. Bishop and Everina Wollstonecraft had been teachers. Mary was now something of a celebrity—“Authorship,” she writes, “is a heavy weight for female shoulders, especially in the sunshine of prosperity”—and she carried with her letters of introduction to several influential people in Paris. She renewed her acquaintance with Tom Paine, became intimate with Helen Maria Williams (who is said to have once lived with Imlay), and visited, among others, the house of Mr. Thomas Christie. It was her intention to go to Switzerland, but there was some trouble about her passport, so she settled From an engraving by Ridley, dated 1796, after a painting by John Opie, R.A. MARY WOLLSTONECRAFT. This picture was purchased for the National Gallery at the sale of the late Mr. William Russell. The reason for supposing that it represents Mary Wollstonecraft rests solely on testimony of the engraving in the Monthly Mirror (published during her lifetime), from which this reproduction was made. Mrs. Merritt made an etching of the picture for Mr. Kegan Paul’s edition of the “Letters to Imlay.” To face p. xvi It is probable that in March 1793 Mary Wollstonecraft first saw Gilbert Imlay. The meeting occurred at Mr. Christie’s house, and her immediate impression was one of dislike, so that on subsequent occasions she avoided him. However, her regard for him rapidly changed into friendship, and later into love. Gilbert Imlay was born in New Jersey about 1755. In deciding to devote herself to Imlay, Mary sought no advice and took no one into her confidence. She was evidently deeply in love with him, and felt that their mutual confidence shared by no one else gave a sacredness to their union. Godwin, who is our chief authority on the Imlay episode, states that “the origin of the connexion was about the middle of April 1793, and it was carried on in a private manner for about three months.” Imlay had no property whatever, and Mary had objected to marry him, because she would not burden him with her own debts, or “involve him in certain family embarrassments,” for which she believed herself responsible. She looked upon her connexion with Imlay, however, “as of the most inviolable nature.” Then the In a letter from Mary Wollstonecraft to her sister Everina, dated from Havre, March 10, 1794, she describes the climate of France as “uncommonly fine,” and praises the common people for their manners; but she is also saddened by the scenes that she had witnessed and adds that “death and misery, in every shape of terror, haunt this devoted country.... If any of the many letters I have written have come to your hands or Eliza’s, you know that I am safe, through the protection of an American, a most worthy man who joins to uncommon tenderness of heart and quickness of feeling, a soundness of understanding, and reasonableness of temper rarely to be met with. Having been brought up in the interior parts of America, he is a most natural, unaffected creature.” The affair was nevertheless doomed to failure from the first. Mary had taken her step without much forethought. She attributed to Imlay Mary, tired of waiting for Imlay’s return to Paris, and sickened with the “growing cruelties of Robespierre,” joined him at Havre in January 1794, and on May 14 she gave birth to a girl, whom she named Frances in memory of Fanny Blood, the friend of her youth. There is every evidence throughout her letters to Imlay of how tenderly she loved the little one. In a letter to Everina, dated from Paris on September 20, she speaks thus of little Fanny: “I want you to see my little girl, who is more like a boy. She is ready to fly away with spirits, and has eloquent health in her cheeks and eyes. She does not promise to be a beauty, but appears wonderfully intelligent, and though I am sure she In September Imlay left Havre for London, and now that the Terror had subsided Mary returned to Paris. This separation really meant the end of their camaraderie. They were to meet again, but never on the old footing. The journey proved the most fatiguing that she ever made, the carriage in which she travelled breaking down four times between Havre and Paris. Imlay promised to come to Paris in the course of two months, and she expected him till the end of the year with cheerfulness. With the press of business and other distractions his feelings for her and the child had cooled, as the tone of his letters betrayed. For three months longer Imlay put her off with unsatisfactory explanations, but her suspense came to an end in April, when she went to London at his request. Her gravest forebodings proved too true. Imlay was already living with a young actress belonging to a company of strolling players; and it was evident, though at first he protested to the contrary, that Mary was only a second consideration in his life. He provided her, however, with a furnished house, and she did not at once abandon hope of a reconciliation: but when she realised that hope was useless, in her despair she resolved to take her life. Whether she actually attempted suicide, or whether Imlay learnt of her intention in time to prevent her, is not actually known. Imlay was at this time The letters describing her travels, excluding any personal matters, were issued in 1796, as “Letters from Sweden and Norway,” one of her most readable books. The portions eliminated from these letters were printed by Godwin in his wife’s posthumous works, and are given in the present volume. She returned to England early in October with a heavy heart. Imlay had promised to meet her on the homeward journey, possibly at Hamburg, and to take her to Switzerland, but she hastened to London to find her suspicions confirmed. He provided her with a lodging, but entirely neglected her for some woman with whom he was living. On first making the discovery of his fresh intrigue, and in her agony of mind, she sought Imlay at the house he had furnished for his new companion. The conference resulted in her utter despair, and she decided to Mary met Imlay casually on two or three other occasions; probably her last sight of him was in the New Road (now Marylebone Road), when “he alighted from his horse, and walked with her some time; and the re-encounter passed,” she assured Godwin, “without producing in her any oppressive emotion.” Mary refused to accept any pecuniary assistance for herself from Imlay, but he gave a bond for a sum to be settled on her, the interest to be devoted to the maintenance of their child; neither principal nor interest, however, was ever paid. What ultimately became of Imlay is not known. Mary at length resigned herself to the inevitable. Her old friend and publisher, Mr. Johnson, came to her aid, and she resolved to resume her literary work for the support of herself and her child. She was once more seen in literary society. Among the people whom she met at this time was William Godwin. Three years her senior, he was one of the most advanced republicans of the time, the author of “Political Justice” and the novel “Caleb Williams.” They had met before, Godwin describes his courtship with Mary as “friendship melting into love.” They agreed to “I will have the honour to dine with you. You ask me whether I can get you four orders. I do not know, but I do not think the thing impossible. How do you do?” And Mary’s: “Fanny is delighted with the thought of dining with you. But I wish you to eat your meat first, and let her come up with the pudding. I shall probably knock at your door on my way to Opie’s; but should I not find you, let me request you not to be too late this evening. Do not give Fanny butter with her pudding.” This note is dated April 20, 1797, and probably fixes the time when Mary was sitting for her portrait to Opie. On the whole, Godwin and Mary lived happily together, with very occasional clouds, mainly due to her over-sensitive nature, and his confirmed bachelor habits. An interesting description of Mary at this time is given in Southey’s letter to Cottle, quoted above, dated March 13, 1797. He says, “Of all the lions or literati I have seen here, Mary Imlay’s countenance is the best, infinitely the best: the only fault in it is an expression somewhat similar to what the prints of Horne Tooke display—an expression indicating superiority; not haughtiness, not sarcasm, in Mary Imlay, but still it is unpleasant. Her eyes are light brown, and although the lid of one of them is affected by a little paralysis, they are the most meaning I ever saw.” Mary busied herself with literary work; otherwise her short married life was uneventful. Godwin made a journey with his friend Basil Montagu to Staffordshire from June 3 to 20, and the correspondence between husband and wife during this time, which Mr. Paul prints, is most From a photo by Emery, Walker after the picture by Opie MARY WOLLSTONECRAFT. This picture passed from Godwin’s hands on his death to his grandson, Sir Percy Florence Shelley. It was afterwards bequeathed to the nation by his widow, Lady Shelley. It was engraved by Heath (Jan. 1, 1798) for Godwin’s memoir of his wife. An engraving of it also appeared in the Lady’s Magazine, from which the frontispiece to this book was made, and a mezzotint by W. T. Annis was published in 1802. Mrs. Merritt also made an etching of the picture for Mr. Paul’s edition of the “Letters to Imlay.” To face p. xxvi On August 30, Mary’s child was born, not the William so much desired by them both but Mary, who afterwards became Mrs. Shelley. All seemed well with the mother until September 3, when alarming symptoms appeared. The best medical advice was obtained, but after a week’s illness, on Sunday morning, the 10th, at twenty minutes to eight, she sank and died. During her illness, when in great agony, an anodyne was administered, which gave Mary some relief, when she exclaimed, “Oh, Godwin, I am in heaven.” But, as Mr. Kegan Paul says, “even at that moment Godwin declined to be entrapped into the admission that heaven existed,” and his instant reply was: “You mean, my dear, that your physical sensations are somewhat easier.” Mary Godwin, however, did not share her husband’s religious doubts. Her sufferings had been great, but her death was a peaceful one. Godwin’s grief was very deep, as the letters that he wrote immediately after her death, and his tribute to her memory in the “Memoirs” testify. Mary Godwin was buried in Old St. Pancras churchyard on September 15, in the presence of most of her friends. Godwin lived till 1836, when he was laid beside her. Many years afterwards, at the same graveside, Shelley is said to have plighted his troth to Mary Godwin’s daughter. In 1851, when the Metropolitan and Midland Railways were constructed at St. In the year following Mary’s death (1798) Godwin edited his wife’s “Posthumous Works,” in four volumes, in which appeared the letters to Imlay, and her incomplete novel “The Wrongs of Woman.” His tribute to Mary Godwin’s memory was also published in 1798, under the title of “Memoirs of the Author of A Vindication of the Rights of Woman.” Godwin’s novel, “St. Leon” came out in 1799; his tragedy “Antonio” was produced only to fail, in 1800, and in 1801, he was wooed and won by Mrs. Clairmont, a widow. The Godwin household was a somewhat mixed one, consisting, as it did, of Fanny Imlay, Mary Godwin, Mrs. Godwin’s two children, Charles and Claire Clairmont, and also of William, the only child born of her marriage with Godwin. In 1812 Shelley began a correspondence with Godwin, which ultimately led to Mary Godwin’s elopement with the poet. Poor Fanny Imlay, or Godwin, as she was called after her mother’s death, died at the age of nineteen by her own hand, in October 1816. Her life had been far from happy in this strange household. She had grown to love Shelley, but his choice had fallen on her half-sister, so she bravely kept her secret to herself. One day she suddenly left home and travelled to Swansea, where she was found lying dead the morning after her arrival, in the inn Shelley, afterwards recalling his last interview with Fanny in London, wrote this stanza: “Her voice did quiver as we parted; IIIThe vicissitudes to which Mary Wollstonecraft was so largely a prey during her lifetime seem to have pursued her after death. In her own day recognised as a public character, reviled by most of her contemporaries in terms not less ungentle than Horace Walpole’s epithets, “a hyena in petticoats” or “a philosophising serpent,” posterity has proved hardly more lenient to her. For two generations after her death practically no attempt was made to remove the stigma from her name. But at length the late Mr. Kegan Paul, a man of wide and generous sympathies, made a serious effort to obtain something like justice for Mary Wollstonecraft. In his book on William Godwin, published in 1876, the true story of Mary’s life was told for the first time. It was somewhat of a revelation, for it recorded the history of an unhappy but brave and loyal December 1907. |